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Would you like to be a rivulet leaping and tumbling towards the river;
Would you like to be a peacock celebrating the coming rain or the wind making music
amidst the tree tops.
You can experience poetry music and rhythm.
You can step out of the known and discover the joy of Odissi dance with Guru Jyoti Rout.
Jyoti Rout is a truly gifted performer. To witness her dance is to see the ancient temple sculptures come to life. She is most appreciated for her abhinaya (expression). She flows between rage, love, fear and amusement with ease, moving you to empathize with each character. Even within each emotion she conveys the subtle nuances, those imperceptible shifts in feeling - with clarity.
Guru Jyoti Rout is a gifted choreographer. She has choreographed over 60 original items in the classical Odissi tradition. She was one of the few dancers who had the opportunity to dance in front of Lord Jagannath in Puri.
She is the recipient of an award from World Arts West for her outstanding choreography of Dasavatara at the prestigious Ethnic Dance Festival at San Francisco in 2006. She went on to receive a grant for choreographing an Odissi item for the 2007 Ethnic Dance Festival. She has been honored with several National and International awards from around the globe including Pride of India National Award, Shrestha Odiani, and Shrishetra Mahari Award from Jagannath Puri in 2008 and Nritya Shri and Nritya Shiromani State Awards.
Guru Jyoti Rout is an inspired teacher and several students have moved across the country to study with her. It is fascinating to watch her transform her students into dancers, each with their own unique charm while having the consciousness, sensibility and body language of this ancient art form. She teaches Odissi as a spiritual practice, emphasizing relaxation, right breathing, mindfulness and focus while engaging in rigorous physical practice.
for registrations; call 9030013344 (Nayantara Nanda Kumar)
Entry - Free
Round & Round & Round.. -A play
An Old Bar...a table...and two restless souls sharing their SOLITUDE…
An old man who is expressing his feelings after going through oppression by state and society…
And a young artist who got shunned by the so called “cultured moral police” as they found the expression in his art as blasphemous.
Both of them are recollecting the incidents, in bits and pieces, which has halted their life forever…
Old man has come to term with the trauma he has gone trough and has realized it as the circumference point around which he is living, as the Old Man says... “Insaan ek hi daire ke Irdh Girdh Ghumtien rehte hai… Round & Round & Round.....”
But for the young man it’s just the beginning of getting in to the round circle, as he is still wandering between curves and straight lines… “How can a round eye see so many straight lines?”
Written by Junaid & feroze.
Enacted by feroze.
Directed by Junaid
For Details Contact:
Sifar.theatre@gmail.com | 9849331347.
If you wanted to be on stage and never had the time, if you have already been on stage but have not experienced the other fascinating aspects of theatre then you should join the weekend theatre workshop by Rathna Shekar Reddy at Lamakaan.
Its refreshing and it's nothing you have ever tried before.
Spend your weekends with theatre, meet new people and bring out the drama in you that you never thought existed. Apart from acting the workshop offers a rich mix of outdoor theatre activities, readings, analysis, discussions, & performances every weekend.
Duration: 8 weekends (24th August - 13 October, 2013)
Time: 10.00am to 12.00pm (Sat & Sun)
Venue: Lamakaan, Banjara Hills, Hyderabad.
Ages : 14 Yrs and Above
Register now!
For more information call us on 8341120303
or
Email us on info@samahaara.org
“Round & Round & Round…”
Based on Nirmal Varma's “Dedh Inch upar”
An Old Bar...a table...and two restless souls sharing their SOLITUDE…
An old man who is expressing his feelings after going through oppression by state and society…
And a young artist who got shunned by the so called “cultured moral police” as they found the expression in his art as blasphemous.
Both of them are recollecting the incidents, in bits and pieces, which has halted their life forever…
Old man has come to term with the trauma he has gone trough and has realized it as the circumference point around which he is living, as the Old Man says... “Insaan ek hi daire ke Irdh Girdh Ghumtien rehte hai… Round & Round & Round.....”
But for the young man it’s just the beginning of getting in to the round circle, as he is still wandering between curves and straight lines… “How can a round eye see so many straight lines?”
Written by Junaid & feroze.
Enacted by feroze.
Directed by Junaid
For entry:
Sifar.theatre@gmail.com | 9849331347.
We talk about role of energy as the key to growth. Is energy essentially a human-centric issue? How does energy play out in the lives of other living beings? Do their decisions depend so much on energy? The UN Sustainable Development Goal is poised to include Energy as one of the key components to attain sustainability. What are the core tenets of sustainability? As conscious consumers can we drive our energy production and use it to be more ecological? Let’s explore some of these thoughts together in a chat session…
Dr. Nina Sengupta is a Research and Development Consultant, Auroville, India. Her recent focus is: Addressing climate change issues through integrated biodiversity conservation and sustainable development initiatives.
Open for all
entry-free
The role of the trombone through the centuries
From the beauty and majesty during the early period of church and classical music to its position as horn-section or solo-instrument in Jazz big bands and brass bands, the trombone has seen many changes in its use. During this listening post we’ll look at some of the pivotal changes and influential musicians that have shaped the course of the trombone over the centuries.
Presented by Joe Koster, piano-/trombone player, former conductor of a Brass Band and part of the Swiss Army Band, music teacher, conductor Deccan Voices.
entry-free
Anant and Suhit recently performed with Professional senior artirts on the world music day celebrations in Hyderabad, brought them accolades and high praise from all.
Entry-Free
The story of Papalal’s family is a disturbing account of the freedom with which religious chauvinism and bigotry operate in a country that has secularism for an ideal. It shows how humanism and tolerance—the very qualities required to overcome communal discord and strife—rather than being nurtured are in danger of being subverted. But through all these accounts of hardship, ultimately this is an inspiring tale of humanity, harmony and hope.
A 52 minute Documentary film
Edited and Directed by Shravan Katikaneni
Cinematography by Gnana Shekar VS
Open for all and entry is free.
The stories are writen in Telugu by several story tellers.
It takes us on a trip to the neverland for a long time to come.
Entry - free
The writers and editors of the books Nandhyala Narayana Reddy, Votra Purushottam, Prof.Jayadheer Tirmal Rao, Saamala Ramesh Babu of Nadusthunna charithra, Anil Atluri of kinige.com and other invitees will be in presence.
We will discuss about the importance of diversity in languages in various geographical regions of the world.
All are welcome.
This is a story about a Hyderabadi couple going to court to nullify their nuptials by divorcing each other for the final time.
Stick to your chairs as this play will take you on a laughter ride. During the course of funny incidents, they finally realize that even after so many fights they cannot live without each other.
The play will be performed by Udaan Performing Arts. Make sure you watch this play as this one will surely tickle your funny bone!
More ticket contact Saurabh @9290013166
This initiative of Showcasing some of our artist and other talented artist in the city by promoting them and educating the crowd about the talent that goes unnoticed.
Thalassemia is a form of inherited recessive blood disorders caused by the weakening and destruction of red blood cells. Thalassemia is caused by variant or missing genes that affect how the body makes hemoglobin. Hemoglobin is the protein in red blood cells that carries oxygen. People with thalassemia make less hemoglobin and fewer circulating red blood cells than normal, which results in mild or severe anemia.
Entry - Free
The Last Bridge has performed across various Indian cities like Hyderabad, Delhi, Bangalore..etc at various events, shows and gatherings. The Last Bridge has released a debut Hindi album named "Tere Bina" in January 2012 which is still being sold across many countries popularily. This live music show is followed by a video shoot which is being done for the band's upcoming project, a video single named "Chahun Tujhe".
Entry - Free
Feet on Earth is a dance company and dance studio based in Sainikpuri, Secunderabad founded by Pujita Krishna Jyoti. Pujita Krishna Jyoti, Raman Kumari and Mitha Vinay are instructors at the studio and individual performers who have extensive performance experience both in India and abroad.
Entry - Free
An Urdu translation & adaptation of Hugh Chesterman's, 'The Pie & The Tart'. The play traces the bylanes of Hyderabad as traversed by 2 beggars, Salim & Javed who write their own scripts of beggary and trickery to feed their appetites on a daily basis. On a particularly hungry day they come across the indefatigable Ismile bhai, who whips up delicacies which are almost as spicy as the language he speaks and his formidable wife, Pasha Bi. Salim-Javed decide to redirect the Biryani that Ismile bhai has cooked for the local nawab, so they can gobble it up instead. Watch Biryani aur Haleem to see if their 'pilaan' works.
Entry: 9963706169(Zehra), 9848052541(Sutradhar)
The film raises the question of how a new ‘Malaysian Homeless Generation’ has emerged on the scenes. For youngsters, owning a home has become a distant dream. The filmmaker takes us on a journey to discover how this situation came about, what kind of forces are at play and most importantly how can the ordinary person have the power to resist market forces in a capitalist system such as Malaysia’s.
Intelligently titled, this film, after the M-C-M' cycle and social capital by Marxism, -(M-C-M' cycle is the transformation of money (M) into commodities (C), and the change of commodities back again into money (M') of altered value) - this film made by young film maker from Malaysia Boon Kia Meng, The filmmaker takes us on a journey to discover how the present situation of escalating house prices came about, what kind of forces are at work, interviewing the key players in the system, such as developers, the banks, the state and young house buyers, which some concerned parties have called the Homeless Generation.
Boon Kia Meng is an activist-filmmaker. His film ‘M-C-M’: Utopia Milik Siapa?’, a winner at the Malaysian Freedom Film Festival 2012, documenting the issue of escalating house prices and debt in Malaysia. This film featured in the recently completed Livelihood film festival in Delhi.
Screening is followed by panel discussion on the present debt crisis in general and housing crisis in particular in our country too.
https://www.youtube.com/watch?v=hv9bWjgEXtc
Entry - Free
The speaker will be making a presentation on the present Rural Building Systems in the modern context - Bridging the gap between our age old ecologically sound building practices and the new modern building culture in the context. Auroville Earth Institute and is currently working out of the ecologically sensitive areas like earth-quake prone area and flood affected areas like Kangra Valley of Himachal Pradesh.
People in Architectural community, engineering profession, designing and in traditional methods of architecture & building can interact with the like-minded professionals.
Open to All
Entry - Free
Entry - Free
offers a 2-months (8-Saturdays)
“Music-Theory-& Ear-Training"
Come, learn, compose and enjoy!
In this course you will learn….
Pitch Identification:
With the aid of visualizations and audible ques, student will gain skills such as pitch matching, finding the “key”, and understanding the relationship between pitches.
Harmonic analysis:
Melodies and chord progressions will be demystified through the study of tonal harmony.
Sight Singing:
We will discuss the ways in which pitches usually behave, and explore melodic sequencing and basic conducting. This will help students to read and sing music at first sight!
Dictation:
Students will learn to notate melodies and harmonies upon hearing. This skill will empower students to be able to quickly grasp music that they encounter, as well be able to write or play their own musical ideas.
Start: Saturday, 7th September (and following 7 Saturdays) 3 – 5 pm
Venue: Lamakaan (Lane next to M-Modal building, opps. GVK One Mall, Road No.1, Banjara Hills) www.lamakaan.com
Fee: Rs. 2900 – HWMF members Rs. 2500 (for 16 hours; incl. course-material)
Registration fee: Rs. 300
Requirements: If you did a HWMF-notation-reading-course, a beginner-course in Music, for ex. Trinity, ABRSM, LCM… etc., or bring a similar experience, this is the right course for you on the way to musicianship.
Our resource person is a talented, experienced & young musician: Nathan King
Nathan is studying music and anthropology at the University of Tennessee at Chattanooga, and teaches music theory and ear training at the Folk School of Chattanooga. He has performed many styles of music including jazz, funk, classical, rock n’ roll, folk and experimental new music. Nathan’s compositions have ranged from the traditional to the avant garde; including duets for clarinet and piano, guitar ensembles, as well as full jazz band arrangements and mixtures of different artistic mediums. Predominantly Nathan is a singer and guitarist, though he also plays bass, clarinet, and tuba. He believes that music is for everyone, and it should not be limited to the stage. Music can bring great joy to your life and the lives of those around you!
Interested? Pl. register soon: Info@hydmusic.com
Or call us 9849451794 or 9912201659
www.facebook.com/TheHyderabadWesternMusicFoundation
www.hydmusic.com
in association with
Theatre Outreach Unit, University of Hyderabad
presents
"Adventures of Chinnari" A Telugu Play
‘Adventures of Chinnari’, a live performance designed and meant for children ranging from 3rd to 9th standard. The play is based on a folk tale of China and having a concern for several contemporary issues of the age group below 15 years.
Our recent performances for schools like Future Kids, BHAVANS and Kendriya Vidyalaya received a thunderous applause amidst standing ovation.
Entry - Call 8341120303, 9885288982
Unprepared – Exploring the great jazz pianists
The piano already had a respectable place in the musical scheme of things when jazz was born. In both classical and folk traditions, it was a solo instrument matched only by an orchestra, and it was the instrument of choice for composition. As a result, much of jazz has been built around and written on the piano. At this fortnight’s Jazz Listening Post, we take a look at the journey of the jazz piano, from ragtime and honky tonk to avant garde and contemporary. You will find the usual suspects, but be prepared for some unexpected guests too.
Presented by : Subhorup Dasgupta, Jazz-Lover & Writer at http://subhorup.blogspot.in/
Entry - Free
This week we will be looking at some one who has a rare distinction of acting in the first ever talkie films of Hindi (Alam Ara), Telugu (Bhakta Prahlada) and Tamil (Kalidas). He went on to achieve many more and today we call him the founding father of South Indian Film Industry - L.V.Prasad.
Akkineni Lakshmi Vara Prasada Rao known popularly as L. V. Prasad was an Indian film producer, actor, director, cinematographer and businessman. He was one of the pioneers of Indian cinema and is the recipient of the Dadasaheb Phalke Award, the highest Award for films in India.
We present a tribute to this doyen of our cinema on its centenary celebrations.
Entry - Free
Discussion aims to understand, debate and discuss around these questions.
Moderator: Sridevi, Dept. of Economics, UoH.
Confirmed Speakers:
A. Sagari Ramdas from Anthra
B. K. Sandeep from Deccan Development Society
and Dr.Rama Melkote (Commmissioner, Right to food)
All are welcome.
Entry - Free
Entry -Free
the play written by Badal serkar and directed by Satyabarat Rout. Duration 100 minutes.
This is our first venture to reach out to the masses, youth in particular. In today’s world where everything has become materialistic, the youth, is losing its focus and drifting towards the less important in life. Consequently, the human in us is being replaced by machine, and life becomes a mere existence. This machine- like existence acts as an octopus, that is spreading its tentacles everywhere, creeping up the humanity; the reason why we lose our existence, identity and emotions. Indrajeet seeks the answers to these fundamental questions: “Who am I?”, “What am I?” and “Why am I?” The protagonist wants to break the walls of fundamentalism, and tries to establish an idealistic society, that can liberate us from the shackles of age-long customs and laws.
Written in the early seventies, 'Evam Indrajeet' is regarded as the first Indian absurd drama, which follows the principles of existentialism, a trend set by the ideas of western philosophers and authors like Albert Camus, Samuel Beckett, and Jean Paul Sartre. The meaninglessness of life somehow reflects in the total production and questions our whole existence of life. The one and a half hour long production is an adaptation of the original play, to suit the contemporary global times, without distorting the central idea of the author. The treatment of the production is humerous, satirical, caricaturist and at the same time absurd.
Entry-9951177844
This is our first venture to reach out to the masses, youth in particular. In today’s world where everything has become materialistic, the youth, is losing its focus and drifting towards the less important in life. Consequently, the human in us is being replaced by machine, and life becomes a mere existence. This machine- like existence acts as an octopus, that is spreading its tentacles everywhere, creeping up the humanity; the reason why we lose our existence, identity and emotions. Indrajeet seeks the answers to these fundamental questions: “Who am I?”, “What am I?” and “Why am I?” The protagonist wants to break the walls of fundamentalism, and tries to establish an idealistic society, that can liberate us from the shackles of age-long customs and laws.
Written in the early seventies, 'Evam Indrajeet' is regarded as the first Indian absurd drama, which follows the principles of existentialism, a trend set by the ideas of western philosophers and authors like Albert Camus, Samuel Beckett, and Jean Paul Sartre. The meaninglessness of life somehow reflects in the total production and questions our whole existence of life. The one and a half hour long production is an adaptation of the original play, to suit the contemporary global times, without distorting the central idea of the author. The treatment of the production is humerous, satirical, caricaturist and at the same time absurd.
Entry-9951177844
Arun Ganesh, a sustainable technology hacker Talks "How using open source took me to the world" among other things like crowd sourcing, creative commons, maps etc. Arun has previously worked as a UI designer with the Wikimedia Foundation.
Not given any fairy tale books in his childhood by his parents, Arun spent his formative years flipping through his sister’s geography atlas, tracing shapes of countries, memorising place names and understanding the relationships between mountains, rivers and cities. Not surprisingly, he developed a deep interest in cartography and visual information design at an early age, creating large scale plans of fantasy cities on the backside of drafting sheets from his dad’s office. The four years spent pursuing Electronics & Communication Engineering from Anna University gave him ample time to develop his cartographic skills further, by contributing heavily to Wikipedia and the OpenStreetMap projects. After an accidental entry into the post graduate Information & Interface Design program at the National Institute of Design, he is now on a mission to share his love for geography and the environment to others using maps as a communication medium.
Open to All
Entry-Free
Open for all and entry is free.
Bommireddy Nagi Reddy was a Telugu movie producer. He set up Vijaya Vauhini Studios in Chennai, which was then Asia's biggest film studio. As his elder brother (who was also a director) had the same initials and was known as B. N. Reddy, Nagi Reddy was popularly known as B. Nagi Reddy. Some of the movies produced by Nagi Reddy include Patala Bhairavi (1951), Missamma (1955), Maya Bazaar (1957), Gundamma Katha (1962), Maduve Madinodu (1965-Kannada), Ram Aur Shyam, Shriman Shrimati, Julie (1975), and Swarg Narak (1978), the latter two of which were in Hindi.
He is the first recipient of Dadasaheb Phalke award in South India.
We present a tribute to this doyen of our cinema on its centenary celebrations.
Entry - Free
RC is a community process which supports restoring of connection and coming to consensus at the times of disagreements and conflicts, with the support of facilitators. Created by Dominic Barter and his colleagues, out of their work in the slums of Rio de Janiero, Brazil, 'Restorative Circle' allows conflicts to surface in a safe container. To see videos of Dominic speak on RC go to http://www.restorativecircles.org/video
During the process all the parties come to dialogue as equals. Participants invite each other and attend voluntarily. The process ends when actions have been found that bring mutual benefit.
It could be used at any community based groups and workplaces, including Government or Non Government Organisations, Corporates, Educational Institutions, Civil Rights groups or political organisations, Intentional Communities like Housing Societies or Eco Villages, and even in families.
In a Restorative System, unlike a retributive one, by going into the context of the conflict we try to restore connection and trust in the community. If the social fabric is torn, we sit together to gradually re-weave it, to re-join the threads between the members of the community.
In the two days workshop you will be learning about the process and the skills to facilitate restorative Circles and setting up Restorative Systems in a community. To know more about Restorative Circles go to www.restorativecircles.org.
Gift Culture: The workshop will be done in the spirit of Gift Culture where you are invited to contribute generously from your heart. To know more about the spirit of gift culture see http://www.youtube.com/watch?v=kpyc84kamhw
Suggested Contribution for the workshop is Rs 1500. Please feel free to pay more or less depending on your financial capabilities. We want to have this flexibility so as to include everyone irrespective of their financial resources.
Shammi Nanda has had the opportunity to learn about Restorative Circles with by L’aura and Jason of Auroville who have attended trainings on Restorative Circle with Dominic and have introduced it in their own community. Auroville community is experimenting with different ways of conflict transformation. He is also working on Nonviolent Communication for the last four years.
Shammi has been involved in filmmaking and has studied it at the Film Institute in Pune. While he was studying there he was also the president of the student body of the Film Institute. During that time they organized many strikes. He now thinks that while they had noble intentions, the processes of meetings were more disconnecting and is now wanting to create spaces where there is genuine listening and trust in communities when they situation is charged up.
He is closely connected to various sustainability movements and ecological communities all over India. He is also part of the learning societies network, which has been organizing ‘Learning Societies Unconference’ and connected to many home shcooling and unschooling families across the country. He has also been closely connected with Shikshantar for last ten years. See www.swaraj.org/shikshantar and sees himself as part of the larger Shikshantar network.
He believes in moving over from ‘power over’ to ‘power with’ways of relating in our communities and organizations and believes that it is not just possible but a more efficient way to relate with each other. He is also supporting some groups and communities to set up processes of conflict transformation in their design itself.
For registration - call 9642731329
Omkar was enthused to take up music by his parents, both being Marathi Natya-Sangeet performers. He trained under his aunt legendary Manik Verma, Pt.Yashwantbua Joshi of Gwalior Gharana and Pt.Ulhas Kashalkar. Omkar's performancesacross India and abroad were highly applauded. He received the prestigious Vidyasagar Award, Shanmukhananda Hall-Mumbai-Sangeet Shiromani" award, Chaturanga Sangeet Shishyavrutti Award", Sangeet Natak Academy Awarf and Ustad Bismillah Khan Yuva Puraskar. Presently he is a Musician Tutor at I.T.C. Sangeet Research Academy Kolkata. His handsome voice with embellished tans has established him as a brilliant performer.
Entry - call 9642731329
As the process of the division of Andhra Pradesh state gains momentum the tempers and emotions are rising that rapidly on both the sides, Water issues and conflicts are coming to the fore and vociferous demands are made on the Centre to do justice.
This talk would centre around projecting a perspective so that a just and equitable resolution of the present conflict can be arrived at.
The session will be an interactive and open for debate.
Kishan Rao Parcha graduated from Mysore University in Electrical Engineering. After a brief stint as a research fellow at IIT, Kanpur, he returned to his native village and took to agriculture as my profession. Kishan Rao trains trainers in sustainable farming systems and innovative practices in agriculture.
Entry - Free
For them the lives seem "Damned"...what does it mean to leave a life that they have known for generations and for people who might never have stepped out of their forest life? How do governments view displaced people in this day and date? The argument is always that for the larger good, some have to make sacrifices...but is it all that simple a matter - a matter of compensation? After all this, does this project serve its purpose? For that matter is there a need to relook at large projects like these at a time when we are beginning to realize that 'small is sustainable’?
The film is made by Saraswati Kavula, filmmaker and social activist.
Entry-Free
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