Lamakaan

TITLE: THREE COMEDY SHORT PLAYS BY SURENDAR SAHIL VERMA
1. Pagal pagal pata chala hai - A comedy play based on the satire of current affairs.
2. Bakra the breaking news - A comedy play based on news channels.
3. Pehchan kaun - A comedy play on corruption.

The duration of the plays would be for an hour.

For passes: Rab Productions, 9000908108.

About the play:

A HINDI ONE ACT PLAY - ABHAAS - YA - BHAAS
ORIGINALLY WRITTEN BY SHRI. KEDAR SHINDE

Abhaas ya bhaas is a play that depicts the problems and wishes of street boys who are deprived of minimum needs. The play
tells us the story of two boys who are spared and given a chance by yamraaj by granting them bonus of six hours and six
wishes where each wish will last for just an hour. Watch the play to find out what do the baffled boys wish for and what
happens at the end of the sixth hour. The play is a satirical take on the destitute, politicians, and the ?mango people?.

ADAPTED BY SHRI. PRAKASH PHADNIS
Directed by: Ali Ahmed
CAST: Ali Ahmed, K. rahul

Screening a film KHOON DIY BAARAV (Kashmiri/English) by Iffat Fatima.

The film loosely meaning 'Blood leaves a trail' made over nine years, enters the vexed political scenario in Kashmir through the lives of families of the victims of enforced disappearances. It explores memory as a mode of resistance, constantly confronting reality and morphing from the personal to the political, the individual to the collective. Struggling to find new ways of expression - storytelling, art, symbol and ritual - sometimes spilling out on to the streets, it looks at the ways in which those affected by violence have no choice but to remember. The chain of memory, often non-linear, is both their defense as well as their act of defiance against powerful instruments of the state that try to erase their individuality.

The conflict in Kashmir is among the long-standing political conflicts in the world. It has taken a heavy toll on lives, on sanity and on the idea of normality. While it has turned the Indian state coarse and brutal, it has turned the local population, recipients of several decades of unrelenting violence, defiant and angry.

The film is a non-sequential account of personal narratives and reminiscences ruptured by violence, undermined by erasure and over-ridden by official documents that challenge truth. Opening out the real and the human as against the abstract and the brutal the film seeks to confront advocates of amnesia in Kashmir as well as in other conflict zones. It questions the militaristic approach to resolve political problems, by which communities and lives within it get invaded and destroyed, even as it shatters personal dreams and desires. The film appeals for a political resolution to the Kashmir issue, which has by now affected five generations of people in the region.

Running Time: 93 minutes Production Year: 2015

Iffat Fatima is an independent filmmaker from Kashmir, based in Delhi. She started making documentary films from 1990, soon after getting her masters degree in Mass Communication from Mass Communication Research Centre, Jamia Millia Islamia, New Delhi. Her documentary films include, Lanka- the other side of war and peace (2005), which focuses on the issues of memory and violence in Sri Lanka: The Kesar Saga (2000), which explores the story telling tradition in the Himalayan region of Ladakh: In the Realm of the Visual (1998), on one of India’s most prolific and versatile artist and designer Dashrath Patel: Boojh Sakey to Boojh (1996), on the contemporary understanding of the 13th century Sufi poet and scholar Amir Khusro. Her films have been screened at important venues and film festivals in India and all over the world, including Berlin, Yamagata, Salzburg, London, Dublin, San Francisco, New York and Chicago.

Her most recent work (2014) is a compendium on the writings of Khwaja Ahmed Abbas, one of India’s foremost filmmakers and writers of the 1960’s. In 2010, her video installation Ethnography of a European city: Conversations in Salzburg, which questions some of the assumptions in the east west polarity/ dichotomy /disparity traveled to Berlin, Brussels, Zagreb, Vienna and Salzburg. In 2004, she completed a Brandeis International Fellowship Program, Recasting Reconciliation through Culture and the Arts, at the Brandeis University, Boston, and USA. In 2001, she was awarded the Asia Fellowship for her work in Sri Lanka, Intercommoned Relations and Education: The Sri Lankan Experience.

Since 2006 she is working in Kashmir on the issue of Enforced Disappearances in collaboration with the Association Of Parents Of Disappeared Persons (APDP), a collective of the family members of the victims of enforced disappearances in Kashmir, campaigning for information on the whereabouts of their disappeared kin. She very recently completed her documentary Khoon Diy Baarav (Blood Leaves its Trail) which explores issues of violence and memory in Kashmir- a society ravaged by a prolonged political conflict.

All are welcome. Entry - Free.

We are going to conduct a workshop on fabric flower making with organdy cloth. Learn to make these pretty flowers which are fun to make and needs little expertise These flowers are perfect to light up a corner in your house or for gifting your loved ones. The material required for the workshop will be provided by us.
Fees: 300/- per person

Understand the Space with Rayyan : Rayyan is a 10 year old astronomer. In this lecture, he will tell us about the incredible jounrey of the Voyager spacecraft as the only man made object to go beyond the solar system . We explore the the star system closest to our Sun, the Kuiper Belt and the Oort Cloud.
After the Chai and Samosa break we talk about the Milky way, Wormholes, Black holes, stars the size of Earth and planets the size of the Sun.
Astronomy made easy in a fun and simple way.
Moderated by Prof. Najam, Head of Astronomy, OU and Dean of Academics (MANUU).
https://www.youtube.com/watch?v=KiJCXZv42Mw

Entry- free

"Phandi" a play in Hindi written by Mr. Shankar Shesh is all about legal battle for mercy killing. A person is accused for killing his father who was suffering through last stage of cancer. The play is written and presented in sequence of court scenes in comical way and finally opens up a debate with audience "does mercy killing is relevant and necessary for person who has no chance of survival?"

Date - 5th December ( Saturday ) 2015
Time - 07:30 pm ( Duration of the play is 100 minutes )
Venue - LaMakaan, Banjara Hills, Rd No - 01,
Lamakaan - An Open Cultural Space
Donor Pass - Rs. 100/-
Book your ticket (s) on in.bookmyshow.com
CLICK ON - http://in.bookmyshow.com/hyderabad/plays/phandi/ET00006368

Cast & Crew

Actors - Krishna Shukla, Naren Yadav & Prashaant Sharma.
Design & Direction - Saurabh Gharipurikar
Lights - Ashish Meagh

For more details contact our production manager Ashish Meagh # 9494563573

Ultimate Survivor Krav Maga - International is conducting free workshops on Self Defense using Krav Maga as a part of Awareness Campaign (in December) to teach how one can defend themselves against common street attacks like slaps, chokes and knife attacks. Instructor, Ram, Ultimate Survivor Krav Maga - Hyd Chapter.
Entry - Free

Presenting an evening of talk on 'the Culture, History and Social structure of Kakatiya Dynasty' by Durgam Ravinder.
Mr. Durgam would like to state few points on the Kakatiya rule. In these 692 years, since the curtains were down on Kakatiya dynasty as Prataparudra was arrested in 1324; so many stories have been in circulation about Kakatiyas. Though, Kakatiyas rule was not that old, much research has not been done and importance not given so far to know the true facts.
After the Telangana state is formed, as TSPSC has included Kakatiya history in the curriculum, dialogue about the Kakatiya rule is greater now than ever before.

All are welcome.

Samahaara Stand-up Night: Open Mic 4

Date : 06th Dec, 2015
Time: 7.30pm
Venue: Lamakaan

After many successful stand-up events and comedy plays, Samahaara calls out to all the Comedians out there - new, upcoming, pro! Sit down for an exclusive stand-up show and watch a range of comics test their skills out. Or come join the fun, it's an Open Mic after all. Most of the big guns in comedy today started out like this - discover the next big thing in comedy or be one yourself. For those who never miss out on a good laugh, Samahaara Stand-up Night promises to be one of laughter, music and masti.

Every year the United Nation declares the period from 25 November, International day for the Eradication of Violence Against Women, to 10 December, International Human Rights Day, as the 16 Days of Activism against Gender Based Violence across the world.
As part of this campaign Rubaroo is organising a discussion through film screening to decode what Violence vis a vis Gender, means to people and how it is perceived by the masses.

Entry - Free

Manch Theatre Group is back, this time with a comedy package of two Original Telugu plays Swamy kalyanam and Nuvella ante ala.

మంచ్ థియేటర్ మీ అందరి అనందం కోసం నవ్వుల మువ్వలు అంటూ మీ ముందుకు రెండు హాస్య నాటికలు తీసుకు వస్తుంది.

Swamy Kalynam is about a Father's plot against the plot of the boyfriend to win his daughter.


స్వామి కళ్యాణం : ఒక అమ్మాయి ని ఒక నిరుద్యోగిగా ఉన్న అబ్బాయి ఎలా పెళ్లి చేసుకోవాలని ప్లాన్ వేస్తాడు, ఆ ప్లాన్ ని అమ్మాయి తండ్రి ఎలా తిప్పి కొడతాడు, తనకి ఎలా కళ్యాణం చేస్తాడు అనే ఈ కథ నవ్వుల వర్షాన్ని కురిపిస్తుంది.


Nuvela ante ela is a play which shows the backstroke of a simple plan of a Lazy husband.


నువెలా అంటే అల : ఈ నాటకంలో ఒక బార్య బాధితుడు, తన బార్య పెట్టె కష్టాలనుంచి ఎలా బయట పదాలని అనుకుంటాడు, ఆ లక్ష్య సాదనలో ఎలా "నువెలా అంటే అల" అని అంటూ కడుపు చెక్కలు చేస్తాడు.


The Plays are written and Directed by Srikanth Banala and Kiran Abbaraju

Genre: Comedy, Drama

Language: Telugu


Book Your Tickets in BookMyShow or www.filmySphere.com

Theme: Structuring Equity in a Startup.

KINDLY NOTE - Tickets MANDATORY for attending the event. Please ensure you purchase your ticket using the below link http://www.meraevents.com/event/sshyd_dec .
Limited Seats.

Startup Saturday Hyderabad - December 2015 Theme: Structuring Equity in a Startup. With an ever evolving startup eco-system, we see a variety of new startups scripting success stories like never before. The number of people interested in starting up or joining a startup is growing rapidly. This brings with it a specific challenge - of Structuring the Equity. One of the most valuable aspects of a startup is the equity and not handling it with care can lead to disastrous consequences. Equity related disputes/challenges are far too common in a startup than we can ever imagine. It is a classic founders dilemma of "how much is too much!". In an effort to clear the air around structuring the equity, we bring to you a set of startup founders and eminent panelists who share insights on various aspects of Equity in a startup. PS: You may bump into some of the wisest brains while networking over yummy samosas! Agenda- 09:45 am - Registrations 10:10 am - Intros 10:20 am - Ecosystem Announcements (&Hyderabad4innovation.in/news) 10:30 am to 11:30 am - Featured Startups 11:30 am - Panel discussion with experts, accomplished entrepreneurs, and enablers. 12:30 pm - Networking For nominating panelist or startup speakers, write to us at hyderabad@headstart.in Tweet: #SSHYD @starthyd

A collection of photographs that essentially portray human solitude; the truth of one's reality shown with brutal honesty through photographs. the reasons and the mood of the photographs are open to personal interpretation.

A collection of photographs made at New York City while on a photography course at Columbia University. These photographs portray human solitude and longing; undiscovered Love; and an undiscovered self on the path to finding one's own reality. The collection was made by Puranjani Kabra, with guidance and inspiration from some brilliant photographers like Thomas Roma, Inbal Abergil and Kai McBride. I am studying literature at St. Francis College. I am a photographer and I've studied photography at Columbia University in New York city. I've recently started a photography and video company with a partner, called Project Sonder.

All welcome
Entry-Free

We strongly believe that the future of India is online. Online Payment plays very significant role in any businesses in this digital era. We would like to empower people who are interested in business online. Sellers are not interested only in Payments. They are interested in sales we love them to keep happy by giving better success rates on their transactions.

Nevertheless there is a revolution in online business where you see buy button on Social Media (Facebook, Instagram, LinkedIn, WhatsApp…etc.). Mobile transactions are skyrocketing.

The growth of mobile transactions is constantly and continually increasing. Let us discuss on lucrative online business with help of Payment Gateway.

The word ‘Aajir’ stands for one who has sold himself into slavery for a paltry sum. In the play, ‘Aajir’, the story of a slave held by a bond signed by an ancestor – a slavery that denies him the right to love, marry and live a life of a human being – discovering that the bond has long turned to dust, but discovering it only too late, is a metaphor for the traditional constraints that bind the individual in our country long after their legal authority has given way. Exploitation operates beyond the law and with the tacit acquiescence of an exploited class held in thrall by a load of conventional role – obligations. Legal reforms or legal defences for the exploited have rarely affected the exploitative mechanism sustained by the illiteracy and ignorance of the exploited. Paatan, the bonded slave, whose ancestor had sold himself, his family and his descendant to perpetual slavery, is a supreme example of the slave suffering forever in a historical perspective that goes on and on.

Mataang, the epitome of manipulation, relegates his wife to a position of inferiority and subjugation tantamounting almost to the bonded position of Paatan. Religious traditions, under the preponderant influence of Hinduism, provide the ideological basis for patriarchy and assign women an inferior role in the family and society.

For passes: 9440543341

Screening a film on and about poetry of Ramashankar Yadav "Vidrohi" who passed away this week in JNU, Delhi. The film is made by Nitin K Pamnani.

There is a poet on the streets of Delhi called ‘Vidrohi’ – the rebel. He roams around the old city, spouting Molotov cocktails of words.The citizen name of the ‘Vidrohi’ is Ramashankar Yadav, a raggedy old man from Sultanpur. Vidrohi is a title that has been conferred to Indian poets before, such as Kazi Najrul Islam and Damodar Swarup, but has it had such an organic development so as to overshadow the real name.

The subjects of his poems deal with universal struggle and suffering, imbued with socio-political perspectives. He uses historical places, times and names to constitute his subjects with historical relevance. There is a history behind each system of oppression and a game of constant manipulation to make people forget that history. Vidrohi’s poems fight against the politics of re-memory and re-interpretation by retelling and reconstructing the discourse of suffering.

His poems are mostly composed in Hindi. He uses everyday phrases in his poems to make them comprehensible to people from all walks of life, but even with ordinary words he creates powerful images, like a burnt corpse of a woman lying on the last step of Mohenjodaro, her corpse embodying the history of continuous exploitation and violence committed by imperialist powers all over the world. He also writes about the interconnectedness of class and gender oppression. Each of his poems deal with one powerful image around which he constructs the narrative.
Ramashankar Yadav is a people’s poet, a rebel at heart who carries on the legacy of poets like Kabir and Nagarjun. He spends most of his time around Delhi and inside Jawaharlal Nehru University’s campus. A former student of JNU, he was rusticated from the University for being part of a mass movement in the 80s. It was after this incident that he started living under the trees inside the campus. Away from his faraway home and wife, Vidrohi has chosen the life of a vagabond, roaming around with his bag full of the poetry of rebellion. There is no bitterness between his family members and himself for his chosen lifestyle of living on the streets. He lives off people’s kindness, living by the people he writes for, of which JNU students play a crucial part.

This film was to be on a poet and his poetry. It became a story of a person who lives a poem. We try to understand the person we see the poem, we try to understand the poetry; the poet comes and stands in front of us. And as we journey through the poetry and the poet, we end up with a mirror. In the mirror, a roughly-hewn life, small, innocent.... a dream-like existence, in the scrub forest, among the silent ruins, the old streets in the middle of the polis.

The poetry slowly shows us the way, and the way slowly becomes poetry Ramashankar Vidrohi has never written poetry, he speaks out poetry. He is poet of our unknown, unorganized, underground nation. He is the poet of those whose constituency is always bearing the cost of empire builders, the women, the children, and the billions who lie on the steps to the center of power structure.

Film has won International Award for Best Documentary at MIFF ( Mumbai International Documentary Festival 2011).

అది... ఢిల్లీ జవహర్‌లాల్ నెహ్రూ యూనివర్సిటీ (జేఎన్‌యూ) క్యాంపస్. వసతి గృహాలకు దూరంగా... దట్టమైన చెట్లపొదలు. ఓ చెట్టు కొమ్మకు ఏవో ప్లాస్టిక్ సంచులు వేలాడుతున్న‌యి. చెట్టు కింద... నిండా కంబలి కప్పుకొని నిద్రిస్తున్న మనిషి ఒకరు. పక్కన ఖాళీ సిగరేట్ పెట్టెలు. పక్షుల కిచకిచ శబ్ధాల నడుమ అతను నిద్రలేచాడు. ముడతలు పడిన శరీరం.... మురికి బట్టలు... బక్కపలచని దేహం. అతను గడిచిన మూడు దశాబ్ధాలుగా ఆ చెట్టు కిందే జీవిస్తున్నాడు. పేరు రాం శంకర్ యాద‌వ్‌(విద్రోహి). వయసు 50ఏళ్లపైనే ఉంటుంది. విద్యార్థులు ఉండే విశ్వవిద్యాలయంలో ఇతనేం చేస్తున్నాడనుకునేరు. ఆయన నిరంతర విద్యార్థి. 80ల్లో విద్యార్థిగా విశ్వవిద్యాలయంలో అడుగుపెట్టాడు. జీవితమంటే చదువొక్కటే కాదు... పోరాటం కూడా అని నమ్మాడు. చివరి వరకూ న‌మ్మిన‌దాన్నే ఆచరించాడు. అవును... ఆ విద్యాలయంతో మూడు పదుల అనుబంధాన్ని చాలించుకొని డిసెంబ‌ర్ 8న‌ తుదిశ్వాస విడిచాడు.

విద్రోహి సాధారణ విద్యార్థి మాత్రమే కాదు.. అతనో కవి.. సాంస్కృతిక కార్యకర్త. క్యాంపస్ లోప‌ల, బయట... ఎక్కడ ఏ పోరాటం జరిగినా అక్కడ ప్రత్యక్షమవుతాడు. కవితా ప్రవాహాన్ని వెంట మోసుకెళ్తాడు. అలుపెరగని ఆ కవితాఝురికి ʹబ్రెయిన్ డెడ్ʹ బ్రేక్ వేసింది.

అతని కవిత్వం.. వివక్షను సవాల్ చేస్తుంది. సమాజపు వెకిలితనాన్ని వెక్కిరిస్తుంది. అవును.. కుల, మత, లింగ అణచివేతకు వ్యతిరేకంగా అతను కవితాగానం చేస్తాడు. ʹఆమెʹ కన్నీటిని ఆవేదనపూరితంగా ఆలపిస్తాడు. కుల వ్యవస్థను నిలదీస్తాడు. శ్రమజీవితాల్ని కీర్తిస్తాడు.

ఆయ‌న ప్ర‌జా క‌వి. జ‌న జీవిత‌పు క‌ష్ట సుఖాల్ని త‌న క‌విత్వంలోకి ఒంపి.... గానం చేస్తాడు. క్యాంటీన్‌లో చాయ్ తాగుతూ... మ‌ధ్య మ‌ధ్య‌లో గుప్పు గుప్పున ఓ సిగ‌రేట్ కాల్చేసి త‌న క‌వితాలోకంలో మునిగిపోతాడు. క్యాంప‌సే అత‌ని ప్ర‌పంచం. బాదిత ప్ర‌జ‌లు, వాళ్ల పోరాటాలే అత‌ని క‌వితా వ‌స్తువులు. చ‌రిత్ర‌ను త‌వ్వి తోడి దోషిగా నిల‌బెడ‌తాడు. ʹఅది భార‌త్ కావ‌చ్చు... బ్రిట‌న్ కావ‌చ్చు... అమెరికా కావ‌చ్చు... ఇరాన్ కావ‌చ్చు. రాజ్యం ఎక్క‌డైనా... రాజ్య‌మే. ప్ర‌జ‌ల ప‌ట్ల అది క‌ర్క‌షంగానే ఉంటుందిʹ అంటాడు.

1983లో విద్రోహి విద్యార్థి ఉద్యమంలో క్రియాశీలకంగా పాల్గొన్న కారణంగా డిల్లీ జె. ఎన్. యూనివర్సిటీ నుంచి రెస్టికేట్ అయ్యాడు. కానీ అతను క్యాంపస్ వదిలి వెళ్లలేదు. “నా ఆత్మ ఇక్కడే ఉంది. నా ప్రేక్షకులూ ఇక్కడే ఉన్నారు” అంటూ తాను అక్కడే ఉండిపోయాడు. అతనికి క్యాంపస్లో ప్రతి ఒక్కరూ పరిచయం. విద్యార్థులు, అధ్యాపకులు అతనికి ఎంతో కొంత సాయం చేస్తుండేవారు. అలా క్యాంపస్నే తన ప్రపంచంగా మార్చుకున్న విద్రోహి... చాయ్, సిగరేట్, ప్రొయెట్రీతో.... ఎన్ని వేల రాత్రులు గడిపాడో అక్కడ. ఎన్నెన్ని హృదయాల్ని తట్టిలేపాడో. అలాంటి ఉద్యమ కవిని కోల్పోవడం నిజంగా బాధాకరం. కవీ... నీ జ్ఞాపకం శాశ్వతం. నీ గానం అజరామరం.

All are welcome to this evening of tribute.

Sometime we do have everything in our life from this materialistic world but on the cost of so many sacrifices which we didn’t realize.
We keep trying for our goals, we keep working for our dreams, we do choose different different ways to reach to our destinations and ultimately lands up in a situation where we have to leave our family, our culture, our city, our relations and sometime our values as well!!! And finally somehow we forget about our parents as well!!!

This play will revolve around the funny family members with Hyderabadi dialect and how they keep themselves busy with crazy and mad things. It will take you on the laughter ride through the funny Nok-Jhok between the Husband, wife and a servant. Beauty of the play will come out from the secret in last which will be revealed by the Servant.

Now, you must be thinking why we wrote whole philosophical paragraph in the beginning yeahh?? DO WATCH THE PLAY TO ABOUT IT. 

Hyderabad Urban Lab invites all for a dicsussion on "The Privatisation of Schools: Solution or Problem?" with PROF. CAROL ANNE SPREEN AND PROF. SANGEETA KAMAT.

In the face of the weaknesses that plague public education systems globally, privatisation in education is being strongly advocated by several 'experts' across the world. This discussion seeks to open a conversation around the question of whether privatisation is a solution or a problem. It will examine the effects of privatisation on the right to education, quality and equity in education, and the effects on curriculum and teaching.

Carol Anne Spreen is Associate Professor at New York University. Her research centers on political and sociocultural studies of education change, particularly the influence of globalization and corporate privatization on teaching and learning.

Sangeeta Kamat is Associate Professor at University of Massachusetts, Amherst. Her research centers on policy reforms in international education and their implications for the changing relations between state and civil society.

All are welcome.

A Comedy show on Cricket. Jokes only about cricket!

Silly Point - India's first cricket based Stand Up Comedy Show.

Performed by Rohit Swain & Hriday Ranjan. Hosted by Rajasekhar Mamidanna.

For passes: 9177854713 or walk in
BookMyShow Link - http://in.bookmyshow.com/hyderabad/events/silly-point/ET00036684

Global Pioneers is the place where entrepreneurs find meaningful connections that lead to partnerships in order to grow projects in a faster and sustainable way. People helping people to support business growth.

Happening twice a year in your region, Global Pioneers embraces the local entrepreneurial ecosystem and transforms it into a global community by connecting all the regional ecosystems.

Pioneers Hyderabad 2015 is the second edition of Pioneers in Hyderabad after our last stint in ISB Hyderabad in November 2014. The speakers last year were Karuna Gopal (President at Foundation for Futuristic Cities), Balaji Utla (CEO-HMRI), Murali Talasila (Partner-PWC), Sasidhar Nandigam (Hyderabad Angels), Hariharan S. Raman (Head - Business Enablement & Support, Tata Docomo), Keerthi Boddupally (PhD Candidate at University of Southern California), Krishna Sagar (Telangana State Head of BJP), Aditya Vuchi (Founder of Zippr), Ashhar Farhan (Owner at Hotfoon.com & Trustee at Lamakaan), Sam Rufus (CEO, Mxit India).

Watch more glimpses from Pioneers Hyderabad 2014 here: https://www.youtube.com/watch?v=H8yUIzfmZ80

Agenda

9.45 AM: Attendees Walk in
10.00 AM: Welcome Note : Daniel Pitcher (Pioneers Team)
10.15 AM: Anurag S Rathor (Journey of Zify.co) - https://www.linkedin.com/in/anuragrathor
10:35 AM: Karthik Venkat (eSparsha to MyDreamStore) - https://in.linkedin.com/in/karthik-venkat-85a14b22
10.55 AM: Startup pitches - Vol I (6 Startups)
12.00 PM: Rajive Dhavan (STFU - Start The F Up: For Startups and SMEs) - https://in.linkedin.com/in/rajivedhavan
12.20 PM: Funding 101 Panel Discussion
1.00 PM: Lunch & Networking

Are you a startup? Apply to pitch on stage by December 16 & get a chance to join us at Pioneers Festival for free!

Startups apply here: https://pioneers.io/piobay/login/pioneers-hyderabad-apply-to-pitch

For sponsorships and other details reach out to Harish Kotra on +91-9618035273

Inviting artists for a two Day workshop on Figure Drawing at 11am to 1pm on Sat & Sun 19, 20 Dec by eminent artist Umakanth Thumrugoti eminent Artist.

Limited seats. Candidates interested in attending should have an intermediate level drawing or painting experience - no children under the age of 15 as it involves a serious level of discourse with a live model.

For consideration of your participation, please send a sample of any one of your art works via email to: lamakaan@gmail.com

A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media.

This workshop is a compressed version of the class taught in New York at Society of Illustrators, NY. This workshop is based on the book "FIGURE IT OUT" by Umakanth Thumrugoti available at www.amazon.in

Instructor:
Umakanth Thumrugoti - Over twenty years of experience in animation, film, design and drawing, including a 15 year stint at Disney Feature Animation, Los Angeles.

Free admission. Limited seats. Candidates interested in attending should have an intermediate level drawing and/or painting experience - no children under the age of 15. For consideration, please send a sample of one of your works via email to: lamakaan@gmail.com

Material recommended:
HB or 2B charcoal pencils, newsprint pad 18X24 smooth finish, kneaded Eraser, X-Acto knife, sandpaper.

For inquiries: call 9642731329

An adaptation of Munshi Premchand’s two short stories, namely, Sadgati and Kaffan.
Adaptation and Direction: Swapan Mondal

Play :Ek Saam Premchand Ke Naam

Synopsis
The play is an amalgamation of two of Premchand’s stories, ‘Kafan’ and ‘Sadgati’. Both explore death in unlikely circumstances and play themselves out with unexpected twists and turns, all laced with the author’s humanist, equalitarian and socialist ideas. The two stories recreate the vivid reality of the Dalits, exposing pretensions and complacencies of dominant, feudal and patriarchal social forces.

The stories, that reveal the extraordinary range of Premchand’s writing, are blended together in a non-linear yet seamless narrative using ‘Burra-Katha’ - a performance art rooted in traditional storytelling, dance movement, and music in Andhra and Telangana regions.

About the author
Premchand (1880-1936) was the author of numerous short stories, novels and a play. Some of his best known works include Godan (1936), Rangabhumi (1925), Nirmala (1928), Gaban (1931) and Karmabhumi (1932). He wrote both in Hindi and Urdu.

Donor passes: Rs. 50/-(each)9440543341

Conducting a Storytelling session and later a puppet making workshop. The story telling will be on "Speedy the wicked Spider" followed by Puppet making workshop for children age group-3 to 10 years and Young mothers about how to make those puppets that are used to tell the story. Puppet making materials will be provided at the venue.
This event is organised by Sphoorthi Theatre for Educational Puppetry, Art and Craft-STEPARC.
Entry Fee-Rs 500/-
Contact: +91-9866081172 / +91-8985759361
sphoorthitheatre@gmail.com

"Phandi" a play in Hindi written by Mr. Shankar Shesh is all about legal battle for mercy killing. A person is accused for killing his father who was suffering through last stage of cancer. The play is written and presented in sequence of court scenes in comical way and finally opens up a debate with audience "does mercy killing is relevant and necessary for person who has no chance of survival?"

Date - 20th December ( Sunday ) 2015
Time - 07:30 pm ( Duration of the play is 100 minutes )
Venue - LaMakaan, Banjara Hills, Rd No - 01,
Lamakaan - An Open Cultural Space
Donor Pass - Rs. 100/-
Book your ticket (s) on in.bookmyshow.com

Cast & Crew

Actors - Krishna Shukla, Naren Yadav & Prashaant Sharma.
Design & Direction - Saurabh Gharipurikar
Lights - Ashish Meagh

For more details contact our production manager Ashish Meagh # 9494563573

Drowning in Milk Brands: Whose Choice is it Anyway?

Documentary screening and Panel Discussion
Organized by
Food Sovereignty Alliance, India

In 2015, Hyderabad saw the entry of several new dairy brands, like Amul, Nandini, Parag, Narmul, etc, selling milk at incredibly low prices. Whilst consumers in the city celebrated this apparent bonanza, unbeknown to them, at the same time, small farmers, who produce the milk, were literally pouring milk onto the roads in utter despair: Companies and Cooperatives had drastically reduced the prices at which they were purchasing milk, were paying them far below their cost of production and were turning back their milk, Whilst milk producers are being paid Rs18-20/litre of cows milk (a bottle of mineral water today costs Rs 20/litre) , they expend Rs 28-30 to produce that litre of milk.

Many consumers began to pressure small vendors who deliver their fresh milk, to reduce the price, or said they would shift to cheaper “brand” milk. Reducing the price, would once again result in vendors and small farmers being thrown out of their livelihoods.

What is the story of this cheap milk? Why are small farmers who produce the milk we drink being driven out of their livelihoods? Do brands matter? Is packet milk different from fresh milk delivered by milkmen? Why does the dairy boom in India spell the deathknell for small farmers ? There is an urgent need to understand the milk we drink, from “grass to glass”.

This panel discussion will focus on understanding the current paradox of cheap milk for consumers, whilst farmers are driven to debt, and pushed out of production. Farmers of AP and Telangana, milk vendors, dairy processors and co-producers will discuss these realities.

A documentary produced by the Food Sovereignty Alliance - “Killing Our Livelihoods: The Juggernaut of Industrial Dairy Market” will be screened.

Entry - free

Inviting all for a book release of Telugu book "Vignana Nepadhya Kathalu" by Dr Vakkalanka Venkataramana followed by a classical dance performance by disciples of Smt.Swapnasundari.

Entry-Free

'PLEASE DON"T MIND!!!'
A night of 3 comedy short plays

To give a laughter ride to the audience through satire on the social issues.

SAUTAN KE JHUMKE
Written and Directed by Surender Sahil Varma.
Cast: Akshat Ajay Sharma and Madhuban Mukherjee

PAGAL PAGAL PATA CHALA HAI
Written by- Surender Sahil Varma.
Directed By- A Sunjit Rao
Cast: Amit Sharma, Raviraj Kulkarni and Rajnish Songara

PEHCHAN KAUN
Written by Surender Sahil Varma.
Directed by Krishna Shukla
Cast: A Sunjit Rao and Surender Sahil Verma

WHEN: 8 PM, Thursday 24st December' 2015
WHERE: Lamkaan, Opposite GVK Mall, Bajara Hills.
DURATION: 60 Minutes.

Donors Pass- Rs 100/-
For details please contact- Surender (+91-8125628789)

Poster Designed By: 'Nippo Nagraj'

Let's get the spirit of Christmas right here in Lamakaan..... We are conducting a workshop for kids on Christmas paper crafts. Pick up your papers and scissors for some real fun because we are going make Christmas trees and snowflakes to decorate your houses. All are welcome. Fee:150 (inclusive of material)
Contact: Dr. B. Kumudhini -7093020256

It a story of a psychology professor who tries to experiment on his thesis on his neighbour with a unique idea by hypnotizing / inducing fear in him over phone by calling him frequently to verify and confirm whether his thesis is working and his studies / finding / discoveries to create fear factor, control hypnotize and control the desire & life of his neighbour. He explores to exploit his findings on the recipient envisaged in the thesis to entail him to oblige. During the pursuit of exercising his maneuver, he learns that he succeeds on the other psychology on the death of his neighbour.

Whether he repents for being responsible of his neighbour death or feels proud on his success of enticing someone to end his life?

See and enjoy the paranormal thriller.

DATE: 25TH DECEMBER 2915
TIME: 07:30 PM

Suhas 7893022911

It is a Talk&Discussion on Emotional Intelligence. 45 minutes of time shall be spent on letting the participants know what Emotional Intelligence is all about and the rest of the time (85 minutes) shall be spent on addressing the questions and/or queries from the participants. This Talk&Discussion is useful for all those who would like to be more acceptable to others in their personal/academic/professional/social circles, without compromising with their personal choices.

Holding a one day Crochet workshop by Sarrita Surana.
Crochet is a technique of makings patterns from wool by creating loops with crochet hook.If you are a Crochet work lover but you don't know how to make it..come n join here to learn and to create your own crochet patterns n designs and make adorable crochet earrings.The fee for the workshop is Rs.350 with material.
Duration is 3 hrs.
For registration: 9177619181 Sarrita

Samyuktha Entertainments presents
చతుర్లు - The Telugu Stand-Up comedy competition
It's a unique and only Telugu stand-up comedy competition being organised to find Telugu stand-up comedians. Competition is open for anyone and everyone who registers through sending mail to "thedddp@gmail.com" .

Competition will be held on 26th December,2015 at 5pm-7pm in Lamakaan.

Winners will get attractive cash prizes.

This time, an NRI round with Online video entries is also an attraction.

Entry- Free

Manch Theatre group presents "Pratibimb - A collection of Three hindi plays".

Pratibimb:
The world outside is a reflection of who we are within. The way we see things and react to them simply shows what we are made of inside. Pratibimb is an attempt to show, what we have become as a society, to give an insight to our thoughts, our understanding of the creation around us.

Here we want put in front of the audience things that everyone wants to ignore, issues that matter but are not convenient to confront. Issues that are eating away the essence of being human because we simply do not want to do anything about it, we do not want to understand and come to terms with the truth. Pratibimb as the name suggests is a reflection of WHO WE ARE.

Lathi ki Goonj:
"Laathi ki goonj" is a mime that revolves around Mahatma Gandhi his doctrines and teachings, which have lost their meaning in the present day society. It vividly describes how we have lost touch with our value system, and how we are continuously forgetting our roots and invading our own identity. It dramatizes in a short span the fall of our generations and how we are oblivious to the "laathi ki goonj" , which is lost and we can no longer hear it.

Kashish:
“Kashish” is love story of two lesbian lovers Sana and Vidhi. This mute play symbolically describes how difficult it is for people of a different sexual orientation to come out in the open, because our society vehemently resents and repels them. It is a small story that shows what happens when one such couple decides to break the shackles and come out of the closet. It shows their relationship, their bonding and then how the world outside reacts to it.

Asmita:
An act which not only revolves around a girl who is victimized for a heinous act, they call it “Rape”. But also, questions the whole institution on which the society works. The act shows how the victim faces problems in leading a normal life again and how the society remains indifferent about it. It talks about the repercussions of two types of crimes. One which the man who raped has committed and the other committed by the girl victim. How the whole agenda of the society changes. And how the victim finally loses the battle with the society, herself and her life!!

Kashish (Manch Original)Writer: Manika ParasherDirector: Manika Parasher, Ankur VermaCast: Saumya Agrawal, Rupa Prabhakar, Madhu, Sidhanta, TBD Asmita, Writer, Director, Actor: Shailja Chaturvedi Lathi ki goonjDirector: Prateek, ShailjaCast: Prateek, Rita, Syed, Manika, Nishant, Vivek, Sanket, Haritha, Srinivas Konda, Lenin.

For more: Srikanth 8179894428

Short film made by Rajendra Shaw (1949-2013). Rajendra Shaw was a 1975 graduate of FTII, Pune. He was a well-known documentary photographer and filmmaker who worked mostly with the social sector organisations for nearly 38 years.
Rajendra Shaw adapted the story, wrote, directed and shot the film.

Ajay Bakshi commenced his education of classical music at the age of five at the Gandharva Mahavidyalaya at Pune. Here, under the tutelage of Pt.D.K.Agashe, disciple of Pt.Vinayakbua Patwardhan firm foundations of voice control, notes, and rules governing classical music, were laid. After basic training he started training under his father and famous vocalist and Guru Pt. Vijay Bakshi he learnt various raagas and various taalas.

His school and college days were of full of memories of interschool & college prizes and participating youth festival.
After completing graduation, the delicate tunes of famous Kashmir instrument i. e. Santoor fascinated him and he started learning Santoor under the guidance of well-known Santoor player Pt. Dr. Dhananjay Daithankar, a senior deciple of Padmvibhushan Pt. Shiv Kumar Sharma and the journey is still going on.

Ajay has performed in various music festivals at different places in Maharashtra, Karnataka and Goa. He likes to play Anavaat raagas on Santoor. He has created few Gaats in different rythemic cycles and presented in concerts.

Manch Theatre group presents "Pratibimb - A collection of Three hindi plays".

Pratibimb:
The world outside is a reflection of who we are within. The way we see things and react to them simply shows what we are made of inside. Pratibimb is an attempt to show, what we have become as a society, to give an insight to our thoughts, our understanding of the creation around us.

Here we want put in front of the audience things that everyone wants to ignore, issues that matter but are not convenient to confront. Issues that are eating away the essence of being human because we simply do not want to do anything about it, we do not want to understand and come to terms with the truth. Pratibimb as the name suggests is a reflection of WHO WE ARE.

Lathi ki Goonj:
"Laathi ki goonj" is a mime that revolves around Mahatma Gandhi his doctrines and teachings, which have lost their meaning in the present day society. It vividly describes how we have lost touch with our value system, and how we are continuously forgetting our roots and invading our own identity. It dramatizes in a short span the fall of our generations and how we are oblivious to the "laathi ki goonj" , which is lost and we can no longer hear it.

Kashish:
“Kashish” is love story of two lesbian lovers Sana and Vidhi. This mute play symbolically describes how difficult it is for people of a different sexual orientation to come out in the open, because our society vehemently resents and repels them. It is a small story that shows what happens when one such couple decides to break the shackles and come out of the closet. It shows their relationship, their bonding and then how the world outside reacts to it.

Asmita:
An act which not only revolves around a girl who is victimized for a heinous act, they call it “Rape”. But also, questions the whole institution on which the society works. The act shows how the victim faces problems in leading a normal life again and how the society remains indifferent about it. It talks about the repercussions of two types of crimes. One which the man who raped has committed and the other committed by the girl victim. How the whole agenda of the society changes. And how the victim finally loses the battle with the society, herself and her life!!

Kashish (Manch Original)Writer: Manika ParasherDirector: Manika Parasher, Ankur VermaCast: Saumya Agrawal, Rupa Prabhakar, Madhu, Sidhanta, TBD Asmita, Writer, Director, Actor: Shailja Chaturvedi Lathi ki goonjDirector: Prateek, ShailjaCast: Prateek, Rita, Syed, Manika, Nishant, Vivek, Sanket, Haritha, Srinivas Konda, Lenin.

For more: Srikanth 8179894428

"The Sealed Attic"
History, and literature are witnesses, that the other, the one that is not the self, has always been misunderstood, ostracized, silenced and locked up. Whenever someone has challenged the rules by which this world works, the world has been merciless towards him or her. The eternal mad man/madwoman in the attic thus lives on, unheard, unseen and separated by the excuse of insanity from the world outside.
'The Sealed Attic' is an attempt to give voice to the madness locked away from the vision of sanity since time immemorial. We have used theatre as a device to explore the words of Shakespeare, Shelley and Dostoevsky, to traverse through this madness.
Come, explore the sealed attic with us.

For passes:9966903264

Performing Classical Dance (Bharatnatyam)

TITLE: THREE COMEDY SHORT PLAYS BY SURENDAR SAHIL VERMA
1. Pagal pagal pata chala hai - A comedy play based on the satire of current affairs.
2. Bakra the breaking news - A comedy play based on news channels.
3. Pehchan kaun - A comedy play on corruption.

The duration of the plays would be for an hour.

For passes: Rab Productions, 9000908108.

About the play:

A HINDI ONE ACT PLAY - ABHAAS - YA - BHAAS
ORIGINALLY WRITTEN BY SHRI. KEDAR SHINDE

Abhaas ya bhaas is a play that depicts the problems and wishes of street boys who are deprived of minimum needs. The play
tells us the story of two boys who are spared and given a chance by yamraaj by granting them bonus of six hours and six
wishes where each wish will last for just an hour. Watch the play to find out what do the baffled boys wish for and what
happens at the end of the sixth hour. The play is a satirical take on the destitute, politicians, and the ?mango people?.

ADAPTED BY SHRI. PRAKASH PHADNIS
Directed by: Ali Ahmed
CAST: Ali Ahmed, K. rahul

Screening a film KHOON DIY BAARAV (Kashmiri/English) by Iffat Fatima.

The film loosely meaning 'Blood leaves a trail' made over nine years, enters the vexed political scenario in Kashmir through the lives of families of the victims of enforced disappearances. It explores memory as a mode of resistance, constantly confronting reality and morphing from the personal to the political, the individual to the collective. Struggling to find new ways of expression - storytelling, art, symbol and ritual - sometimes spilling out on to the streets, it looks at the ways in which those affected by violence have no choice but to remember. The chain of memory, often non-linear, is both their defense as well as their act of defiance against powerful instruments of the state that try to erase their individuality.

The conflict in Kashmir is among the long-standing political conflicts in the world. It has taken a heavy toll on lives, on sanity and on the idea of normality. While it has turned the Indian state coarse and brutal, it has turned the local population, recipients of several decades of unrelenting violence, defiant and angry.

The film is a non-sequential account of personal narratives and reminiscences ruptured by violence, undermined by erasure and over-ridden by official documents that challenge truth. Opening out the real and the human as against the abstract and the brutal the film seeks to confront advocates of amnesia in Kashmir as well as in other conflict zones. It questions the militaristic approach to resolve political problems, by which communities and lives within it get invaded and destroyed, even as it shatters personal dreams and desires. The film appeals for a political resolution to the Kashmir issue, which has by now affected five generations of people in the region.

Running Time: 93 minutes Production Year: 2015

Iffat Fatima is an independent filmmaker from Kashmir, based in Delhi. She started making documentary films from 1990, soon after getting her masters degree in Mass Communication from Mass Communication Research Centre, Jamia Millia Islamia, New Delhi. Her documentary films include, Lanka- the other side of war and peace (2005), which focuses on the issues of memory and violence in Sri Lanka: The Kesar Saga (2000), which explores the story telling tradition in the Himalayan region of Ladakh: In the Realm of the Visual (1998), on one of India’s most prolific and versatile artist and designer Dashrath Patel: Boojh Sakey to Boojh (1996), on the contemporary understanding of the 13th century Sufi poet and scholar Amir Khusro. Her films have been screened at important venues and film festivals in India and all over the world, including Berlin, Yamagata, Salzburg, London, Dublin, San Francisco, New York and Chicago.

Her most recent work (2014) is a compendium on the writings of Khwaja Ahmed Abbas, one of India’s foremost filmmakers and writers of the 1960’s. In 2010, her video installation Ethnography of a European city: Conversations in Salzburg, which questions some of the assumptions in the east west polarity/ dichotomy /disparity traveled to Berlin, Brussels, Zagreb, Vienna and Salzburg. In 2004, she completed a Brandeis International Fellowship Program, Recasting Reconciliation through Culture and the Arts, at the Brandeis University, Boston, and USA. In 2001, she was awarded the Asia Fellowship for her work in Sri Lanka, Intercommoned Relations and Education: The Sri Lankan Experience.

Since 2006 she is working in Kashmir on the issue of Enforced Disappearances in collaboration with the Association Of Parents Of Disappeared Persons (APDP), a collective of the family members of the victims of enforced disappearances in Kashmir, campaigning for information on the whereabouts of their disappeared kin. She very recently completed her documentary Khoon Diy Baarav (Blood Leaves its Trail) which explores issues of violence and memory in Kashmir- a society ravaged by a prolonged political conflict.

All are welcome. Entry - Free.

We are going to conduct a workshop on fabric flower making with organdy cloth. Learn to make these pretty flowers which are fun to make and needs little expertise These flowers are perfect to light up a corner in your house or for gifting your loved ones. The material required for the workshop will be provided by us.
Fees: 300/- per person

Understand the Space with Rayyan : Rayyan is a 10 year old astronomer. In this lecture, he will tell us about the incredible jounrey of the Voyager spacecraft as the only man made object to go beyond the solar system . We explore the the star system closest to our Sun, the Kuiper Belt and the Oort Cloud.
After the Chai and Samosa break we talk about the Milky way, Wormholes, Black holes, stars the size of Earth and planets the size of the Sun.
Astronomy made easy in a fun and simple way.
Moderated by Prof. Najam, Head of Astronomy, OU and Dean of Academics (MANUU).
https://www.youtube.com/watch?v=KiJCXZv42Mw

Entry- free

"Phandi" a play in Hindi written by Mr. Shankar Shesh is all about legal battle for mercy killing. A person is accused for killing his father who was suffering through last stage of cancer. The play is written and presented in sequence of court scenes in comical way and finally opens up a debate with audience "does mercy killing is relevant and necessary for person who has no chance of survival?"

Date - 5th December ( Saturday ) 2015
Time - 07:30 pm ( Duration of the play is 100 minutes )
Venue - LaMakaan, Banjara Hills, Rd No - 01,
Lamakaan - An Open Cultural Space
Donor Pass - Rs. 100/-
Book your ticket (s) on in.bookmyshow.com
CLICK ON - http://in.bookmyshow.com/hyderabad/plays/phandi/ET00006368

Cast & Crew

Actors - Krishna Shukla, Naren Yadav & Prashaant Sharma.
Design & Direction - Saurabh Gharipurikar
Lights - Ashish Meagh

For more details contact our production manager Ashish Meagh # 9494563573

Ultimate Survivor Krav Maga - International is conducting free workshops on Self Defense using Krav Maga as a part of Awareness Campaign (in December) to teach how one can defend themselves against common street attacks like slaps, chokes and knife attacks. Instructor, Ram, Ultimate Survivor Krav Maga - Hyd Chapter.
Entry - Free

Presenting an evening of talk on 'the Culture, History and Social structure of Kakatiya Dynasty' by Durgam Ravinder.
Mr. Durgam would like to state few points on the Kakatiya rule. In these 692 years, since the curtains were down on Kakatiya dynasty as Prataparudra was arrested in 1324; so many stories have been in circulation about Kakatiyas. Though, Kakatiyas rule was not that old, much research has not been done and importance not given so far to know the true facts.
After the Telangana state is formed, as TSPSC has included Kakatiya history in the curriculum, dialogue about the Kakatiya rule is greater now than ever before.

All are welcome.

Samahaara Stand-up Night: Open Mic 4

Date : 06th Dec, 2015
Time: 7.30pm
Venue: Lamakaan

After many successful stand-up events and comedy plays, Samahaara calls out to all the Comedians out there - new, upcoming, pro! Sit down for an exclusive stand-up show and watch a range of comics test their skills out. Or come join the fun, it's an Open Mic after all. Most of the big guns in comedy today started out like this - discover the next big thing in comedy or be one yourself. For those who never miss out on a good laugh, Samahaara Stand-up Night promises to be one of laughter, music and masti.

Every year the United Nation declares the period from 25 November, International day for the Eradication of Violence Against Women, to 10 December, International Human Rights Day, as the 16 Days of Activism against Gender Based Violence across the world.
As part of this campaign Rubaroo is organising a discussion through film screening to decode what Violence vis a vis Gender, means to people and how it is perceived by the masses.

Entry - Free

Manch Theatre Group is back, this time with a comedy package of two Original Telugu plays Swamy kalyanam and Nuvella ante ala.

మంచ్ థియేటర్ మీ అందరి అనందం కోసం నవ్వుల మువ్వలు అంటూ మీ ముందుకు రెండు హాస్య నాటికలు తీసుకు వస్తుంది.

Swamy Kalynam is about a Father's plot against the plot of the boyfriend to win his daughter.


స్వామి కళ్యాణం : ఒక అమ్మాయి ని ఒక నిరుద్యోగిగా ఉన్న అబ్బాయి ఎలా పెళ్లి చేసుకోవాలని ప్లాన్ వేస్తాడు, ఆ ప్లాన్ ని అమ్మాయి తండ్రి ఎలా తిప్పి కొడతాడు, తనకి ఎలా కళ్యాణం చేస్తాడు అనే ఈ కథ నవ్వుల వర్షాన్ని కురిపిస్తుంది.


Nuvela ante ela is a play which shows the backstroke of a simple plan of a Lazy husband.


నువెలా అంటే అల : ఈ నాటకంలో ఒక బార్య బాధితుడు, తన బార్య పెట్టె కష్టాలనుంచి ఎలా బయట పదాలని అనుకుంటాడు, ఆ లక్ష్య సాదనలో ఎలా "నువెలా అంటే అల" అని అంటూ కడుపు చెక్కలు చేస్తాడు.


The Plays are written and Directed by Srikanth Banala and Kiran Abbaraju

Genre: Comedy, Drama

Language: Telugu


Book Your Tickets in BookMyShow or www.filmySphere.com

Theme: Structuring Equity in a Startup.

KINDLY NOTE - Tickets MANDATORY for attending the event. Please ensure you purchase your ticket using the below link http://www.meraevents.com/event/sshyd_dec .
Limited Seats.

Startup Saturday Hyderabad - December 2015 Theme: Structuring Equity in a Startup. With an ever evolving startup eco-system, we see a variety of new startups scripting success stories like never before. The number of people interested in starting up or joining a startup is growing rapidly. This brings with it a specific challenge - of Structuring the Equity. One of the most valuable aspects of a startup is the equity and not handling it with care can lead to disastrous consequences. Equity related disputes/challenges are far too common in a startup than we can ever imagine. It is a classic founders dilemma of "how much is too much!". In an effort to clear the air around structuring the equity, we bring to you a set of startup founders and eminent panelists who share insights on various aspects of Equity in a startup. PS: You may bump into some of the wisest brains while networking over yummy samosas! Agenda- 09:45 am - Registrations 10:10 am - Intros 10:20 am - Ecosystem Announcements (&Hyderabad4innovation.in/news) 10:30 am to 11:30 am - Featured Startups 11:30 am - Panel discussion with experts, accomplished entrepreneurs, and enablers. 12:30 pm - Networking For nominating panelist or startup speakers, write to us at hyderabad@headstart.in Tweet: #SSHYD @starthyd

A collection of photographs that essentially portray human solitude; the truth of one's reality shown with brutal honesty through photographs. the reasons and the mood of the photographs are open to personal interpretation.

A collection of photographs made at New York City while on a photography course at Columbia University. These photographs portray human solitude and longing; undiscovered Love; and an undiscovered self on the path to finding one's own reality. The collection was made by Puranjani Kabra, with guidance and inspiration from some brilliant photographers like Thomas Roma, Inbal Abergil and Kai McBride. I am studying literature at St. Francis College. I am a photographer and I've studied photography at Columbia University in New York city. I've recently started a photography and video company with a partner, called Project Sonder.

All welcome
Entry-Free

We strongly believe that the future of India is online. Online Payment plays very significant role in any businesses in this digital era. We would like to empower people who are interested in business online. Sellers are not interested only in Payments. They are interested in sales we love them to keep happy by giving better success rates on their transactions.

Nevertheless there is a revolution in online business where you see buy button on Social Media (Facebook, Instagram, LinkedIn, WhatsApp…etc.). Mobile transactions are skyrocketing.

The growth of mobile transactions is constantly and continually increasing. Let us discuss on lucrative online business with help of Payment Gateway.

The word ‘Aajir’ stands for one who has sold himself into slavery for a paltry sum. In the play, ‘Aajir’, the story of a slave held by a bond signed by an ancestor – a slavery that denies him the right to love, marry and live a life of a human being – discovering that the bond has long turned to dust, but discovering it only too late, is a metaphor for the traditional constraints that bind the individual in our country long after their legal authority has given way. Exploitation operates beyond the law and with the tacit acquiescence of an exploited class held in thrall by a load of conventional role – obligations. Legal reforms or legal defences for the exploited have rarely affected the exploitative mechanism sustained by the illiteracy and ignorance of the exploited. Paatan, the bonded slave, whose ancestor had sold himself, his family and his descendant to perpetual slavery, is a supreme example of the slave suffering forever in a historical perspective that goes on and on.

Mataang, the epitome of manipulation, relegates his wife to a position of inferiority and subjugation tantamounting almost to the bonded position of Paatan. Religious traditions, under the preponderant influence of Hinduism, provide the ideological basis for patriarchy and assign women an inferior role in the family and society.

For passes: 9440543341

Screening a film on and about poetry of Ramashankar Yadav "Vidrohi" who passed away this week in JNU, Delhi. The film is made by Nitin K Pamnani.

There is a poet on the streets of Delhi called ‘Vidrohi’ – the rebel. He roams around the old city, spouting Molotov cocktails of words.The citizen name of the ‘Vidrohi’ is Ramashankar Yadav, a raggedy old man from Sultanpur. Vidrohi is a title that has been conferred to Indian poets before, such as Kazi Najrul Islam and Damodar Swarup, but has it had such an organic development so as to overshadow the real name.

The subjects of his poems deal with universal struggle and suffering, imbued with socio-political perspectives. He uses historical places, times and names to constitute his subjects with historical relevance. There is a history behind each system of oppression and a game of constant manipulation to make people forget that history. Vidrohi’s poems fight against the politics of re-memory and re-interpretation by retelling and reconstructing the discourse of suffering.

His poems are mostly composed in Hindi. He uses everyday phrases in his poems to make them comprehensible to people from all walks of life, but even with ordinary words he creates powerful images, like a burnt corpse of a woman lying on the last step of Mohenjodaro, her corpse embodying the history of continuous exploitation and violence committed by imperialist powers all over the world. He also writes about the interconnectedness of class and gender oppression. Each of his poems deal with one powerful image around which he constructs the narrative.
Ramashankar Yadav is a people’s poet, a rebel at heart who carries on the legacy of poets like Kabir and Nagarjun. He spends most of his time around Delhi and inside Jawaharlal Nehru University’s campus. A former student of JNU, he was rusticated from the University for being part of a mass movement in the 80s. It was after this incident that he started living under the trees inside the campus. Away from his faraway home and wife, Vidrohi has chosen the life of a vagabond, roaming around with his bag full of the poetry of rebellion. There is no bitterness between his family members and himself for his chosen lifestyle of living on the streets. He lives off people’s kindness, living by the people he writes for, of which JNU students play a crucial part.

This film was to be on a poet and his poetry. It became a story of a person who lives a poem. We try to understand the person we see the poem, we try to understand the poetry; the poet comes and stands in front of us. And as we journey through the poetry and the poet, we end up with a mirror. In the mirror, a roughly-hewn life, small, innocent.... a dream-like existence, in the scrub forest, among the silent ruins, the old streets in the middle of the polis.

The poetry slowly shows us the way, and the way slowly becomes poetry Ramashankar Vidrohi has never written poetry, he speaks out poetry. He is poet of our unknown, unorganized, underground nation. He is the poet of those whose constituency is always bearing the cost of empire builders, the women, the children, and the billions who lie on the steps to the center of power structure.

Film has won International Award for Best Documentary at MIFF ( Mumbai International Documentary Festival 2011).

అది... ఢిల్లీ జవహర్‌లాల్ నెహ్రూ యూనివర్సిటీ (జేఎన్‌యూ) క్యాంపస్. వసతి గృహాలకు దూరంగా... దట్టమైన చెట్లపొదలు. ఓ చెట్టు కొమ్మకు ఏవో ప్లాస్టిక్ సంచులు వేలాడుతున్న‌యి. చెట్టు కింద... నిండా కంబలి కప్పుకొని నిద్రిస్తున్న మనిషి ఒకరు. పక్కన ఖాళీ సిగరేట్ పెట్టెలు. పక్షుల కిచకిచ శబ్ధాల నడుమ అతను నిద్రలేచాడు. ముడతలు పడిన శరీరం.... మురికి బట్టలు... బక్కపలచని దేహం. అతను గడిచిన మూడు దశాబ్ధాలుగా ఆ చెట్టు కిందే జీవిస్తున్నాడు. పేరు రాం శంకర్ యాద‌వ్‌(విద్రోహి). వయసు 50ఏళ్లపైనే ఉంటుంది. విద్యార్థులు ఉండే విశ్వవిద్యాలయంలో ఇతనేం చేస్తున్నాడనుకునేరు. ఆయన నిరంతర విద్యార్థి. 80ల్లో విద్యార్థిగా విశ్వవిద్యాలయంలో అడుగుపెట్టాడు. జీవితమంటే చదువొక్కటే కాదు... పోరాటం కూడా అని నమ్మాడు. చివరి వరకూ న‌మ్మిన‌దాన్నే ఆచరించాడు. అవును... ఆ విద్యాలయంతో మూడు పదుల అనుబంధాన్ని చాలించుకొని డిసెంబ‌ర్ 8న‌ తుదిశ్వాస విడిచాడు.

విద్రోహి సాధారణ విద్యార్థి మాత్రమే కాదు.. అతనో కవి.. సాంస్కృతిక కార్యకర్త. క్యాంపస్ లోప‌ల, బయట... ఎక్కడ ఏ పోరాటం జరిగినా అక్కడ ప్రత్యక్షమవుతాడు. కవితా ప్రవాహాన్ని వెంట మోసుకెళ్తాడు. అలుపెరగని ఆ కవితాఝురికి ʹబ్రెయిన్ డెడ్ʹ బ్రేక్ వేసింది.

అతని కవిత్వం.. వివక్షను సవాల్ చేస్తుంది. సమాజపు వెకిలితనాన్ని వెక్కిరిస్తుంది. అవును.. కుల, మత, లింగ అణచివేతకు వ్యతిరేకంగా అతను కవితాగానం చేస్తాడు. ʹఆమెʹ కన్నీటిని ఆవేదనపూరితంగా ఆలపిస్తాడు. కుల వ్యవస్థను నిలదీస్తాడు. శ్రమజీవితాల్ని కీర్తిస్తాడు.

ఆయ‌న ప్ర‌జా క‌వి. జ‌న జీవిత‌పు క‌ష్ట సుఖాల్ని త‌న క‌విత్వంలోకి ఒంపి.... గానం చేస్తాడు. క్యాంటీన్‌లో చాయ్ తాగుతూ... మ‌ధ్య మ‌ధ్య‌లో గుప్పు గుప్పున ఓ సిగ‌రేట్ కాల్చేసి త‌న క‌వితాలోకంలో మునిగిపోతాడు. క్యాంప‌సే అత‌ని ప్ర‌పంచం. బాదిత ప్ర‌జ‌లు, వాళ్ల పోరాటాలే అత‌ని క‌వితా వ‌స్తువులు. చ‌రిత్ర‌ను త‌వ్వి తోడి దోషిగా నిల‌బెడ‌తాడు. ʹఅది భార‌త్ కావ‌చ్చు... బ్రిట‌న్ కావ‌చ్చు... అమెరికా కావ‌చ్చు... ఇరాన్ కావ‌చ్చు. రాజ్యం ఎక్క‌డైనా... రాజ్య‌మే. ప్ర‌జ‌ల ప‌ట్ల అది క‌ర్క‌షంగానే ఉంటుందిʹ అంటాడు.

1983లో విద్రోహి విద్యార్థి ఉద్యమంలో క్రియాశీలకంగా పాల్గొన్న కారణంగా డిల్లీ జె. ఎన్. యూనివర్సిటీ నుంచి రెస్టికేట్ అయ్యాడు. కానీ అతను క్యాంపస్ వదిలి వెళ్లలేదు. “నా ఆత్మ ఇక్కడే ఉంది. నా ప్రేక్షకులూ ఇక్కడే ఉన్నారు” అంటూ తాను అక్కడే ఉండిపోయాడు. అతనికి క్యాంపస్లో ప్రతి ఒక్కరూ పరిచయం. విద్యార్థులు, అధ్యాపకులు అతనికి ఎంతో కొంత సాయం చేస్తుండేవారు. అలా క్యాంపస్నే తన ప్రపంచంగా మార్చుకున్న విద్రోహి... చాయ్, సిగరేట్, ప్రొయెట్రీతో.... ఎన్ని వేల రాత్రులు గడిపాడో అక్కడ. ఎన్నెన్ని హృదయాల్ని తట్టిలేపాడో. అలాంటి ఉద్యమ కవిని కోల్పోవడం నిజంగా బాధాకరం. కవీ... నీ జ్ఞాపకం శాశ్వతం. నీ గానం అజరామరం.

All are welcome to this evening of tribute.

Sometime we do have everything in our life from this materialistic world but on the cost of so many sacrifices which we didn’t realize.
We keep trying for our goals, we keep working for our dreams, we do choose different different ways to reach to our destinations and ultimately lands up in a situation where we have to leave our family, our culture, our city, our relations and sometime our values as well!!! And finally somehow we forget about our parents as well!!!

This play will revolve around the funny family members with Hyderabadi dialect and how they keep themselves busy with crazy and mad things. It will take you on the laughter ride through the funny Nok-Jhok between the Husband, wife and a servant. Beauty of the play will come out from the secret in last which will be revealed by the Servant.

Now, you must be thinking why we wrote whole philosophical paragraph in the beginning yeahh?? DO WATCH THE PLAY TO ABOUT IT. 

Hyderabad Urban Lab invites all for a dicsussion on "The Privatisation of Schools: Solution or Problem?" with PROF. CAROL ANNE SPREEN AND PROF. SANGEETA KAMAT.

In the face of the weaknesses that plague public education systems globally, privatisation in education is being strongly advocated by several 'experts' across the world. This discussion seeks to open a conversation around the question of whether privatisation is a solution or a problem. It will examine the effects of privatisation on the right to education, quality and equity in education, and the effects on curriculum and teaching.

Carol Anne Spreen is Associate Professor at New York University. Her research centers on political and sociocultural studies of education change, particularly the influence of globalization and corporate privatization on teaching and learning.

Sangeeta Kamat is Associate Professor at University of Massachusetts, Amherst. Her research centers on policy reforms in international education and their implications for the changing relations between state and civil society.

All are welcome.

A Comedy show on Cricket. Jokes only about cricket!

Silly Point - India's first cricket based Stand Up Comedy Show.

Performed by Rohit Swain & Hriday Ranjan. Hosted by Rajasekhar Mamidanna.

For passes: 9177854713 or walk in
BookMyShow Link - http://in.bookmyshow.com/hyderabad/events/silly-point/ET00036684

Global Pioneers is the place where entrepreneurs find meaningful connections that lead to partnerships in order to grow projects in a faster and sustainable way. People helping people to support business growth.

Happening twice a year in your region, Global Pioneers embraces the local entrepreneurial ecosystem and transforms it into a global community by connecting all the regional ecosystems.

Pioneers Hyderabad 2015 is the second edition of Pioneers in Hyderabad after our last stint in ISB Hyderabad in November 2014. The speakers last year were Karuna Gopal (President at Foundation for Futuristic Cities), Balaji Utla (CEO-HMRI), Murali Talasila (Partner-PWC), Sasidhar Nandigam (Hyderabad Angels), Hariharan S. Raman (Head - Business Enablement & Support, Tata Docomo), Keerthi Boddupally (PhD Candidate at University of Southern California), Krishna Sagar (Telangana State Head of BJP), Aditya Vuchi (Founder of Zippr), Ashhar Farhan (Owner at Hotfoon.com & Trustee at Lamakaan), Sam Rufus (CEO, Mxit India).

Watch more glimpses from Pioneers Hyderabad 2014 here: https://www.youtube.com/watch?v=H8yUIzfmZ80

Agenda

9.45 AM: Attendees Walk in
10.00 AM: Welcome Note : Daniel Pitcher (Pioneers Team)
10.15 AM: Anurag S Rathor (Journey of Zify.co) - https://www.linkedin.com/in/anuragrathor
10:35 AM: Karthik Venkat (eSparsha to MyDreamStore) - https://in.linkedin.com/in/karthik-venkat-85a14b22
10.55 AM: Startup pitches - Vol I (6 Startups)
12.00 PM: Rajive Dhavan (STFU - Start The F Up: For Startups and SMEs) - https://in.linkedin.com/in/rajivedhavan
12.20 PM: Funding 101 Panel Discussion
1.00 PM: Lunch & Networking

Are you a startup? Apply to pitch on stage by December 16 & get a chance to join us at Pioneers Festival for free!

Startups apply here: https://pioneers.io/piobay/login/pioneers-hyderabad-apply-to-pitch

For sponsorships and other details reach out to Harish Kotra on +91-9618035273

Inviting artists for a two Day workshop on Figure Drawing at 11am to 1pm on Sat & Sun 19, 20 Dec by eminent artist Umakanth Thumrugoti eminent Artist.

Limited seats. Candidates interested in attending should have an intermediate level drawing or painting experience - no children under the age of 15 as it involves a serious level of discourse with a live model.

For consideration of your participation, please send a sample of any one of your art works via email to: lamakaan@gmail.com

A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media.

This workshop is a compressed version of the class taught in New York at Society of Illustrators, NY. This workshop is based on the book "FIGURE IT OUT" by Umakanth Thumrugoti available at www.amazon.in

Instructor:
Umakanth Thumrugoti - Over twenty years of experience in animation, film, design and drawing, including a 15 year stint at Disney Feature Animation, Los Angeles.

Free admission. Limited seats. Candidates interested in attending should have an intermediate level drawing and/or painting experience - no children under the age of 15. For consideration, please send a sample of one of your works via email to: lamakaan@gmail.com

Material recommended:
HB or 2B charcoal pencils, newsprint pad 18X24 smooth finish, kneaded Eraser, X-Acto knife, sandpaper.

For inquiries: call 9642731329

An adaptation of Munshi Premchand’s two short stories, namely, Sadgati and Kaffan.
Adaptation and Direction: Swapan Mondal

Play :Ek Saam Premchand Ke Naam

Synopsis
The play is an amalgamation of two of Premchand’s stories, ‘Kafan’ and ‘Sadgati’. Both explore death in unlikely circumstances and play themselves out with unexpected twists and turns, all laced with the author’s humanist, equalitarian and socialist ideas. The two stories recreate the vivid reality of the Dalits, exposing pretensions and complacencies of dominant, feudal and patriarchal social forces.

The stories, that reveal the extraordinary range of Premchand’s writing, are blended together in a non-linear yet seamless narrative using ‘Burra-Katha’ - a performance art rooted in traditional storytelling, dance movement, and music in Andhra and Telangana regions.

About the author
Premchand (1880-1936) was the author of numerous short stories, novels and a play. Some of his best known works include Godan (1936), Rangabhumi (1925), Nirmala (1928), Gaban (1931) and Karmabhumi (1932). He wrote both in Hindi and Urdu.

Donor passes: Rs. 50/-(each)9440543341

Conducting a Storytelling session and later a puppet making workshop. The story telling will be on "Speedy the wicked Spider" followed by Puppet making workshop for children age group-3 to 10 years and Young mothers about how to make those puppets that are used to tell the story. Puppet making materials will be provided at the venue.
This event is organised by Sphoorthi Theatre for Educational Puppetry, Art and Craft-STEPARC.
Entry Fee-Rs 500/-
Contact: +91-9866081172 / +91-8985759361
sphoorthitheatre@gmail.com

"Phandi" a play in Hindi written by Mr. Shankar Shesh is all about legal battle for mercy killing. A person is accused for killing his father who was suffering through last stage of cancer. The play is written and presented in sequence of court scenes in comical way and finally opens up a debate with audience "does mercy killing is relevant and necessary for person who has no chance of survival?"

Date - 20th December ( Sunday ) 2015
Time - 07:30 pm ( Duration of the play is 100 minutes )
Venue - LaMakaan, Banjara Hills, Rd No - 01,
Lamakaan - An Open Cultural Space
Donor Pass - Rs. 100/-
Book your ticket (s) on in.bookmyshow.com

Cast & Crew

Actors - Krishna Shukla, Naren Yadav & Prashaant Sharma.
Design & Direction - Saurabh Gharipurikar
Lights - Ashish Meagh

For more details contact our production manager Ashish Meagh # 9494563573

Drowning in Milk Brands: Whose Choice is it Anyway?

Documentary screening and Panel Discussion
Organized by
Food Sovereignty Alliance, India

In 2015, Hyderabad saw the entry of several new dairy brands, like Amul, Nandini, Parag, Narmul, etc, selling milk at incredibly low prices. Whilst consumers in the city celebrated this apparent bonanza, unbeknown to them, at the same time, small farmers, who produce the milk, were literally pouring milk onto the roads in utter despair: Companies and Cooperatives had drastically reduced the prices at which they were purchasing milk, were paying them far below their cost of production and were turning back their milk, Whilst milk producers are being paid Rs18-20/litre of cows milk (a bottle of mineral water today costs Rs 20/litre) , they expend Rs 28-30 to produce that litre of milk.

Many consumers began to pressure small vendors who deliver their fresh milk, to reduce the price, or said they would shift to cheaper “brand” milk. Reducing the price, would once again result in vendors and small farmers being thrown out of their livelihoods.

What is the story of this cheap milk? Why are small farmers who produce the milk we drink being driven out of their livelihoods? Do brands matter? Is packet milk different from fresh milk delivered by milkmen? Why does the dairy boom in India spell the deathknell for small farmers ? There is an urgent need to understand the milk we drink, from “grass to glass”.

This panel discussion will focus on understanding the current paradox of cheap milk for consumers, whilst farmers are driven to debt, and pushed out of production. Farmers of AP and Telangana, milk vendors, dairy processors and co-producers will discuss these realities.

A documentary produced by the Food Sovereignty Alliance - “Killing Our Livelihoods: The Juggernaut of Industrial Dairy Market” will be screened.

Entry - free

Inviting all for a book release of Telugu book "Vignana Nepadhya Kathalu" by Dr Vakkalanka Venkataramana followed by a classical dance performance by disciples of Smt.Swapnasundari.

Entry-Free

'PLEASE DON"T MIND!!!'
A night of 3 comedy short plays

To give a laughter ride to the audience through satire on the social issues.

SAUTAN KE JHUMKE
Written and Directed by Surender Sahil Varma.
Cast: Akshat Ajay Sharma and Madhuban Mukherjee

PAGAL PAGAL PATA CHALA HAI
Written by- Surender Sahil Varma.
Directed By- A Sunjit Rao
Cast: Amit Sharma, Raviraj Kulkarni and Rajnish Songara

PEHCHAN KAUN
Written by Surender Sahil Varma.
Directed by Krishna Shukla
Cast: A Sunjit Rao and Surender Sahil Verma

WHEN: 8 PM, Thursday 24st December' 2015
WHERE: Lamkaan, Opposite GVK Mall, Bajara Hills.
DURATION: 60 Minutes.

Donors Pass- Rs 100/-
For details please contact- Surender (+91-8125628789)

Poster Designed By: 'Nippo Nagraj'

Let's get the spirit of Christmas right here in Lamakaan..... We are conducting a workshop for kids on Christmas paper crafts. Pick up your papers and scissors for some real fun because we are going make Christmas trees and snowflakes to decorate your houses. All are welcome. Fee:150 (inclusive of material)
Contact: Dr. B. Kumudhini -7093020256

It a story of a psychology professor who tries to experiment on his thesis on his neighbour with a unique idea by hypnotizing / inducing fear in him over phone by calling him frequently to verify and confirm whether his thesis is working and his studies / finding / discoveries to create fear factor, control hypnotize and control the desire & life of his neighbour. He explores to exploit his findings on the recipient envisaged in the thesis to entail him to oblige. During the pursuit of exercising his maneuver, he learns that he succeeds on the other psychology on the death of his neighbour.

Whether he repents for being responsible of his neighbour death or feels proud on his success of enticing someone to end his life?

See and enjoy the paranormal thriller.

DATE: 25TH DECEMBER 2915
TIME: 07:30 PM

Suhas 7893022911

It is a Talk&Discussion on Emotional Intelligence. 45 minutes of time shall be spent on letting the participants know what Emotional Intelligence is all about and the rest of the time (85 minutes) shall be spent on addressing the questions and/or queries from the participants. This Talk&Discussion is useful for all those who would like to be more acceptable to others in their personal/academic/professional/social circles, without compromising with their personal choices.

Holding a one day Crochet workshop by Sarrita Surana.
Crochet is a technique of makings patterns from wool by creating loops with crochet hook.If you are a Crochet work lover but you don't know how to make it..come n join here to learn and to create your own crochet patterns n designs and make adorable crochet earrings.The fee for the workshop is Rs.350 with material.
Duration is 3 hrs.
For registration: 9177619181 Sarrita

Samyuktha Entertainments presents
చతుర్లు - The Telugu Stand-Up comedy competition
It's a unique and only Telugu stand-up comedy competition being organised to find Telugu stand-up comedians. Competition is open for anyone and everyone who registers through sending mail to "thedddp@gmail.com" .

Competition will be held on 26th December,2015 at 5pm-7pm in Lamakaan.

Winners will get attractive cash prizes.

This time, an NRI round with Online video entries is also an attraction.

Entry- Free

Manch Theatre group presents "Pratibimb - A collection of Three hindi plays".

Pratibimb:
The world outside is a reflection of who we are within. The way we see things and react to them simply shows what we are made of inside. Pratibimb is an attempt to show, what we have become as a society, to give an insight to our thoughts, our understanding of the creation around us.

Here we want put in front of the audience things that everyone wants to ignore, issues that matter but are not convenient to confront. Issues that are eating away the essence of being human because we simply do not want to do anything about it, we do not want to understand and come to terms with the truth. Pratibimb as the name suggests is a reflection of WHO WE ARE.

Lathi ki Goonj:
"Laathi ki goonj" is a mime that revolves around Mahatma Gandhi his doctrines and teachings, which have lost their meaning in the present day society. It vividly describes how we have lost touch with our value system, and how we are continuously forgetting our roots and invading our own identity. It dramatizes in a short span the fall of our generations and how we are oblivious to the "laathi ki goonj" , which is lost and we can no longer hear it.

Kashish:
“Kashish” is love story of two lesbian lovers Sana and Vidhi. This mute play symbolically describes how difficult it is for people of a different sexual orientation to come out in the open, because our society vehemently resents and repels them. It is a small story that shows what happens when one such couple decides to break the shackles and come out of the closet. It shows their relationship, their bonding and then how the world outside reacts to it.

Asmita:
An act which not only revolves around a girl who is victimized for a heinous act, they call it “Rape”. But also, questions the whole institution on which the society works. The act shows how the victim faces problems in leading a normal life again and how the society remains indifferent about it. It talks about the repercussions of two types of crimes. One which the man who raped has committed and the other committed by the girl victim. How the whole agenda of the society changes. And how the victim finally loses the battle with the society, herself and her life!!

Kashish (Manch Original)Writer: Manika ParasherDirector: Manika Parasher, Ankur VermaCast: Saumya Agrawal, Rupa Prabhakar, Madhu, Sidhanta, TBD Asmita, Writer, Director, Actor: Shailja Chaturvedi Lathi ki goonjDirector: Prateek, ShailjaCast: Prateek, Rita, Syed, Manika, Nishant, Vivek, Sanket, Haritha, Srinivas Konda, Lenin.

For more: Srikanth 8179894428

Short film made by Rajendra Shaw (1949-2013). Rajendra Shaw was a 1975 graduate of FTII, Pune. He was a well-known documentary photographer and filmmaker who worked mostly with the social sector organisations for nearly 38 years.
Rajendra Shaw adapted the story, wrote, directed and shot the film.

Ajay Bakshi commenced his education of classical music at the age of five at the Gandharva Mahavidyalaya at Pune. Here, under the tutelage of Pt.D.K.Agashe, disciple of Pt.Vinayakbua Patwardhan firm foundations of voice control, notes, and rules governing classical music, were laid. After basic training he started training under his father and famous vocalist and Guru Pt. Vijay Bakshi he learnt various raagas and various taalas.

His school and college days were of full of memories of interschool & college prizes and participating youth festival.
After completing graduation, the delicate tunes of famous Kashmir instrument i. e. Santoor fascinated him and he started learning Santoor under the guidance of well-known Santoor player Pt. Dr. Dhananjay Daithankar, a senior deciple of Padmvibhushan Pt. Shiv Kumar Sharma and the journey is still going on.

Ajay has performed in various music festivals at different places in Maharashtra, Karnataka and Goa. He likes to play Anavaat raagas on Santoor. He has created few Gaats in different rythemic cycles and presented in concerts.

Manch Theatre group presents "Pratibimb - A collection of Three hindi plays".

Pratibimb:
The world outside is a reflection of who we are within. The way we see things and react to them simply shows what we are made of inside. Pratibimb is an attempt to show, what we have become as a society, to give an insight to our thoughts, our understanding of the creation around us.

Here we want put in front of the audience things that everyone wants to ignore, issues that matter but are not convenient to confront. Issues that are eating away the essence of being human because we simply do not want to do anything about it, we do not want to understand and come to terms with the truth. Pratibimb as the name suggests is a reflection of WHO WE ARE.

Lathi ki Goonj:
"Laathi ki goonj" is a mime that revolves around Mahatma Gandhi his doctrines and teachings, which have lost their meaning in the present day society. It vividly describes how we have lost touch with our value system, and how we are continuously forgetting our roots and invading our own identity. It dramatizes in a short span the fall of our generations and how we are oblivious to the "laathi ki goonj" , which is lost and we can no longer hear it.

Kashish:
“Kashish” is love story of two lesbian lovers Sana and Vidhi. This mute play symbolically describes how difficult it is for people of a different sexual orientation to come out in the open, because our society vehemently resents and repels them. It is a small story that shows what happens when one such couple decides to break the shackles and come out of the closet. It shows their relationship, their bonding and then how the world outside reacts to it.

Asmita:
An act which not only revolves around a girl who is victimized for a heinous act, they call it “Rape”. But also, questions the whole institution on which the society works. The act shows how the victim faces problems in leading a normal life again and how the society remains indifferent about it. It talks about the repercussions of two types of crimes. One which the man who raped has committed and the other committed by the girl victim. How the whole agenda of the society changes. And how the victim finally loses the battle with the society, herself and her life!!

Kashish (Manch Original)Writer: Manika ParasherDirector: Manika Parasher, Ankur VermaCast: Saumya Agrawal, Rupa Prabhakar, Madhu, Sidhanta, TBD Asmita, Writer, Director, Actor: Shailja Chaturvedi Lathi ki goonjDirector: Prateek, ShailjaCast: Prateek, Rita, Syed, Manika, Nishant, Vivek, Sanket, Haritha, Srinivas Konda, Lenin.

For more: Srikanth 8179894428

"The Sealed Attic"
History, and literature are witnesses, that the other, the one that is not the self, has always been misunderstood, ostracized, silenced and locked up. Whenever someone has challenged the rules by which this world works, the world has been merciless towards him or her. The eternal mad man/madwoman in the attic thus lives on, unheard, unseen and separated by the excuse of insanity from the world outside.
'The Sealed Attic' is an attempt to give voice to the madness locked away from the vision of sanity since time immemorial. We have used theatre as a device to explore the words of Shakespeare, Shelley and Dostoevsky, to traverse through this madness.
Come, explore the sealed attic with us.

For passes:9966903264