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A Story of Political Islams in India
Overview :- How do we make sense of the Muslims of India?
Do they form a political community?
Does the imagined conflict between Islam and modernity affect the Muslims' political behaviour in this country?
Are Muslim religious institutions-mosques and madrasas-directly involved in politics?
Do they instruct the community to vote strategically in all elections?
What are 'Muslim issues'?
Is it only about triple talaq?
Are Muslims truly nationalists? Or do they continue to remain just an 'other' in India?
While these questions intrigue us, we seldom debate to find pragmatic answers to these queries. Examining the everydayness of Muslims in contemporary India, Hilal Ahmed offers an evocative story of politics and Islam in India, which goes beyond the given narratives of Muslim victimhood and Islamic separation.
Hilal Ahmed is Associate Professor and works on political Islam, Muslim modernities/ representation, and politics of symbols in South Asia. His book Muslim Political Discourse in Postcolonial India: Monuments, Memory, Contestation (Routledge 2014), looks at these thematic concerns to make sense of the nature of contemporary Muslim political discourse.
Hilal Ahmed's SIYASI MUSLIMS by Penguin will be released by
A K Khan, Advisor to Government of Telangana
Moderator: Mir Ayoob Ali Khan
on May 2, 2019
5 pm at Lamakaan
Director: Chan-wook Park
Writers: Garon Tsuchiya (story), Nobuaki Minegishi (comic)
Stars: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
Climate Change Impacts are already worsening. The United Nations Intergovernmental Panel on Climate Change (IPCC) landmark report SR15 warns we have only 12 years to limit climate change catastrophe.
CLIMATE SAMVAD or Climate Dialogue are series of 11 public events being organized by Greenpeace India across the country.
Come, be the part of Climate Samvad and understand from the speakers the gravity of the issue. Your importance and role in this movement. Beyond dialogue, it is a step towards a sustainable future. It is step towards #ClimateActionNow Check our website, www.greenpeaceindia.org for more details
presents
A double bill of two Telugu Comedies
Tanikella Bharini's "GARDABHANDAM"
&
S. Partha Saradhi's "ABBEY EMLEYDU"
Directed by Rathna Shekar
Date: 04th May 2019
Time: 7:30pm
Venue: Lamakaan, Hyderabad.
"GARDABHANDAM"
Written by eminent playwright, actor, director Shri.Tanikella Bharani, Gardabhandam ( Donkey’s egg) is a rib tickling political satire that talks about inherited political power. The play is mix of fictional mythology and contemporary social issues. Come grab your seats and enjoy the fun.
"ABBEY EMLEYDU"
Abbe emleydu is a hilarious farce written by Shri. Shankaramanchi Partha Saradhi. A laid back husband, a forgetful wife and a deaf servant. To this mix add a colorful boss who has an exciting plan for the weekend with his subordinates, two strangers who walk into the house for a free meal and a missing ring. What happens when all these colourful characters meet in a situation like this ? Lets find out.
Pather Panchali is Ray's debut film, and the first film of his 'The Apu Triology'
The time is early twentieth century, a remote village in Bengal.The film deals with a Brahmin family, a priest - Harihar, his wife Sarbajaya, daughter Durga, and his aged cousin Indir Thakrun - struggling to make both ends meet.
Pather Panchali has a universal humanist appeal. Though the film deals with the grim struggle for survival by a poor family, it has no trace melodrama. What is projected in stead is the respect for human dignity.
The sequences of Apu and elder sister Durga, exploring their little world and sharing secrets are most remarkable aspect of the film. These include the scenes of - discovery of train by Durga and Apu in field of white Kash flowers, the candy seller sequence, and Indir Thakrun's death.
The film develops its characters and the atmosphere slowly and resolutely. The narrative builds up to a powerful climax as we begin to empathise with the characters.
DURATION : 2 HOURS
VENUE : LAMAKAAN
Unfortunately Anjali Met Aditya At Railway Station.
Anjali Missed Train And Started Her Travelling With Aditya In Car Along With His Friends.
They Both Are Fall In Love Each Other At The End Of The Day.
Are They Expressed Each Other Or Not...?
Has She Accepted His Love Or Not..?
Who Is Arjun....?
What Is The Relationship Between Both.....?
Anjali Married whom ..? Arjun Or Aditya....?
And Finally What Happened ..?
To Know This You Must Have To Watch
Neetho Vachhesaa Ila Short Film....?
Director: Joon-ho Bong (as Joon Ho Bong)
Writers: Joon-ho Bong (as Joon Ho Bong), Kwang-rim Kim (play)
Stars: Kang-ho Song, Sang-kyung Kim, Roe-ha Kim
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
Venue is LAMAKAAN
9th MAY @ 7:30 pm
Duration - 2 hours
Price of the ticket is 100
Topi Ki Daastan is based on a famous and popular Hindi novel Topi Shukla, written in the early sixties by Dr. Rahi Masoom Raza. It has been adapted by Wings Cultural Society in the ‘Dastaan Narration Form’. Through storytelling we have tried to recreate the turbulence between ‘ Topi’ and ‘Iffan’, the main characters, they are childhood friends who have grown up in an independent cultural environment before the great divide that was the result of the creation of the two nations. The entire scenario is created through dialogues in the truest format. This “Dastaan” is an attempt to reinvent those feelings of fear and horror between the two main communities which were affected.
It revolves around TOPI who is an embodiment of chaos in the post independent era. The “Dastaan” highlights the circumstances of two nations existing within the one nation. Topi a Hindu by faith questions the formation of Pakistan and is a mirror image of the mindset of his times,which also becomes a reflection of the present day scenario.
We meet once a month on the last Sunday and in addition, we conduct special sessions like book launches. For the special event of May, we will be organizing a literary evening 'Revival of English Classics' on Sunday, the 12th of May from 4 PM to 7 PM.
1. Welcome Address - Devika Das (co-founder, HydRAW)
2. Keynote - Why Should We Read Classic Literature
3. Panel Discussion - Impact of Classics on Contemporary Writing
4. Talk - Should Classics Feature in the Course Curriculum
5. My Favourite Author - Jane Austen and her Works
6. Open Mic - Reliving Classic Poems & Prose of English Literature
7. Vote of Thanks - Mahboob Hussain (Founder, HydRAW)
1st Play - Dhoka(genre-suspense), Duration- 40 mins, written and Directed by Priyadarsani Suranjika Samal
2nd Play - Kirayedaar( genre -comedy), Duration- 30 mins (Based on a Bengali Play written by Narayan Ganguly ) Hindi Translation and Directed by -Subrata Basak
Through a failed medical experiment, a priest is stricken with vampirism and is forced to abandon his ascetic ways.
Director: Chan-wook Park (as Park Chan-wook)
Writers: Émile Zola (inspired by "Thérèse Raquin"), Chan-wook Park (screenplay by) (as Park Chan-wook)
Stars: Kang-ho Song, Ok-bin Kim, Hee-jin Choi
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
-An interactive talk with
Dr. Shamsul Islam taught Political Science for 40 years in the Delhi University. He has written over 14 books, and over 700 articles in dailies and journals both in India and abroad on issues like theocracy, religious intolerance, fundamentalism, status of Dalits, women, and culture, theatre, human values, human rights, exploitation etc. He is visiting Hyderabad, and would like to share his thoughts with interested people and answer questions.
DURATION : 2 HOURS
DATE : 16TH MAY AT 7:30 PM
VENUE : LAMAKAAN
Price of the ticket is 100
Country: Indian; Year: 1937; Language: Bengali; Runtime: 115 min; Color: Black and White; Sound: Mono
Studio: New Theatres
Barua's classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for good social behaviour. He is married to the rich Chitra (Kanan Devi). The couple are in love but neither partner is prepared to compromise their ideals. The marriage falls apart. Prasanta concedes his wife demand for a divorce and goes to the jungles of Assam, where for many years his closest associates are a wild elephant and Jharna (Menaka), the wife of an innkeeper named Pahari (P. Mullick). He also makes a sworn enemy of a local trader (Nawab/A. Mullick). Chitra marries the millionaire Bipul (Mukherjee) and they go on an elephant hunt. They kill Prasanta's pet elephant. Since Chitra believes Prasanta to be dead he avoids meeting her, but he is forced to rescue her from the vilainous trader. Prasanta succeeds but dies at Chitra's feet. The film interprets his death as Chitra's final achievement of the freedom she had craved. Barua contrasts the regressive story presented as static and unresolved, both as narrative and performance, with a hyperactive environment that overwhelms the trivial nature of the lead couples' desires. There are many sequence shots tracking through walls - including the justly celebrated 'psychological' opening shot as Prasanta walks through one door after another until he reaches his studio, and from interior to exterior, while nature is exemplified by mountains, trees, wind and charging elephants. This was one of the first elaborate filmic uses of Tagore's lyrics, with the poet's original tunes (Sahar range rang, Mesa te bobe. Tar biday belar malakhani), but one of the film's big hits, Diner sheshe ghumer deshe, was composed originally for the film by Mullick.
The film will be introduced by Aparajita Roy Sinha, Film Critique
ALL ARE WELCOME
Topic:
A Short History of Human Rights
Taking Action on Human Rights
Learning Human Right in sign language
Participants Age Group
13-18 years both Boys & Girls
No of Participants: 30 Only
Aim of Workshop:
Through brainstorming and discussion this activity leads participants to define what it means to be human and to relate human rights to human needs.
link to FB Page - https://www.facebook.com/Poulibybhamini/
Director: Chang-dong Lee
Writer: Chang-dong Lee
Stars: Kyung-gu Sol, Yeo-jin Kim, Jung Suh
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
The play was written somewhere in 1977 and it talks about caste-ism and nepotism which is relevant in today's times as well.
Mahipat Babhruvahan hails from a village. He belongs to a lower caste. His hard work and perseverance enables him to acquire education and land a job as a professor however his caste becomes a stumbling block in his success. He reacts using various means to protect his position resulting in hilarious and adventurous situation.
Date -26th May 2019
Time- 11Am-2pm
Registration fee- ₹1300/-( material and refreshments provided)
Contact number for registration and enquires - 9000 199030, 81254 45207
It is all about getting the angles right which I'm gonna teach you in this workshop.
There are different techniques of getting your hand on brush pen calligraphy.
So, you are aslo going to learn different Strokes and all the basics of brush pen calligraphy.
Practicing the letters consistently will help you develop muscle memory and will make writing in the brush lettering style more natural.
The play was written somewhere in 1977 and it talks about caste-ism and nepotism which is relevant in today's times as well.
Mahipat Babhruvahan hails from a village. He belongs to a lower caste. His hard work and perseverance enables him to acquire education and land a job as a professor however his caste becomes a stumbling block in his success. He reacts using various means to protect his position resulting in hilarious and adventurous situation.
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