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Flea market
Cultural events:
• singing and dance
• Drama and Theatre (By Famous theater artists)
• Art gallery (ART SALE)
TO BOOK STALLS OR TO PARTICIPATE IN ANY CULTURAL EVENTS: please contact 8885273619 or Email us at Queerchyd@gmail.com
Thanking you
Queer Campus Hyderabad
Entry - Free
A 70-minute monologue in Hindustani on the life and times of a Hindi and Urdu writerLate Dr. Rahi Masoom Raza.
This is a part of Month-long theatre festival by Rangdhara, Sutradhar at Lamakaan over Sat & Sun weekends at 7:30pm in January.
Enacted by Vinay Varma and Directed by Prof. Bhaskar Shewalkar
This performance is first of its kind on Rahi.
This poignant monologue shows how Rahi detested communal and vote-bank politics, and how he fought against the divisive forces in the country through his writings. He was a strong nationalist and a Muslim next who staunchly opposed pseudo-secularism. He was upfront against the fundamentalists on both sides of the divide. He was brutally honest regarding politics of hatred, and felt that the interest of communal elements among both Hindus and Muslims lies in keeping the two communities aloof from each other and to create distrust among them.
For day passes or seasonal passes - call 9849052541
The speakers for the day will be Dr.Rama Melkote, Uzramma, K.Lalitha, Dr.B.Syama Sundari.
This is an initiative of the All India Federation of Handloom Organisations. The membership at present is 4, Dastkar Andhra(DA), DCYT(Decentralised Yarn spinning Trust), RCJS(Rashtra Chenetha Jana Samakhya),Chirala and DESI, Benguluru(Karnataka).
Open for all. Entry - Free
All are welcome. Entry - Free
Written by: Dr O R Bawa
Enacted by: Ratika Sant Keswani
Directed by: Vinay Varma
Mah Laqa Bai Chanda was an 18th century Urdu poet and the first woman to have a diwan (anthology) of her work. A multi-faceted personality renowned for her multi-lingual skills, mellifluous voice and dancing, she was also an accomplished archer and horse woman. Known to be brave, she participated in all the three wars fought by Nizam Ali Khan, Asaf Jah the II. The Nizam conferred upon her the title of Mah Laqa Bai Chanda meaning Visage of the
Moon along with the Jagir or estate of Adikmet and other honours. Mah Laqa Bai Chanda was a powerful woman in the court of the second and third Nizams of Hyderabad as she was frequently consulted by the rulers on policy matters. She was admitted into the omrah, the elite nobility and was the only woman to have been awarded this status.
Mah Laqa Bai Chanda was a socially conscious and enlightened woman who returned her debt to society by establishing a residential institution to provide less privileged girls educational opportunities and impart cultural training - a concept unique for those times.
This is perhaps the first time that a theatrical performance on the legendary woman is being performed and is intended to bring to life Hyderabad's most famous woman and acknowledge her immense contribution to Hyderabad's rich legacy.
Entry passes or seasonal passes - +919848052541 or book online with www.bookmyshow.com
mail team@sutradharactors.com or log onto www.sutradharactors.com
Kaushal has also had the privilege of learning in various workshops conducted by well-known Gurus, viz. Pt. Sudhir Mainkar, Pt. Bhai Gaitonde, & Pt. Suresh Talwalkar. Kaushal has been receiving valauable guidance in the art of Tabla accompaniment from Ustad Abdul Halim Jaffer Khan and Pt. Prabhu Tendolkar.
Kaushal has performed regularly at various concerts, mainly at Guru-purnima celebrations of Ustad Abdul Halim Jaffer Khan, Padmabhushan, and Pt. Sadanand Naimpalli "MUSIC LOVERS' CLUB", Mahatma Gandhi Seva Mandir, Bandra
private “mehfil” at Late Dr. Smt Gangubai Hangal’s residence, Hubli ‘SWARARNGAN MUSIC”, Vile-Parle, Mumbai “SWARA-SADHANA VIDYALAYA, Dahisar, Mumbai the 235th Bhaadrapad Ganapati Utsav organised by “Shree Ganapati Pachayatan Devasthan, Tasgaon”, Sangli.
Entry - Free
Srikrishna Mohan and Ramkumar Mohan are young Carnatic (South Indian Classical Music) Vocalists, popularly known as Trichur Brothers.
They are sons of Senior Mridanga Vidwan Shri Trichur R Mohan and belong to the 'Sitaram Group', a traditional business family based in Trichur, Kerala.
The duo began presenting concerts in the late 1990’s and in a very short span were regularly featured in the Chennai December Music Season by various distinguished sabhas like the Brahma Gana Sabha, Mylapore Fine Arts, Indian Fine Arts, The Music Academy, Bharath Kalachar, Krishna Gana Sabha, Bharatheeya Vidya Bhavan, Kalarasana, Thyaga Brahma Gana Sabha, Parthasarathy Swami Sabha etc. They have also performed far and wide across the country under the auspices of prominent sabhas and organisations. Prestigious awards like the Musiri Subramaniam award from Krishna Gana Sabha for ragam and neraval, Best Vocalists from Indian Fine Arts, Yuva Kala Bharathi from Bharath Kalachar to name a few, have been bestowed upon them. The Trichur Brothers are also a regular feature in the Chennai All India Radio programs and have appeared on various television channels in India.
The brothers have performed for an Indian Association at Jakarta, Indonesia. Recently, they were on a month long tour to North America with their dad, where they participated in the famous Cleveland Thyagaraja Aradhana. After performing at various cities in the United Stated they presented a four and half hour concert at Toronto in the final leg of their tour.
Entry - Free
Hyderabad Literary Festival 2014 is organized by "Hyderabad Literary Trust" in association with the Department of Tourism, Government of Andhra Pradesh, and with the support of several academic, literary, cultural organizations and publishing houses.
The Festival has emerged as an important event in the cultural calendar of the country representing as it does the rich and cosmopolitan ethos of the twin cities of Hyderabad and Secunderabad, as well as the vibrant culture of the modern Cyberabad.
HLF is a Festival for All. Its programme includes conversations with authors, readings, panels discussions, workshops, book launches, cultural programmes, events for college students and school children.
Guest Nation
Inviting a foreign country to showcase its literature and culture was a feature added to the Festival in 2012. Germany was the 'Guest Nation' at HLF 2012, and France at HLF 2013. At HLF 2014, Ireland will be the 'Guest Nation'. Besides, three eminent writers from Singapore will be participating in HLF 2014.
Indian Language in Focus
Paying special attention to the writing in one Indian language at each edition of the festival was a feature introduced at HLF 2013. Telugu was the language in focus at HLF 2013, and it will be Hindi at HLF 2014.
Venue
'Literary Street', Rd No 8, Banjara Hills. Events will take place at Ashiana (near Kalpa School), Saptaparni, Kalakriti Art Gallery, and Lamakaan.
Admission
Admission to all sessions is FREE, and free online registrations are open for the festival and the workshops : www.hydlitfest.org
You can also follow us and receive all the latest details on www.facebook.com/LitFestHyd and www.twitter.com/HydLitFest
Shalini Srinivasan lives mostly on the train between Hyderabad and Bangalore. She has written comics for Amar Chitra Katha and Tinkle. Vanamala and the Cephalopod (Duckbill Books) is her first novel.
These workshops are part of Hyderabad Literary Festival.
Entry - Free
This is being organised as a part of Hyderabad Literary Festival at Lamakaan.
Deepa Kiran is an Education Consultant, a professional storyteller and a freelance writer who works with children and teachers. She has been doing storytelling sessions and workshops for children, teachers and parents at schools, libraries, cultural centers, publishing houses, corporate and NGO such as DPS, Bhartiya Vidya Bhavan’s, Scholastic, Pratham, Microsoft and Genpact. She builds in music and dance in her telling to bring alive the story time. You can find her storytelling on her website : http://www.deepakiran.in/ She truly believes in the magic and healing power of arts and weaves music, dance and drama into her story sessions. She loves the energy sharing of communities, especially children and enjoys exploring the same in her travels. Her two sons are a constant source of inspiration and the testing ground for her storytelling and have recently begun to volunteer as her assistants.
Open for all. and Entry - Free
Rajeswari has been hailed as carrying an 'imaginative splendour that goes beyond technique'. Trained in the purist Pandanallur tradition of Bharatanatyam by Indira Rajan of Chennai, Rajeswari has been performing from the age of 10. She continually renews and refreshes her artistic spirit through collaborative performances and through her intense involvement in the development of her students.
The event is open to all and Entry is Free.
Guest Nation Inviting a foreign country to showcase its literature and culture was a feature added to the Festival in 2012. Germany was the 'Guest Nation' at HLF 2012, and France at HLF 2013. At HLF 2014, Ireland will be the 'Guest Nation'. Besides, three eminent writers from Singapore will be participating in HLF 2014.
Indian Language in Focus Paying special attention to the writing in one Indian language at each edition of the festival was a feature introduced at HLF 2013. Telugu was the language in focus at HLF 2013, and it will be Hindi at HLF 2014.
Venue 'Literary Street', Rd No 8, Banjara Hills. Events will take place at Ashiana (near Kalpa School), Saptaparni, Kalakriti Art Gallery, and Lamakaan.
Admission Admission to all sessions is FREE, and free online registrations are open for the festival and the workshops : www.hydlitfest.org
You can also follow us and receive all the latest details on www.facebook.com/LitFestHyd and www.twitter.com/HydLitFest
Shalini Srinivasan lives mostly on the train between Hyderabad and Bangalore. She has written comics for Amar Chitra Katha and Tinkle. Vanamala and the Cephalopod (Duckbill Books) is her first novel.
These workshops are part of Hyderabad Literary Festival.
Entry - Free
The contest is Open to all.
Teams of 3 members may apply.
First There will be Prelims from 11am onwards on and Finals for the top 6 teams at 2pm on Sat 25th Jan.
To register contact : manjiriganu@yahoo.com
Register here: http://bit.ly/HLFquiz
Entry - Free.
This is a part of Hyderabad Literary Festival on going in various venues in Hyderabad from 24-26 Jan - where Enda Reilly's country Ireland is the Guest nation for this year.
Irish singer-songwriter Enda Reilly writes in both Irish and English and conducts Climate Change Songs Workshops initiative, bringing fun songs and environmental issues into schools and other groups.
Enda has represented Ireland at the Nós Úr minority languages event in Inverness, Scotland and his song Dónal Ná Fág sung by Aoife Scott, represented Ireland in Liet, Italy in 2012 for the minority languages song competition there. Arise and Go!, a collaboration with the Irish contemporary poet Stephen James Smith, which is a collection of poetry and original works performed by blending spoken word and song is going from strength to strength with their video of WB Yeat’s September 1913 being aired both on RTÉ’s TV show The Works and the IFTA award winning “No Country For Old Men” documentary.
This workshop is open for all. Especially children are welcome to participate and sing along.
Entry - Free
Vivek and Sameer visit Yashwanth's place to offer condo¬lences on the demise of his mother and stay back for a night. Looking at their friend's unusual behavior Vivek and Sameer wonder if he is feigning to be normal or is in a trauma.
Sameer, the most sensible, for the situa¬tion tries to shake down the hid¬den pain that yashwanth is either concealing or is not realizing. But the Yashwant denies and instead calls for some tea, ciga¬rettes and booze. Yashwanth and Vivek are completely drunk even as Sameer tries to explain to them the importance of mother, but the other two refuse to under¬stand him. He gives up and joins the fun and enjoys the evening while boozing & singing before falling asleep. It is not until the next morning when Yashwanth wakes up and calls his mother for the bed tea twice and opens his eyes to see his dead mother's photograph, does he realize what he lost and what he had done the night before and cries out aloud.
Rangadhara & Sutradhar are the oldest & most renowned theatre groups in the twin cities staging the shows at regular intervals. Lamakaan, the famous open theatre is also associated with Ranga-Sutra for Ranga-Sutra festival.
ORIGINALLY WRITTEN IN MARATHI BY DR. CHANDRASEKHAR PHANSALKAR
ADAPTED IN HINDI BY PRAKASH PHADNIS
CAST & CREW:
SAURABH GHARIPURIKAR
CHAITANYA SAGAR
SUHAS BARVE
MUSIC BY: SUDHENDRA NENE
LIGHT BY: SHRI. ANANT KULKARNI
DIRECTED BY SUHAS BARVE
For Entry passes or seasonal passes - 9985874393 or book online with www.bookmyshow.com
This is a part of ongoing Hyderabad Literary Festival.
Madhu Kaza is a writer, artist and translator who has taught college literature and writing courses at New York University and Bard College as well as workshops for general audiences in diverse settings such as community centers, cafes, jails, hospitals and parks. She is a co-director of Witness Tree Literary Arts Education.
Open for all and Entry if Free.
Noted academic Anandraj Verma’s book is a collector’s issue. It not only tells the story behind the area names but also dwells at length on the historical structures, religious places, social customs and important families of each locality.
Mr. Verma, who retired as principal, Anwarul Uloom College packs his book with interesting anecdotes, little known things and exciting couplets.
In all he covers 30 localities situated on the south of the Musi. For this, he has made painstaking efforts to interact with 62 persons, who are well informed and have been part of the area all through.
Bindi, jhumar, jhumka aur bazoo ke joshan
Missi, gaja, kajal aur paoon ke chan
Itni cheezen dekh kar lalchaye gori ka man
Gori ko bazaar dikha kar pachtaye sajan
Open for all. Entry is free.
Sharing Music – Creating Harmony
What is Community Music? How can we use music as a tool to connect people together and create the sense of a community?
Communities around the world have made used the simple act of singing together to boost their morale, bring each other together, and gain energy.
HWMF started a Community singing project with bi-monthly sessions.
The motivation is simply to feel each others' energy and understand what it is like to sing with a room full of people. It is expected that participants have a basic interest in learning songs from all over the world in different languages and historical contexts! For this reason, we have set the minimum age to 12 years.
So if you are fond of singing just for the sheer joy of it, this is the place to be!
If you haven’t attended last session, don’t worry – you can join any session fresh.
If you have – don’t worry either – we don’t repeat repertoire or warm-ups so it is going to be new every time!
This week is going to be all about Sea Shanties and Work Songs!
These come from sailors who sang at the sea while hard at work. It forms a part of the rich maritime traditions of several countries.
A popular song included in this session is “What shall we do with the drunken sailor?” http://www.youtube.com/watch?v=masVujqiPv4
Tejaswinee Kelkar, our course director, is doing her MS at IIIT Hyderabad. She has studied an Associate Diploma in Western Classical theory and composition as well as Sangeet Visharad in Hindustani Classical music and is locally part of the choir group the Deccan Voices.
Sunday, 26th Jan. 4 - 5.30 pm
Venue: Lamakaan www.lamakaan.com Opps. GVK One Mall, Road No.1, Banjara Hills
Course fee: Rs. 100 for each session. Pl. register directly at the venue on 26th Jan. For more info: 9849451794 info@hydmusic.com or tejaswineek@gmail.com
- Making a powerful connection with the values stated in the Preamble of our Constitution
- Owning up and making meaning of their role and responsibilities as citizens of India
- Outlining actions that they can take in their personal lives, communities and the State.
The main elements of the CC/NN are:
- Group of citizens who volunteer to participate
- One/ two trained facilitators from We, the People
- Conversation anchored around the Preamble to the Constitution of India
- Small group conversations guided by around 2-3 powerful questions and followed by a whole group discussion.
On behalf of We the People, I am delighted to invite you to the Citizen Cafe – a space for dialogue, learning and action on our role as citizens. The Cafe is part of a pan-India initiative called Constitution Connect extending from November 26th (the day the Constitution of India was enacted) to January 26th (the day it was enforced).
Last year, in Season 1 of the Constitution Connect, nearly 800 citizens from 12 cities participated in the Cafes. 22 anchors volunteered their time to facilitate these and together created a buzz of excitement, interest and inspiration!! This year promises to involve more people from many more locations across India.
The Cafe brings together people from varied backgrounds in exploring the role we play as citizens in our democracy. Some the questions we examine are: What is the nation moving towards? What values do we stand for as Indians? What is my role in all this? What action steps can I take, now and this year, especially in the context of general elections? Who can I connect with for support?
Too often our role is of a bystander or cynic. Too often we believe that nothing works. The Cafe focuses on what has worked and what you and I can do to make it work. It will make you think, put you in touch with citizens who want change and move you to action.
The Cafe will be facilitated by We, the People. Join us. Please get along your spouses, partners, children and friends.
We, the People is a network of organisations and individuals. Our mission is to expand an informed, active and responsible citizenry in India. We facilitate exploration, understanding and action for being active and responsible citizens through events and in-depth training programmes.
RSVP here: https://www.facebook.com/events/521736534590379/
For more information, please visit www.we-the-people.in and our FB page https://www.facebook.com/WeThePeople
Entry - Free
This play is a part of Month-long theatre festival by Rangdhara, Sutradhar at Lamakaan over Sat & Sun weekends at 7:30pm in January.
The play evolves on an imaginary note, wherein, if Shajahan were to build Taj Mahal in this century, the hurdles he would face. It focuses on the organisational diseases that our country is suffering from corruption, favouritism, arrogance and insensitiveness to public needs.
The construction of the Taj Mahal is given to an engineer from the state, who takes this opportunity to make money out of the emperor and takes his own sweet time to start the process of construction. He floats a tender to accommodate his own men to gain and get the kick backs.
The engineer sets up a corporation for building the Taj Mahal and starts the construction of the office building for the corporation first.
Each time the Emperor asks for an update he gives lame excuses on one context or the other and in ten years time he also builds his own house.
Years pass by and there is no sign of the Taj being built and the emperor dies without seeing the Taj built.
However, the Corporation set up to build the TAJ celebrates its silver jubilee and the engineer gets extension of service.
The scenes in the play were what we see around in all the contracts which are being handled by different agencies in the country.
Writter by Ajay Shukla; Directed by Mohd. Shafi
For Entry passes or seasonal passes - 9985874393 or book online with www.bookmyshow.com
Mekhala has been learning Carnatic Music systematically under the tutelage of her grandmother Vidushi. S. Lakshminarasamma – a Karnataka Rajyotsava Awardee.
Along with her grandmother, she has released an audio cassette at a tender age of 7. She has won prizes in many reputed organizations and performed at Rotary Club, ISRO, Indian Institute of World Culture, School of Ancient Wisdom to name a few.
She has also gained appreciation for her extensive writing in various subjects of Carnatic music and also for her Concert reviews.
In 2010, she was given an opportunity to perform Carnatic music at Alliance Française de Bangalore during their World Music Day. She has also represented her college in Visveswaraya Technological University fest.
All are invited and entry is free.
Starting off as a journalist in 1952, he learned the basics of editing a news article from his senior at Andhra Prabha, Narla Venkateswara Rao, whom he considers his first teacher. In 1959, he joined a weekly called Andhra Patrika, where Bapu and Mullapudi Venkata Ramana were his colleagues.
In 1962, he became the first and only Telugu journalist to interview the then Prime Minister, Jawaharlal Nehru, who came to inaugurate Srisailam Hydroelectricity project. He covered the speeches of national leaders like Sarvepalli Radhakrishnan. In 1964, he worked as an assembly reporter. His articles are said to be very catchy and witty. For instance, he referred to the meeting of MLA's in Hotel Dwaraka, near the Andhra Pradesh State Assembly as "Adigo Dwaraka- Evigo Alamandalu" ("This is Dwaraka and here are the cattle"). His writing style caught the attention of the film industry due to his prowess in using traditional poetic rules related to alliteration and rhyme for describing current affairs.
Sri.N.T. Rama Rao, has invited him to join the film industry] as a lyricist. In 1974, he wrote his first song, "Bharatanaari Charitamu" in the form of Harikatha, for O Seeta Katha under the direction of the legendary director, K Viswanath.
In all he worked for hundred of films including Sagara Sangamam, Sankarabharanam, Geetanjali, Manchpallaki.
This screening is a part of 100years of Indian Cinema.
Entry - Free
The play highlights the present state of the film industry affairs.
Staged by Jann Sanchar Group, this is their humble tribute to the successful completion of 100 years of Indian Cinema.
Passes: 9848087821
The forum will be on the domain of agriculture, primarily focusing on farmers. The forum will try to discuss the following.
• How we can strengthen our farmers and define his identities holistically, not merely as a farmer but farmer as an entrepreneur.
• Examining the issues of existing price and marketing and the legal framework to improve the income and welfare of farmers.
• Assess the impact of international trade on the livelihood sustainability and the viability of small agricultural holdings.
• Enhancing the productivity, profitability and stability of the major farming systems.
• Explore the involvement of technology in farming, GM Crops and its consequences.
• Crop diseases, attacks of pathogens, quality issues of seeds and fertilizers. Scales of finance and credit related issues.
• Transportation systems, issues of storage and processing facilities.
• Climate change impact on agriculture and natural disasters like flood, drought impact on farming.
• Why farmers are moving from village to towns.
• Identifying the factors responsible for imbalances and disparities to achieve equitable agricultural growth and development.
• Creating awareness on farming issues.
Open for all. Entry Free.
For more information,Contact:
Mob:9951513232 Email:pathlothomkar@gmail.com
This forum consists of presentation of national electricity policy-2005 document followed by discussion among the stakeholders and experts' talks.
All are welcome! Admission is free.
For more information, Contact: K.Kanagaraj, Ph.D Scholar, Dept of. Education, EFL University, Hyderabad.
Phone and mail: 9550896763; kanagu.success@gmail.com
Walk in registration - 50/-
Entry Passes: 9908113113
Welcome to the HDPC discussion. Here you can discuss, ask questions or generally debate anything related to digital photography, digital cameras or digital imaging technology. If you are new to HDPC, please take a moment and introduce yourself! This is a good section to break the ice and meet our very friendly community! A place to discuss what photography means to you: your influences, ethical challenges, abstract ideas, and other non-technical matters about photography and photographers.
This session we will try to discuss on below topics:
Plans for Future Photography Meetups
What photography means to you..Hobby, Profession, Passion
How to enter in to the field of Commercial Photography
2014 Photography goals
You have Ur First Camers / DSLR ..Now What ?
Photography Equipment & Products help
General Talk
Need more active Volunteers
Who Can Attend: Every one who are serious about Photography...
ENTRY : FREE
For more details reach me @
hdphotoclub@gmail.com / ram.tota@gmail.com
Ram - 98490 14399
The purpose of organizing the forum is to examine how policies impact our lives. Also, is there any hidden agenda behind the policy, i.e. Whether the policy is neutral? This initiative is to decipher policies and policy making in the light of constitutional rights.
The purpose of organizing the forum is to examine how policies impact our life. Also, the forum tries to explore whether the policies are feasible and useful for the target group. Moreover, is there any hidden agenda behind the policy, i.e. whether the policy is neutral? This initiative is to decipher policies and policy making in the light of constitutional rights.
All are invited. Entry - Free
Nine-Eleven is such an incident, which shook the entire world. It had global implications in almost all spheres of our life. All the imperialist agendas were implemented as per schedule, in the form of destruction of Afghanistan, Iraq and Libya. Now, Syria and Iran are struggling to counter the offense. Therefore, it raises a big question that the incidents of nine-eleven were sabotage by any of the organizations or it was an inside job, used as a false flag. During this twelve years’ period lot of evidence has come to the surface and it is now beyond doubt that these were conceived, planned, executed by the government by using the latest technology to meet the pre-decided agendas.
All the investigations were merely eyewash. The nine-eleven commission report was purely a whitewash of the entire episode. After that the doubts among the public at large and families of the victims became stronger and there was demand of re-investigation of the incident of that fateful day. Hence an objective view about the same is need of the hour for a better understanding of this issue and similar contemporary incidents.
Therefore, a meeting is being organised on behalf of the Punjab Human Rights Organisation on the issue of nine-eleven
All are welcome.
Entry - Free
He started film production in 1948 with Drohi, wherein he also played the main character role under the directorship of L. V. Prasad. He named his production house as Prakash Productions and produced and directed some films like Modati Ratri and Deeksha; later on developed it as Prakash Studios.
Entry - Free
Synopsis:
ANNIE: Annie's story is written about a lesbian woman from Goa who struggled with her identity, and with her love for a woman.
MAAJI AUR BETI: In-law abuse is a form of domestic violence that is not often talked about. Jaswinder’s story explores the theme of In-law abuse in the form of letters written between a mother and daughter.
PHOOL: Phool is the story of a transsexual person, and his experiences with sexual identity, love and abuse.
MADHULEKHA: Madhulekha’s Story is about a high powered business woman, originally from Mumbai, now living in New York. She is seeing a therapist. This is her first session.
FATIMA: According to Statistics Canada, one quarter of all women have experienced violence at the hands of their current or past marital partner. Fatima’s story is about a Muslim woman’s experiences with abuse, and how she found help to get out of her abusive situation.
Running though the play, is the story of SHANTI, an immigrant women who speaks little or no English. The only person she trusts or knows in this new land is Miss Julia, her teacher at the LINC Class.
Synopsis:
ANNIE: Annie's story is written about a lesbian woman from Goa who struggled with her identity, and with her love for a woman.
MAAJI AUR BETI: In-law abuse is a form of domestic violence that is not often talked about. Jaswinder’s story explores the theme of In-law abuse in the form of letters written between a mother and daughter.
PHOOL: Phool is the story of a transsexual person, and his experiences with sexual identity, love and abuse.
MADHULEKHA: Madhulekha’s Story is about a high powered business woman, originally from Mumbai, now living in New York. She is seeing a therapist. This is her first session.
FATIMA: According to Statistics Canada, one quarter of all women have experienced violence at the hands of their current or past marital partner. Fatima’s story is about a Muslim woman’s experiences with abuse, and how she found help to get out of her abusive situation.
Running though the play, is the story of SHANTI, an immigrant women who speaks little or no English. The only person she trusts or knows in this new land is Miss Julia, her teacher at the LINC Class.
Entry - 9959202828
The National Health Policy-2002 aims at reviving and emerging the ailing health system and increasing the primary health sector outlay to ensure a more equitable access to health services across the social and geographical expanse of the country.
However, the main objective of the policy is to achieve an acceptable standard of good health among the general population by the country. The approach of the policy is to increase access to the decentralized public health system by establishing new infrastructure in deficient areas and by upgrading the infrastructure in the existing institutions.
Students of EFLU are conducting this public debate as a part of their study crse.
All are invited.
Entry - Free
Germany of early/mid-1930s. Final Solution is anti-hate/ violence as “those who forget history are condemned to relive it”.
Part 1: Pride and Genocide deals with the carnage and its immediate aftermath. It examines the patterns of pre-planned genocidal violence (by right-wing Hindutva cadres), which many claim was state-supported, if not state-sponsored. The film reconstructs through eyewitness accounts the attack on Gulbarg and Patiya (Ahmedabad) and acts of barbaric violence against Moslem women at Eral and Delol/Kalol (Panchmahals) even as Chief Minister Modi traverses the state on his Gaurav Yatra.
Part 2 : The Hate Mandate documents the poll campaign during the Assembly elections in Gujarat in late 2002. It records in detail the exploitation of the Godhra incident by the right-wing propaganda machinery for electoral gains. The film studies and documents the situation months after the elections to find shocking faultlines – voluntary ghettoisation, segregation in schools, formal calls for economic boycott of Muslims and continuing acts of violence.
Final Solution was banned in India by the censor board for several months. The ban was recently lifted after a sustained campaign (an online petition, hundreds of protest screenings countrywide, multi-city signature campaigns and dozens of letters to the Government sent by audiences directly). Final Solution was rejected
by the government-run Mumbai International film festival and was screened at Vikalp : Films for
Freedom (http://www.freedomfilmsindia.org), organised by the Campaign Against Censorship. Rakesh Sharma has been an active member of the Campaign since its inception.
Film screening is followed by a discussion.
Entry - Free
The forum will be organized in the following:
• Welcome address
• Policy presentation
• Discussion
• Question Answer Session
• Vote of Thanks
The following questions will be presented for discussion:
1. Could RTE make a difference in a child’s life and his education status after 3 years of implementation?
2. Why is there indifference to its implementation?
3. Why government schools have failed and lost faith of people?
4. Why the present education system creating inequalities in children society and education system at large?
5. Why is there exclusion of early childhood education from RTE Act?
6. Why is there admission based on age but there is no facility for bridge courses before admission?
7. Why is there no detention policy instead of improving the quality of education?
8. Why the norms and standards specified in the schedule to the Act are excessively input focussed and do not ensure learning outcomes?
9. What is the recognition process of state schools and teacher education colleges to meet the provisions of the Act “Quality education for all”?
10. Why is there discrimination of students in implementing 25% reservation of seats in private schools?
11. What are provisions for Orphans, Child labourers, Street children, School dropouts, out of school children in the Act and how much has been achieved in bringing these children in the mainstream of education?
12. What does the Act say about the quality of teacher, teacher education and teacher pupil ratio? And what is the present situation?
13. What are the major causes for mismatch between demand and supply factor in RTE Act?
14. RTE Act designated National commission for Protection of Childs Rights to monitor the provisions of the Act but why is there no legal authority with NCPCR?
15. Will common school system ensure quality education for all?
In view of this I seek your kind presence in the forum.
Your presence and participation in the forum discussion will be extremely valuable to us.
Date: Saturday, February 08, 2014.
Time: 10:30 am. To 01.30 pm.
For more details Contact: Md. Kalimullah, Research Scholar Department of Education, EFL University @ 8121455115, Email: write2kalim@gmail.com, cskalim@gmail.com
Thanking you
With Regards
Mohammed Kalimullah
P.hD. Scholar
Department of Education,
The English and Foreign Languages University, (O. U. Campus) Tarnaka, Hyderabad.
Hand Phone 8121455115; Email: write2kalim@gmail.com, cskalim@gmail.com
This conversation will feature Dr. Yamuna Krishnan of the National Centre for Biological Sciences, TIFR, in Bangalore. Starting with a background in Chemistry, Dr. Krishnan has earned worldwide recognition for her work on manipulating DNA to create nanoscale biological devices. She will speak on "First blueprint, now bricks: DNA as nanoscale construction material".
Entry - 9908113113
This will help promote handmade products that showcase age old Indian art and craft forms. It is a platform for NGOs, artisans, social entrepreneurs to show case traditional Indian handmade products.
Venue
Lamakaan, Banjara Hills
Date: 9th February 2014, Sunday
Timings: 1o AM to 5 PM
Kind of products: Clothing, jewellery,footwear, bags, wallets, paintings, lampshades, toys, linen and much more!
Other attractions:
Two or three workshops like bookmark making, potter's wheel and earring making sessions...
Sharing Music – Creating Harmony
What is Community Music? How can we use music as a tool to connect people together and create the sense of a community?
Communities around the world have made used the simple act of singing together to boost their morale, bring each other together, and gain energy.
HWMF started a Community singing project with bi-monthly sessions.
The motivation is simply to feel each others' energy and understand what it is like to sing with a room full of people. It is expected that participants have a basic interest in learning songs from all over the world in different languages and historical contexts! For this reason, we have set the minimum age to 12 years.
So if you are fond of singing just for the sheer joy of it, this is the place to be!
If you haven’t attended the last sessions, don’t worry – you can join any session fresh.
If you have – don’t worry either – we don’t repeat repertoire or warm-ups so it is going to be new every time!
American folklorist Pete Seeger passed away on 27th January. He worked with folk repertoire from the entire world and you will recognize his work easily through the song “We shall overcome” (Hum honge qamayaab), which he helped popularize.
This week we will sing repertoire from Chile, Liberia and Norway – which was in a record titled Folk Songs of Four Continents, by Pete Seeger and the Song Swappers.
A popular song included in this session is “Mi Caballo Blanco” http://www.youtube.com/watch?v=pvwVlvTNh2o
Tejaswinee Kelkar, our course director, is doing her MS at IIIT Hyderabad. She has studied an Associate Diploma in Western Classical theory and composition as well as Sangeet Visharad in Hindustani Classical music and is locally part of the choir group the Deccan Voices.
Walk in entry - 100/-
Entry - Free
All are welcome.
Entry - Free
Entry Fee: Rs.100 per head.
Event 1 - a Movie: 'Beyond the Veil': 52 mins
Beyond the Veil directed by Anusha Nandakumar is the story of two strong women. One Sughra Fatima, a teenager who comes from a large Muslim family who fought with her family to take up boxing as a sport and excelled at it. The other her mother: Rukshana Begum who got married, had children and was satisfied with her life till her husband's illness proved to be a setback. In order to support her family, she took to singing popular Hindi songs in bars and marriages secretly.
Event 2: 'Voices from History'
Voices from History is a bi-lingual reading (English and Telugu). This is a first-person performance of the lives, experiences and the challenges faced by 6 women from history. The women include: Durgabai, Rajyalakshmi, Acchamamba and Ailamma.
The reading will be followed by a discussion.
All are welcome. Entry - Free
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The concept behind the One Billion Rising campaign is simple.
ONE IN THREE WOMEN ON THE PLANET WILL BE RAPED OR BEATEN IN HER LIFETIME.
THAT IS ONE BILLION WOMEN.
IN 2013, ONE BILLION WOMEN AND MEN SHOOK THE EARTH THROUGH DANCE TO END VIOLENCE AGAINST WOMEN AND GIRLS.
THIS YEAR, ON 14 FEBRUARY 2014 WE ARE CALLING ON WOMEN AND MEN EVERYWHERE TO HARNESS THEIR POWER AND IMAGINATION TO RISE FOR JUSTICE.
IMAGINE, ONE BILLION WOMEN RELEASING THEIR STORIES, DANCING AND SPEAKING OUT AT THE PLACES WHERE THEY NEED JUSTICE, WHERE THEY NEED AN END TO VIOLENCE AGAINST WOMEN AND GIRLS.
So, is it a good option to trade their passion(s) for the profession to lead a seemingly routine / mechanical life? Many youth ignores their hidden talent/creativity in arts, culture, etc and start doing some job without finding joy in it.
If you feel so, then come and then do join us, Young PALs, and let us discuss and discover the ways to live the life to the fullest and stay healthy...
True happiness comes when you do what you love and what passionate about. Through this awareness program, make sure youth should identify their creativity and relevant opportunities for those in Arts, Culture, etc. and ensure not to become another me too.
All are welcome.
Entry - Free
Register here: https://docs.google.com/forms/d/1QScF1GnhYq6pJdvWgmZvK-rJSutBGWVKlTgymXET3Yk/viewform
Cast & Crew
A : Saurabh Gharipurikar
B: Ashutosh Patwardhan
Croud : Pushkarini, Vinayak, Sunjeet, Sneha, Tejas, Pranav.
Written In Marathi By - Vijay Tendulkar
Hindi Translation - Vasant Dev
Adaptation In Hindi - Saurabh Gharipurikr
Music : Tejas Mahajan
Lights : Krishna Shukla
Direction : Saurabh Gharipurikar
Duration of the play: 70 Minutes
Donor Pass : 9290013166
Kasinathuni Viswanath started as a sound designer turned director and actor known for his works, predominantly in Telugu Cinema. He is a multiple winner of National Film Award and Nandi Award.
Viswanath has directed blockbuster Bollywood films like Sargam, Kaamchor, Sanjog, Sur Sangam, Shubh Kaamna, Jag Utha Insaan, Eeshwar, Sangeet and Dhanwaan. Viswanath has won ten Filmfare Awards South, and one Bollywood Filmfare Award. Two of his films Shankarabharanam (1979), and Sagara Sangamam (1983) were show cased among CNN-IBN's list of hundred finest Indian films of all time. Viswanath has directed films like Swati Mutyam which was India's official entry to the Oscars for 1986. Swati Mutyam, Sirivennela, and Sagara Sangamam got critical acclaim at Asia Pacific Film Festival while Sankarabharanam, Swayam Krushi, Siri Siri Muvva and Swati Mutyam were showcased at the Moscow Film Festival. Sankarabharanam, has won the Prize of the Public at the Besançon Film Festival of France in the year 1981.
Saichand T made these series of films.
All are invited.
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