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Kaurismäki is known for his extremely minimalistic style. He has been called an auteur, since he writes, directs, produces, and usually edits the films himself, and thus introduces his personal "drollery and deadpan" style. The dialogue is famously laconic: the articulation is unadorned, direct, and in strict standard language, without showing much emotion or drama. Characters frequently stand still and recite the dialogue as if it consisted of eternal truths or nothing at all. These characters rarely smile, nod sadly, and smoke constantly. The camera is usually still. Events are shown in a plain manner and characters are usually left alone to face the consequences. However, despite their tragedies and setbacks, the characters don't give up and eventually survive.
Movie: Ariel (1988), Dur: 73 minutes
A Finnish coal miner is convicted for a crime he didn't commit and dreams of breaking out to board the 'Ariel'- a ship bound for South America.
The screening will be followed by a discussion about the film and its elements.
ALL ARE WELCOME!!!
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
Kaurismäki is known for his extremely minimalistic style. He has been called an auteur, since he writes, directs, produces, and usually edits the films himself, and thus introduces his personal "drollery and deadpan" style. The dialogue is famously laconic: the articulation is unadorned, direct, and in strict standard language, without showing much emotion or drama. Characters frequently stand still and recite the dialogue as if it consisted of eternal truths or nothing at all. These characters rarely smile, nod sadly, and smoke constantly. The camera is usually still. Events are shown in a plain manner and characters are usually left alone to face the consequences. However, despite their tragedies and setbacks, the characters don't give up and eventually survive.
Movie: Crime & Punishment (1983), Dur: 93 minutes
It is the first full-length film by Kaurismäki and is based on Fyodor Dostoevsky's 1866 novel of the same title, Crime and Punishment. The main character in the film is called Rahikainen.
The screening will be followed by a discussion about the film and its elements.
ALL ARE WELCOME!!!
15th, 16th & 17th April 2022
Day 1
15th April 2022
8.00pm
Lamakaan, Banjara Hills, Hyd
A Double bill of two Telugu Satires
Yandamuri Veerendranath's
KUKKA
&
MVS Harnatha Rao's
NIVEDYAM
Duration : 1 hr 30 minutes
KUKKA is a play displaying the atrocities committed by landlords in rural telangana prior to and some time after independence. Landlords and some affluent families often capitalized on the naive mentality and thinking of the underprivileged villagers. It also encapsulates the way in which the offsprings of these landlords also craved and learnt from their forefathers and dwelled on naive people in the same manner. Landlords often lent money to the ones in need and demanded huge interests in return.
NIVEDYAM
It is believed that God always keeps his word. He gives justice to the poor and food to the hungry. Do these statements have any truth in them? Let's find out by watching this hilarious play Nivedyam.
15th, 16th & 17th April 2022
Day 2
16th April 2022
8.00pm
Lamakaan, Banjara Hills, Hyd
Sunkara & Vasireddy's
MUNDADUGU
(Telugu Play)
Duration : 2hrs
Set in a village in Andhra Pradesh, Mundadugu is a play written in the year 1945 by the duo Vasireddy Bhaskar Rao and Sunkara Satyanarayana. This play is about the farmers who were oppressed and exploited by a zamindar, and how the farmers form an association and revolt against the atrocities of the zamindar.
Land revenue was one of the major sources of income for Britishers in India. The Zamindari system was one of the land tenure systems introduced in 1793, and the system was most prevalent in West Bengal, Bihar, Odisha, UP, Andhra Pradesh and Madhya Pradesh.
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
15th, 16th & 17th April 2022
Day 3
17th April 2022
8.00pm
Lamakaan, Banjara Hills, Hyd
Badal Sircar's
Ballabhpur Ki Roopkatha
(Hindi Play)
Duration : 1 hr 15 minutes
Written by Badal Sircar, this play is the story of a man named Bhupati, who tries to make his dream of becoming a dental doctor come true by selling the priceless property of his ancestors (an old mansion). The real joy in this story comes at that juncture when it is learned that his ancestors also reside in the same house as a soul.
Now it remains to be seen whether Bhupathi will be able to sell this house along with the ghost i.e. his ancestor? If yes, then how much effort will he have to make to reach his dream. Where on one hand Bhupati's ancestors make you feel like ghosts in this play, on the other hand the rest of the characters make you laugh. Let us see together whether Bhupathi's tooth will be uprooted or not.
Kaurismäki is known for his extremely minimalistic style. He has been called an auteur, since he writes, directs, produces, and usually edits the films himself, and thus introduces his personal "drollery and deadpan" style. The dialogue is famously laconic: the articulation is unadorned, direct, and in strict standard language, without showing much emotion or drama. Characters frequently stand still and recite the dialogue as if it consisted of eternal truths or nothing at all. These characters rarely smile, nod sadly, and smoke constantly. The camera is usually still. Events are shown in a plain manner and characters are usually left alone to face the consequences. However, despite their tragedies and setbacks, the characters don't give up and eventually survive.
Movie: Drifting Clouds (1996), Dur: 97 minutes
A couple both lose their jobs within a short period of time. Too proud to receive money from the social welfare system, they strive to find new jobs, but one disaster is followed by the next.
The screening will be followed by a discussion about the film and its elements.
ALL ARE WELCOME!!!
'Look Who's Back' is a satirical black comedy movie made in 2015. In this movie, Hitler reappears in 21st century and finds that the world is changed a lot in terms of material and technological progress. But he feels that the technological developments are not being put to proper use in terms of political propaganda even though there is a huge scope of his kind of politics. He starts appearing in a comedy TV show and becomes hugely popular. The strong anti-immigrant, anti-refugee and anti-muslim sentiments among the modern day Germany makes him convinced that he can make a political comeback.
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
Government announced for 6 years from 2016 to 2022 about a report to be submitted by 'Empowered Committee' after considering which GOMs111 restrictions would be removed. The report never came into public domain but new GO 69 was issued in 2022 removing Para 3 from GO Ms 111 of 1996.
Thus were the people of Hyderabad and Telangana cheated.
Kaurismäki is known for his extremely minimalistic style. He has been called an auteur, since he writes, directs, produces, and usually edits the films himself, and thus introduces his personal "drollery and deadpan" style. The dialogue is famously laconic: the articulation is unadorned, direct, and in strict standard language, without showing much emotion or drama. Characters frequently stand still and recite the dialogue as if it consisted of eternal truths or nothing at all. These characters rarely smile, nod sadly, and smoke constantly. The camera is usually still. Events are shown in a plain manner and characters are usually left alone to face the consequences. However, despite their tragedies and setbacks, the characters don't give up and eventually survive.
Movie: The Man Without a Past (2002), Dur: 97 minutes
The Man Without a Past (Finnish: Mies vailla menneisyyttä) is a 2002 Finnish comedy-drama film produced, written, and directed by Aki Kaurismäki. Starring Markku Peltola, Kati Outinen and Juhani Niemelä, it is the second installment in Kaurismäki's Finland trilogy, the other two films being Drifting Clouds (1996) and Lights in the Dusk (2006). The film was nominated for the Academy Award for Best Foreign Language Film in 2002 (the only Finnish film so far) and won the Grand Prix at the 2002 Cannes Film Festival.
The screening will be followed by a discussion about the film and its elements.
ALL ARE WELCOME!!!
The band-Sarvam started off with a latent urge to be unconventional; to be limitless and to offer an unconventional, rich musical experience to the audience. True to the name, the band focuses on creating a musical experience for every member of the audience irrespective of age, gender, creed, sect and class.
Sarvam is Everywhere,
Sarvam is Everything,
Sarvam is Everybody,
Come! Experience Sarvam
He started as a hero and later got famous for the roles of sophisticated villains. He is remembered even today for his dialogues like ‘Mona Darling’ and ‘Smart Guy’.
Celebrating his centenary anniversary, Lamakaan celebrates this son of the soil films, art, legacy and much more through screening of some of the finest films on all Wednesday of the May month and discuss Ajit's work pre and post screening.
Film: NAYA DAUR (1957)
Directed by: B R Chopra
Duration: 162 minutes
ABOUT THE FILM: Naya Daur (transl. The New Era) is a 1957 Indian Hindi-language social drama film directed and produced by B. R. Chopra. It was written by Akhtar Mirza. It stars Dilip Kumar, and Vyjayanthimala in lead roles, along with Ajit, Jeevan, Johnny Walker, Chand Usmani, Nazir Hussain, Manmohan Krishna, Leela Chitnis, Pratima Devi, Daisy Irani, Radhakishan form an ensemble cast. The film narrates the story of Shankar and Krishna, two best friends who fall for the same woman, Rajni.
Naya Daur was the second-highest grossing Indian film of the year 1957 and also the second-highest grossing Indian film of the decade, behind Mother India (1957). By many sources, it remains one of the top 10 highest-grossing Indian films of all time when adjusted for ticket-price inflation. It became the highest-grossing sports film ever at the time of its release and remains one of the highest ticket-selling sports film, despite its release only being in India.
ENTRY IS FREE & OPEN TO ALL!!!
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