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304
HWMF-Listening Post
Sun Feb 24, 4:00 PM
HWMF
Western Classical Music:
"Journey to the North - Nordic vistas through music from the national romantic era"
-Introduction to the Nordic countries and the national romantic era
-Sibelius & Grieg composer profile in the national romantic context
-Influences on Sibelius & Grieg and their societal significance
-Major works and style
-Excerpts from Sibelius's & Grieg’s music
-Slides will be shown along with the music as nature was such an important source of inspiration for many of the compositions
Presented by: Raita Mocherla (from Finland, based in Hyderabad; studied the piano, flute and church organ at Sibelius High School and Vantaa Music Institute)
Listening Post/Music Appreciation: Pure listening to Classical and Jazz music recordings with visual aids, notes, Q/A-session, discussion. Open to all. Entrance free.
"Journey to the North - Nordic vistas through music from the national romantic era"
-Introduction to the Nordic countries and the national romantic era
-Sibelius & Grieg composer profile in the national romantic context
-Influences on Sibelius & Grieg and their societal significance
-Major works and style
-Excerpts from Sibelius's & Grieg’s music
-Slides will be shown along with the music as nature was such an important source of inspiration for many of the compositions
Presented by: Raita Mocherla (from Finland, based in Hyderabad; studied the piano, flute and church organ at Sibelius High School and Vantaa Music Institute)
Listening Post/Music Appreciation: Pure listening to Classical and Jazz music recordings with visual aids, notes, Q/A-session, discussion. Open to all. Entrance free.
279
Music concert for Charity
Sun Feb 24, 7:00 PM
Riccardo Randellini
Come enjoy a evening of music and fun and help support a good cause.
If Rockin' Blues with a funky flavour sounds like your thing, be sure not to miss the Stray Train Trio's charity concert at Lamakaan.
All money raised from the Rs. 100 entrance fee will go to support Subhiksha Voluntary Organization, an NGO providing education and health care to street children in the Hyderabad area.
Visit Subhiksha's facebook page at www.facebook.com/subhikshaNGO.
Thanks for your support, we look forward to seeing you.
If Rockin' Blues with a funky flavour sounds like your thing, be sure not to miss the Stray Train Trio's charity concert at Lamakaan.
All money raised from the Rs. 100 entrance fee will go to support Subhiksha Voluntary Organization, an NGO providing education and health care to street children in the Hyderabad area.
Visit Subhiksha's facebook page at www.facebook.com/subhikshaNGO.
Thanks for your support, we look forward to seeing you.
370
They Said, and Woman River
Tue Feb 26, 6:30 PM
Space, Goa
Lamakaan hosts a 3 day gender centric events "focus FEMME" a showcase of programs that question gender, sex and stereotypes.
They Said, and Woman River, a performance in voice, movement that passionately decries violence against women.
Woman River is actually a passionate composition, based on the poetic links that bind a larger dramatic work written by Ujwala Samarth, also an old friend of the ensemble. The ensemble captures the trauma of communal violence through the voices of three women, each of whom delivers a monologue. Also questioning the trauma and rape of mother earth.
They Said was written by Uma Narayan, a friend of the ensemble who teaches philosophy at Vassar College, and captures the anger of girls chided because they read too much. When they took workshops with students of the Nirmala Institute of Education and the Goa College of Architecture, Panjim, the ensemble encouraged this poem being used in the students’ performances that ensued.
They Said, and Woman River, a performance in voice, movement that passionately decries violence against women.
Woman River is actually a passionate composition, based on the poetic links that bind a larger dramatic work written by Ujwala Samarth, also an old friend of the ensemble. The ensemble captures the trauma of communal violence through the voices of three women, each of whom delivers a monologue. Also questioning the trauma and rape of mother earth.
They Said was written by Uma Narayan, a friend of the ensemble who teaches philosophy at Vassar College, and captures the anger of girls chided because they read too much. When they took workshops with students of the Nirmala Institute of Education and the Goa College of Architecture, Panjim, the ensemble encouraged this poem being used in the students’ performances that ensued.
339
Unlimited Girls - Film
Tue Feb 26, 7:00 PM
Masooma
Lamakaan hosts a 3 day film festival "focus FEMME" a showcase of films that question
gender, sex and stereotypes.
‘Unlimited Girls’ is an exploration of engagements with feminism in contemporary urban India. A narrator called Fearless who starts accidentally in a chat room and embarks on a journey where she encounters diverse characters – feminists who remember the songs and actions of the Indian women’s movement, yuppies who discuss their modern marriage, a policeman writing films for “women’s upliftment”, women shopping at a bra sale, college kids practicing a dance, teachers who feel girls must not take injustice – or break a home;a woman cab driver, a priest, academics, activists, and unseen but much-heard women like Atilla_the_Nun, Chamki Girl and Devi_is_a_Diva, in a feminist chat room – all talking of their engagements with feminism and its place in their lives today.
gender, sex and stereotypes.
‘Unlimited Girls’ is an exploration of engagements with feminism in contemporary urban India. A narrator called Fearless who starts accidentally in a chat room and embarks on a journey where she encounters diverse characters – feminists who remember the songs and actions of the Indian women’s movement, yuppies who discuss their modern marriage, a policeman writing films for “women’s upliftment”, women shopping at a bra sale, college kids practicing a dance, teachers who feel girls must not take injustice – or break a home;a woman cab driver, a priest, academics, activists, and unseen but much-heard women like Atilla_the_Nun, Chamki Girl and Devi_is_a_Diva, in a feminist chat room – all talking of their engagements with feminism and its place in their lives today.
340
Laying Janaki to Rest - Film
Wed Feb 27, 7:00 PM
masooma
Lamakaan hosts a 3 day film festival "focus FEMME" a showcase of films that question
gender, sex and stereotypes.
This film explores the symbolic relationship of Sita, a goddess from the epic Ramayana with the image of women in India.
An independent filmmaker since 1995; Film maker Madhureeta Anand shifted her field of work from mainstream television production to documentary filmmaking to directing feature films. Extremely prolific, she has directed many documentary films and series, spanning an array of genres.
Most of her work has explored the areas of culture, religion and anthropology. Some of her other films have looked at issues of education and child abuse in India. Many of her films have been telecast on international channels such as BBC, Channel 4, Discovery and National Geographic.
gender, sex and stereotypes.
This film explores the symbolic relationship of Sita, a goddess from the epic Ramayana with the image of women in India.
An independent filmmaker since 1995; Film maker Madhureeta Anand shifted her field of work from mainstream television production to documentary filmmaking to directing feature films. Extremely prolific, she has directed many documentary films and series, spanning an array of genres.
Most of her work has explored the areas of culture, religion and anthropology. Some of her other films have looked at issues of education and child abuse in India. Many of her films have been telecast on international channels such as BBC, Channel 4, Discovery and National Geographic.
348
Beyond Women's Stereotypes -Film
Wed Feb 27, 8:00 PM
Masooma
Lamakaan hosts a 3 day film festival "focus FEMME" a showcase of films that question
gender, sex and stereotypes.
We talked about violence. We talked about abuse. We talked about discrimination.
It’s time to talk about ‘the WHY’.
Through the lens of personal experience, history and popular conceptions of masculinity and femininity, let us begin a dialogue about social attitudes and the gender bias we carry within us. Lamakaan invites you to three evenings of film screenings to pave the way for introspection on gender, sexuality & stereotypes.
The screenings will be followed by discussions with the film makers and experts.
The film explores stereotypical images of women portrayed onIndian television by juxtaposing them against lived realities.
gender, sex and stereotypes.
We talked about violence. We talked about abuse. We talked about discrimination.
It’s time to talk about ‘the WHY’.
Through the lens of personal experience, history and popular conceptions of masculinity and femininity, let us begin a dialogue about social attitudes and the gender bias we carry within us. Lamakaan invites you to three evenings of film screenings to pave the way for introspection on gender, sexuality & stereotypes.
The screenings will be followed by discussions with the film makers and experts.
The film explores stereotypical images of women portrayed onIndian television by juxtaposing them against lived realities.
341
Sita sings the Blues - Film
Thu Feb 28, 7:00 PM
Masooma
Lamakaan hosts a 3 day film festival "focus FEMME" a showcase of films that question
gender, sex and stereotypes.
Sita Sings the Blues is an animated film written, directed, produced and animated entirely by American artist Nina Paley primarily using 2D computer graphics and Flash Animation.
It intersperses events from the Ramayana, light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets, musical interludes voiced with tracks by Annette Hanshaw and scenes from the artist's own life. The ancient mythological and modern biographical plot are parallel tales, sharing numerous themes
In an episode taken from the director's own life, animator Nina Paley starts the film living happily in a San Francisco apartment with her husband and cat. Her husband then accepts the offer of a six-month contract working in Trivandrum, India, and moves there alone to take up the position. After several months of very little contact, he calls to inform his wife that the contract has been extended.
Bewildered by his callous indifference to their separation, Nina sublets their apartment, leaves their beloved cat behind and joins her husband in India. Upon her arrival he appears deeply unenthusiastic to be reunited and demonstrates neither affection nor sexual interest. A while later, Nina flies to a meeting in New York, where she receives a brief e-mail from her husband telling her that their relationship is over. Sad and alone, she stays in New York, finding comfort in a new cat and her study of the Ramayana.
gender, sex and stereotypes.
Sita Sings the Blues is an animated film written, directed, produced and animated entirely by American artist Nina Paley primarily using 2D computer graphics and Flash Animation.
It intersperses events from the Ramayana, light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets, musical interludes voiced with tracks by Annette Hanshaw and scenes from the artist's own life. The ancient mythological and modern biographical plot are parallel tales, sharing numerous themes
In an episode taken from the director's own life, animator Nina Paley starts the film living happily in a San Francisco apartment with her husband and cat. Her husband then accepts the offer of a six-month contract working in Trivandrum, India, and moves there alone to take up the position. After several months of very little contact, he calls to inform his wife that the contract has been extended.
Bewildered by his callous indifference to their separation, Nina sublets their apartment, leaves their beloved cat behind and joins her husband in India. Upon her arrival he appears deeply unenthusiastic to be reunited and demonstrates neither affection nor sexual interest. A while later, Nina flies to a meeting in New York, where she receives a brief e-mail from her husband telling her that their relationship is over. Sad and alone, she stays in New York, finding comfort in a new cat and her study of the Ramayana.
289
Politi. ecology Adivasi Struggle
Fri Mar 1, 6:00 PM
Biju
This is a talk on "The Political Ecology of Democracy and Governance as Defined By Adivasi Struggles" - Presented by C.R.Bijoy
C R Bijoy walks us through the age-old history of tribal land struggles. He is a researcher and social activist in India who works with the Campaign for Survival and Dignity, an organisation which acts as a platform for all tribal organisations across India. Listen to the audio for his take on Tribal land struggles.
The 67.7 million people belonging to "Scheduled Tribes" in India are generally considered to be 'Adivasis', literally meaning 'indigenous people' or 'original inhabitants', though the term 'Scheduled Tribes' (STs) is not coterminous with the term 'Adivasis'. Scheduled Tribes is an administrative term used for purposes of 'administering' certain specific constitutional privileges, protection and benefits for specific sections of peoples considered historically disadvantaged and 'backward'.
The Constitution of India, which came into existence on 26 January 1950, prohibits discrimination on grounds of religion, race, caste, sex or place of birth and it provides the right to equality, to freedom of religion and to culture and education.
STs are supposedly addressed by as many as 209 Articles and 2 special schedules of the Constitution - Articles and special schedules which are protective and paternalistic.
The Adivasis of India have raised the issue of forest rights to the forefront of the nation's politics. As the state dithers, a process of legislative enactment to address the “historic injustice” has emerged. This article is a narrative that examines the context that precipitated this crisis, the issues, the ground reality, the emergent proposal, and the historic background of the continuing struggles of Adivasis against colonization and internal colonization.
C R Bijoy walks us through the age-old history of tribal land struggles. He is a researcher and social activist in India who works with the Campaign for Survival and Dignity, an organisation which acts as a platform for all tribal organisations across India. Listen to the audio for his take on Tribal land struggles.
The 67.7 million people belonging to "Scheduled Tribes" in India are generally considered to be 'Adivasis', literally meaning 'indigenous people' or 'original inhabitants', though the term 'Scheduled Tribes' (STs) is not coterminous with the term 'Adivasis'. Scheduled Tribes is an administrative term used for purposes of 'administering' certain specific constitutional privileges, protection and benefits for specific sections of peoples considered historically disadvantaged and 'backward'.
The Constitution of India, which came into existence on 26 January 1950, prohibits discrimination on grounds of religion, race, caste, sex or place of birth and it provides the right to equality, to freedom of religion and to culture and education.
STs are supposedly addressed by as many as 209 Articles and 2 special schedules of the Constitution - Articles and special schedules which are protective and paternalistic.
The Adivasis of India have raised the issue of forest rights to the forefront of the nation's politics. As the state dithers, a process of legislative enactment to address the “historic injustice” has emerged. This article is a narrative that examines the context that precipitated this crisis, the issues, the ground reality, the emergent proposal, and the historic background of the continuing struggles of Adivasis against colonization and internal colonization.
357
Village India before Colonialism
Fri Mar 1, 7:30 PM
Uzramma
It is a talk and presentaion by Shri Ravindra Sharma [Guruji] is the founder of Kala Ashram in Adilabad. Kala Ashram works as a 'Living Museum' providing resource services to local folk arts & crafts. He was a scholarship student at the Baroda School of Fine Art.
He is a fount of wisdom on local folk culture, and fascinates us with his stories of the past & present, and his ideas for the future. Shri Ravindra Sharma from an early age was a maverick from his conventional family, spending his time with the 'jeengars' [leather craftsmen & wood carvers], learning their techniques & recipes for mineral paints. He learnt brass wax-wire casting from the Ojhas and metal casting from the Ohtaris, and many other craft techniques. Besides learning craft techniques, Guruji roamed the local forests with parrot catchers, attended the 10 day wedding ceremonies of the Mathurias and has documented local traditions such as the Moharram of the local Muslims.
Guruji taught art at a local tribal school for 10 years, teaching the local Kolam boys to express their inner world through art forms of paint and sculpture
Guruji is an artist, a sculptor trained at the Baroda School of Art. His Brahmin family came from the Punjab a generation before him and settled in Adilabad with a small railway catering business. He was a maverick from his childhood, visiting the low caste Nakashi artisan households to watch wooden figures being carved and painted, after which his grandmother would not allow him into the house until he was purified by having a bucket of water poured over him.
He is a fount of wisdom on local folk culture, and fascinates us with his stories of the past & present, and his ideas for the future. Shri Ravindra Sharma from an early age was a maverick from his conventional family, spending his time with the 'jeengars' [leather craftsmen & wood carvers], learning their techniques & recipes for mineral paints. He learnt brass wax-wire casting from the Ojhas and metal casting from the Ohtaris, and many other craft techniques. Besides learning craft techniques, Guruji roamed the local forests with parrot catchers, attended the 10 day wedding ceremonies of the Mathurias and has documented local traditions such as the Moharram of the local Muslims.
Guruji taught art at a local tribal school for 10 years, teaching the local Kolam boys to express their inner world through art forms of paint and sculpture
Guruji is an artist, a sculptor trained at the Baroda School of Art. His Brahmin family came from the Punjab a generation before him and settled in Adilabad with a small railway catering business. He was a maverick from his childhood, visiting the low caste Nakashi artisan households to watch wooden figures being carved and painted, after which his grandmother would not allow him into the house until he was purified by having a bucket of water poured over him.
352
MORALITY TV & THE LOVING JEHAD
Sat Mar 2, 7:00 PM
Sumanaspati Reddy
As a part of "Women's March", Lamakaan is hosting an array of Gender based films and Film Makers.
This day we are privileged to host filmmaker Paromita Vohra the maker of the films like "Unlimited Girls", "PARTNERS IN CRIME" and "MORALITY TV AND THE LOVING JEHAD".
Today we will be showcasing "PARTNERS IN CRIME" and "MORALITY TV AND THE LOVING JEHAD".
MORALITY TV AND THE LOVING JEHAD looks outside the frames that weave the frenetic tapestry of Breaking News on India’s news channels, to uncover a town’s complex dynamics – the fear of love, the constant scrutiny and control of women’s mobility and sexuality, a history of communal violence, caste brutalisation and feudal mindsets.
Best Short Documentary, 1st International Video Festival of Kerala, 2007/ Official Selection, Mumbai International Film Festival, 2008/ Official Hot Shots, Berlin / International Film Festival, 2008 / Official Selection, Competition Section, John Abraham National Awards, Signs, 2009 / Official Selection, Film South Asia, Kathmandu, 2009 / You Don’t Belong: Pasts and Futures of Indian Cinema, China, 2011
GENDER – VIOLENCE - MEDIA
This day we are privileged to host filmmaker Paromita Vohra the maker of the films like "Unlimited Girls", "PARTNERS IN CRIME" and "MORALITY TV AND THE LOVING JEHAD".
Today we will be showcasing "PARTNERS IN CRIME" and "MORALITY TV AND THE LOVING JEHAD".
MORALITY TV AND THE LOVING JEHAD looks outside the frames that weave the frenetic tapestry of Breaking News on India’s news channels, to uncover a town’s complex dynamics – the fear of love, the constant scrutiny and control of women’s mobility and sexuality, a history of communal violence, caste brutalisation and feudal mindsets.
Best Short Documentary, 1st International Video Festival of Kerala, 2007/ Official Selection, Mumbai International Film Festival, 2008/ Official Hot Shots, Berlin / International Film Festival, 2008 / Official Selection, Competition Section, John Abraham National Awards, Signs, 2009 / Official Selection, Film South Asia, Kathmandu, 2009 / You Don’t Belong: Pasts and Futures of Indian Cinema, China, 2011
GENDER – VIOLENCE - MEDIA
378
Q2P - Film screeening
Sat Mar 2, 8:00 PM
Paromita Vohra
Q2P is a film about toilets and the city. It peers through the dream of Mumabi as a future Shanghai and searches for public toilets in Bombay with a small detour in Delhi, watching who has to queue to pee. As the film observes who has access to toilets and who doesn’t, we begin to also see the imagination of gender that underlies the city’s shape, the constantly shifting boundaries between public and private space; we learn of small acts of survival that people in the city’s bottom half cobble together and quixotic ideas of social change that thrive with mixed results; we hear the silence that surrounds toilets and sense how similar it is to the silence that surrounds inequality. The toilet becomes a riddle with many answers and some of those answers are questions – about gender, about class, about caste and most of all about space, urban development and the twisted myth of the global metropolis.
350
Attract & Detract - Play
Sun Mar 3, 7:00 PM
Vaishali Bisht
Vaishali Bisht’s Theatre Workshop brings to you the culmination of a 2 weekend workshop with Adults exploring the dichotomous nature of Relationships. Explored through the 5 short performances are the ties between individuals like husband & wife / siblings, as well as the relationships between the individual & society and human beings & their dreams and fantasies.
YES PRIME MINISTERSSSS: An improvised text based sketch about the end of the world as we know it! Featuring: Dr. Karthik, Dhirendra, Samhita, Ravi & Esha
THE RAZOR’S EDGE: An excerpt from Somerset Maugham’s pivotal novel played by Jumana & Shilpa
THE WIFE written by Narla Venkateswara Rao: An abridged enactment of this feminist play featuring Hari & Aakanksha
A LIE OF THE MIND written by Sam Shepard: An excerpt of this gripping play that explores a twisted mind enacted by Noor & Obed
THE STRANGER IN THE MIRROR: An experimental movement-oriented improvisation rooted in a poem by Richa featuring Vibha, Preeti & Richa
YES PRIME MINISTERSSSS: An improvised text based sketch about the end of the world as we know it! Featuring: Dr. Karthik, Dhirendra, Samhita, Ravi & Esha
THE RAZOR’S EDGE: An excerpt from Somerset Maugham’s pivotal novel played by Jumana & Shilpa
THE WIFE written by Narla Venkateswara Rao: An abridged enactment of this feminist play featuring Hari & Aakanksha
A LIE OF THE MIND written by Sam Shepard: An excerpt of this gripping play that explores a twisted mind enacted by Noor & Obed
THE STRANGER IN THE MIRROR: An experimental movement-oriented improvisation rooted in a poem by Richa featuring Vibha, Preeti & Richa
367
Nirbhaya Nari
Wed Mar 6, 6:00 PM
Sravanthi Juluri
Jaago Stree!!! Be a Nirbhaya Nari
A solo art show by Sravanthi Juluri.
This is the second part of Sravanthi Juluri's critically acclaimed art exhibition entitled "Jaago Stree!!!" which was held to create awareness on Violence & Atrocticites faced by Women & young girls.
In this show the Artist plays a tritute not only to the Braveheart of India, but also to many other women who stood up for their rights.
A solo art show by Sravanthi Juluri.
This is the second part of Sravanthi Juluri's critically acclaimed art exhibition entitled "Jaago Stree!!!" which was held to create awareness on Violence & Atrocticites faced by Women & young girls.
In this show the Artist plays a tritute not only to the Braveheart of India, but also to many other women who stood up for their rights.
371
MERA APNA SHEHER - Film
Wed Mar 6, 7:00 PM
Sumanaspati Reddy
As a part of "Women's March", Lamakaan is hosting an array of films based on Gender issues and today's film is MERA APNA SHEHER (My Own City)by Sameera Jain.
This film is an experience of a gendered urban landscape - where the gaze, the voice and the body are at all times under surveillance. What if the multiple surveillances were to be turned upon themselves to observe what is contained in the everyday. The film explores whether there is a sense of ownership, of belonging to the city. Can a woman in the city, - as she continuously negotiates the polarities of anxiety and comfort - be free? Somewhere just under the surface of the `normal’ and in the lives of women cab drivers lie signs of reclamation of space and the gaze.
Gender – Urban Landscape – Gaze – Identity – Imagery
This film is an experience of a gendered urban landscape - where the gaze, the voice and the body are at all times under surveillance. What if the multiple surveillances were to be turned upon themselves to observe what is contained in the everyday. The film explores whether there is a sense of ownership, of belonging to the city. Can a woman in the city, - as she continuously negotiates the polarities of anxiety and comfort - be free? Somewhere just under the surface of the `normal’ and in the lives of women cab drivers lie signs of reclamation of space and the gaze.
Gender – Urban Landscape – Gaze – Identity – Imagery
373
TO THINK LIKE A WOMAN - Film
Wed Mar 6, 7:30 PM
Sumanaspati Reddy
As a part of "Women's March", Lamakaan is hosting an array of films based on Gender issues and today's film is "To think Like a Woman".
This film made by ARPITA SINHA reflects on the numerous silences that shroud the lives of young, educated, 'independent', 'modern', single women in urban India . Conversations with four such women reveal the inner conflicts, dissonances and a crisis of identity.
This film made by ARPITA SINHA reflects on the numerous silences that shroud the lives of young, educated, 'independent', 'modern', single women in urban India . Conversations with four such women reveal the inner conflicts, dissonances and a crisis of identity.
347
Ji, Jaisi Aapki Marzi
Fri Mar 8, 7:00 PM
Manch Theatre
On the International Women's Day, Manch Theatre presents Nadira Zahir Babbar's acclaimed play - Ji, Jaisi Aapki Marzi : Tales of Womenhood at Lamakaan on 8th March, 8 PM.
From the earliest of times, women have been trampled, their conduct questioned, judged and reprimanded. Ji, Jaisi Aapki Marzi is about giving women the space to speak so that they can erase the silence that they have been condemned to bear. If you "identify" with the characters after watching the play, the effect is purely intended and not accidental.
Language : Hindi
Writer : Nadira Zahir Babbar
Length : 1 hr
Cast : Sneha Dua, Antara Sarkar, Snehal Hattikudur, Neha Natu
Music : Alok Kesarwani
Production Design: Nimisha Gupta
Director : Riyaz Usman
Entry by Donor Pass @ Rs. 100 available at http://in.bookmyshow.com/plays/Ji-Jaisi-Aapki-Marzi-/ET00013510 or call +91-9866147705.
From the earliest of times, women have been trampled, their conduct questioned, judged and reprimanded. Ji, Jaisi Aapki Marzi is about giving women the space to speak so that they can erase the silence that they have been condemned to bear. If you "identify" with the characters after watching the play, the effect is purely intended and not accidental.
Language : Hindi
Writer : Nadira Zahir Babbar
Length : 1 hr
Cast : Sneha Dua, Antara Sarkar, Snehal Hattikudur, Neha Natu
Music : Alok Kesarwani
Production Design: Nimisha Gupta
Director : Riyaz Usman
Entry by Donor Pass @ Rs. 100 available at http://in.bookmyshow.com/plays/Ji-Jaisi-Aapki-Marzi-/ET00013510 or call +91-9866147705.
385
Startupsaturday March
Sat Mar 9, 10:30 AM
Ramesh Loganathan
MOnthly mneetup of early stage startups. in a workshop mode.
355
Kavisangamam - Series 3
Sat Mar 9, 7:00 PM
Kavi Yakoob
ప్రతినెల రెండవ శనివారం 'లామకాన్' వేదికగా - ఒక సీనియర్ కవయిత్రి + ఇదివరకే కవిగా గుర్తింపు పొంది,'కవిసంగమం'లో రాస్తున్నకవి + 'కవిసంగమం'లో రాస్తున్న ముగ్గురు ప్రామిసింగ్ వర్ధమాన కవులు పాల్గొని కవిత్వం చదువుతారు. విమల, బివివి ప్రసాద్, యగ్నపాల్ రాజు, శాంతి శ్రీ, చాంద్ ఉస్మాన్.
ఈ నెల విశేషం మహిళా దినోత్సవ సందర్భంగా, స్త్రీ అనే అంశంపై ఒక కవితా కోణం.
ఈ నెల విశేషం మహిళా దినోత్సవ సందర్భంగా, స్త్రీ అనే అంశంపై ఒక కవితా కోణం.
268
Handloom Bazaar
Sun Mar 10, 10:30 AM
Saraswati Kavula & Cheneta Colour Weaves
Woven in to the wonderful tapestry that is India, handloom weaving is a 4000 year old tradition. Handloom weaving is one of India’s predominant rural economic activities.This unique tradition has surpassed ages solely because of the magnificence of its craft, the mastery of its makers and patronizing consumers. Handlooms had a glorious past and o a penurious present. The handloom weavers used to live in a life of comfort and complacence in the past. They were respected for their invaluable craft that symbolized the essence of our rich culture and tradition. However, as time wheeled by machines began to exude dominance over human labour. In the state of Andhra Pradesh alone, there are about 320,000 handlooms on which about 500,000 families directly and 20,00,000 families indirectly depend for livelihoods. The recent years have witnessed migrations to cities in large numbers by handloom cotton weavers, taking up of alternative employment in rural industrial units and in extreme cases even starvation deaths or suicide deaths. The monthly handloom bazaar is one of the initiatives we are undertaking to bring back the wonder of handloom into mainstream popular culture, thus increasing the market for these products. In addition the exhibition cum sale hopes to educate the people at large on the issues of handloom weavers, and also on how to recognize the "real handloom" from fakes and "powerloom products". The bazaar will also include talks from time to time, display of weaving skills, and also will encourage children to learn these skills in an interactive way - like learning to use the "charkha" etc.
391
Handloom Bazaar
Sun Mar 10, 10:30 AM
Lamakaan
This Bazaar is to promote the work of the handloom weavers and help them to have direct interaction with consumers and sale. An effort to help and bring back Handloom into mainstream and popular culture, that would help the handloom weavers to survive and continue with their ancient heritage and skills. Also to encourage people to take up weaving also as an activity of livelihood.
Not only to showcase the work of the artisans but also have talks regarding the imporatance of handloom for ecological conservation, sale of fabrics and also demonstration of weaving skills. Invite children to participate and learn skills like "Charkha" etc.
Artisans & weavers will put up their handlooms for sale including Pochampally, Ikat, Dastkaar, Bandini & also jute craft by Aasha Crafts, supported by Bhumi,
This is a project which aims at Women Empowerment.
Not only to showcase the work of the artisans but also have talks regarding the imporatance of handloom for ecological conservation, sale of fabrics and also demonstration of weaving skills. Invite children to participate and learn skills like "Charkha" etc.
Artisans & weavers will put up their handlooms for sale including Pochampally, Ikat, Dastkaar, Bandini & also jute craft by Aasha Crafts, supported by Bhumi,
This is a project which aims at Women Empowerment.
308
Listening Post - Women in Jazz
Sun Mar 10, 4:00 PM
Hyderabad Western Music Foundation
“Women in Jazz”
This Listening Post looks at women in Jazz. It has always been a battle for women to enter into or excel in fields that were dominated by men. Music was no exception. Although women were being accepted in other artistic fields, they faced a male chauvinism in the field of music, in the early years of Jazz. Here we look at some of the women who made a foray into, and then stormed the bastion of the jazz world. Women who were as brilliant in their singing as they were in their song writing or even as instrumentalists in the field of Jazz.
Presented by Shakila Kundu, Jazz-Lover, Singer, HWMF-Executive-Committee-Member
Listening Post : Pure listening to Classical and Jazz music recordings with visual aids, notes, Q/A-session, discussion.
Open to all. Entrance free.
This Listening Post looks at women in Jazz. It has always been a battle for women to enter into or excel in fields that were dominated by men. Music was no exception. Although women were being accepted in other artistic fields, they faced a male chauvinism in the field of music, in the early years of Jazz. Here we look at some of the women who made a foray into, and then stormed the bastion of the jazz world. Women who were as brilliant in their singing as they were in their song writing or even as instrumentalists in the field of Jazz.
Presented by Shakila Kundu, Jazz-Lover, Singer, HWMF-Executive-Committee-Member
Listening Post : Pure listening to Classical and Jazz music recordings with visual aids, notes, Q/A-session, discussion.
Open to all. Entrance free.
399
A body that will speak - Film
Sun Mar 10, 7:00 PM
Sukanya Sen and Pawas Bisht
As a part of women's march, Lamakaan is showcasing films on Gender activism or films made by female film makers.
In this film "A body that will speak", a filmmaker, a university student, an entrepreneur and a radio jockey. Women, who feel hungry, eat, grow fat and feel anxious about it. A film about not being perfect. A film about the never ending attempts to make the body "speak for the self in a meaningful and powerful way." A journey to move beyond disorders and discover the real women battling the fantasies around and within them.
This film is made by Sukanya Sen and Pawas Bisht.
In this film "A body that will speak", a filmmaker, a university student, an entrepreneur and a radio jockey. Women, who feel hungry, eat, grow fat and feel anxious about it. A film about not being perfect. A film about the never ending attempts to make the body "speak for the self in a meaningful and powerful way." A journey to move beyond disorders and discover the real women battling the fantasies around and within them.
This film is made by Sukanya Sen and Pawas Bisht.
377
It’s A Boy! - FILM
Sun Mar 10, 7:00 PM
Sumanaspati Reddy
As women's march, Lamakaan hosts an array of films to address films based on gender issues.
It's a Boy (It's going to be a boy) is a film made by Vani Subramanian. It deals with the public debate around sex-determination in India is decades old, and yet, it is only in the last few years that everyone seems to be talking about the ‘girl-child’ - doctors, religious leaders, the government, the public. Yet, male-female sex ratios are more alarming now than ever before. Why are we unable to reverse the trend? Why does the ‘son’ keep rising in India?
To address some of these questions, IT’S A BOY! (IT’S GOING TO BE A BOY) travels to Bombay, Delhi, Benares and Shillong. Going back in time to reveal how the current crisis of sex ratios had been foretold by those on the forefront of the campaigns against sex determination and pre-selection. Assessing government initiatives, looking beyond the rhetoric, and using the lens of culture to explore common beliefs about daughters and sons within the family, men and women in society.
Secodn film "Blood on my Hands" looks at how a woman's menstrual cycle is altered from being a marker of her fertility to something that renders her untouchable and hence subject to multiple taboos and regulations. As an individual, a woman or young girl is isolated in her struggle to come to terms with the
transformations in her body.
It's a Boy (It's going to be a boy) is a film made by Vani Subramanian. It deals with the public debate around sex-determination in India is decades old, and yet, it is only in the last few years that everyone seems to be talking about the ‘girl-child’ - doctors, religious leaders, the government, the public. Yet, male-female sex ratios are more alarming now than ever before. Why are we unable to reverse the trend? Why does the ‘son’ keep rising in India?
To address some of these questions, IT’S A BOY! (IT’S GOING TO BE A BOY) travels to Bombay, Delhi, Benares and Shillong. Going back in time to reveal how the current crisis of sex ratios had been foretold by those on the forefront of the campaigns against sex determination and pre-selection. Assessing government initiatives, looking beyond the rhetoric, and using the lens of culture to explore common beliefs about daughters and sons within the family, men and women in society.
Secodn film "Blood on my Hands" looks at how a woman's menstrual cycle is altered from being a marker of her fertility to something that renders her untouchable and hence subject to multiple taboos and regulations. As an individual, a woman or young girl is isolated in her struggle to come to terms with the
transformations in her body.
384
Inshallah Football -Film and Q&A
Tue Mar 12, 7:00 PM
Ashvin Kumar
Lamakaan is Celebrating its 3rd anniversary in a week long celebration of events kick started by this Hyderabad Preview of Inshallah, Football, the latest film by Oscar nominated film maker Ashvin Kumar's.
In Iraq, there is 1 soldier for every 166 civilians. In Kashmir, there is 1 for every 20. A Hizbul Mujaheddin ex-militant, his son- a footballer, an Argentinean football coach and his sparkling Brazilian wife grapple with life on the streets of Kashmir. A Kashmiri kid dreams to play football in Brazil, but life in a silent war gets in the way.
Inshallah, Football is about 18-year-old Basharat Baba, known as "Basha". His father, Bashir, was a much-wanted leader of the armed group Hizbul Mujahideen. When he left his home in Kashmir to join the training camps in Pakistan in the early 1990s, his son Basharat was barely two months old.
Basharat belongs to a new generation of Kashmiris, having grown up under the shadow of a protracted conflict. His passion is football, and he has been coached by Juan Marcos Troia, an Argentinean national and FIFA accredited football coach by profession. Marcos aspires to breed world class players from Kashmir; he and his wife, being attached to both Basha and Kashmir, migrate to Srinagar with their three daughters to take up Basha's cause.
In Iraq, there is 1 soldier for every 166 civilians. In Kashmir, there is 1 for every 20. A Hizbul Mujaheddin ex-militant, his son- a footballer, an Argentinean football coach and his sparkling Brazilian wife grapple with life on the streets of Kashmir. A Kashmiri kid dreams to play football in Brazil, but life in a silent war gets in the way.
Inshallah, Football is about 18-year-old Basharat Baba, known as "Basha". His father, Bashir, was a much-wanted leader of the armed group Hizbul Mujahideen. When he left his home in Kashmir to join the training camps in Pakistan in the early 1990s, his son Basharat was barely two months old.
Basharat belongs to a new generation of Kashmiris, having grown up under the shadow of a protracted conflict. His passion is football, and he has been coached by Juan Marcos Troia, an Argentinean national and FIFA accredited football coach by profession. Marcos aspires to breed world class players from Kashmir; he and his wife, being attached to both Basha and Kashmir, migrate to Srinagar with their three daughters to take up Basha's cause.
392
Ismat - Ek Aurat
Wed Mar 13, 8:00 PM
Sutradhar
Ismat - Ek Aurat is a narration cum enactment of short stories written by Ismat Chughtai. These will be a selection of her well-known stories such as: 'Chui-Mui'(Touch-Me-Not),'Gharwaali'(Home-Maker),'Ghoonghat'(The Veil) and 'Saas'(Mother-in-Law).
'Ismat Ke Afsaanay' is a glimpse into the daily life of households and especially their women as seen by Ismat Chughtai. The stories are characterised by their ability to go deep into the very skins of their characters and bring out all their weaknesses, strengths, their ordinariness and their uniqueness. Where most people would look onto the street and see a multitude of passing by, Ismat Chughtai had the ability to see people and appreciate the beauty of each individual as a whole - freckles, frailties and all: whether it be the fascination of a young girl with the process of childbirth as seen in 'Chui-Mui' ('Touch-Me-Not'), or the haplessness of a virtuous, God-fearing man when faced by his devil-may-care house-keeper in 'Gharwaali' (Home Maker), or the veiled tug-of-war between a fair bride and her dark groom in 'Ghoonghat' (The Veil), or for that matter the 'tu-tu,main-main' (war of words) between a mother-in-law and her daughter-in-law in 'Saas' (Mother-In-Law). Each one of these characters belong to us. They are recognizable as uncle, aunt, father, mother, brother, sister, husband, wife, neighbor and perhaps that is what makes them so endearing and their reality so real to us.
The stories or Afsaanay, do not judge. They just hold a mirror to society; to the people around us and allow us the ability to experience the truth of each one.
'Ismat Ke Afsaanay' is a glimpse into the daily life of households and especially their women as seen by Ismat Chughtai. The stories are characterised by their ability to go deep into the very skins of their characters and bring out all their weaknesses, strengths, their ordinariness and their uniqueness. Where most people would look onto the street and see a multitude of passing by, Ismat Chughtai had the ability to see people and appreciate the beauty of each individual as a whole - freckles, frailties and all: whether it be the fascination of a young girl with the process of childbirth as seen in 'Chui-Mui' ('Touch-Me-Not'), or the haplessness of a virtuous, God-fearing man when faced by his devil-may-care house-keeper in 'Gharwaali' (Home Maker), or the veiled tug-of-war between a fair bride and her dark groom in 'Ghoonghat' (The Veil), or for that matter the 'tu-tu,main-main' (war of words) between a mother-in-law and her daughter-in-law in 'Saas' (Mother-In-Law). Each one of these characters belong to us. They are recognizable as uncle, aunt, father, mother, brother, sister, husband, wife, neighbor and perhaps that is what makes them so endearing and their reality so real to us.
The stories or Afsaanay, do not judge. They just hold a mirror to society; to the people around us and allow us the ability to experience the truth of each one.
298
let the HERDS multiply! - Folk
Thu Mar 14, 7:00 PM
Kadem Sammaiah and troupe
As part of its third anniversary celebrations, Lamakaan invites you to a thrilling evening of folk theatre, with Kadem Sammayya, the outstanding Mandechchula Katha artiste, and his troupe from the hinterlands of Warangal district.
Mandechchula or Manda-hechchula Katha is a little-known but tremendously thrilling and energetic narrative performance set to infectious rhythmic beats, soaring choral accompaniment and trance-inducing emotional outpourings.
The traditional herdsmen of the Deccan, who rear mainly sheep and goats, have their own great folklore and mythology. These vivid epic-narratives of the Gollas, Kurumas and similar caste denominations are sung and performed by professional artiste-troupes belonging to a set of sub-castes who depend on the Gollas etc. for their livelihoods.
The Mandechchulollu (or the performers who help the herds multiply) are one such community. Found in Warangal, Karimnagar and Khammam, the Mandechchus have given a distinct performative spin and infectious energy to the tales of the great Golla-Yadava kings of yore and the stories associated with the great folk-hero and god of the rural Deccan, Mallanna (called Khandoba in Maharashtra and Mailara Deva in Karnataka).
This is a specially brought in show (by Sumanaspati Reddy and Dr. Raj Mohammad) to introduce the urban audience of Hyderabad to the vivacity of one of our truly vibrant and still-surviving folk performative traditions. And also to give a peep into how intimately it is connected with the life- pattern of a great and proud community.
Admission-Free
Mandechchula or Manda-hechchula Katha is a little-known but tremendously thrilling and energetic narrative performance set to infectious rhythmic beats, soaring choral accompaniment and trance-inducing emotional outpourings.
The traditional herdsmen of the Deccan, who rear mainly sheep and goats, have their own great folklore and mythology. These vivid epic-narratives of the Gollas, Kurumas and similar caste denominations are sung and performed by professional artiste-troupes belonging to a set of sub-castes who depend on the Gollas etc. for their livelihoods.
The Mandechchulollu (or the performers who help the herds multiply) are one such community. Found in Warangal, Karimnagar and Khammam, the Mandechchus have given a distinct performative spin and infectious energy to the tales of the great Golla-Yadava kings of yore and the stories associated with the great folk-hero and god of the rural Deccan, Mallanna (called Khandoba in Maharashtra and Mailara Deva in Karnataka).
This is a specially brought in show (by Sumanaspati Reddy and Dr. Raj Mohammad) to introduce the urban audience of Hyderabad to the vivacity of one of our truly vibrant and still-surviving folk performative traditions. And also to give a peep into how intimately it is connected with the life- pattern of a great and proud community.
Admission-Free
310
Deccan Voices - Choral Ensemble
Fri Mar 15, 7:30 PM
Hyderabad Western Music Foundation
Hyderabad Western Music Foundation & musicians , singers & friends are celebrating Lamakaan's 3rd anniversary. From Classical to Pop and Jazz.
"Deccan Voices - Choral Ensemble", sing Showtunes from Musicals, Pop, Western Classical, Jazz…www.hydmusic.com
"Deccan Voices - Choral Ensemble", sing Showtunes from Musicals, Pop, Western Classical, Jazz…www.hydmusic.com
400
2Day Digital Filmmaking Workshop
Sat Mar 16, 11:30 AM
Rabi Kisku
2 Day Digital Filmmaking Workshop on 16th & 17th March 11pm -6:00 pm
Course Content & Schedule
Day 1:
Screenwriting
1. Screenplay
2. Format and screenwriting softwares
3. How to approach a screenplay
4. Basic elements of screenwriting
5. Structure & Plot
Cinematography
1. Fundamentals of Cinematography
2. Formats.
3. Lighting Scheme
4. Camera aesthetics and operation.
Day 2: Sunday:
Direction:
a) Frame Balance & Composition
b) Camera Angles
c) Blocking and staging
d) Cinematic techniques
Editing Techniques
Editing Software
Practicle Exercise of shooting and editing.
The workshop will be facilitated by Rabi Kisku.
RabiKisku Entertainment has been conducting Filmmaking Workshops in Bangalore,
Hyderabad and Chennai for the last five years and have two feature films to their credit.
To register contact , 8686560271 suresh@rabikiskuentertainment.com
(Limited Seats: Registration on First Come First Serve Basis)
Course Content & Schedule
Day 1:
Screenwriting
1. Screenplay
2. Format and screenwriting softwares
3. How to approach a screenplay
4. Basic elements of screenwriting
5. Structure & Plot
Cinematography
1. Fundamentals of Cinematography
2. Formats.
3. Lighting Scheme
4. Camera aesthetics and operation.
Day 2: Sunday:
Direction:
a) Frame Balance & Composition
b) Camera Angles
c) Blocking and staging
d) Cinematic techniques
Editing Techniques
Editing Software
Practicle Exercise of shooting and editing.
The workshop will be facilitated by Rabi Kisku.
RabiKisku Entertainment has been conducting Filmmaking Workshops in Bangalore,
Hyderabad and Chennai for the last five years and have two feature films to their credit.
To register contact , 8686560271 suresh@rabikiskuentertainment.com
(Limited Seats: Registration on First Come First Serve Basis)
412
Hyderabad Entrepreneurs Meetup
Sat Mar 16, 3:00 PM
Vivek Anand
Hyderabad Entrepreneurs is an exclusive society for entrepreneurs from Hyderabad.
Our group (which is run by entrepreneurs) shall take it on itself to nurture the next generation of entrepreneurs of the city, using this common platform. Our efforts will be aimed at spurring growth and enterprise development in Hyderabad and make it the 'best place to start up' in India.
Our objectives:
1. To bring together entrepreneurs from the city on a common platform
2. To encourage collaboration and networking
3. To provide resources and education to start-ups
4. To help find mentors for the new-age business
5. To help start-ups look for funding
Please JOIN http://www.meetup.com/Hyderabad-Entrepreneur-Meetup/
Our group (which is run by entrepreneurs) shall take it on itself to nurture the next generation of entrepreneurs of the city, using this common platform. Our efforts will be aimed at spurring growth and enterprise development in Hyderabad and make it the 'best place to start up' in India.
Our objectives:
1. To bring together entrepreneurs from the city on a common platform
2. To encourage collaboration and networking
3. To provide resources and education to start-ups
4. To help find mentors for the new-age business
5. To help start-ups look for funding
Please JOIN http://www.meetup.com/Hyderabad-Entrepreneur-Meetup/
300
Sangeet Sandhya-Hindustani Vocal
Sat Mar 16, 7:00 PM
Aradhana karhade
Lamakaan celebrates 3rd anniversary with a week-long events.Aradhana Karhade present an evening of Hindustani classical performances.
The evening will open with the her disciples performing Alankars (note excercises). Alankars are the basic Riaz (practice) for all Hindustani Musicians through ages. The octave is scaled in various ascending and descending patterns. Each pattern leading to a more complex one.
She starts her concert with a Badaa khayal in Shyam Kalyan where she will be accompanied by Suhas Shastry on tabla in vilambit Ek taal. The Shyam Kalyan's exposition in Badaa Khyal will be followed by other short pieces.
This two hour program is open to all and admission is free.
The evening will open with the her disciples performing Alankars (note excercises). Alankars are the basic Riaz (practice) for all Hindustani Musicians through ages. The octave is scaled in various ascending and descending patterns. Each pattern leading to a more complex one.
She starts her concert with a Badaa khayal in Shyam Kalyan where she will be accompanied by Suhas Shastry on tabla in vilambit Ek taal. The Shyam Kalyan's exposition in Badaa Khyal will be followed by other short pieces.
This two hour program is open to all and admission is free.
363
"A Short Film About..." - Movie
Tue Mar 19, 7:00 PM
Divya Sachar
As a part of "Women's March", Lamakaan is hosting an array of Gender based films and Film Makers.
"A Short Film About..." takes a look at how some urban Indian women view their breasts. Affected by other’s perceptions, women mostly find themselves looking at their breasts through a male perspective. Whether in the form of media images of impossible perfection or an adolescent need to gain male approval and attention or just the opposite - to repel male advances - the male gaze is ever present in one form or the other.
"A Short Film About..." takes a look at how some urban Indian women view their breasts. Affected by other’s perceptions, women mostly find themselves looking at their breasts through a male perspective. Whether in the form of media images of impossible perfection or an adolescent need to gain male approval and attention or just the opposite - to repel male advances - the male gaze is ever present in one form or the other.
388
Blood on my Hands - Film
Tue Mar 19, 8:00 PM
SURABHI SARAL, MANAK MATIYANI & ANANDANA KAPUR
As a part of women's March film screenings Lamakaan is hosting this in a series of films this tonight.
The film looks at how a woman's menstrual cycle is altered from being a marker of her fertility to something that renders her untouchable and hence subject to multiple taboos and regulations. As an individual, a woman or young girl is isolated in her struggle to come to terms with the transformations in her body.
This docu is made by 3 film makers SURABHI SARAL, MANAK MATIYANI & ANANDANA KAPUR.
The film looks at how a woman's menstrual cycle is altered from being a marker of her fertility to something that renders her untouchable and hence subject to multiple taboos and regulations. As an individual, a woman or young girl is isolated in her struggle to come to terms with the transformations in her body.
This docu is made by 3 film makers SURABHI SARAL, MANAK MATIYANI & ANANDANA KAPUR.
393
Lets talk about sex - Film
Tue Mar 19, 8:00 PM
SONYA V. KAPOOR
As a part of 'Women's March' Lamakaan showcases films made by women and/on on Gender activism.
The film attempts to examine the attitudes towards sexuality of school/college going adolescents from different cities in their everyday life.
The film attempts to examine the attitudes towards sexuality of school/college going adolescents from different cities in their everyday life.
365
Tales of the Night Fairies-Film
Wed Mar 20, 7:00 PM
Woman's March
Five sexworkers and the filmmaker embark on a journey of storytelling. ‘Tales of the Night Fairies’ explores the power of collective organizing and resistance while reflecting upon contemporary debates around sexwork. The simultaneously expansive and labyrinthine city of Calcutta forms the backdrop for the personal and musical journeys of storytelling.
The film attempts to represent the struggles and aspirations of thousands of sexworkers who constitute the DMSC (Durbar Mahila Samanyay Committee or the Durbar Women’s Collaborative Committee) an initiative that emerged from the Shonagachi HIV/AIDS Intervention Project. A collective of men, women and transgendered sexworkers, DMSC demands decriminalization of adult sex work and the right to form a trade union.
World Premier at the AWID's 9th International Forum on Women's Rights and Development: "Re-inventing Globalization" at Guadalajara, Mexico.
The film attempts to represent the struggles and aspirations of thousands of sexworkers who constitute the DMSC (Durbar Mahila Samanyay Committee or the Durbar Women’s Collaborative Committee) an initiative that emerged from the Shonagachi HIV/AIDS Intervention Project. A collective of men, women and transgendered sexworkers, DMSC demands decriminalization of adult sex work and the right to form a trade union.
World Premier at the AWID's 9th International Forum on Women's Rights and Development: "Re-inventing Globalization" at Guadalajara, Mexico.
366
Fragments of a Past - Film
Thu Mar 21, 7:00 PM
Woman's March
Fragments of a Past:
The Film locates the life and work of a woman political activist in her everyday existence, the relationships she lives out at home and in her work and the political affiliations she tries to hold together, even as they are subjected to multiple stresses. Through her journey of recovering her grandmother’s history for a different generation of women, in a poignant reminder of the ephemeral nature of memory, and the loss of remembrance itself, she cannot often recall the very event that led to her own political transformation, even as it is etched in the memories of so many others who outlived the tragedy of that event, or heard about it then, and over the many decades thereafter.
The Film locates the life and work of a woman political activist in her everyday existence, the relationships she lives out at home and in her work and the political affiliations she tries to hold together, even as they are subjected to multiple stresses. Through her journey of recovering her grandmother’s history for a different generation of women, in a poignant reminder of the ephemeral nature of memory, and the loss of remembrance itself, she cannot often recall the very event that led to her own political transformation, even as it is etched in the memories of so many others who outlived the tragedy of that event, or heard about it then, and over the many decades thereafter.
389
Shifting Prophecy - Film
Thu Mar 21, 8:00 PM
BARUAH, MERAJUR REHMAN
As a part of "Women's March" film screenings Lamakaan is hosting this film.
A film on the struggle of rural Muslim women, in particular Daud Sherifa Khanam, to fight the sexist rulings of the conventional jamaat (a group of Islamic male elders who decide on issues of marriage, dowry, divorce etc) and patriarchal social order in Tamil Nadu.
Made by Merajur Rahman Baruah - an independent documentary filmmaker this film won many awards:
Best Film on Social Issues, 55th National Film Awards, 2007
Best Director Award, Hyderabad International Film Festival, 2008
A film on the struggle of rural Muslim women, in particular Daud Sherifa Khanam, to fight the sexist rulings of the conventional jamaat (a group of Islamic male elders who decide on issues of marriage, dowry, divorce etc) and patriarchal social order in Tamil Nadu.
Made by Merajur Rahman Baruah - an independent documentary filmmaker this film won many awards:
Best Film on Social Issues, 55th National Film Awards, 2007
Best Director Award, Hyderabad International Film Festival, 2008
418
Secrets of brain & memory - Talk
Fri Mar 22, 7:00 PM
Narendra Katkar, (Ph.D) Founder-Ircfs: Neurophysicist
Introductory lecture based on fundamental research published under new discipline of Neurophysics relating primary aspects of Brain Function, Perception, Memory and Consciousnes
415
Hyderabad Design & UI Meetup
Sat Mar 23, 3:00 PM
Tulsi Dharmarajan
Welcome to the first meeting of the Hyderabad UI & Dev group!
This newly formed group in Hyderabad will focus on the Design, Usability, and User Interface of websites and digital products.
This is the first formal meeting where the group will come together to decide on our focus, attention, and plans for the coming year.
Members of this group so far are local to Hyderabad and involved in various aspects of front end & user interface design and development.
Find out more information here
https://www.facebook.com/groups/355473401228277/
This newly formed group in Hyderabad will focus on the Design, Usability, and User Interface of websites and digital products.
This is the first formal meeting where the group will come together to decide on our focus, attention, and plans for the coming year.
Members of this group so far are local to Hyderabad and involved in various aspects of front end & user interface design and development.
Find out more information here
https://www.facebook.com/groups/355473401228277/
374
FORGET HOLLYWOOD - play by sifar
Sat Mar 23, 7:30 PM
SIFAR
He is young & restless…
hE is getting old and cranky…
He is trying for years, without success, to become a professional...
hE is successfully professional from years….but…still trying!
and… hE becomes He’s friend, philosopher, guide, etc...
The two establish an unusual closeness which gradually grows into ruthless competition.
The interweaving of the comic and the dramatic gradually leads to an unexpected conclusion.
Originally written by Miro Gavran
Adapted & Directed by Feroze
hE is getting old and cranky…
He is trying for years, without success, to become a professional...
hE is successfully professional from years….but…still trying!
and… hE becomes He’s friend, philosopher, guide, etc...
The two establish an unusual closeness which gradually grows into ruthless competition.
The interweaving of the comic and the dramatic gradually leads to an unexpected conclusion.
Originally written by Miro Gavran
Adapted & Directed by Feroze
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