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Cinematographer - Néstor Almendros
A hot-tempered farm laborer convinces the woman he loves to marry their rich but dying boss so that they can have a claim to his fortune.
Director: Terrence Malick
Writer: Terrence Malick
Introduction - 10 mins
The movie starts at 7:10 PM
20 minutes post-screening discussion
“Neo-liberal capitalism” is the term used to describe the phase of capitalism where restrictions on the global flows of commodities and capital, including capital in the form of finance, have been substantially removed. Since such removal happens under pressure from globally-mobile (or international) finance capital, neo-liberal capitalism is characterized by the hegemony of international finance capital, with which the big capitals in particular countries get integrated, and which ensures that a common set of “neo-liberal” policies are pursued by all countries across the globe.
The emergence of such international finance capital is itself the outcome of the process of centralization of capital, which has attained hegemonic position in our society. To know more about the impact of Neo Liberal capitalism on Indian society and discuss about the future, all are invited to attend the talk on “ Neo Liberal Capitalism in Contemporary India” by Shri Prabhat Patnaik.
About the speaker:
Prof. Prabhat Patnaik is an internationally renowned Marxist economist and political commentator. At the time of his retirement in 2010, he held the Sukhamoy Chakravarty Chair in Planning and Development at the Centre for Economic Studies and Planning (CESP), JNU, New Delhi, where he had taught from 1974. He was the vice chairperson of the Kerala State Planning Board and was part of a four-member high-power task force of the United Nations to recommend reform measures for the global financial system. He is the editor of the journal Social Scientist.
Sarod :- Srinjoy Mukherjee
Tabla :- Nilimesh Chakraborty
entry fees INR 200 \-
A stalwart of India – Pakistan Peace processes, Kuldip Nayar will be remembered always for his tireless and inspiring efforts to work for peace between the two neighbors mired in conflict since the Partition in 1947 that is taking a heavy toll on their citizens. His peace initiatives have inspired and will continue to inspire generations to come.
Dastan Miyan Azad ki
This Dastan is a carefully curated selection of 3 nuggets of different moods, from 'Fasana-e-Azad'. Authored by Pandit Ratan Naath Sarshaar, this gem of Urdu literature was hugely popular in the late 19th and early 20th century. It is a compilation of anecdotes and encounters of its central character- Miyan Azad and brings alive, in its word pictures, the Lucknow of the post-1857 era. The Dastan is embellished with the element of music, in carefully chosen songs based on classical ragas, highlighting the different moods.
The ageless appeal of this Urdu classic lies in its rich tapestry of colloquial language, ornamental expressions and lyrical writing peppered with occasional couplets, to describe festivals, rituals, festivities, mourning, feasts etc. It’s like a brilliant multi faceted diamond, flashing various moods and flavours. Published in book form first in 1880, 'Fasana-e-Azad' was serialised from December 1878 to December 1879 in 'Avadh Akhbar', an Urdu weekly published from Lucknow by Munshi Nawal Kishore.
The Dastangos
VALENTINA TRIVEDI is an educationist and performance artist. She has performed at the Scottish Storytelling Centre, Edinburgh, Bookraroo Childrens’ Literature Festival, Malaysia, apart from performances pan India. As a Dastango, apart from performing in Urdu and Hindustani, she has also adapted Satyajit Ray’s popular film 'Goopy Gyne Bagha Byne' into a Dastan embellishing it with translations of its original songs.
ASKARI NAQVI is Lucknow based performing artist. Soz Khwani and Dastangoi are two different Art forms he performs. He is also a student of music and getting trained under Pandit Amit Mukerjee. He has performed Soz Khwani and Dastangoi to national and international acclaim.
Open Donation. All are welcome.
A motley group, K-Circle is open to members of all ages. We are a truly informal club as we don’t have a form for new entrants to fill. There are no registrations, no frills, no badges, no pins/medals, no passwords. . . if you come in late, you just may have to perch on the window sill, but that's about it! The quiz would be a team event, with the teams being formed on spot. Do bring your friends and family along as well for what should surely be a thrilling Saturday evening!
ASKARI NAQVI is Lucknow based performing artist. Soz Khwani and Dastangoi are two different Art forms he performs. He is also a student of music and getting trained under Pandit Amit Mukerjee. He has performed Soz Khwani and Dastangoi to national and international acclaim.
Open Donation All are Welcome.
Dastan Miyan Azad ki
This Dastan is a carefully curated selection of 3 nuggets of different moods, from 'Fasana-e-Azad'. Authored by Pandit Ratan Naath Sarshaar, this gem of Urdu literature was hugely popular in the late 19th and early 20th century. It is a compilation of anecdotes and encounters of its central character- Miyan Azad and brings alive, in its word pictures, the Lucknow of the post-1857 era. The Dastan is embellished with the element of music, in carefully chosen songs based on classical ragas, highlighting the different moods.
The ageless appeal of this Urdu classic lies in its rich tapestry of colloquial language, ornamental expressions and lyrical writing peppered with occasional couplets, to describe festivals, rituals, festivities, mourning, feasts etc. It’s like a brilliant multi faceted diamond, flashing various moods and flavours. Published in book form first in 1880, 'Fasana-e-Azad' was serialised from December 1878 to December 1879 in 'Avadh Akhbar', an Urdu weekly published from Lucknow by Munshi Nawal Kishore.
The Dastangos
VALENTINA TRIVEDI is an educationist and performance artist. She has performed at the Scottish Storytelling Centre, Edinburgh, Bookraroo Childrens’ Literature Festival, Malaysia, apart from performances pan India. As a Dastango, apart from performing in Urdu and Hindustani, she has also adapted Satyajit Ray’s popular film 'Goopy Gyne Bagha Byne' into a Dastan embellishing it with translations of its original songs.
ASKARI NAQVI is Lucknow based performing artist. Soz Khwani and Dastangoi are two different Art forms he performs. He is also a student of music and getting trained under Pandit Amit Mukerjee. He has performed Soz Khwani and Dastangoi to national and international acclaim.
Open Donation. All are welcome.
ASKARI NAQVI is Lucknow based performing artist. Soz Khwani and Dastangoi are two different Art forms he performs. He is also a student of music and getting trained under Pandit Amit Mukerjee. He has performed Soz Khwani and Dastangoi to national and international acclaim.
Open Donation All are Welcome.
Cinematographer - Raoul Coutard
FREE EVENT
Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.
Director: Jean-Luc Godard
Writer: Alberto Moravia (novel)
Introduction - 10 mins
The movie starts at 7:10 PM
20 minutes post-screening discussion
As October 11 is International Girl Child Day we plan to do a Facebook Live . The format is as follows: we have invited girls from AFSPA Ngo who would be journalists for this event. We will have Jhansi(Actor), Viziendra Boyi(IAS), Kondaveeti Satyavathi(Editor Bhoomika), Sumathi (IPS) as guests. This event will be broadcasted live on our Facebook page of BBC Anees Telugu. The duration of the discussion would be for twenty minutes. We are looking to do this on October 11 from 2pm to 3pm.
I know this is a last minute request but would be really of great help if you can kindly consider.
Carl Malamud is the founder of Public.Resource.Org (“Public Resource”), a California-based NGO widely credited with placing many large government databases online and then working with governments to get them to do this themselves. In the United States, Public Resource helped pioneer the free law movement by placing historical opinions of the U.S. Court of Appeals on the Internet for the first time. Public Resource also helped place numerous other resources on-line such as 14,000 hours of video from U.S. congressional hearings and assisted the Obama transition team in changing how the Federal Register, the official gazette of the United States, is published. For the last few years, Public Resource has been working intensively in India, including an effort to make available all Indian Standards for free on the net, an issue that is the subject of Public Internet Litigation suit in the Hon’ble High Court of Delhi. Carl started the first radio station on the Internet and is the author of 9 books, including most recently (with Sam Pitroda), Code Swaraj: Field Notes from the Standards Satyagraha.
The plummeting rupee and the soaring price of fuel due to global factors are worrisome for the people.
How do we look at this burning of oil on one hand and melting of Indian rupee on the other side? What are the global factors that affect the balance of payments and also impact the lives of people living in this country?
Come, listen and share your thoughts with us on this Thursday at Lamakaan.
ENTRY FREE & OPEN TO ALL!!!
The movement started with an informal meeting at the founder's living room- John Underwood and his mum and has grown ever since.Its an attempt to give Death,it's rightful place.
What Death Cafe is NOT
*It is not a lecture-there are no experts,People share experiences and raise questions.
*It is not Therapy- though experineces shared could be therapeutic but please discern if you have undergone a loss recently or if its fresh in your mind.
Through the years, we've had festivals, story slams, made memories and experiences throughout the country. But we've faltered—see, the Kommune team is based primarily in Mumbai, and we sometimes forget that the Kommuneity is nationwide. So we've decided to launch a city plan that has Kommune visiting different parts of the country, looking for stories and talent throughout. We're also looking to start city chapters, tiny pockets of the Kommuneity who love the performing arts as much as we do and would like to volunteer with us. And Hyderabad, with your food, stories, and history, we couldn't help but keep you on our list. So join us as we discuss bringing storytelling to a city seeped in them, the performing arts to a city that was defined the word 'art' for so many of us. Hyderabad, help us turn the Kommuneity into a beautiful revolution.
Kommuneity Weekend:
Kommuneity - we've had workshops, and we've had story slams. Our workshops have you walking in with words and walking out with stories - stories you never knew existed, stories you never thought were worth sharing. Our story slams are what unique Sundays are made of, complete with tellers breaking down their walls and finding support in strangers who look a lot less strange by the end of the evening. Both events however, define the Kommuneity for us. So we decided to combine the two to give you a weekend with all things Kommune, a weekend you'll want to repeat again and again. Welcome to the Hyderabad edition of the Kommuneity weekend, where we marry the beauty of learning with the promise of growing.
So Hyderabad, we come to you with a Saturday of learning in the workshop, followed by a Sunday of using everything you've learned in the story slam. The theme for this story slam is 'Taste' - from food to memories, tell us about your favourite taste. Tell us if sadness tastes like your mother's food gone cold or if happiness tastes like a the rain after months of waiting. In a city that loves food, tell us a bit about your swaad.
Participants will receive complimentary writing material. After all, what's a writer without a book? So join Kommune as they create, captivate, and collaborate at this Kommuneity weekend!
Artists for both: Anuj Gurwara & Roshan Abbas
Through the years, we've had festivals, story slams, made memories and experiences throughout the country. But we've faltered—see, the Kommune team is based primarily in Mumbai, and we sometimes forget that the Kommuneity is nationwide. So we've decided to launch a city plan that has Kommune visiting different parts of the country, looking for stories and talent throughout. We're also looking to start city chapters, tiny pockets of the Kommuneity who love the performing arts as much as we do and would like to volunteer with us. And Hyderabad, with your food, stories, and history, we couldn't help but keep you on our list. So join us as we discuss bringing storytelling to a city seeped in them, the performing arts to a city that was defined the word 'art' for so many of us. Hyderabad, help us turn the Kommuneity into a beautiful revolution.
Kommuneity Weekend:
Kommuneity - we've had workshops, and we've had story slams. Our workshops have you walking in with words and walking out with stories - stories you never knew existed, stories you never thought were worth sharing. Our story slams are what unique Sundays are made of, complete with tellers breaking down their walls and finding support in strangers who look a lot less strange by the end of the evening. Both events however, define the Kommuneity for us. So we decided to combine the two to give you a weekend with all things Kommune, a weekend you'll want to repeat again and again. Welcome to the Hyderabad edition of the Kommuneity weekend, where we marry the beauty of learning with the promise of growing.
So Hyderabad, we come to you with a Saturday of learning in the workshop, followed by a Sunday of using everything you've learned in the story slam. The theme for this story slam is 'Taste' - from food to memories, tell us about your favourite taste. Tell us if sadness tastes like your mother's food gone cold or if happiness tastes like a the rain after months of waiting. In a city that loves food, tell us a bit about your swaad.
Participants will receive complimentary writing material. After all, what's a writer without a book? So join Kommune as they create, captivate, and collaborate at this Kommuneity weekend!
Artists for both: Anuj Gurwara & Roshan Abbas
The play tells the story of a capitalistic India that cashes on anything that is worth commercializing. In this case it is a miracle in modern times, of a baby born without a heart in Mumbai. The characters in the play are everyday people, and the play is a parody on modern Indian life. It shows normal, everyday people as being manipulative, even in their well-meaning acts. Meanwhile the media is shown as seeking to scintillate, even the smallest of acts, if it proves to provide those fifteen minutes of fame. If seen closely, the metaphor of the 'heartless baby' is quite an example in itself of an industrialized, corporate world, quite reminiscent of the literature from the post industrialization period. The story explores various facets of Human existence, exploring a loss of identity, struggle with materialism, and the definition of life and death.
Peppered with wit and humor, poetry, delicately choreographed movement pieces, audio visual transitions and finally original music that maintains the rhythm and pulse of the story, The ORIGINAL LAST WISH BABY is indeed a roller coaster ride of laughter, tears, contemplation and introspection.
Time & Date: 8Pm on 13th Oct & 7pm on 14th Oct 2018
Tickets available on bookmyshow.com
Facebook event page: https://www.facebook.com/events/164324671186206/
Through the years, we've had festivals, story slams, made memories and experiences throughout the country. But we've faltered—see, the Kommune team is based primarily in Mumbai, and we sometimes forget that the Kommuneity is nationwide. So we've decided to launch a city plan that has Kommune visiting different parts of the country, looking for stories and talent throughout. We're also looking to start city chapters, tiny pockets of the Kommuneity who love the performing arts as much as we do and would like to volunteer with us. And Hyderabad, with your food, stories, and history, we couldn't help but keep you on our list. So join us as we discuss bringing storytelling to a city seeped in them, the performing arts to a city that was defined the word 'art' for so many of us. Hyderabad, help us turn the Kommuneity into a beautiful revolution.
Kommuneity Weekend:
Kommuneity - we've had workshops, and we've had story slams. Our workshops have you walking in with words and walking out with stories - stories you never knew existed, stories you never thought were worth sharing. Our story slams are what unique Sundays are made of, complete with tellers breaking down their walls and finding support in strangers who look a lot less strange by the end of the evening. Both events however, define the Kommuneity for us. So we decided to combine the two to give you a weekend with all things Kommune, a weekend you'll want to repeat again and again. Welcome to the Hyderabad edition of the Kommuneity weekend, where we marry the beauty of learning with the promise of growing.
So Hyderabad, we come to you with a Saturday of learning in the workshop, followed by a Sunday of using everything you've learned in the story slam. The theme for this story slam is 'Taste' - from food to memories, tell us about your favourite taste. Tell us if sadness tastes like your mother's food gone cold or if happiness tastes like a the rain after months of waiting. In a city that loves food, tell us a bit about your swaad.
Participants will receive complimentary writing material. After all, what's a writer without a book? So join Kommune as they create, captivate, and collaborate at this Kommuneity weekend!
Artists for both: Anuj Gurwara & Roshan Abbas
He left for us work and words that give us a vision and beckon us towards the mission of pure and complete water bodies.
Aviral Dhara(uninterrupted flow), Pavitra Dhara(pure flow) these words are the mission embarked upon by Prof GD, not just for humanity but for life itself.
Topic: Aviral Dhara(uninterrupted flow), Pavitra Dhara(pure flow)of water bodies of Telangana/Hyderabad - Context of late Prof GD Agarwal's fast unto death for 'Ganga ji'.
Venue: Lamakaan, Road 1, Banjara Hills, Hyderabad
Time:
Organized by: Socialist Party (India)-Telangana, Hyderabad
Presided by : National leader Pannalal Surana,
Panel: Dr K Baburao, Dr K Baburao, Dr Jasveen Jairath, Dr Lubna Sarwath
Through the years, we've had festivals, story slams, made memories and experiences throughout the country. But we've faltered—see, the Kommune team is based primarily in Mumbai, and we sometimes forget that the Kommuneity is nationwide. So we've decided to launch a city plan that has Kommune visiting different parts of the country, looking for stories and talent throughout. We're also looking to start city chapters, tiny pockets of the Kommuneity who love the performing arts as much as we do and would like to volunteer with us. And Hyderabad, with your food, stories, and history, we couldn't help but keep you on our list. So join us as we discuss bringing storytelling to a city seeped in them, the performing arts to a city that was defined the word 'art' for so many of us. Hyderabad, help us turn the Kommuneity into a beautiful revolution.
Kommuneity Weekend:
Kommuneity - we've had workshops, and we've had story slams. Our workshops have you walking in with words and walking out with stories - stories you never knew existed, stories you never thought were worth sharing. Our story slams are what unique Sundays are made of, complete with tellers breaking down their walls and finding support in strangers who look a lot less strange by the end of the evening. Both events however, define the Kommuneity for us. So we decided to combine the two to give you a weekend with all things Kommune, a weekend you'll want to repeat again and again. Welcome to the Hyderabad edition of the Kommuneity weekend, where we marry the beauty of learning with the promise of growing.
So Hyderabad, we come to you with a Saturday of learning in the workshop, followed by a Sunday of using everything you've learned in the story slam. The theme for this story slam is 'Taste' - from food to memories, tell us about your favourite taste. Tell us if sadness tastes like your mother's food gone cold or if happiness tastes like a the rain after months of waiting. In a city that loves food, tell us a bit about your swaad.
Participants will receive complimentary writing material. After all, what's a writer without a book? So join Kommune as they create, captivate, and collaborate at this Kommuneity weekend!
Artists for both: Anuj Gurwara & Roshan Abbas
The play tells the story of a capitalistic India that cashes on anything that is worth commercializing. In this case it is a miracle in modern times, of a baby born without a heart in Mumbai. The characters in the play are everyday people, and the play is a parody on modern Indian life. It shows normal, everyday people as being manipulative, even in their well-meaning acts. Meanwhile the media is shown as seeking to scintillate, even the smallest of acts, if it proves to provide those fifteen minutes of fame. If seen closely, the metaphor of the 'heartless baby' is quite an example in itself of an industrialized, corporate world, quite reminiscent of the literature from the post industrialization period. The story explores various facets of Human existence, exploring a loss of identity, struggle with materialism, and the definition of life and death.
Peppered with wit and humor, poetry, delicately choreographed movement pieces, audio visual transitions and finally original music that maintains the rhythm and pulse of the story, The ORIGINAL LAST WISH BABY is indeed a roller coaster ride of laughter, tears, contemplation and introspection.
Time & Date: 8Pm on 13th Oct & 7pm on 14th Oct 2018
Tickets available on bookmyshow.com
Facebook event page: https://www.facebook.com/events/164324671186206/
She has conducted several Death cafes in colleges,trains,cemeteries, railway stations.She uses art based practices to help people critique about sexuality and Menstruation through her organisation Orikalankini.
In this talk she presents her journey so far-the railway compartment stories friends she met on her way,the documentary video in the making and all the times her plans have fallen flat.
This is an exercise in recentering and opening up to suggestions from the audiences on making Death,sex and Menstruation a subject of change in India.
Cinematographer - Sven Nyquist
FREE EVENT
When a woman dying of cancer in early twentieth-century Sweden is visited by her two sisters, long-repressed feelings between the siblings rise to the surface.
Director: Ingmar Bergman
Writer: Ingmar Bergman
Introduction - 10 mins
The movie starts at 7:10 PM
20 minutes post-screening discussion
Lamakaan invites you to a book launch and discussion on the most tumultuous lives of young people in India.
About the book:
From JNU to Jadavpur, anti-national movement spreads!’—Zee News
‘Activism or anti-nationalism?’—Times Now
‘Dalit students on warpath after Vemula suicide’—FirstPost
‘Violence on Ramjas campus: no room for free, peaceful political debate’—NDTV
‘Kashmir University students protest anti-free speech circular’—The Quint
These are but a tiny sample of headlines that have become commonplace in India in recent years. What is it about the present moment in the life of our nation that has stirred so many thousands of young citizens into political action? And what is it about the nature of their protests that is threatening enough for the establishment to brand it ‘anti-national’?
The wave of youth protests, agitations and marches that gripped India in the last few years were not, Nikhila Henry argues, sporadic, isolated or piecemeal. Rather, they were an organized effort against a fractured, unforgiving and deeply discriminatory society. The participants, despite differences, often found convergence and empathy for each other and fought not just their own but each other’s battles: battles of the Dalit, of the Adivasi, of the Kashmiri, of the rape victim, of the Muslim.
In so doing, it was not simply entrenched discrimination they highlighted. In so doing, they questioned fundamental ideas of public morality and the very essence that makes us a united nation.
About the Author:
NIKHILA HENRY is a Special Correspondent with The Hindu in Hyderabad, reporting on education, student politics, civic administration and social welfare. An alumnus of the International Visitor Leadership Programme on Investigative Journalism of the United States’ State Department, Nikhila worked as a Principal Correspondent for The Times of India in Hyderabad for eight years, covering education, youth agitations, gender struggles and politics. She also compiled and edited Rohith Vemula’s online diary, Caste is Not a Rumour. The Ferment is her first book.
There will be a panel discussion on the book with the author by:
Prof Padmaja Shaw
Malini Subramaniam
ENTRY IS FREE & OPEN TO ALL!!!
Here is another innovative session in the FunShop Series which teaches the basics of circuits and conduction with the help of art/drawing! The kids can carry away their LED lit paintings which are drawn entirely with ink/paints.
Note: pre-registration is mandatory. Cost of the session (including conducting painting making kits) is INR 500.
She says, ‘Each of us (the non-farming folks) have our plates full of food at the cost of farmers. It is time to raise our voice in solidarity, march in solidarity. Agricultural crisis is no longer the crisis of the farmer alone, it is a national crisis.’
Recently the central government declared the MSP for 22 mandated crops. Firstly, the declared MSP is not in line with recommendations of the Swaminathan committee of weighted average cost of production + 50%. Farmers had a short-lived smile on their face with the announcement. What is the point of declaring an MSP, when the government has expressed no intention of opening up procurement centres.
In August and September this year, farmers sold green gram (moong dal) anywhere from ₹3,900 to ₹5,300 per quintal in the open market. The MSP for moong was declared ₹6,975 per quintal, but no procurement centre was opened. Unable to hold on to their produce, many small and marginal farmers dumped moong in market yards bearing losses. Some medium and large farmers believed that the centres would open and held on to their produce. As more and more moong reached markets, the price stumbled further, procurement centres were not opened and farmers finally realized that it was not worth the wait.
Declaring MSP turned out to be an election stunt, with no results, or even genuine productive intentions behind it.
Even in cases where procurement centres were opened, like in the case of Karnataka, the government declared that it will only procure a small amount which meant that many farmers were left out and resorted to selling in open markets at low prices, paying exploitative commissions to traders, getting cheated in weighing etc.
To quote another instance, black gram which we buy at ₹80 to ₹90 per kilo in Hyderabad is sold by farmers at ₹25 per kilo in Narayanpet.
The event will discuss these issues in the context of the futility of only enhancing and increasing loan waivers. The aim of this discussion is to spread awareness of the angst of small and marginal land holding farmers, and the need to participate in the march for justice.
ALL ARE WELCOME!!!
Cinematographer - Roger Deakins
FREE EVENT
A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.
Directors: Joel Coen, Ethan Coen (uncredited)
Writers: Joel Coen, Ethan Coen
Introduction - 10 mins
The movie starts at 7:10 PM
20 minutes post-screening discussion
The movement has helped de-stigmatize the act of surviving sexual assault, primarily by bringing out the breadth and impact of it. It is still imperative to expand the conversation to speak to the needs of a broader spectrum of survivors. It is also essential to hold the perpetrators accountable and have a long term, sustainable strategy in place to disrupt the system that allows for sexual violence.
While the movement did make the issue of sexual violence an important topic, it is important to discuss the issues being brought out and the future of the movement itself. We invite the victims, allies and all those who care about the movement, to join a conversation on what the movement in India is doing and what is the possible future for it.
"YAAD-E-RAFTAGAAN... ALLAMA HYRATH BUDAUNI"a memoir of Ustaad-ul-Asatiza Hazrath Allama Hyrath Budauni...
on 26th October Friday, 7pm at LAMAKAAN,cultural center,Rd.no 1, Banjara Hills,Hyderabad...after Adabi Ijlas Mushaira will follow in which 10 renowned poets will participate.....
WHAT WILL BE COVERED IN THIS WORKSHOP:
1. How to create stories on the fly (make it up while you are narrating it)
2. How to deal with Stage Fear
3. Techniques to narrate the story you created effectively and in an engaging manner
4. How to effectively communicate in daily conversations
First Half - you will learn to create your own story
<15 Minute Break>
Second Half - you will learn to effectively narrate this story using various techniques.
TALE TELLERS TROUPE INDIA'S storytelling workshop provides students with an encouraging, constructive environment in which to practice storytelling techniques. Exercises in class focus on classic story structuring, building suspense, eliciting emotion, recreating drama, digging deeper into a story’s meaning, and using your voice and body to add levels to your listeners’ experience, so that your story stays with them.
The class size will be limited to allow maximum individual attention and storytelling practice time for each student in each class session
Expect to challenge yourself, participate actively and have a lot of fun and laughs along the way.
This is the first step towards being a POWERFUL ORATOR and a LEADER in life!
Entry Fee: Rs.500
Register on the spot or PAYTM/TEZ to mobile number 7680993179
(Please message your full name to the same number once you are done with the payment)
Book Release-cum-Discussion
‘Alternative Futures: India Unshackled’
Editors - Ashish Kothari and K. J. Joy
Publisher – AuthorsUpFront
A remarkable, first-ever collection of 35 essays on India’s future, by a diverse set of authors – activists, researchers, media practitioners, those who have influenced policies and those working at the grassroots. This book brings together scenarios of an India that is politically and socially egalitarian, radically democratic, economically sustainable and equitable, and socio-culturally diverse and harmonious.
Alternative Futures: India Unshackled covers a wide range of issues, organized under four sections. It explores ecological futures including environmental governance, biodiversity conservation, water and energy. Next, it envisions political futures including those of democracy and power, law, ideology, and India’s role in the globe. A number of essays then look at economic futures, including agriculture, pastoralism, industry, crafts, villages and cities, localization, markets, transportation and technology. Finally, it explores socio-cultural futures, encompassing languages, learning and education, knowledge, health, sexuality and gender, and marginalized sections like dalits, adivasis, and religious minorities.
Introductory and concluding essays tie these diverse visions together. Most essays include both futuristic scenarios and present initiatives that demonstrate the possibility of such futures. t a time when India faces increasing polarization along parochial, physical and mental boundaries, these essays provide a breath of fresh air and hope in the grounded possibilities for an alternative, decentralized, eco-culturally centred future. The essays range from the dreamy-eyed to the hard-headed, from the provocative to the gently persuasive.
EDITORS:
ASHISH KOTHARI coordinates the Alternatives programme of Kalpavriksh, has taught at Indian Institute of Public Administration, and chairs the Board of Greenpeace India.
K. J. JOY is Senior Fellow with Society for Promoting Participative Ecosystem Management (SOPPECOM), Pune and has been an activist-researcher for more than 30 years.
Apparently comedy but realistic comment on middle class working woman ,beautifully sketched by Nobal Prize Winner Playwright, Actor, Director Dario Fo ,equally good adapted in Indian atmosphere by Maya Pandit.
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