Lamakaan

Volunteers Gratitude Meet: Celebrating Their Contribution to Children's Social Emotional Learning. This discussion is scheduled to celebrate the volunteers who have contributed their time to the children's social-emotional learning program.

"Blind Men's Club" is an adaptation of Dr. Chandrashekhar Phansalkar's "Tax Free," a Marathi one-act play. "Tax Free" as the title of this play implies no tax, or being without tax or value. The play aims to explain that there is a lot of struggle in life, and it's up to you how to live it. When there is no escape from struggle, why suffer?So,why don't we live with laughter and enthusiasm?There is no tax on laughter.This drama is a beautiful reflection of life situations where we are left in a dilemma as to where we are and where we stand. The play is the Telugu adaptation of the Marathi one-act written by the famous author, which adds a lot to the play with fun play that surely makes the audience ponder the outcome. In a light-hearted comedy drama, a satirical scene on the plight of humanity has been presented.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan.

World Environment Day is celebrated annually on 5 June and encourages awareness and action for the protection of the environment.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: WHERE IS THE FRIEND'S HOUSE? | 1987 | 83 Mins | Iran | Persian Language with English Subtitles

About the film: Where Is the Friend's House?(Persian: خانه دوست کجاست, Khane-ye dust kojast) is a 1987 Iranian drama film written and directed by Abbas Kiarostami. The plot depicts a conscientious schoolboy's attempt to return his friend's school notebook to his home in a neighboring village to prevent the friend from being expelled if he fails to hand it in the next day. The film, whose title derives from a poem by Sohrab Sepehri, is the first installment in Kiarostami's Koker trilogy, followed by And Life Goes On and Through the Olive Trees, all of which take place in Koker, Iran.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

In a world that's increasingly fast-paced and digital, we invite you to slow down, unwind, and reconnect with your inner self through the tactile pleasure of creative journaling. Our creative journalling workshop offers a serene and inspiring environment where you can let your thoughts flow freely, and bring your ideas to life with an array of beautiful journal supplies.

As you sip your chai, let your worries fade away, and your thoughts begin to flow onto the page, you'll discover the therapeutic benefits of journaling, including:

- Clarity of thought and purpose

- Reduced stress and anxiety

- Increased self-awareness and confidence

- Improved creativity.

All the journalling supplies including a beautiful journal and a free kit will be provided at the workshop.

Last day to register: 5th june, 2024
Contact: 6290176108
DM @minion.crafts or @oldschoolmoth on Instagram for more queries.

SoudaAruna Studioz group is working on alternative cultural nerratives.

Samahaara
presents

HAKEEM SAAB
(Deccani play)

Based on the Neil Simon's adaptation of Anton Chekhov's short stories.

08th June 2024
08.00pm
Lamakaan, Banjara Hills, Hyderabad
Bookings at in.bookmyshow.com. Link in Bio.

Translated by Priyanka
Additional writings by Team Samahaara

Directed by Rathna Shekar

HAKEEM SAAB is based on an adaptation of Anton Chekhov`s short stories by Neil Simon. The short stories are narrated by a writer struggling with Writer`s block and his own artistic temperament. Witness as he takes you through his stories, be it either the puzzling tale of a employee sneezing on his boss or a deranged old woman who storms a bank and drives the manager mad, or any of his other eccentric tales. All of these now with a Hyderabadi/Deccani twist.

#20yearsofsamahaara

We are Read A Kitaab book club and have around 16,000 members globally. We meet every month to discuss books and exchange ideas and thoughts. We will be doing a book swap.

About us:
Read A Kitaab is an unbiased community of Readers, Booklovers, writers and artists. We strive to provide the community an ecosystem with an online library, book discussions, author meet, book of the month, monthly meets, newsletters & much more...

We love kids, for whom we have a kids book club. Read A Kitaab is a calm & comfort space to be yourself, to discuss books and life with no bars on age/gender/ethnicity/political views etc.

For more info Pl visit our website
www.readakitaab.com

And we are on Instagram @readakitaab

Read A Kitaab reading community is inviting the author Philip George in the meet-up which will be conducted before this and will speak to the author about the book. This will happen in continuation with the meeting

Book name - Racket Boy

In this session, we read and discuss material on casteism in queer spaces, keeping the context that queer person's experience is not solely defined by their sexuality or gender identity but also by other aspects such as caste and class. Casteism within queer spaces highlights the complex and multifaceted nature of discrimination where DBA(Dalit Bahujan Adivasi)queers face multiple levels of oppression.

In a world of chaos and uncertainty, a Prime Minister becomes speechless in front of international media, a YouTuber becomes ambitious to crack the biggest news that the nation is facing, and two officers are under immense pressure to file a report.

Book Discussion: Urban Informality and the Built Environment
Organiser: Hyderabad Urban Lab

Description: For nearly 50 years, the idea of 'informality' shaped our imagination of cities in India and other countries like India. Informality is often understood as illegal and inefficient. A good city and a good economy is one without informality. In this book discussion, Nikhilesh Sinha, Urban Informality and the Built Environment, shares his own intellectual journey through his PhD research in Hyderabad to networking with PhD scholars working on informality elsehwere in the world to the publication of the book. The book presents in the main, insights from doctoral research by young scholars from multiple sites. In conversation with Dr. Nikhilesh SInha would be the Director of Hyderabad Urban Lab, Dr. Anant Maringanti

Nikhilesh Sinha is currently Professor of Economics & Finance and Chair of Research Ethics at Hult International Business School, London and in more ways than one, an old Hyderabadi. His research began more than ten years ago as an exploration into the nature of relationships between landlords and tenants in two low income neighborhoods in Hyderabad

"Zuhur's Daughters," directed by Laurentia Genske and Robin Humboldt, provides an intimate portrayal of a Palestinian family's life in Gaza. Through the directors' lens, viewers witness the daily struggles and moments of resilience experienced by Zuhur and her daughters Samar and Lohan amidst the region's socio-political challenges.

The documentary captures their journey from mundane routines to profound aspirations, highlighting themes of family, identity, and the pursuit of dreams. But in general it follows Lohan and Samar, who were born as Zuhur's sons but have identified as women since puberty. Through intimate interviews and captivating cinematography, Genske and Humboldt skillfully unveil universal human experiences. The film transcends its specific setting, encouraging viewers to challenge their perceptions and offering a nuanced perspective on life in Gaza. Ultimately, "Zuhur's Daughters" is a powerful testament to the human spirit's endurance and ability to thrive amidst adversity, fostering a deeper understanding of shared human experiences.

ALL ARE INVITED!

Allama Aijaz Farrukh is an eminent historian and scholar. Allama Ejaz Farrukh has been writing his widely read column in the Siasat daily for more than forty years. His unique writing and speaking style is widely admired and respected. "Murraqaye Hyderabad" is the first of his masterpieces which encapsulates the history of Hyderabad. This history is not only the history of Kingdom but the breathing history of human beings where every moment speaks. Allama's collection also has many pictures of ancient Hyderabad that embellish the text. Allama provides the means to convey the culture capital of centuries to the new generation. His previous books Hyderabad Shahr Nigaran and Glimses of Hyderabad were released by the Vice President Hamid Ansari Sahib who came to Hyderabad specifically for these. Khama Khoon Chukaan Apna ,Aksey Hyderabad ,Muttabaqe Asafia part 1 and Part II were all sold out within two months of their publication. Allama Farrukh will speak to us on the 12th of June, 2024. Prof Humera Sayeed will coordinate and curate the event

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: SHIRIN | 2008| 92 Mins | Iran | Persian Language with English Subtitles

About the film: Shirin (Persian: شیرین) is a 2008 Iranian drama film directed by Abbas Kiarostami.[1] Some critics consider the film a notable twist in Kiarostami's artistic career.

The film features close-ups of many notable Iranian actresses and French actress Juliette Binoche as they watch a film based on a part mythological Persian romance tale of Khosrow and Shirin, with themes of female self-sacrifice. The film has been described as "a compelling exploration of the relationship between image, sound, and female spectatorship." The film depicts the audience's emotional involvement with the story. The story is read between the tragic and kitsch by a cast of narrators led by Manoucher Esmaieli. It is accompanied by a historical "film score" by Morteza Hananeh and Hossein Dehlavi.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Where Olive Trees Weep is a beautiful, poignant, heartbreaking new film about the struggles and resilience of Palestinian people under Israeli occupation. It explores themes of loss, trauma, and the quest for justice. We follow, among others, Palestinian journalist and therapist Ashira Darwish, grassroots activist Ahed Tamimi, and Israeli journalist Amira Hass.

Men in Menstruation is a unique event that combines a speaker session and a workshop designed to educate and sensitise men about menstruation, menstrual health, menstrual care, and the associated stigma. The event's aspiration is to engage participants with a primary aim to break down the social stigma and taboos surrounding menstruation. By educating men about menstruation, we seek to reduce discrimination and misunderstanding, promote empathy, and foster active support for menstrual hygiene, period poverty eradication, and women's menstrual health.

Sutradhar presents their first Marathi play - PASSWALA which is an adaptation of Late Jayant Pawar`s `Mulakat` with a Shamshan Ghat keeper. Set in a crematorium, it deeply reflects the vagaries of life.

Bring Your Own Friend: Celebrating Friendships

Join us for a heartwarming day dedicated to the beauty of friendship! "Bring Your Own Friend" is an event crafted for pairs of friends to come together and delve into the essence of their bond.


What to Expect:

Quality Time with Your Friend: Spend a day immersed in meaningful conversations and shared experiences. Whether you've been friends for years or just met recently, this event is for you!

Artistic Expression: Engage in art activities specially designed to deepen your connection with your friend.

Conversations that Matter: Dive into discussions that prompt reflection on your friendship journey.

Strengthening the Bond: Through laughter, shared experiences, and heartfelt conversations, strengthen the bond you share with your friend. Discover new facets of your relationship and leave with a renewed sense of connection and appreciation.

This event is a celebration of the unique bond between friends—a day to pause, reflect, and nourish the friendships that enrich our lives. Come with your friend and embark on a journey of self-discovery, creativity, and, above all, friendship.

Spaces are limited, so grab your friend and reserve your spots today!

For Registration 7702214965
reachouttoyashi@gmail.com
Fee 100/-

Sutradhar presents their first Marathi play - PASSWALA which is an adaptation of Late Jayant Pawar`s `Mulakat` with a Shamshan Ghat keeper. Set in a crematorium, it deeply reflects the vagaries of life.

The Power of Mental Health Awareness" - A Motivational Talk

Description:

In today's fast-paced world, mental health is often overlooked, yet it is fundamental to our overall well-being. This motivational talk will delve into the significance of mental health awareness and emphasize its power to transform lives and communities.

Attendees will gain insights into:

Understanding Mental Health: Breaking down what mental health entails and why it matters as much as physical health.

Recognizing Signs and Symptoms: Learning to identify early signs of mental health issues in oneself and others.

Overcoming Stigma: Discussing the societal stigma surrounding mental health and how to combat it.
Effective Coping Strategies: Exploring practical techniques for managing stress, anxiety, and other mental health challenges.

Building Resilience: Developing skills to bounce back from adversity and maintain a positive outlook.
Supporting Each Other: Encouraging a culture of empathy and support within our communities and workplaces.

This talk is designed to be interactive, engaging, and inspiring. It will give participants a renewed understanding of mental health and practical tools to foster a healthier, more supportive environment.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: LIKE SOMEONE IN LOVE | 2012 | 109 Mins | France & Japan | Japanese Language with English Subtitles

About the film: Like Someone in Love is a French-Japanese drama film written and directed by Iranian director Abbas Kiarostami, starring Rin Takanashi, Tadashi Okuno, and Ryō Kase. It was his final film to be released in his lifetime. The France-Japan co-production competed for the Palme d'Or at the 2012 Cannes Film Festival.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Join us for the exclusive premiere of "Violence," an electrifying Telugu action drama. Dive into a gripping tale of power, revenge, and justice, set against a gritty backdrop. Experience high-octane action sequences, intense drama, and powerful performances that will keep you on the edge of your seat.

18th Lok Sabha and the Demographic Dividend

What can the 18th Lok Sabha deliver to India's youth?

45% of the workforce are dependent on agriculture and 100 million people in the 18-35 age group are speaking neither work nor training.

The option appears to be Limited for young people: increasingly sccarce government jobs and migration from north to south and from everywhere to overseas.

where indeed can we expect to go?

Dr Rathin Roy in conversation with Dr Anant Maringanti.

Dr Rathin Roy
Distinguished Professor. Kautilya School of Public Policy, senior visiting fellow at ODI London: Former member of Economic Advisory Council to the Prime Minister of India

Dr Anant Maringanti.
Director Hyderabad urban lab

THE HYDERABAD VOICES and THE CADENCE VOICES Present an Evening of Pop,Jazz and Disney Songs on the occasion of The World Music Day.

After the electoral setback of the fascist forces in the Loksabha elections, many had hoped that fascism would be less aggressive and the attacks on civil and democratic rights would come to halt. However, the preparation to prosecute author Arundhati Roy and Kashmir-based academic Sheikh Showkat Hussain under the UAPA indicates that such hopes are misplaced. Under these new circumstances it’s important to understand what is going to be the strategy of fascism in Modi 3.0 regime. The history bears enough testimony to the fact that fascists are more aggressive in the aftermath of electoral setbacks. Any strategy of anti-fascist resistance must take this into account. In this context we are organising this discussion. We invite all the justice-loving people of Hyderabad to participate in this important discussion.

Care, resting, and community building are essential for the well-being of Dalit, Bahujan, and Adivasi (DBA) queers, who navigate the intersecting oppressions of casteism and heteronormativity. Self-care and rest are acts of resistance for DBA queers, offering necessary reprieves from the systemic discrimination they face. Creating spaces that prioritize their mental and physical health helps in fostering resilience and empowerment. Community building among DBA queers is equally crucial, as it provides a supportive network where individuals can share experiences, celebrate cultural heritage, and find solidarity. Through collective care practices and mutual support, DBA queer communities can strengthen their identities, challenge oppressive structures, and advocate for social justice. These efforts not only enhance individual well-being but also build a more inclusive and affirming community, where DBA queers can thrive and lead transformative change. We will read and discuss material on care, resting and community-building.

Samahaara Workshop Productions
presents

A Double Bill of Classics

Fritz Karinthy's
"REFUND"
(Hindi Play)
&
Sunkara Satyanarayana & Vasireddy Bhaskar Rao's
"MUNDADUGU"
(Telugu Play)

22nd June 2024
07.30pm
Lamakaan, Banjara Hills, Hyderabad

Bookings at in.bookmyshow.com

Directed by Rathna Shekar

"REFUND"
Refund is a comedy play that follows Kranthi Kumar, a former student who demands a refund of his tuition fees from his old school, claiming he received no education of value. As he confronts the school's staff, hilarity ensues as they try to navigate his unusual request and unexpected intelligence. The play is filled with witty banter, absurd situations, and clever twists, making it an entertaining exploration of education.

"MUNDADUGU"
Set in a village in Andhra Pradesh, Mundadugu is a play written in the year 1945 by the duo Vasireddy Bhaskar Rao and Sunkara Satyanarayana. This play is about the farmers who were oppressed and exploited by a Zamindar, and how the farmers form an association and revolt against the atrocities of the Zamindar.

Land revenue was one of the major sources of income for Britishers in India. The Zamindari system was one of the land tenure systems introduced in 1793, and the system was most prevalent in West Bengal, Bihar, Odisha, UP, Andhra Pradesh and Madhya Pradesh.

The Climate Party is a pan-India community for climate-interested people. We meet once a month, it is open for all - free event. We do not offer food or drinks - only conversations and value. Sometimes we have knowledge sessions or play climate games. We would expect around 30-50 people

VIBGYOR Street Clicks in Association with Zeiss is your guideway for street photography. Join us for a fun session balanced with technical and practicals.

Khwab-e-Hasti" is a classic tale exploring the complexities of human relationships and societal norms by Agha Hashr Kashmiri. He who was an eminent Urdu poet, playwright and dramatist and also called the Shakespeare of Urdu.

The story revolves around the lives of several central characters, each with their own complexities and motivations. Set against a backdrop of love, betrayal, and ambition, the story follows the journey of a resilient protagonist as he navigates through various challenges posed by a diverse cast of characters.

Through this compelling narrative, Darpan Theatre delves deep into themes of power, privilege, and redemption, offering the audience a thought-provoking exploration of life's intricacies.

About the Film:
A deranged 26 year old Junior copywriter continues to face stunted professional growth for more than half a decade now.

An abusive & manipulative boss who steals his ideas, a self-proclaimed one sided love of his life, a greedy mother and a reckless brother are reasons for his mental turbulence.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: 24 FRAMES | 2017 | 114 Mins | France & Iran | Persian Language with English Subtitles

About the film: The film is structured in 24 chapters of "Frames" usually set in a fixed camera position filming a scene of nature or the seashore. The 'action' of each Frame is highly constrained and often focuses on either one or two animals casually interacting or possibly vaguely interacting. The opening Frame depicts the oil masterpiece by Bruegel of Hunters in the Snow and selectively animates the actions of one of the animals or birds depicted by Bruegel by superimposing movement upon Brugel's original canvas to suggest motion and life. The remainder of the Frames is fully grounded in real-world depictions from a fixed camera perspective for the frame's duration and centers on various aspects of nature and wildlife.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Marnoparant is an acclaimed play by Surendra Verma.
The play is a conversation between husband and his wife's lover after the death of wife.
Its unwinds different layers of human emotions and relationship.
Second story Toba tek Singh is about the horrific partition of India.
Mughal baccha is about the arrogance of a Mughal which leads him to destroy his married life.

Marnoparant is an acclaimed play by Surendra Verma.
The play is a conversation between husband and his wife's lover after the death of wife.
Its unwinds different layers of human emotions and relationship.
Second story Toba tek Singh is about the horrific partition of India.
Mughal baccha is about the arrogance of a Mughal which leads him to destroy his married life.

Our play “Phiribar Poth Nai” (No Way Out!) is a work less concerned with recounting the episodes of Jibanananda Das' life than with contextualizing an oeuvre that grew more opaque over time. We link Jibanananda's evolution from a poet of wonderment and celebrant of the Bengali landscape to a weaver of conundrums with the tensions of the Second World War, followed by the struggle for independence and the partition of Bengal. We connect and contrast poems of like titles written at different times or for different publications, and elucidate stylistic and lexical idiosyncrasies by cross-referencing extensively Jibanananda's verse with his fiction, essays, and correspondence, and the comments they evoked from critics and associates. Shudrka Hyderabad believes that Jibanananda deserves more critical acclaim as a truly modern poet than even Tagore and hence pays tribute to him on his 125th birth year.

Performing Classical Dance (Bharatnatyam)

Volunteers Gratitude Meet: Celebrating Their Contribution to Children's Social Emotional Learning. This discussion is scheduled to celebrate the volunteers who have contributed their time to the children's social-emotional learning program.

"Blind Men's Club" is an adaptation of Dr. Chandrashekhar Phansalkar's "Tax Free," a Marathi one-act play. "Tax Free" as the title of this play implies no tax, or being without tax or value. The play aims to explain that there is a lot of struggle in life, and it's up to you how to live it. When there is no escape from struggle, why suffer?So,why don't we live with laughter and enthusiasm?There is no tax on laughter.This drama is a beautiful reflection of life situations where we are left in a dilemma as to where we are and where we stand. The play is the Telugu adaptation of the Marathi one-act written by the famous author, which adds a lot to the play with fun play that surely makes the audience ponder the outcome. In a light-hearted comedy drama, a satirical scene on the plight of humanity has been presented.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan.

World Environment Day is celebrated annually on 5 June and encourages awareness and action for the protection of the environment.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: WHERE IS THE FRIEND'S HOUSE? | 1987 | 83 Mins | Iran | Persian Language with English Subtitles

About the film: Where Is the Friend's House?(Persian: خانه دوست کجاست, Khane-ye dust kojast) is a 1987 Iranian drama film written and directed by Abbas Kiarostami. The plot depicts a conscientious schoolboy's attempt to return his friend's school notebook to his home in a neighboring village to prevent the friend from being expelled if he fails to hand it in the next day. The film, whose title derives from a poem by Sohrab Sepehri, is the first installment in Kiarostami's Koker trilogy, followed by And Life Goes On and Through the Olive Trees, all of which take place in Koker, Iran.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

In a world that's increasingly fast-paced and digital, we invite you to slow down, unwind, and reconnect with your inner self through the tactile pleasure of creative journaling. Our creative journalling workshop offers a serene and inspiring environment where you can let your thoughts flow freely, and bring your ideas to life with an array of beautiful journal supplies.

As you sip your chai, let your worries fade away, and your thoughts begin to flow onto the page, you'll discover the therapeutic benefits of journaling, including:

- Clarity of thought and purpose

- Reduced stress and anxiety

- Increased self-awareness and confidence

- Improved creativity.

All the journalling supplies including a beautiful journal and a free kit will be provided at the workshop.

Last day to register: 5th june, 2024
Contact: 6290176108
DM @minion.crafts or @oldschoolmoth on Instagram for more queries.

SoudaAruna Studioz group is working on alternative cultural nerratives.

Samahaara
presents

HAKEEM SAAB
(Deccani play)

Based on the Neil Simon's adaptation of Anton Chekhov's short stories.

08th June 2024
08.00pm
Lamakaan, Banjara Hills, Hyderabad
Bookings at in.bookmyshow.com. Link in Bio.

Translated by Priyanka
Additional writings by Team Samahaara

Directed by Rathna Shekar

HAKEEM SAAB is based on an adaptation of Anton Chekhov`s short stories by Neil Simon. The short stories are narrated by a writer struggling with Writer`s block and his own artistic temperament. Witness as he takes you through his stories, be it either the puzzling tale of a employee sneezing on his boss or a deranged old woman who storms a bank and drives the manager mad, or any of his other eccentric tales. All of these now with a Hyderabadi/Deccani twist.

#20yearsofsamahaara

We are Read A Kitaab book club and have around 16,000 members globally. We meet every month to discuss books and exchange ideas and thoughts. We will be doing a book swap.

About us:
Read A Kitaab is an unbiased community of Readers, Booklovers, writers and artists. We strive to provide the community an ecosystem with an online library, book discussions, author meet, book of the month, monthly meets, newsletters & much more...

We love kids, for whom we have a kids book club. Read A Kitaab is a calm & comfort space to be yourself, to discuss books and life with no bars on age/gender/ethnicity/political views etc.

For more info Pl visit our website
www.readakitaab.com

And we are on Instagram @readakitaab

Read A Kitaab reading community is inviting the author Philip George in the meet-up which will be conducted before this and will speak to the author about the book. This will happen in continuation with the meeting

Book name - Racket Boy

In this session, we read and discuss material on casteism in queer spaces, keeping the context that queer person's experience is not solely defined by their sexuality or gender identity but also by other aspects such as caste and class. Casteism within queer spaces highlights the complex and multifaceted nature of discrimination where DBA(Dalit Bahujan Adivasi)queers face multiple levels of oppression.

In a world of chaos and uncertainty, a Prime Minister becomes speechless in front of international media, a YouTuber becomes ambitious to crack the biggest news that the nation is facing, and two officers are under immense pressure to file a report.

Book Discussion: Urban Informality and the Built Environment
Organiser: Hyderabad Urban Lab

Description: For nearly 50 years, the idea of 'informality' shaped our imagination of cities in India and other countries like India. Informality is often understood as illegal and inefficient. A good city and a good economy is one without informality. In this book discussion, Nikhilesh Sinha, Urban Informality and the Built Environment, shares his own intellectual journey through his PhD research in Hyderabad to networking with PhD scholars working on informality elsehwere in the world to the publication of the book. The book presents in the main, insights from doctoral research by young scholars from multiple sites. In conversation with Dr. Nikhilesh SInha would be the Director of Hyderabad Urban Lab, Dr. Anant Maringanti

Nikhilesh Sinha is currently Professor of Economics & Finance and Chair of Research Ethics at Hult International Business School, London and in more ways than one, an old Hyderabadi. His research began more than ten years ago as an exploration into the nature of relationships between landlords and tenants in two low income neighborhoods in Hyderabad

"Zuhur's Daughters," directed by Laurentia Genske and Robin Humboldt, provides an intimate portrayal of a Palestinian family's life in Gaza. Through the directors' lens, viewers witness the daily struggles and moments of resilience experienced by Zuhur and her daughters Samar and Lohan amidst the region's socio-political challenges.

The documentary captures their journey from mundane routines to profound aspirations, highlighting themes of family, identity, and the pursuit of dreams. But in general it follows Lohan and Samar, who were born as Zuhur's sons but have identified as women since puberty. Through intimate interviews and captivating cinematography, Genske and Humboldt skillfully unveil universal human experiences. The film transcends its specific setting, encouraging viewers to challenge their perceptions and offering a nuanced perspective on life in Gaza. Ultimately, "Zuhur's Daughters" is a powerful testament to the human spirit's endurance and ability to thrive amidst adversity, fostering a deeper understanding of shared human experiences.

ALL ARE INVITED!

Allama Aijaz Farrukh is an eminent historian and scholar. Allama Ejaz Farrukh has been writing his widely read column in the Siasat daily for more than forty years. His unique writing and speaking style is widely admired and respected. "Murraqaye Hyderabad" is the first of his masterpieces which encapsulates the history of Hyderabad. This history is not only the history of Kingdom but the breathing history of human beings where every moment speaks. Allama's collection also has many pictures of ancient Hyderabad that embellish the text. Allama provides the means to convey the culture capital of centuries to the new generation. His previous books Hyderabad Shahr Nigaran and Glimses of Hyderabad were released by the Vice President Hamid Ansari Sahib who came to Hyderabad specifically for these. Khama Khoon Chukaan Apna ,Aksey Hyderabad ,Muttabaqe Asafia part 1 and Part II were all sold out within two months of their publication. Allama Farrukh will speak to us on the 12th of June, 2024. Prof Humera Sayeed will coordinate and curate the event

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: SHIRIN | 2008| 92 Mins | Iran | Persian Language with English Subtitles

About the film: Shirin (Persian: شیرین) is a 2008 Iranian drama film directed by Abbas Kiarostami.[1] Some critics consider the film a notable twist in Kiarostami's artistic career.

The film features close-ups of many notable Iranian actresses and French actress Juliette Binoche as they watch a film based on a part mythological Persian romance tale of Khosrow and Shirin, with themes of female self-sacrifice. The film has been described as "a compelling exploration of the relationship between image, sound, and female spectatorship." The film depicts the audience's emotional involvement with the story. The story is read between the tragic and kitsch by a cast of narrators led by Manoucher Esmaieli. It is accompanied by a historical "film score" by Morteza Hananeh and Hossein Dehlavi.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Where Olive Trees Weep is a beautiful, poignant, heartbreaking new film about the struggles and resilience of Palestinian people under Israeli occupation. It explores themes of loss, trauma, and the quest for justice. We follow, among others, Palestinian journalist and therapist Ashira Darwish, grassroots activist Ahed Tamimi, and Israeli journalist Amira Hass.

Men in Menstruation is a unique event that combines a speaker session and a workshop designed to educate and sensitise men about menstruation, menstrual health, menstrual care, and the associated stigma. The event's aspiration is to engage participants with a primary aim to break down the social stigma and taboos surrounding menstruation. By educating men about menstruation, we seek to reduce discrimination and misunderstanding, promote empathy, and foster active support for menstrual hygiene, period poverty eradication, and women's menstrual health.

Sutradhar presents their first Marathi play - PASSWALA which is an adaptation of Late Jayant Pawar`s `Mulakat` with a Shamshan Ghat keeper. Set in a crematorium, it deeply reflects the vagaries of life.

Bring Your Own Friend: Celebrating Friendships

Join us for a heartwarming day dedicated to the beauty of friendship! "Bring Your Own Friend" is an event crafted for pairs of friends to come together and delve into the essence of their bond.


What to Expect:

Quality Time with Your Friend: Spend a day immersed in meaningful conversations and shared experiences. Whether you've been friends for years or just met recently, this event is for you!

Artistic Expression: Engage in art activities specially designed to deepen your connection with your friend.

Conversations that Matter: Dive into discussions that prompt reflection on your friendship journey.

Strengthening the Bond: Through laughter, shared experiences, and heartfelt conversations, strengthen the bond you share with your friend. Discover new facets of your relationship and leave with a renewed sense of connection and appreciation.

This event is a celebration of the unique bond between friends—a day to pause, reflect, and nourish the friendships that enrich our lives. Come with your friend and embark on a journey of self-discovery, creativity, and, above all, friendship.

Spaces are limited, so grab your friend and reserve your spots today!

For Registration 7702214965
reachouttoyashi@gmail.com
Fee 100/-

Sutradhar presents their first Marathi play - PASSWALA which is an adaptation of Late Jayant Pawar`s `Mulakat` with a Shamshan Ghat keeper. Set in a crematorium, it deeply reflects the vagaries of life.

The Power of Mental Health Awareness" - A Motivational Talk

Description:

In today's fast-paced world, mental health is often overlooked, yet it is fundamental to our overall well-being. This motivational talk will delve into the significance of mental health awareness and emphasize its power to transform lives and communities.

Attendees will gain insights into:

Understanding Mental Health: Breaking down what mental health entails and why it matters as much as physical health.

Recognizing Signs and Symptoms: Learning to identify early signs of mental health issues in oneself and others.

Overcoming Stigma: Discussing the societal stigma surrounding mental health and how to combat it.
Effective Coping Strategies: Exploring practical techniques for managing stress, anxiety, and other mental health challenges.

Building Resilience: Developing skills to bounce back from adversity and maintain a positive outlook.
Supporting Each Other: Encouraging a culture of empathy and support within our communities and workplaces.

This talk is designed to be interactive, engaging, and inspiring. It will give participants a renewed understanding of mental health and practical tools to foster a healthier, more supportive environment.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: LIKE SOMEONE IN LOVE | 2012 | 109 Mins | France & Japan | Japanese Language with English Subtitles

About the film: Like Someone in Love is a French-Japanese drama film written and directed by Iranian director Abbas Kiarostami, starring Rin Takanashi, Tadashi Okuno, and Ryō Kase. It was his final film to be released in his lifetime. The France-Japan co-production competed for the Palme d'Or at the 2012 Cannes Film Festival.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Join us for the exclusive premiere of "Violence," an electrifying Telugu action drama. Dive into a gripping tale of power, revenge, and justice, set against a gritty backdrop. Experience high-octane action sequences, intense drama, and powerful performances that will keep you on the edge of your seat.

18th Lok Sabha and the Demographic Dividend

What can the 18th Lok Sabha deliver to India's youth?

45% of the workforce are dependent on agriculture and 100 million people in the 18-35 age group are speaking neither work nor training.

The option appears to be Limited for young people: increasingly sccarce government jobs and migration from north to south and from everywhere to overseas.

where indeed can we expect to go?

Dr Rathin Roy in conversation with Dr Anant Maringanti.

Dr Rathin Roy
Distinguished Professor. Kautilya School of Public Policy, senior visiting fellow at ODI London: Former member of Economic Advisory Council to the Prime Minister of India

Dr Anant Maringanti.
Director Hyderabad urban lab

THE HYDERABAD VOICES and THE CADENCE VOICES Present an Evening of Pop,Jazz and Disney Songs on the occasion of The World Music Day.

After the electoral setback of the fascist forces in the Loksabha elections, many had hoped that fascism would be less aggressive and the attacks on civil and democratic rights would come to halt. However, the preparation to prosecute author Arundhati Roy and Kashmir-based academic Sheikh Showkat Hussain under the UAPA indicates that such hopes are misplaced. Under these new circumstances it’s important to understand what is going to be the strategy of fascism in Modi 3.0 regime. The history bears enough testimony to the fact that fascists are more aggressive in the aftermath of electoral setbacks. Any strategy of anti-fascist resistance must take this into account. In this context we are organising this discussion. We invite all the justice-loving people of Hyderabad to participate in this important discussion.

Care, resting, and community building are essential for the well-being of Dalit, Bahujan, and Adivasi (DBA) queers, who navigate the intersecting oppressions of casteism and heteronormativity. Self-care and rest are acts of resistance for DBA queers, offering necessary reprieves from the systemic discrimination they face. Creating spaces that prioritize their mental and physical health helps in fostering resilience and empowerment. Community building among DBA queers is equally crucial, as it provides a supportive network where individuals can share experiences, celebrate cultural heritage, and find solidarity. Through collective care practices and mutual support, DBA queer communities can strengthen their identities, challenge oppressive structures, and advocate for social justice. These efforts not only enhance individual well-being but also build a more inclusive and affirming community, where DBA queers can thrive and lead transformative change. We will read and discuss material on care, resting and community-building.

Samahaara Workshop Productions
presents

A Double Bill of Classics

Fritz Karinthy's
"REFUND"
(Hindi Play)
&
Sunkara Satyanarayana & Vasireddy Bhaskar Rao's
"MUNDADUGU"
(Telugu Play)

22nd June 2024
07.30pm
Lamakaan, Banjara Hills, Hyderabad

Bookings at in.bookmyshow.com

Directed by Rathna Shekar

"REFUND"
Refund is a comedy play that follows Kranthi Kumar, a former student who demands a refund of his tuition fees from his old school, claiming he received no education of value. As he confronts the school's staff, hilarity ensues as they try to navigate his unusual request and unexpected intelligence. The play is filled with witty banter, absurd situations, and clever twists, making it an entertaining exploration of education.

"MUNDADUGU"
Set in a village in Andhra Pradesh, Mundadugu is a play written in the year 1945 by the duo Vasireddy Bhaskar Rao and Sunkara Satyanarayana. This play is about the farmers who were oppressed and exploited by a Zamindar, and how the farmers form an association and revolt against the atrocities of the Zamindar.

Land revenue was one of the major sources of income for Britishers in India. The Zamindari system was one of the land tenure systems introduced in 1793, and the system was most prevalent in West Bengal, Bihar, Odisha, UP, Andhra Pradesh and Madhya Pradesh.

The Climate Party is a pan-India community for climate-interested people. We meet once a month, it is open for all - free event. We do not offer food or drinks - only conversations and value. Sometimes we have knowledge sessions or play climate games. We would expect around 30-50 people

VIBGYOR Street Clicks in Association with Zeiss is your guideway for street photography. Join us for a fun session balanced with technical and practicals.

Khwab-e-Hasti" is a classic tale exploring the complexities of human relationships and societal norms by Agha Hashr Kashmiri. He who was an eminent Urdu poet, playwright and dramatist and also called the Shakespeare of Urdu.

The story revolves around the lives of several central characters, each with their own complexities and motivations. Set against a backdrop of love, betrayal, and ambition, the story follows the journey of a resilient protagonist as he navigates through various challenges posed by a diverse cast of characters.

Through this compelling narrative, Darpan Theatre delves deep into themes of power, privilege, and redemption, offering the audience a thought-provoking exploration of life's intricacies.

About the Film:
A deranged 26 year old Junior copywriter continues to face stunted professional growth for more than half a decade now.

An abusive & manipulative boss who steals his ideas, a self-proclaimed one sided love of his life, a greedy mother and a reckless brother are reasons for his mental turbulence.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: 24 FRAMES | 2017 | 114 Mins | France & Iran | Persian Language with English Subtitles

About the film: The film is structured in 24 chapters of "Frames" usually set in a fixed camera position filming a scene of nature or the seashore. The 'action' of each Frame is highly constrained and often focuses on either one or two animals casually interacting or possibly vaguely interacting. The opening Frame depicts the oil masterpiece by Bruegel of Hunters in the Snow and selectively animates the actions of one of the animals or birds depicted by Bruegel by superimposing movement upon Brugel's original canvas to suggest motion and life. The remainder of the Frames is fully grounded in real-world depictions from a fixed camera perspective for the frame's duration and centers on various aspects of nature and wildlife.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Marnoparant is an acclaimed play by Surendra Verma.
The play is a conversation between husband and his wife's lover after the death of wife.
Its unwinds different layers of human emotions and relationship.
Second story Toba tek Singh is about the horrific partition of India.
Mughal baccha is about the arrogance of a Mughal which leads him to destroy his married life.

Marnoparant is an acclaimed play by Surendra Verma.
The play is a conversation between husband and his wife's lover after the death of wife.
Its unwinds different layers of human emotions and relationship.
Second story Toba tek Singh is about the horrific partition of India.
Mughal baccha is about the arrogance of a Mughal which leads him to destroy his married life.

Our play “Phiribar Poth Nai” (No Way Out!) is a work less concerned with recounting the episodes of Jibanananda Das' life than with contextualizing an oeuvre that grew more opaque over time. We link Jibanananda's evolution from a poet of wonderment and celebrant of the Bengali landscape to a weaver of conundrums with the tensions of the Second World War, followed by the struggle for independence and the partition of Bengal. We connect and contrast poems of like titles written at different times or for different publications, and elucidate stylistic and lexical idiosyncrasies by cross-referencing extensively Jibanananda's verse with his fiction, essays, and correspondence, and the comments they evoked from critics and associates. Shudrka Hyderabad believes that Jibanananda deserves more critical acclaim as a truly modern poet than even Tagore and hence pays tribute to him on his 125th birth year.