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A contemporary of Mr. M.S. Viswanathan, KVM has scored music for over 600 films, spanning four decades, after starting his career in the late fifties with Avan Amaran. He is the first ever recipient of national award for best music for Kandan Karunai in 1967. He won it again in 1980 for Shankarabharanam.
Known for mythologicals such as Sampoorna Ramayanam and Thiruvilayadal, KVM is said to have been a path-breaker in blending classical music with film music and was a `guru' to many music directors.
Fondly called as 'mama', his other hits include Sirivennela, Swathikiranam, Muthyala Muggu among others.
Tripuraneni Saichand presents 'Cinema cinema', a tribute to the legends of cinema.
Entry - Free
Farmers coordination committee and heritages activists call for pree meet at Lamakaan at 2:30pm on Thursday the 21st of Nov' 2013.
Agenda of the meet:
Farmers - have been thrown of their land;
water bodies - have been encroached;
and Archaeological property - has been lost.
Come and hear the grievances of the stakeholders and the activists.
All are invited.
It is a tough time at National Express newspaper where too many things are happening at the same time. In existence for over 50 years, it is now facing a decline in advertisement revenue and stiff competition in the city of its origin with the arrival of new dailies. Moreover, the editorial staff is disillusioned and confused with the imminent change of guard. All these factors are worrying Neelakantan, the daily’s long-standing editor-in-chief whose professional integrity and political neutrality are well known.
Into this chaotic scene, enters Riya Khemka, the foreign-returned daughter of the proprietor. Khemka is a hands-on, no-nonsense woman who believes decisions have to be taken even if traditions need to be overthrown. A known practitioner of ‘disruptive management’, she believes it is alright to set the cat among the pigeons on a regular basis if it forces the birds to fly faster and save themselves!
In sharp contrast is Neelakantan, who believes in the old school of thought and feels change for the sake of it is not desirable.
Riya wants a total revamp of news and views and all other things that have characterized the newspaper all these years. She feels that the young and impatient Gen Now wants ‘lighter, easier’ stories alongside the serious, hard stuff that goes into the newspaper.
As expected, a battle begins in right earnest between the editor and the owner.
Spread over the next four scenes, we present the drama that unfolds as the editor and his loyal group of supporters comes face to face with the trends and expectations that characterize Indian print media and its readership.
Over to ‘The Editor wants to Know’…
Entry - 9848087821
Entry - 9030513362
Writing movies is one of the most creative and fulfilling careers one can choose. Though Screenwriting is a hard job, having a sound knowledge of basic principles and techniques of screenwriting and story telling would make the job easier and interesting.
For All those Aspirants who have it in them but unable to put it out, The workshop is a good opportunity to help you and guide you in nurturing your budding creativity and imagination to write great stories.
As everyone can accept, A great film is impossible without a great script. And to write a great script you need to train yourself with professionals.
The workshop conducted by Raj Chanvell, A professional screenwriter graduated from Film and television institute of India,Pune focuses on all the basics of script writing.
The workshop will tackle all aspects that go into the construction of a script.
The workshop covers topics like... - What is a screenplay? Basic fundamentals of a professional screenplay - It all starts with an idea. The genesis of a premise. - The Litmus test. How to check if your idea works - The character and the conflict. How to develop a character with conflict. - Plot or Character. Which? - Expanding the premise into a short synopsis. - The dynamics of a scene - The three act structure and other approaches - The step outline - The treatment - screen time vs real time, exposition, Transitions, dialogue, Dramatic conflict techniques, subtext, set up and pay offs, and many more. It also focuses on the resources screenwriters need like books, films, sample screenplays, professional guidance, online help etc.
Seats Available 15
Fees: 1500/- (early bird discount on first five seats, seats reserved on first come first served basis)
To register call +91 9912111173 or email: raj.chanvell@gmail.com
Lamakaan presents a two day workshops for enthusiasts in Calligraphy for young and elders on 23th & 24th Nov Sat & Sun at 12noon - 2 pm.
In the two-hour sessions one will learn how to grip the calligraphy pen - to writing their own invitation for their next family function in Urdu & English.
Ms. Monika Lokhanday will be teaching the art in English, Hindi, Urdu and Arabic scripts. Fee: Rs.800 (includes providing Calligraphy Pen and writing material).
For registrations: call 9704621500
Film screening is followed by discussion on the current state of affairs in our own food policy and whats cooking in India.
Entry - Free
In the two-hour sessions one will learn how to grip the calligraphy pen - to writing their own invitation for their next family function in Urdu & English.
Ms. Monika Lokhanday will be teaching the art in English, Hindi, Urdu and Arabic scripts. Fee includes providing Calligraphy Pen and writing material. For registrations: call 9704621500
century
Are you familiar with personalities like Bernstein, Karajan, Mehta, Toscanini…?
What is the role of a conductor? What can we learn from such great orchestra
leaders and what is their legacy? This Listening Post presents a comparative
study also on different leadership styles.
Presented by Joe Koster (amateur conductor; Brass Band & Choirs)
Listening Post/Music Appreciation: Pure listening to Classical and Jazz music recordings with visual aids, notes, Q/A-session, discussion. Open to all. Entrance free.
of Vasavi College of Music & Dance. The performers will pay tributes to various poet-saints and great singers of the era such as: Bhakta Jayadeva, Purandara Das, Annamayya, Narayana Thirtha, Thyagaraya, mangalampalli Balamuralikrishna.
All are invited. Entry - Free
presents
Samahaara Comedy Night: Short Plays
Do you like fun? Anything for a laugh? Need to tickle the old funny bone? Then come be a part of a happy evening where a geek discovers his superpowers, a damsel in distress gives much distress, a king and a beggar have a face-off and a roommate sets up his kill room with knives and tomatoes.
Watch these intriguing and hilarious characters battle it out while their antics entertain and amuse you. Mark the date, book your tickets and bring your friends along.
Entry - 9885288982
This book will have 100 cartoons penned by 100 cartoonists.
Entry - Free
Ram Ke Naam
(1991, Colour, 75 minutes)
(A film by Anand Patwardhan)
Since gaining independence in 1947, India has been a secular state. But now, as religious fundamentalism grips much of India's population, the greatest danger to the nation's extremely strained social fabric may come not from Sikh or Muslim separatists, but from Hindu fundamentalists who are appealing to the 83% Hindu majority to redefine India as a Hindu nation.
IN THE NAME OF GOD focuses on the campaign waged by the militant Vishwa Hindu Parishad (VHP) to destroy a 16th century mosque in Ayodhya said to have been built by Babar, the first Mughal Emperor of India. The VHP claim the mosque was built at the birthsite of the Hindu god Ram after Babar razed an existing Ram temple. They are determined to build a new temple to Ram on the same site. This controversial issue, which successive governments have refused to resolve, has led to religious riots which have cost thousands their lives, culminating in the mosque's destruction by the Hindus in December of 1992. The resulting religious violence immediately spread throughout India and Pakistan leaving more than 5,000 dead, and causing thousands of Indian Muslims to flee their homes.
Filmed prior to the mosque's demolition, IN THE NAME OF GOD examines the motivations which would ultimately lead to the drastic actions of the Hindu militants, as well as the efforts of secular Indians - many of whom are Hindus - to combat the religious intolerance and hatred that has seized India in the name of God.
Awards:
Filmfare Award, Best Documentary, India, 1992
National Award, Best Investigative Doc. India, 1992
Ecumenical Prize, Nyon, Switzerland, 1993
Documentary Prize, Freibourg, Switzerland, 1993
Citizen's Prize, Yamagata, Japan, 1993
Reviews:
"The screen is electric with religious fervor, masses of people swarming through the streets, gathering in rallies, or violently rioting...
This is investigative cinema verité documentary at its dynamic best."
Kay Armatage, Toronto Film Festival
"A deceptively informal look at one lethal instance of India's move towards fundamentalist politics. For those who need to translate westward, it provides a possible clairvoyant example of the force of religious-political belief." Cameron Bailey
"An acutely informative, restrainedly courageous, and grimly prophetic film."- Hank Heifetz, author, ORIGIN OF THE YOUNG GOD
"Hard-hitting, provocative, revealing look at secularism in India under siege from militants on both sides. Patwardhan explores this tragedy in this lucid, courageous film that allows supporters of both sides to have their say... A documentary well worth seeking out."
Variety
"Anand Patwardhan's In the Name of God (Ram Ke Naam) is an important and telling comment on the rath yatra, on the political cynicism that went into the making of that event, and the communal fallout it produced."
He directed about 70 movies in Tamil, Telugu, Malayalam, and Oriya languages. His popular Telugu movies include Sri Krishna Tulabaram (1955), Lava Kusha (1963), Manchi Manasuku Manchi Rojulu (1958), Santinivasam (1960), Abhimanam (1960), Tiger Ramudu (1962), Valmeeki (1963), Kanchu Kota (1967), Govula Gopanna (1968), Ekaveera (1969), Jeevitha Chakram (1971), Sri Krishnarjuna Yuddham (1972), Dhanamaa? Daivamaa? (1973), Yashoda Krishna (1975), Mahakavi Kshetrayya (1976), etc.
Saichand Tripuraneni made these 'Cinema cinema' series to pay tributes to the doyens of cinema and Lamakaan is screening to commemorate 100 years of Indian Cinema.
Entry - Free
Chile's high Atacama Desert is one of those rare places where the earth seems truly to touch the sky. Located 10,000 feet above sea level, the desert's remoteness and the extraordinary fact that it is the driest place on earth, with zero percent humidity, give it some of the clearest skies on the planet. Astronomers come from all over the globe to peer through the world's biggest telescopes to the very edge of time and space, hoping to discover the secrets of the cosmos. But the Atacama holds other secrets underfoot. Its dry soil has preserved layers of human remains, from pre-Columbian mummies to the bones of 19th-century explorers to the corpses of political prisoners "disappeared" by the Chilean army under General Augusto Pinochet after the military coup of September 1973.
In this otherworldly place, earthly and celestial quests meld: Archaeologists dig for ancient civilizations, women search for their loved ones and astronomers scan the skies for new galaxies.
Nostalgia for the Light is a meditation on memory, history and eternity
Entry - free
3 humorous Original short plays
1)Yamdude by Kaalpanik Arts
2)Tamilian Mismatch & the Marital Twist (Finalist in Skits Comeptition by Dramanon) by Rangmanch
3)Ammi Bane Mother-in-law (Winner of 5 awards including Best Play in Skits Competition by Dramanon) by Kaalapanik Arts
Date : 29th & 30th November 2013
Time : 7:30 pm
Duration : 1 hour
for details contact :
Sneha Mukherjee : 07702364217.
Naren Yadav : 09885333273.
How can one join together to work on creating a safer space for women in urban spaces in Hyderabad by taking forward the recommendations and think points from the discussion.
Discussants: Madhumeeta Sinha, Assistant Professor, EFLU, Hyderabad
Dr. A. Suneetha, Anveshi, Hyderabad
Tejaswini Madabhushi, Yugantar
Moderated by - Ananth Maringanti
Date:30th November,2013
Time: 3:30 pm
Open for all - Entry Free
Entry - Free
"ఊహాచిత్రం" అరిపిరాల సత్యప్రసాద్ రాసిన కథల సంపుటి. ప్రముఖ రచయితలు, కవులు, చిత్రకారుల సమక్షంలో పుస్తకావిష్కరణ, చర్చ జరుగుతాయి. ప్రముఖ రచయితలు శ్రీరమణ, వ్యంగ్య రచయిత జి.ఆర్. మహర్షి, రచయిత్రి కుప్పిలి పద్మ, యువ రచయిత వేంపల్లి షరీఫ్ తదితరులు పాల్గింటారు.
ప్రవేశం ఉచితం
3 humorous Original short plays
1)Yamdude by Kaalpanik Arts
2)Tamilian Mismatch & the Marital Twist (Finalist in Skits Comeptition by Dramanon) by Rangmanch
3)Ammi Bane Mother-in-law (Winner of 5 awards including Best Play in Skits Competition by Dramanon) by Kaalapanik Arts
Date : 29th & 30th November 2013 Time : 7:30 pm Duration : 1 hour
for details contact :
Sneha Mukherjee : 07702364217. Naren Yadav : 09885333273.
Followed by open mic - where you could vent out 'bout anything, right from your khadoos boss, to your partner, to the mandi wala to world politics! Welcome to the lighter side of the world... Ommmm Shannnnti
Prateik Asrani - Bit by a bollywood bug at a very early age, the colorful venom of exaggeration filled his blood stream in no time and deluded him to believe in fairy tales..., but oops! the fairie(s) spanked his butt with their magic wand(s) and landed him in the reality of irony, making him the lovechild of sarcasm and frivolousness.. witty, tongue-in-cheek, quick, smart are the synonyms of his existence thereafter 😛
Alick Bailey - Just an ordinary guy like you and me and finds life funny at every corner. Loves to laugh at himself and others for the heck of it ^_^
Siddhy Varma - For a masters degree student with no memory/ use of it or for it, respectively, stand-up promises the catharsis to his biotech guilt. Hence he solemnly pledges to be sweaty, shaky and outrageously funny U_U (we'll see..) Bet your bottom rupee
Sishir - The name is Challa, Sishir Challa. And.. Surprise! Moth**f***ers! You just lost 3 secs of your life! Bahahaha.. *inhales some 'mysterious' smoke*.................. Surprise! Moth**f***ers! You just lost 3 secs of your life! Mahahaha - wait, didn't I just do that already? Shit -_- (somebody get me some water)......
Reeja Karrai - A former visual effects artist and creator of all things magical. She gave up her powers to continue living like a mere mortal and DANCE (sometimes for the monies, but not the way you are thinking, you evil beings!) Sometimes though, being mortal can be taxing and it drives her crazy to rant away and people find that funny. Join her to vent out your frustos! O:-)
Edwin Gates - 26 yrs ago a disturbing event unveiled a form of stupidity like no other. A child was born who brought in an age of misplaced logic, which will make sense to you after the enlightenment enters your soul! So... breathe in.... breathe out.. and be ready... B)
At the dawn of the 21st century, we are struck by the explosive force of mix between Bibical or Koranic verses, political messages and murderous acts that enflame wars “in the name of God”. But the words can also awaken, they can illuminate the spirit and weave bonds over frontiers.
Director : Abraham Segal
2009 – 1hr 37min – Color
Entry - free
She together with P. Leela reigned supreme in the South Indian film world in the early part of the 50s. Though they were in competition, they were fond of each other and behaved like two sisters and sang many songs together.
T Saichand made a moving tribute to her in this documentary and being screened to commemorate 100 years of Cinema.
Entry - Free
"The paintings are by Sudha Kolluru a passionate, born artist who loves to dwell into the mystic beauty of the world around and reflect it through her ART. To her Art is Life and Life is Art...The only way one can reach the ultimate divinity is through ART...Joining her is Anjum Ziaee a self thaught creative artist who loves to create something out of nothing.Her journey is about self discovery to reach the Almighty flowing wih tcolours of the everyday changes "
. On a journey we encounter a new thought and a new moment of awe everyday,thats where sometimes colours help us spill our thoughts on canvas or paper to express the value of every passing moment.Join us on our road to a new discovery about whats really meaning of it all
Entry - Free
For Registration: 7702440898 (Sree Priya)
For Registrations: SreePriya 7702440898
for your "This is so me!" moment. Written and Directed by Abhishek Iyengar, the play revolves around ‘A couple’ everyone
envies! They have everything in common; just the perfect families, perfect age and head over heels in love probably a match
made in heaven. On their way to a pompous marriage, a customary mushy honeymoon, jubilant households and "A Happily Ever
after", hell breaks out! The lady gets a brainwave from the same heavens! A strong jolt, a sudden-strong-stable realization of
perfection being the ultimate flaw, calmness being the utter boredom and an impulsive compulsion for an adrenaline rush.
Embarking on this journey sans an adventure seems such a cliché. Not something "every" girl dreams of.
So what will she do? What will all of them do infact? Wait, "them" - Oh yes! There is more. Of course, where there's trouble,
there are friends and where there are friends there is action and reaction, there is drama and there is spice. An insecure,
desperate for a Prince Charming girl, a hyper-excited crazy nutcase, a sensible mature guy pool along with the couple to plot a
plan which they probably think will change the whole coarse of their life. Looks like the medley is complete, Or is it not? Come
and see for it yourself as these 5 friends set out for what they believe as “journey of a lifetime”
After successfully staging Namma Metro, MALGUDI DAZE , Nannavala Kagada, Mirror Mirror, TP Kailasam Marali baa, Bangalore’s
well known theatre group, WeMove Theatre which has completed 67 stage performances across India is now premiering its
11th production, P.S I Don’t Love you, a play in English.
Entry - (Bangalore number) 09591040847
for your "This is so me!" moment. Written and Directed by Abhishek Iyengar, the play revolves around ‘A couple’ everyone
envies! They have everything in common; just the perfect families, perfect age and head over heels in love probably a match
made in heaven. On their way to a pompous marriage, a customary mushy honeymoon, jubilant households and "A Happily Ever
after", hell breaks out! The lady gets a brainwave from the same heavens! A strong jolt, a sudden-strong-stable realization of
perfection being the ultimate flaw, calmness being the utter boredom and an impulsive compulsion for an adrenaline rush.
Embarking on this journey sans an adventure seems such a cliché. Not something "every" girl dreams of.
So what will she do? What will all of them do infact? Wait, "them" - Oh yes! There is more. Of course, where there's trouble,
there are friends and where there are friends there is action and reaction, there is drama and there is spice. An insecure,
desperate for a Prince Charming girl, a hyper-excited crazy nutcase, a sensible mature guy pool along with the couple to plot a
plan which they probably think will change the whole coarse of their life. Looks like the medley is complete, Or is it not? Come
and see for it yourself as these 5 friends set out for what they believe as “journey of a lifetime”
After successfully staging Namma Metro, MALGUDI DAZE , Nannavala Kagada, Mirror Mirror, TP Kailasam Marali baa, Bangalore’s
well known theatre group, WeMove Theatre which has completed 67 stage performances across India is now premiering its
11th production, P.S I Don’t Love you, a play in English.
Entry - (Bangalore number) 09591040847
For Registration: 7702440898 (Sree Priya)
28th Listening Post – The Bass Groove
The bass player has an extremely important role in jazz, one that is perhaps not appreciated as much as it should. He holds on to the rhythm and the chordal structure that gives the soloists the freedom to improvise. This combination of rhythm and structure also makes bass solos in jazz a unique creative experience in musical expression. In this listening post, we look at some of the great bassists to understand their contribution to the magic of a jazz performance.
Presented by : Subhorup Dasgupta, Jazz-Lover & Writer at http://subhorup.blogspot.in/
Listening Post is a Pure listening to Classical and Jazz music recordings with visual aids, notes, Q/A-session, discussion. Open to all. Entrance free.
She began in 1936 when she appeared in a minor role in Raja Harishchandra and then played the lead role in L. V. Prasad's Kashtajeevi.
Her integrity as an actress and later as producer with Values been landmarks for the industry.
Saichand Tripuraneni pays tribute to this living legend in his 25 year old documenatary followed by discussion with her contemporary actress Jamuna Ramana Rao.
Entry - Free
pARTy 2013 will be your chance to view and purchase works of select regional artists, many of whom rarely exhibit in Hyderabad.
Bapu introduced a painting style of simple bright colors. His unique style consisted of economy of strokes, freehand drawing and a lack of background clutter.
His paintings focus on Hindu mythological characters, and he has painted the Hindu epic Ramayana as a pictorial story. His character portrayals, such as Shiva, Bhima, Duryodhana, look distinctly male with wide chests, large jaws and large biceps; while Krishna and Rama are more feminine in build. All his female characters have doe eyes, a waist-hip ratio of 0.7, voluptuous, long hair and a sharp nose. The phrase Bapu Bomma ("Bapu's painting") has become synonymous with a beautiful Telugu girl. Another character called Rendu Jadala Seeta ("Seeta with two plaits") became a synonym for any girl wearing her hair in two plaits.
Bapu has also introduced a new style of cursive writing in Telugu. The font is his own handwriting and reflects the same simplicity as his art.
This event today is open for all and is to encourage children to take up the hobby of painting seriously.
The competition will be followed by screening of a documentary on Bapu made by Saichand Tripuraneni.
Open for all. Entry - Free
Bapu's directorial venture saakshi was showcased at Tashkent film festival in 1968. SeetaKalyanam was screened at the BFI London Film Festival and Chicago International Film Festival in 1978. Tyagayya (1981 film) was showcased at the Indian Panorama of International Film Festival of India in 1982. He has also directed Bollywood films like Hum Paanch, Seeta Swayamvar, Anokha Bhakt, Bezubaan, Woh Saat Din, Pyari Behna, Mohobbat, Mera Dharam, Diljala and Prem Pratigya.
Bapu met Mullapudi Venkataramana in 1942 in P.S. High School, Madras. They studied there in standards V and VI and then continued schooling at Kesari High School.Ramana’s first short story 'Amma Maata Vinakapothe' was published in 1945 in 'Bala', a children's magazine published by Radio Annayya (Nyayapathi Raghava Rao),he was 14 then. Bapu illustrated the story. That was the beginning of their career as a writer-producer -illustrator- filmmaker duo”.
Started as an illustrator-story writer team and then turning into a film-director-writer duo, they have contributed immensely to the enrichment of Telugu cultural ethos through literature and cinema. When one mentions Bapu, then one is bound to mention Ramana's name too and vice versa. The most notable achievement in his movie making is his success in capturing the nativity of Telugu people and translating it great on-screen visuals. When ever the renowned duo of Bapu and Ramana come together for a project, viewers expect a spectacular visual of nativity with an equally enthralling storyline.
Their mythological ventures like Sampoorna Ramayanam, Ramanjaneya Yuddham and Seeta Kalyanam have been the milestones of Telugu cinema, while historical films like Thyagayya, Bhakta Kannappa and Sree natha kavisarvabhouma have been hugely successful. Bapu-Ramana combination has created movie magic on the large screen with some of the path breaking films in Telugu cinema and are ever remembered for films like Radha kalyanam, Velugu needalu, Bharyabharthalu, Bhogimanta, Mutyala muggu, 'Sakshi, Mr. Pellam', Pelli pustakam and Manavoori Pandavulu which popularised actors of those days like Krishna, Krishnam Raju, Chiranjeevi and Ravu Gopalarao.
Today we screen a film made by Saichand Tripuraneni on this versatile Director.
Open for All and Entry - Free
Sposato Borthers comprise of Milo and Julian, the twin sons of Frankie Blue Sposato. They began formal piano lessons when they turned 6. They won several talent shows by the time they turned 11. This talented duo composes their own tunes.
Frankie Blue Sposato is a film/television composer who grew up in New York. Blessed with perfect pitch, he learnt to play every instrument. He went to theBerkleecollege of music and studied with Gary Burton, Pat Metheney, and many other great composers. He also wrote and produced with R&B legends, Brian and Eddie Holland. Sony Records then signed him up to a writer/producer deal and he worked with Patti Labelle, Earth Wind and Fire, Martika and many other recording artists.
With Frankie Blue on Guitar and the Sposato Brothers on Trumpet, Sax and vocal. Get your bookings now!
Entry passes - 9642731329
Asmita Resource Centre for Women is orgnising this screening followed by discussion on the occasion of Human Rights day.
Entry - Free
Two men, Vladimir and Estragon, meet near a tree. They converse on various topics and reveal that they are waiting there for a man named Godot. While they wait, two other men enter. Pozzo is on his way to the market to sell his slave, Lucky. He pauses for a while to converse with Vladimir and Estragon. Lucky entertains them by dancing and thinking, and Pozzo and Lucky leave.
After Pozzo and Lucky leave, a boy enters and tells Vladimir that he is a messenger from Godot. He tells Vladimir that Godot will not be coming tonight, but that he will surely come tomorrow. Vladimir asks him some questions about Godot and the boy departs. After his departure, Vladimir and Estragon decide to leave, but they do not move as the curtain falls.
The next night, Vladimir and Estragon again meet near the tree to wait for Godot. Lucky and Pozzo enter again, but this time Pozzo is blind and Lucky is dumb. Pozzo does not remember meeting the two men the night before. They leave and Vladimir and Estragon continue to wait.
Shortly after, the boy enters and once again tells Vladimir that Godot will not be coming. He insists that he did not speak to Vladimir yesterday. After he leaves, Estragon and Vladimir decide to leave, but again they do not move as the curtain falls, ending the play.
Entry - Free
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