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(In a shadowless Town) Documentary Film Screening followed by a Discussion
Runtime: 63 min.
Dir.: Gouri Patwardhan
Synopsis
How is the city made?
What is remembered when it is being made… and what is forgotten?
Raising these crucial questions the film looks at how heritage walks in Pune city
seek to define the history of the city in a narrow mold, exclusive to upper castes
while claiming to represent the city.
What has the erasure of historic figures and buildings meant for the Dalit
Bahujan community in the city and their struggle to reclaim some of them?
Walking backwards in time the film tries to trace the imprint of caste on history
and geography in Pune.
ABOUT THE FILMMAKER
Gouri Patwardhan is an artist and filmmaker based in Bangalore.
Gouri's experience as a filmmaker and editor began with making educational films for children and young adults for NCERT and UGC on themes of art, environment and inventive teaching methods.
She is an alumnus of Goa College of Art and Film and Television Institute of India, Pune, and currently teaches at Srishti Institute of Art, Design and Technology.
She won a national award for her documentary, Modikhanyachya Don goshti in 2013
The Film Director shall be available for a post-screening discussion.
ALL ARE WELCOME!!!
Lo and behold! We found concurrence to weave our distinct sound through subtle yet bumpy rhythms and melodies
A little bit about us:
- Shree Anupam Kunapuli, is the noble captain of our grand yet humble musical voyage (not so humble are the crew members!). He is an experienced jazz pianist with roots in Carnatic music.
- Master Nehal Raj Pradhan, is as wayward as the northern winds gushing through the pine trees. A hint of it comes forth in his musical influences especially when he hides behind the drums.
- Sire Aritro S. Ghosh, is an angry young man whose guitar portrays the colour of his conflicts. His guitar playing ranges from subtle seaside melodies to explosively picked licks. His musical arrangements speaks much about him.
We don’t have much to offer but our music.
RV Ramani, is a cinematographer and filmmaker. With more than 25 independent films to his credit, he has established a unique style of making impressionistic personal documentaries. He conducts film making workshops at various Institutions and is a Visiting Professor at the Ambedkar University Delhi.
A film by RV Ramani
112 Minutes, 2017, English Subtitles
Synopsis: Ramkinkar Baij (1904-84) experimented with a wide range of formal approaches to evolve his practice in sculpture and painting. He was a teacher in Santiniketan. He was also a theatre practitioner who directed plays and created sets. Among his many great works, Santhal Family; and Mill Call;, sculptures using concrete as material, are considered landmarks of modern Indian art. Vivan Sundaram a contemporary artist, in collaboration with theater practitioners, writers and artists, conceives the project 409 RAMKINKARS, a re-take on the life and works of Ramkinkar Baij. Many of the sculptures and paintings made by Ramkinkar Baij are re-created in diverse materials by Vivan Sundaram with a team of artists and students. Theatre directors Anuradha Kapur, Santanu Bose, Aditee Biswas and Deepan Sivaraman, with 30 professional actors, associates and technicians, conceptualize a promenade theatre. The script is by Belinder Dhanoa.
Awards: Best Long Documentary at Mumbai International Documentary Film festival (MIFF 2018)
About the filmmaker:
R.V. Ramani, is a Cinematographer and Documentary Filmmaker, based in Chennai and in Delhi. With more than 25 Independent films to his credit, he has established a unique style of his own, making impressionistic personal documentaries. He is an alumnus from FTII, Pune and a teacher, conducting regular workshops at many Institutions. His films and Retrospectives have been screened in many International Film Festivals and in other platforms. Oh that’s Bhanu is his recent film.
For more details checkout www.ramanifilms.com
An old couple, Mohan Joshi and his wife decides to sue their landlord, Kundan Kapadia for not maintaining their ‘collapsing’ chawl. For this, they hire two lawyers. The landlord is least bothered as he wants to drive the tenants out and tear down the chawl. The court case drags on for years and the lawyers in cahoots with the opposition lawyer milk the old couple dry, while they become rich. In the end when the judge comes to check the condition of the chawl, Kapadia’s men prop up the place thus convincing the judge that all is well with the chawl. Finally, Joshi gathers all his strength and pulls down the temporary supports put up by the men causing the building to collapse on himself…
Mohan Joshi Hazir Ho! is one of the best satires ever made on the Indian screen and one of Saeed Akhtar Mirza’s best work. The film is a brilliant take off on the housing problems faced by lower middle-class chawl living tenants in Bombay, while at the same time making a dig at the archaic Indian judicial system where cases drag on and on and on and on…
The film beautifully highlights the ineffectuality of the ordinary man faced with an abuse of his very basic rights
All are invited for the screening of the movie "Mohan Joshi Hazir Ho"
Entry Free !!
Screening will be followed by a discussion on the movie
Date: Saturday, 30 Nov. 2019
Time: 10.30 am to 3.00 pm
Fee : ₹ 500.00
Topic: Hand painting on pepal leaf by PRASAD
Admission is limited to 30 members on first come first basis.
The proceedings will go to the benefit of the craftsman.
100 Years of Industrial Design and Production: Hyderabad 1919 to 2019
An exhibition compiled and curated by Hyderabad Urban Lab to showcase the city region's legacy of production, design and technology.
Visuals, models, maps, artifacts and stories trace Hyderabad's growth as a hub of ideas and technological innovations through different phases of industrial activity. The exhibition foregrounds the role of communities, places, infrastructure, and people's aspirations in sustaining economic activity in the city. Design and production are powerful tools that offer rich possibilities to address the socioeconomic, and environmental challenges confronting us today. The exhibition highlights the resources and opportunities already existing in the city and those that can be restored and repurposed effectively. Our industrial past may hold the key to envisioning a more equitable present.
Jod Tod is a funfilled crackling comedy play about quintessential relationships and its complications, presented in a subtle and quirky manner, this light hearted funfilled laughter riot for 120 mins will keep you in splits
It has acts of transgender struggle played by drags of Hyderabad and other performances following with a panel discussion
Jod Tod is a funfilled crackling comedy play about quintessential relationships and its complications, presented in a subtle and quirky manner, this light hearted funfilled laughter riot for 120 mins will keep you in splits
The historic Golconda fort is one of Hyderabad's most well-known tourist spots, often drawing people from across the country to see it. However, the medieval-era monument has also been the most lacerated in terms of preservation, as constant encroachments have today damaged the fort in many ways.
Most people, especially from Hyderabad, are even not aware that the Golconda fort, which is 500 years old (2018 marked 500 years since the Qutb Shahi dynasty was founded by Sultan Quli Qutb Shahm who established his kingdom in the fort) has eight gates and an extension called the Naya Qila, which houses a Baobab tree that is about 400 years old.
In view of its importance to the city's heritage and to also understand the actual contours of the fort, come join us for a talk by Mr. Milan Kumar Chauley, Superintending Archaeologist, Archaeological Survey of India (ASI), at Lamakaan on 3 December, on the fort and its history. The talk will be followed by a session of Q&A.
About the speaker:
Mr. Milan Kumar Chauley first joined service as a Documentation Officer with Delhi government's archaeology department in 2002. He joined the ASI in 2003, working for its excavation branch in Bhubaneshwar and Delhi. In 2012, Mr. Chauley became a Superintending Archaeologist directly after writing the UPSC exam, following which he was appointed to the Telangana circle as the same in 2017.
'Managing screens for healthy tech: life balance’
'Screens and mental health: how much is too much?’
and Finally
'Is it time for a digital detox?’ & ‘Time to log off?
7:00 pm, Lamakaan on Friday, 6th December
The rape and murder of a 26 year old,now renamed Disha, has stirred the conscience of the nation. For us as Hyderabadis it is more painful as this dehumanising crime was committed in our city. To take a holistic view of how such crimes can be prevented we are organizing a discussion at Lamakaan at 7 pm on Friday November 6. Please come in large numbers to lend your support to the effort.
The panel will be moderated by Kingshuk Nag, (Author and Journalist). The participants include Rema Rajeshwari (Police Chief, Mahboobnagar), Seeta Murthy (Director at Silver Oak Schools), Ishaani Sharma (Entreprenuer and Founder at Grarri), Kalpana Kannabiran (Sociologist and Lawyer).
Capacity ~ 50 members
Soil is considered a mineral matter and as a substratum to grow crops... This lecture throws light on the soil as a living organism and the ways and means to restore soil health through appropriate manures, sprays, seeds, pest repellents and growth promoters.
Sultan Ahmed Ismail is an Indian soil biologist and ecologist. One of the pioneers of earthworm research in India
8th December 2019 Time: 10.30 am to 3.00 pm Fee : ₹ 500.00.
She is studying in Hyderabad from gurus Mangala Bhatt and Raghav Raj Bhatt.
ElectroFor#Truth is a platform that gives the sexual assault survivors and predators to share their experiences anonymously for the common audience to develop an awareness to tackle the stressing issues.
We want to bring the focus to a different narrative, that lies beneath these outcomes and tries to explore deep rooted attitudes and systems that perpetuate violence against women.
With this approach, we believe that preventing rape is the best form of justice to victims of rape.
A little bit about organizer,
I'm Dharma, a software developer in field of Visual effects and Animation by profession. Personally, I love art and one of the art medium I am particularly focusing is visual story telling. I made and published one animated short film till date and another one is in production at the time of writing. To know more about my works, visit https://www.dtrmediaworks.com
Title - Ai Weiwei: Never Sorry
Duration - 1hr 30mins
Director - Alison Klayman
Synopsis
AI WEIWEI: NEVER SORRY is about the internationally renowned Chinese artist and activist, Ai Weiwei. In recent years, Ai has garnered international attention as much for his ambitious artwork as his political provocations. AI WEIWEI: NEVER SORRY examines this complex intersection of artistic practice and social activism as seen through the life and art of China's preeminent contemporary artist. Klayman documented Ai's artistic process in preparation for major museum exhibitions, his intimate exchanges with family members and his increasingly public clashes with the Chinese government. Klayman's detailed portrait of the artist provides a nuanced exploration of contemporary China and one of its most compelling public figures.
Awards
Sundance Film Festival Special Jury Prize - U.S. Documentary
Alfred I. DuPont–Columbia University Award
All are welcome. Entry Free & Open to All!!!
Passes – 200/- Contact # 9700074079
Cast: Harshad Fad, Devika Das, Arun Kumar, Kastury, Akanksha, Prajwal
Playwright: Krishna Ahir
Backstage: Sindhuja, Chandra
Open to All. Discourse
Invited by:
Socialist Party(India) &
Vote Needs Guarantee Organization VNGO
Whereas if a Muslim cant, say, produce his grandmother's ration card, despite holding a passport, he'll be stamped an illegal immigrant and thrown in a detention camp.
Prof Faizan Mustafa is Vice Chancellor at NALSAR. He is a widely read public intellectual who has written extensively on Constitutional issues.
Synopsis of the film: Nirmali, a middle-aged doctor, living a joyless married life, finds solace in the company of Suman, a University Research Scholar, who takes her out on platonic dates of exotic non-vegetarian cuisines found in North Eastern India. But does their relationship limit itself to traditional food and confirmative bond or does it cross the social boundaries and go beyond?
Use the link below to book tickets for Aamis movie screening
http://bit.ly/2RxnSNR
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