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The film is basically about the resilience of a young girl as she tries to stay true to her beliefs.
The making of the film has followed a different process. There are no trained actors in this film nor is there a single director. The actors are members of the community itself. The script was based and adapted from a short story called, "Fishy Magic" written by Rinchin and the film was made as a collective effort where everyone involved has contributed in some way to the development, direction and execution of the script of the film.
The film was produced by ektara collective. Ektara Collective is an independent, autonomous, non funded group of individuals based in Bhopal, Madhya Pradesh. The main purpose of the group is to combine creative efforts and imagination and collaborate with other like-minded people to successfully implement them.
Brief synopsis
On the banks of a flowing river Jyotika and her friends are busy in their lives when one day they meet an old woman who tells them a story of a fish that spreads happiness in the world. For her friends its just a story but jyotika is convinced about the existence of this fish and hopes to meet it someday. She carefully prepares for it making a list of people whose wishes she wants fulfilled. Around the same time a contractor has been visitng the village with a proposal for the fishermen that promises much wealth and happiness. A few in the village believe that it may not be as good as it seems.
And one day Jyotika realises that staying true to one's beliefs is not easy. There comes a time when our convictions are put to test.
• Do you know where the sewerage from your neighborhood goes?
• Do you know how your lake is connected to other lakes in Hyderabad?
• Do you want to know how you can participate in local planning to conserve water bodies?
• Do you want to know how to make maps that can help in local environmental education?
Hyderabad Urban Lab is pleased to announce the first public presentation of its work on
Hyderabad's water bodies on Sunday 24th March from 2pm to 3:30pm at Lamakaan. We will be
sharing our digital maps and mapping tools and demonstrate their application in four cases:
Ambir lake, Ameenpur lake, Shaikpet lake and University of Hyderabad
Campus lakes
Join us in discovering together the potential of digital and paper maps to help us take better
decisions and run more effective campaigns.
Time: 2 - 3:30pm Sunday March 24th
Place: Lamakaan
Basso Profundo!
Topic: Overview of the history of the lowest male voice type in Western classical opera – What is a bass singer? How does the body type, range, and vocal technique of a bass differ from the other male voice types? What are the typical roles for the bass voice in standard operatic repertoire? Plus: An introduction into the German Fach system of voice categorization and presentation and explanation of video performances by several of the greatest basses of all time.
Presented by: Paul C. Mueller, former opera singer and
Economic Affairs Associate, U.S. Consulate General Hyderabad
Open to all – No admission fee
Synopsis:
In 1935 RasoolanBai the well known singer from Varanasi recorded for the gramophone a thumri that she would never sing again - My breasts are wounded, don't throw flowers at me. A variation of her more famous song - My heart is wounded, don't throw flowers at me, the 1935 recording, never to be repeated, faded from public memory and eventually got lost. More than seventy years later the film travels through Varanasi, Lucknow and Muzzafarpur in Bihar to search for the forgotten song. This journey brings the film face to face with the enigmatic figure of the tawaif, courtesan, baiji and the contested terrain of her art practise and lifestyle. To find the lost other song the film must understand the past and present of the tawaif and unravel the significant transitions that took place in late 19th and early 20th century around the control, censorship and moral policing of female sexualities and cultural expression.
This film Manjuben Truck driver made by Sharna Dastur documentary is an emotive and introspective tale of a woman in a man’s world. Miss Manju is a truck driver. Defying India’s strict gender stereotypes, she risks life and limb as she races along India’s narrow, beautiful mountain passes. In a patriarchal society, rough talking, long-trousered Miss Manju has defined herself as a man. Beautifully shot, this is a poetic tale investigating social conformity, gender stereotypes and personal identity. A touching and intimate portrait.
Flashbulbs click as a model in casual men’s slacks, a shirt and a trilby poses for the photographer. She looks just like actor Amitabh Bachchan.
Manjusha is a woman in a man’s world. “Half Shiva, half Shakti – that’s me. Both male and female powers are in me,” she laughs. For most of her life Miss Manju has driven trucks, in what is usually considered an exclusively macho profession. “I used to have 8” she states “I had to sell most of them…” Now she talks like a local ‘dada’, chews pan masala and bosses the local mechanics at the garage.
On the road, Manjusha is equally macho. “I drive like a bastard,” she grins, beeping her horn furiously. “I always like to make sure I’m in front.” Squeezing past oncoming trucks and incautious camels along India’s picturesque but lethal roads, her life is constantly on the line. Deep beneath her in a ravine the mangled remains of another truck remind her exactly how dangerous her job is.
WOMAN! TAKE NOTICE!!!
THE EXCLAMATION IS NOT FOR MEN. IT IS FOR WOMEN.
TAKE NOTICE OF YOURSELF BEFORE CHAUVINISTIC EYES (BE IT MEN’S OR WOMEN’S) SEE YOU AND NOTICE YOU.
TAKE NOTICE OF YOURSELF – NOT TO COVER YOURSELF OR HIDE YOURSELF FROM THE CROWD
TAKE NOTICE OF YOURSELF – TO EXPRESS YOURSELF, ASSERT YOURSELF AND FIGHT FOR YOURSELF..
TAKE NOTICE OF YOURSELF – TO RESPECT YOURSELF BEFORE THE CHAVISNISTIC EYES DEMORALIZE YOU IN THE WORST WAY POSSIBLE. IF THESE CHAUVINISTIC EYES DON’T KNOW TO RESPECT WOMEN THEN LET US - “WE WOMEN”- TEACH THEM HOW TO RESPECT US.
SAY YES! I AM A WOMAN TAKE NOTICE & RESPECT!!!
This is a story of two chess players challenging each others’ game skills. The common friends who are there inmates from chess club do this job.
Rohan is a chess champion accepted by his player friends, because of his attacking style of game and generally winning over everybody. Avinash turns out to be a newcomer to chess club, relatively a shy boy from villages talking reasonably less, but with lot of confidence exhibited from his systematic game. His approach to learn chess independently by studying books, gaining command over end game and systematic analysis of the standard chess openings is his strength. He needs to play relatively less with other players as he is trained from his childhood, under the guidance of different experienced masters, including the early village teacher. Rohan did have the opportunity to play a few games (and occasionally lost), but laughed at his games, ridiculing his attitude to learn game by studying books.
The movie opens with the preparation for the informal tournament between the two. The common friends Vikas and Chirag have unanimously agreed as the arbitrators, in case of any dispute arising in the set of games. Though the games are played with rules, the movie Shows us, how the winning pattern changes in course of time and the emotional shades overtake the situation.
This experimental English art film is of duration 32 mins. with mainly one location, concerned 4 - 5 characters and the actual game of chess…..!
Let us see how it unfolds and ends up!
The poets who will be participating are:
1. Fatema Shahnaz (English)
2. Mona Hyderabadi (Urdu)
3. Sridala Swami (English)
4. Vasanth Kannabiran (English, Telugu)
5. Tasneem Johar (Urdu)
6. Vimala Morthala (Telugu)
7. Vineeta Sharma (Hindi)
Admission is Free for all
" The road to fresh mazmuns is never closed Till doomsday the gate of poetry is open" - Vali Dakani
Through the verbal space offered by audio visual medium and Ghazal rendition, Dr Manisha Bangar and Mrs Mala Bararia present the journey of Urdu Literary Culture in between the times of its creation in prose and poetry , its achievement of historical preeminence ,its preservation by Urdu lovers through popular genres like "bayaz( notebooks)"takirah's"( anthologies), "mushairas"( poetry recitation sessions), the ustad-shagird tradition, the classical ghazal , AND the contemporary Urdu culture which lies beyond the" patterned classical mushairas" /classical ghazal and finds place in the modern" public space musical mushaira's","pop ghazal", "filmi ghazal trapped in CD and Casatte culture" and ghazal spilling into non Urdu culture domains.
In so far as they show an undiminished enthusiasm ,the presenters leave to the modern hearers to decide the current health of the Urdu Literary Culture in general and Urdu Ghazal in particular.
A lighthearted comedy, that very subtly criticizes class struggle and it's fallacies. The script is an allegory, and vaguely fits under the umbrella term "Absurdist Plays". A relatively short play, it mainly aims to entertain, while at the same time hinting the message it intends to deliver to the audience.
The Tragedy of Hamlet, Prince of Denmark is a tragedy by William Shakespeare. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness – from overwhelming sorrow to seething rage – and explores themes of treachery, revenge, incest, and moral corruption and family.
A protagonist, who is very much confused as how to end his life either by consuming poison or hanging himself because nothing falls for him in a right place. He is unemployed and has break-up with his girlfriend.
While the protagonist is in the process of committing suicide in his house, his best friend bumps into his house with whom he shares his emotional and romantic moments. The friend doesn’t even refrain him from attempting suicide as he is aware of protagonist’s nature and leaves him in lurch.
Thereafter he is visited by different people for their personal means and reasons, knowing his intentions and not stopping him from committing suicide. Then at the last moment of his life a stranger comes to him and his thought takes a twist and changes his life.
One of the biggest stumbling blocks for startups today is getting traction. Be it for B2C products, or for establishing credibility for B2B products. One of the key reasons for being unable to get traction is because startups don't have the budgets to run marketing campaigns. So how can startups effectively leverage free media - either owned assets or earned through networks - to promote their products?
Apr 13 2013, Saturday. 10am
LaMakaan
Program
10:00 Twitter Intros from Startups present
10:15 CIE Launchpad and GameHub announcements
10:20 StartupSpeak
6 startups that have managed to gain significant traction without any marketing dollars
10:20 to 12:20 ExpertSpeak
Make your gift packaging as special as your gifts with wwonderful works of art the Punch Craft way !!
వరవరరావు, డా.కాసుల లింగారెడ్డి, నరేష్ కుమార్, మేరాజ్ ఫాతిమా, అనిల్ డాని.
It will be a medley of short and animated films.
We welcome all parents of children with sensory issues to attend the screening of Sensory Frienldy Children's films to celebrate Autism Awareness month
Anyone who is involved with or interested in any aspect of front end & user interface design and development.
This is an effort to increase the quality and quantity of story telling and in local dialects.
This 2 day seminar-MeetUp will be addressing various specific problems the community faces currently.
For registrations, call: 9949671136
Come and find out who gets to keep the wife and who gets to keep the misery.
Sifar invites you to a comedy play
MY WIFE’S HUSBAND (Hindi)
Written by: Miro Gavran | Indian adaptation by: Feroze
Music composed by: Amit Dasani & Suhit Chiruthapudi
Cast: Maya, Shravanth, Feroze, Kaya
Poster & Ticket designed by: Kathik Vijay V
Design & Directed by: Feroze
hE is getting old and cranky…
He is trying for years, without success, to become a professional...
hE is successfully professional from years….but…still trying!
and… hE becomes He’s friend, philosopher, guide, etc...
The two establish an unusual closeness which gradually grows into ruthless competition.
The interweaving of the comic and the dramatic gradually leads to an unexpected conclusion.
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