Lamakaan

Are you an artist trying to figure out how to speak about issues relating to gender that are close to your heart? Are you an activist, researcher, trainer, organiser, cultural enthusiast, college student, or simply a student of life wanting to speak in an artistic, creative way about gender, and how it intersects with caste, class, religion, ethnicity, work, leisure, dis/ability, biology, desire or much more? Or someone who wants to talk about gender in the context of the environment, economy, governance or nationalism/s? Then the Gender. Kala. Aur Hum workshops may be just the thing for you.

A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.

Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema

Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants

Medium of Instruction:
English and Hindi.

Entry Fee:
Registration required

Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm

Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.

Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.

No. of participants:
20-25 people per workshop

How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.

An effective resistance against fascism calls for a concrete understanding of this phenomenon. The current rise of fascism in different parts of the world including in India has many similarities with the fascist rise in Europe in the early 20th century. At the same time there are significant differences as well between the two fascist rise. In order to have a comprehensive understanding of the phenomenon of fascism including the aspects of continuity and change as well as the contemporary strategy of anti-fascist resistance, ‘In Defense of Reason’ has invited a special guest Abhinav Sinha, who is a Marxist theorist and editor of workers’ Newspaper Mazdoor Bigul. Abhinav will deliver his talk on Friday, 2 August, 2024 at Lamakaan. We appeal to all those who consider them to be part of anti-fascist resistance to join this important program.

Launching Kendra Sahitya Akademi Award winner Madhurantakam Narendra’s new book launch. Published by Aju Publications ‘Daayadula Thota’ Telugu novel by Narendra garu is his next big project imbibing the political, social and economical aspects of Rayalaseema, Old Telugu states and Telugu speaking people all over.

Are you an artist trying to figure out how to speak about issues relating to gender that are close to your heart? Are you an activist, researcher, trainer, organiser, cultural enthusiast, college student, or simply a student of life wanting to speak in an artistic, creative way about gender, and how it intersects with caste, class, religion, ethnicity, work, leisure, dis/ability, biology, desire or much more? Or someone who wants to talk about gender in the context of the environment, economy, governance or nationalism/s? Then the Gender. Kala. Aur Hum workshops may be just the thing for you.

A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.

Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema

Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants

Medium of Instruction:
English and Hindi.

Entry Fee:
Registration required

Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm

Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.

Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.

No. of participants:
20-25 people per workshop

How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.

A special live musical and spoken word performance by artist and music educator, Urvija Priyadarshini from Hyderabad. Moving narratives on the struggles and contemplations of being a feminist, aptly titled A Feminist in Fragments. This is its first showing in Hyderabad after its recent premiere at Kerala Museum, Kochi.

Are you an artist trying to figure out how to speak about issues relating to gender that are close to your heart? Are you an activist, researcher, trainer, organiser, cultural enthusiast, college student, or simply a student of life wanting to speak in an artistic, creative way about gender, and how it intersects with caste, class, religion, ethnicity, work, leisure, dis/ability, biology, desire or much more? Or someone who wants to talk about gender in the context of the environment, economy, governance or nationalism/s? Then the Gender. Kala. Aur Hum workshops may be just the thing for you.

A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.

Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema

Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants

Medium of Instruction:
English and Hindi.

Entry Fee:
Registration required

Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm

Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.

Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.

No. of participants:
20-25 people per workshop

How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.

Screening of the award-winning feature film, ‘Ek Jagah Apni’ by Ektara Collective, which offers a glimpse into the lives of the transgender community in the city of Bhopal. The film follows the two transwomens’ lives, as they search for a house to rent and shows the challenges they face in their daily lives.
The film has won the FFSI K. R Mohanan Certificate of Merit and an International Jury Special Mention for both the lead actors at the International Film Festival of Kerala (2022), Audience Choice Award at the SXSW Film & TV Festival (2023), HIVOS Free To Be Me Award at Roze Filmdagen, 26th Amsterdam LGBTQ+ Film Festival (2023) and the Special Jury Mention, Kashish Film Festival (2023).

The story of a film maker, A moment brimming with hope and joy twisted into the most devastating chapter of his life. A small attempt to showcase the talent of our team.


Actors: AJUN DHEV, MANPREET KAUR
Written & Directed by Sandhya Vanga.
Produced by Tarakaramarao Bollineni
DOP & DI by Charan Gnanagari
Music by Sahil Chakravarthy
Edited by Giridhar Malisetti & Sandhya Vanga
SFX & Final mixing by Tarakaramarao Bollineni

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: ROPE | 1948 | 80 Mins | USA | English Language with English Subtitles

About the film: Rope is a 1948 American psychological crime thriller film directed by Alfred Hitchcock, based on the 1929 play of the same name by Patrick Hamilton. The film was adapted by Hume Cronyn with a screenplay by Arthur Laurents.

Hitchcock and Sidney Bernstein produced the film as the first of their Transatlantic Pictures productions. Starring James Stewart, John Dall, and Farley Granger, this is the first of Hitchcock's Technicolor films and is notable for taking place in real-time and being edited to appear as four long shots through stitched-together long takes. It is the second of Hitchcock's "limited setting" films, the first being Lifeboat (1944). The original play was said to be inspired by the real-life murder of 14-year-old Bobby Franks in 1924 by University of Chicago students Nathan Leopold and Richard Loeb.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

The Centre for Development Policy and Practice will host a captivating discussion led by renowned author and literary critic Rakshanda Jalil, focusing on her book "Love in the Time of Hate." The book uses Urdu poetry to describe the changing secular landscape in India. It delves into the historical events that threatened communal harmony, from partition, or electoral politics, to communal riots, in Mumbai, Gujarat and so on, to the present moment, to recent events around Ayodhya, cow slaughter and ‘love jihad’.

A Case for Reservations for Muslims in Education and Employment. A Talk by Sujai Karampuri

What do identity-based reservations try to achieve in India? Have these reservations been successful? Is there a systematic discrimination of Muslims in post-Independent India leading to their underrepresentation? If so, what is the remedial action? How does India look at identity-based welfare schemes, policies, and preferential treatment? And what's the case for reservations for Muslims in Indian democracy?

About the speaker: Sujai Karampuri was born in Warangal, Telangana, and attended RECW and Michigan Tech. He lived in the US, Europe, and Bangalore and is now settled in Hyderabad.

He worked in the telecommunications industry in the US and Europe, ran his own technology venture in Bangalore, and worked for the Government of Telangana. He is now back to industry. He played an active role in the Telangana Movement.

This is a Hindi comedy play based on our traditional value of not wasting food.

The story revolves around a typical middle class, close knit family of four. Sharma ji, his wife Shrimati ji and his two younger Siblings. Sonu and Monu. The couple have devoted their lives to Sonu and Monu.

They love them as their own children. Shrimati ji loves cooking for her family and keeps trying to make new dishes out of leftover food. All the three Siblings, bring a lot of humour by planning how to get rid of those experimental dishes of Shrimati ji, without hurting her feelings.

All in all, this 50-minute-play will breeze you through with smiles & laughter and you will go back with a subconscious thought of - no wastage of food

"Get ready to go for gold! 🏅

With the Paris Olympics in full swing, it’s time for some mental gymnastics .

Join our Olympic Quiz and test your knowledge of the world's greatest sporting event! 🤔

From ancient Greece to modern-day marvels, we'll challenge you with questions that will put your Olympic expertise to test. 🏆

Whether you're a sports enthusiast or just love the thrill of the games, this fun quiz is for everyone! 🎉

So get ready to compete for glory! 💪

Register now and take the first step towards becoming an Olympic quiz champion! 🏅

Free registration - you can register online below or also simply walk-in

Register by clicking below-

https://forms.gle/Zz4FvbCyKpcTY1nE9

When: 10th August Saturday
Time: 3 PM
Where: Lamakaan - Hyderabad’s Open Cultural center , Banjara Hills, Hyderabad
Quizmaster : Deepak Sapra

Address and Google map location

Lamakaan – Hyderabad’s Open cultural center.

Address
Off Road 1, Near GVK Mall, Banjara Hills. Hyderabad 500034


https://goo.gl/maps/B5q3jBVgwVKbAn1DA

See you there!"

Discover the extraordinary journey of a solo creator in bringing a CG robot character to life for the short film 'Aa Mara Bhakthudu.' Join Dharma as he shares the challenges, triumphs, and innovative techniques used to blend live-action with cutting-edge animation. From writing code to bringing a CG character to life, this inspiring talk will take you behind the scenes of independent filmmaking. Whether you're a budding filmmaker, tech enthusiast, or simply curious, this event offers a unique glimpse into the world of CG animation.

Discover the art of turning fabric scraps into cherished tokens of affection at our Sustainable Rakhi Workshop.Let's dive into the world of conscious crafting, where each creation reflects our commitment to the environment.

Why Join our workshop:
By crafting sustainable rakhis for your siblings, you're not just gifting a token of love – you're also diverting waste from landfills, reducing our ecological footprint, and showcasing the power of creativity for a positive change.

Let's celebrate this Rakshabandhan with a purpose! Join us to experience the joy of crafting while contributing to a greener planet. Limited spots available! DM to register !!

A free portrait painting demonstration by Artist Lateef provides an invaluable opportunity for art enthusiasts and aspiring painters to witness his expertise in action. During this live session, Lateef will share his unique techniques, blending traditional methods with modern approaches to create lifelike portraits. Attendees will gain insight into his creative process, from the initial sketch to the final brushstroke, and have the chance to ask questions and engage with the artist directly.

All are Welcome!

Could you name a hundred things that make life wonderful?
A thousand?
A million?
Beginning with “Jalebi”, a boy’s handwritten list to cheer up his despondent mom becomes a surprisingly funny and poignant ode to humanity.

Sifar`s Hazaaron Khwaishein... takes audiences on a transcendent and tender coming-of-age journey that reminds us to pay attention to life’s smallest joys – and to each other.

** TW: This play portrays mental health issues **

THE IDEOLOGICAL GAP: ENVISIONING AN INDIA BEYOND HINDU SUPREMACY by Sasikanth Senthil

The 2024 Lok Sabha election results have been interpreted by some commentators as a moment when the polarizing discourse of hindutva was arrested or even interrupted, especially in its home ground of uttar Pradesh. Not only did Ayodhya reject the BJP but a new battle to defend the Indian Constitution seemed to spread like wildfire. In sharp contrast to 2019 when Hindutva appeared unstoppable, the 2024 elections saw a remarkable cutting through the ideological wall of Hindutva with economic issues reemerging as also certain reversals in the consolidation among Dalit-Bahujan-adivasi communities towards the BJP. While none of these present a firm victory, do they, We could ask, represent a new consciousness emerging from a10 year encounter with Hindu supremacy.

Sashikant Senthil is an Indian politician and former civil servant, currently representing Thiruvallur Parliamentary Constituency from Tamil Nadu in the 18th Lok Sabha.

All are welcome!

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: NORTH BY NORTHWEST | 1959 | 136 Mins | USA | English Language with English Subtitles

About the film: North by Northwest is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization trying to prevent him from blocking their plan to smuggle microfilm, which contains government secrets, out of the country. This is one of several Hitchcock films that feature a music score by Bernard Herrmann and an opening title sequence by graphic designer Saul Bass. It was the first to feature extended use of kinetic typography in its opening credits.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Ismat Chughtai, was a veritable tour de force of women's writing in India, a woman who was a feminist by instinct, long before it became fashionable to flash the badge of feminism.
She brought to the fore the modernity inherent in the actions of the poorest of rural Indian women as well as the stagnation in the minds of the so called urban elite.
Ruthlessly honest and deeply perceptive, she presented the truth of society and its women in the same nakedness in which she saw them. She wrote with a rare courage, truth and good humour which endear her to everyone who comes across her writings.

The performance begins with Saas (Mother-in-law), which is about a unique saas-bahu pair and adds a new dimension to this perceived notorious relationship.

The second story, is Chidi Ki Dukki (The Second Card of Clubs) which speaks volumes about how wit and attitude in a woman can be more attractive than the supposed good looks.

This sixty minute play is a dramatized performance of two short stories as vignettes. A letter penned by Sa’adat Hasan Manto on his view of Ismat as a woman is read out as a prelude.

UPRISING IN BANGLADESH
LESSONS AND INSPIRATIONS TO BE DRAWN

A DISCUSSION

In July this year, the students and youth of Bangladesh raised the banner of revolt against the authoritarian rule of Sheikh Hasina government. What started as a students’ movement against the unjust quota system in the government jobs soon turned into a mass uprising against the entire system as more and more people started joining the movement. The brutal state repression and criminalising a genuine protest only led to the increase in the intensity of the storm of protest demonstrations in that country. Scared of people’s anger, Sheikh Hasina fled the country on 5 August. However, in absence of a revolutionary party which could utilise this revolutionary situation to move towards the revolutionary overthrow of the system, the movement could only succeed in ensuring the change of the government. This is a very significant political development which will have repercussions in the entire Indian subcontinent. What are the lessons to be learnt and what are inspirations to be drawn from this movement in our neighbouring country. These are the issues we plan to discuss in our next program.

All are cordially invited!

Visit following link to register for the event. (Entry is free): https://docs.google.com/forms/d/1e5YjlGQn7XxYKui63NPiZjpoGgYrb1RfihFeiEARHfU/

SOHAM THEATRE PRESENTS

MARATHI ONE ACT PLAY

SHREE TASHI SOW
WRITTEN BY YOGESH SOMAN

DIRECTED BY SUHAS BARVE

We discuss about Role and character, relationships, situation, voice, movement, focus, tension, space, time, language, symbol, audience, mood and atmosphere.

I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being - Oscar Wilde

Experience the magic of romance with "Love In December", a Hindi play at Lamakaan. Set against the backdrop of a railway station, this captivating story intertwines love and nostalgia. Join Tina and Rahul on their journey as they embark on a love story where the railway station plays a pivotal role. Delve into the mysteries of their connection and discover why the railway station becomes the unsung hero of their tale. Don't miss this enchanting theatrical experience.

German Film Screening: When Hitler Stole Pink Rabbit
Subtitled in English

When the Nazis rose to power in Germany in 1933, the Jewish Kemper family knew they had to leave Berlin quickly. The father, a theater critic who had openly criticized the Nazis, was in immediate danger. Young Anna Kemper, played by Riva Krymalowski, had to make a tough choice during their hurried escape: she was allowed to take only one cuddly toy with her. She decided to leave her favorite pink rabbit with their housekeeper, Heimpi, who stayed behind. Anna's journey led her from Berlin to Switzerland, then to Paris, and finally to London. This uncertain and unsettled life was full of challenges and hardships, forcing Anna to constantly adapt to new situations. Director Caroline Link's film, based on Judith Kerr's autobiographical children's book, skillfully tells this touching family story. It appeals to both children and adults, addressing the themes of persecution, flight, and exile under Nazism in an age-appropriate way.

All are Welcome!

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: THE BIRDS | 1963| 119 Mins | USA | English Language with English Subtitles

About the film: The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock and released by Universal Pictures. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over a few days.

The film stars Rod Taylor and Tippi Hedren in her screen debut alongside Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright. The screenplay is by Evan Hunter, who Hitchcock told to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Goethe-Zentrum Hyderabad is celebrating its 20th anniversary in the city. To celebrate the community we have built over the years, we are inviting partners and friends of Goethe-Zentrum Hyderabad to participate in a community quilt, a public art project that will be displayed at GZH, Banjara Hills. This public art project aims to celebrate the sense of belonging to a community as individuals and also make space for diverse experiences and thoughts. Join us for a 2-hour workshop with facilitator Percy Kaki, where participants will design a patch with their story and hand it to the facilitator. It will then become part of a larger community quilt, which will be on display during our GZH@20 celebrations!

All materials and equipment will be provided.

All are welcome!

"Tremble" is a poignant documentary that delves into the brutal massacre of Adivasi people in Indravelli. Through harrowing eyewitness accounts and rigorous investigative journalism, the film uncovers the systemic oppression, government negligence, and police brutality behind this tragedy. It is a powerful examination of the enduring fight for justice and the strength of a community in the face of severe adversity.

A fun fluid art workshop with the play of colors and take back the magic you create. 🙂

Read A kitaab’s monthly meet-up for August. Join us book lovers

Ramesh Karthik Nayak, Kendra Sahithya Yuva Puraskar Awardee, going to give talk about Tribal Literature, culture and movements.

KHATARNAAK KHALA

This play revolves around the funny family members with Hyderabadi dialect and how they keep themselves busy with crazy and mad things. The protagonist Khala (elderly aunt in Urdu) is an ill-tempered but sensitive woman who is feared by everyone. It will take you on the laughter ride through the funny Nok-Jhok between the husband, wife and a servant. Beauty of the play is revealed at the last. The play maintains a fine balance between a character comedy and slapstick. Without leaning too much on either of them, the play manages to tickle the funny bones of the audience and in the process, slips in a social message as well.

Written and directed by Ali Ahmed Faisal

TRIO: The Battle Within (free entry)

A telugu shortfilm with the context of-

In Satya Yuga, good and evil existed in separate worlds. In Treta Yuga, evil invaded the realm of good. In Dwapara Yuga, they were bound by blood. But in Kali Yuga, they coexist within one person – you.

"TRIO: The Battle Within" explores the internal struggle of good and evil through the three gunas: Sattva (goodness), Rajas (passion), and Tamas (ignorance).Who decides if you are good or evil? How do we measure righteousness in today's world?

Join us for a thought-provoking journey that questions the essence of morality and human nature.
All age groups can watch.
Free entry all are invited.

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: FAMILY PLOT | 1976 | 120 Mins | USA | English Language with English Subtitles

About the film: Family Plot is a 1976 American black comedy thriller film directed by Alfred Hitchcock in his final directing role. It was based on Victor Canning's 1972 novel The Rainbird Pattern, which Ernest Lehman adapted for the screen. The film stars Karen Black, Bruce Dern, Barbara Harris, and William Devane; it was screened at the 1976 Cannes Film Festival but not entered the main competition.

The story involves two couples: a "fake" psychic and her cab-driving boyfriend and a pair of professional thieves and kidnappers. Their lives come into conflict because of a search for a missing heir. The film's title is a pun: "family plot" can refer to an area in a cemetery that one family has bought for the burial of its various relatives; in this case, it also means a dramatic plot line involving multiple family members.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Freedom Film Festival, Hyderabad
29-31 August; 3-7 pm
Curated by Amudhan RP

Jointly organised by LAMAKAAN & MARUPAKKAM

Freedom means different things to different people. In a country like India, where caste, class, gender, and religion play a vital role in ensuring freedom for all of us to live with dignity and to think independently, civil society must revisit the word freedom periodically to keep it alive and effectual.

This mini film festival is an attempt to reflect upon the various voices raised in recent times to protect freedom from being endangered.

About Amudhan: Amudhan R.P.

Born and brought up in a rural and small town background, Amudhan developed his liking for cinema by watching popular Tamil films with his mother Pushpam, a farmer, while sitting on the sand-bed in thatched and temporary cinema halls called Touring Talkies.

Cinema has always been a collective activity / place for Amudhan, in which people from different backgrounds come together and imagine multiple worlds in a given short time.

After completing his Post Graduation in Development Communication from Madurai Kamraj University and a two year stint from Centre for Development of Instructional Technology (CENDIT), New Delhi, Amudhan set up MARUPAKKAM (The Other Side, in Tamil) a media action group in Madurai with his like minded friends to produce, screen and disseminate documentary films, in 1996.

Amudhan has made around 20 films on various social, political and economical themes since then. He also founded Madurai International Documentary and Short Film Festival and Chennai International Documentary and Short Film Festival has been conducting them for over 23 years and 10 years respectively.

He also curates various thematic film festivals across India. He has been part of many film festivals in India as a member of the Selection Committee and a Final Jury on various occasions.

He has conducted Documentary Workshops at prestigious educational institutions such as the National Institute of Design (Ahmedabad), Jamia Millia Islamia (New Delhi), Central University of Hyderabad, LV Prasad Film Academy (Chennai), St Joseph’s College (Bengaluru), Loyola College (Chennai), Chetana Film Institute (Thrissur) and Sacred Heart College (Kochi).

Currently, Amudhan has been pursuing Mobile Phone Filmmaking since the COVID-19-induced lockdown, experimenting with the medium while expressing human anxieties and reaching out to nature.

As GN Saibaba visits Hyderabad after a trying period in prison, we receive him and Vasanta Kumari, who stood by him with enormous courage.

Aparna Thota and Sujatha Surepally will host the homecoming.

Freedom Film Festival, Hyderabad 29-31 August; 3-7 pm. Curated by Amudhan RP

Jointly organised by LAMAKAAN & MARUPAKKAM

Freedom means different things to different people. In a country like India, where caste, class, gender, and religion play a vital role in ensuring freedom for all of us to live with dignity and to think independently, civil society must revisit the word freedom periodically to keep it alive and effectual.

This mini film festival is an attempt to reflect upon the various voices raised in recent times to protect freedom from being endangered.

About Amudhan: Amudhan R.P.

Born and brought up in a rural and small town background, Amudhan developed his liking for cinema by watching popular Tamil films with his mother Pushpam, a farmer, while sitting on the sand-bed in thatched and temporary cinema halls called Touring Talkies.

Cinema has always been a collective activity / place for Amudhan, in which people from different backgrounds come together and imagine multiple worlds in a given short time.

After completing his Post Graduation in Development Communication from Madurai Kamraj University and a two year stint from Centre for Development of Instructional Technology (CENDIT), New Delhi, Amudhan set up MARUPAKKAM (The Other Side, in Tamil) a media action group in Madurai with his like minded friends to produce, screen and disseminate documentary films, in 1996.

Amudhan has made around 20 films on various social, political and economical themes since then. He also founded Madurai International Documentary and Short Film Festival and Chennai International Documentary and Short Film Festival has been conducting them for over 23 years and 10 years respectively.

He also curates various thematic film festivals across India. He has been part of many film festivals in India as a member of the Selection Committee and a Final Jury on various occasions.

He has conducted Documentary Workshops at prestigious educational institutions such as the National Institute of Design (Ahmedabad), Jamia Millia Islamia (New Delhi), Central University of Hyderabad, LV Prasad Film Academy (Chennai), St Joseph’s College (Bengaluru), Loyola College (Chennai), Chetana Film Institute (Thrissur) and Sacred Heart College (Kochi).

Currently, Amudhan has been pursuing Mobile Phone Filmmaking since the COVID-19-induced lockdown, experimenting with the medium while expressing human anxieties and reaching out to nature.

Being a relatively new artist in town, Ms Bithika Mistry, an Odissi exponent, seeks to build a community for and about the dance form and wishes to hold appreciation workshops to make people aware of what the dance form stands for. This event is one on a series of many such.

Carpe Diem is an idea of bringing all the poets together to exchange their perceptions and inspirations of poetry. Build a community that understands and supports eachother.

Freedom Film Festival, Hyderabad 29-31 August; 3-7 pm Curated by Amudhan RP

Jointly organised by LAMAKAAN & MARUPAKKAM

Freedom means different things to different people. In a country like India, where caste, class, gender, and religion play a vital role in ensuring freedom for all of us to live with dignity and to think independently, civil society must revisit the word freedom periodically to keep it alive and effectual.

This mini film festival is an attempt to reflect upon the various voices raised in recent times to protect freedom from being endangered.

About Amudhan: Amudhan R.P.

Born and brought up in a rural and small town background, Amudhan developed his liking for cinema by watching popular Tamil films with his mother Pushpam, a farmer, while sitting on the sand-bed in thatched and temporary cinema halls called Touring Talkies.

Cinema has always been a collective activity / place for Amudhan, in which people from different backgrounds come together and imagine multiple worlds in a given short time.

After completing his Post Graduation in Development Communication from Madurai Kamraj University and a two year stint from Centre for Development of Instructional Technology (CENDIT), New Delhi, Amudhan set up MARUPAKKAM (The Other Side, in Tamil) a media action group in Madurai with his like minded friends to produce, screen and disseminate documentary films, in 1996.

Amudhan has made around 20 films on various social, political and economical themes since then. He also founded Madurai International Documentary and Short Film Festival and Chennai International Documentary and Short Film Festival has been conducting them for over 23 years and 10 years respectively.

He also curates various thematic film festivals across India. He has been part of many film festivals in India as a member of the Selection Committee and a Final Jury on various occasions.

He has conducted Documentary Workshops at prestigious educational institutions such as the National Institute of Design (Ahmedabad), Jamia Millia Islamia (New Delhi), Central University of Hyderabad, LV Prasad Film Academy (Chennai), St Joseph’s College (Bengaluru), Loyola College (Chennai), Chetana Film Institute (Thrissur) and Sacred Heart College (Kochi).

Currently, Amudhan has been pursuing Mobile Phone Filmmaking since the COVID-19-induced lockdown, experimenting with the medium while expressing human anxieties and reaching out to nature.

Performing Classical Dance (Bharatnatyam)

Are you an artist trying to figure out how to speak about issues relating to gender that are close to your heart? Are you an activist, researcher, trainer, organiser, cultural enthusiast, college student, or simply a student of life wanting to speak in an artistic, creative way about gender, and how it intersects with caste, class, religion, ethnicity, work, leisure, dis/ability, biology, desire or much more? Or someone who wants to talk about gender in the context of the environment, economy, governance or nationalism/s? Then the Gender. Kala. Aur Hum workshops may be just the thing for you.

A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.

Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema

Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants

Medium of Instruction:
English and Hindi.

Entry Fee:
Registration required

Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm

Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.

Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.

No. of participants:
20-25 people per workshop

How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.

An effective resistance against fascism calls for a concrete understanding of this phenomenon. The current rise of fascism in different parts of the world including in India has many similarities with the fascist rise in Europe in the early 20th century. At the same time there are significant differences as well between the two fascist rise. In order to have a comprehensive understanding of the phenomenon of fascism including the aspects of continuity and change as well as the contemporary strategy of anti-fascist resistance, ‘In Defense of Reason’ has invited a special guest Abhinav Sinha, who is a Marxist theorist and editor of workers’ Newspaper Mazdoor Bigul. Abhinav will deliver his talk on Friday, 2 August, 2024 at Lamakaan. We appeal to all those who consider them to be part of anti-fascist resistance to join this important program.

Launching Kendra Sahitya Akademi Award winner Madhurantakam Narendra’s new book launch. Published by Aju Publications ‘Daayadula Thota’ Telugu novel by Narendra garu is his next big project imbibing the political, social and economical aspects of Rayalaseema, Old Telugu states and Telugu speaking people all over.

Are you an artist trying to figure out how to speak about issues relating to gender that are close to your heart? Are you an activist, researcher, trainer, organiser, cultural enthusiast, college student, or simply a student of life wanting to speak in an artistic, creative way about gender, and how it intersects with caste, class, religion, ethnicity, work, leisure, dis/ability, biology, desire or much more? Or someone who wants to talk about gender in the context of the environment, economy, governance or nationalism/s? Then the Gender. Kala. Aur Hum workshops may be just the thing for you.

A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.

Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema

Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants

Medium of Instruction:
English and Hindi.

Entry Fee:
Registration required

Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm

Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.

Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.

No. of participants:
20-25 people per workshop

How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.

A special live musical and spoken word performance by artist and music educator, Urvija Priyadarshini from Hyderabad. Moving narratives on the struggles and contemplations of being a feminist, aptly titled A Feminist in Fragments. This is its first showing in Hyderabad after its recent premiere at Kerala Museum, Kochi.

Are you an artist trying to figure out how to speak about issues relating to gender that are close to your heart? Are you an activist, researcher, trainer, organiser, cultural enthusiast, college student, or simply a student of life wanting to speak in an artistic, creative way about gender, and how it intersects with caste, class, religion, ethnicity, work, leisure, dis/ability, biology, desire or much more? Or someone who wants to talk about gender in the context of the environment, economy, governance or nationalism/s? Then the Gender. Kala. Aur Hum workshops may be just the thing for you.

A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.

Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema

Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants

Medium of Instruction:
English and Hindi.

Entry Fee:
Registration required

Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm

Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.

Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.

No. of participants:
20-25 people per workshop

How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.

Screening of the award-winning feature film, ‘Ek Jagah Apni’ by Ektara Collective, which offers a glimpse into the lives of the transgender community in the city of Bhopal. The film follows the two transwomens’ lives, as they search for a house to rent and shows the challenges they face in their daily lives.
The film has won the FFSI K. R Mohanan Certificate of Merit and an International Jury Special Mention for both the lead actors at the International Film Festival of Kerala (2022), Audience Choice Award at the SXSW Film & TV Festival (2023), HIVOS Free To Be Me Award at Roze Filmdagen, 26th Amsterdam LGBTQ+ Film Festival (2023) and the Special Jury Mention, Kashish Film Festival (2023).

The story of a film maker, A moment brimming with hope and joy twisted into the most devastating chapter of his life. A small attempt to showcase the talent of our team.


Actors: AJUN DHEV, MANPREET KAUR
Written & Directed by Sandhya Vanga.
Produced by Tarakaramarao Bollineni
DOP & DI by Charan Gnanagari
Music by Sahil Chakravarthy
Edited by Giridhar Malisetti & Sandhya Vanga
SFX & Final mixing by Tarakaramarao Bollineni

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: ROPE | 1948 | 80 Mins | USA | English Language with English Subtitles

About the film: Rope is a 1948 American psychological crime thriller film directed by Alfred Hitchcock, based on the 1929 play of the same name by Patrick Hamilton. The film was adapted by Hume Cronyn with a screenplay by Arthur Laurents.

Hitchcock and Sidney Bernstein produced the film as the first of their Transatlantic Pictures productions. Starring James Stewart, John Dall, and Farley Granger, this is the first of Hitchcock's Technicolor films and is notable for taking place in real-time and being edited to appear as four long shots through stitched-together long takes. It is the second of Hitchcock's "limited setting" films, the first being Lifeboat (1944). The original play was said to be inspired by the real-life murder of 14-year-old Bobby Franks in 1924 by University of Chicago students Nathan Leopold and Richard Loeb.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

The Centre for Development Policy and Practice will host a captivating discussion led by renowned author and literary critic Rakshanda Jalil, focusing on her book "Love in the Time of Hate." The book uses Urdu poetry to describe the changing secular landscape in India. It delves into the historical events that threatened communal harmony, from partition, or electoral politics, to communal riots, in Mumbai, Gujarat and so on, to the present moment, to recent events around Ayodhya, cow slaughter and ‘love jihad’.

A Case for Reservations for Muslims in Education and Employment. A Talk by Sujai Karampuri

What do identity-based reservations try to achieve in India? Have these reservations been successful? Is there a systematic discrimination of Muslims in post-Independent India leading to their underrepresentation? If so, what is the remedial action? How does India look at identity-based welfare schemes, policies, and preferential treatment? And what's the case for reservations for Muslims in Indian democracy?

About the speaker: Sujai Karampuri was born in Warangal, Telangana, and attended RECW and Michigan Tech. He lived in the US, Europe, and Bangalore and is now settled in Hyderabad.

He worked in the telecommunications industry in the US and Europe, ran his own technology venture in Bangalore, and worked for the Government of Telangana. He is now back to industry. He played an active role in the Telangana Movement.

This is a Hindi comedy play based on our traditional value of not wasting food.

The story revolves around a typical middle class, close knit family of four. Sharma ji, his wife Shrimati ji and his two younger Siblings. Sonu and Monu. The couple have devoted their lives to Sonu and Monu.

They love them as their own children. Shrimati ji loves cooking for her family and keeps trying to make new dishes out of leftover food. All the three Siblings, bring a lot of humour by planning how to get rid of those experimental dishes of Shrimati ji, without hurting her feelings.

All in all, this 50-minute-play will breeze you through with smiles & laughter and you will go back with a subconscious thought of - no wastage of food

"Get ready to go for gold! 🏅

With the Paris Olympics in full swing, it’s time for some mental gymnastics .

Join our Olympic Quiz and test your knowledge of the world's greatest sporting event! 🤔

From ancient Greece to modern-day marvels, we'll challenge you with questions that will put your Olympic expertise to test. 🏆

Whether you're a sports enthusiast or just love the thrill of the games, this fun quiz is for everyone! 🎉

So get ready to compete for glory! 💪

Register now and take the first step towards becoming an Olympic quiz champion! 🏅

Free registration - you can register online below or also simply walk-in

Register by clicking below-

https://forms.gle/Zz4FvbCyKpcTY1nE9

When: 10th August Saturday
Time: 3 PM
Where: Lamakaan - Hyderabad’s Open Cultural center , Banjara Hills, Hyderabad
Quizmaster : Deepak Sapra

Address and Google map location

Lamakaan – Hyderabad’s Open cultural center.

Address
Off Road 1, Near GVK Mall, Banjara Hills. Hyderabad 500034


https://goo.gl/maps/B5q3jBVgwVKbAn1DA

See you there!"

Discover the extraordinary journey of a solo creator in bringing a CG robot character to life for the short film 'Aa Mara Bhakthudu.' Join Dharma as he shares the challenges, triumphs, and innovative techniques used to blend live-action with cutting-edge animation. From writing code to bringing a CG character to life, this inspiring talk will take you behind the scenes of independent filmmaking. Whether you're a budding filmmaker, tech enthusiast, or simply curious, this event offers a unique glimpse into the world of CG animation.

Discover the art of turning fabric scraps into cherished tokens of affection at our Sustainable Rakhi Workshop.Let's dive into the world of conscious crafting, where each creation reflects our commitment to the environment.

Why Join our workshop:
By crafting sustainable rakhis for your siblings, you're not just gifting a token of love – you're also diverting waste from landfills, reducing our ecological footprint, and showcasing the power of creativity for a positive change.

Let's celebrate this Rakshabandhan with a purpose! Join us to experience the joy of crafting while contributing to a greener planet. Limited spots available! DM to register !!

A free portrait painting demonstration by Artist Lateef provides an invaluable opportunity for art enthusiasts and aspiring painters to witness his expertise in action. During this live session, Lateef will share his unique techniques, blending traditional methods with modern approaches to create lifelike portraits. Attendees will gain insight into his creative process, from the initial sketch to the final brushstroke, and have the chance to ask questions and engage with the artist directly.

All are Welcome!

Could you name a hundred things that make life wonderful?
A thousand?
A million?
Beginning with “Jalebi”, a boy’s handwritten list to cheer up his despondent mom becomes a surprisingly funny and poignant ode to humanity.

Sifar`s Hazaaron Khwaishein... takes audiences on a transcendent and tender coming-of-age journey that reminds us to pay attention to life’s smallest joys – and to each other.

** TW: This play portrays mental health issues **

THE IDEOLOGICAL GAP: ENVISIONING AN INDIA BEYOND HINDU SUPREMACY by Sasikanth Senthil

The 2024 Lok Sabha election results have been interpreted by some commentators as a moment when the polarizing discourse of hindutva was arrested or even interrupted, especially in its home ground of uttar Pradesh. Not only did Ayodhya reject the BJP but a new battle to defend the Indian Constitution seemed to spread like wildfire. In sharp contrast to 2019 when Hindutva appeared unstoppable, the 2024 elections saw a remarkable cutting through the ideological wall of Hindutva with economic issues reemerging as also certain reversals in the consolidation among Dalit-Bahujan-adivasi communities towards the BJP. While none of these present a firm victory, do they, We could ask, represent a new consciousness emerging from a10 year encounter with Hindu supremacy.

Sashikant Senthil is an Indian politician and former civil servant, currently representing Thiruvallur Parliamentary Constituency from Tamil Nadu in the 18th Lok Sabha.

All are welcome!

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: NORTH BY NORTHWEST | 1959 | 136 Mins | USA | English Language with English Subtitles

About the film: North by Northwest is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization trying to prevent him from blocking their plan to smuggle microfilm, which contains government secrets, out of the country. This is one of several Hitchcock films that feature a music score by Bernard Herrmann and an opening title sequence by graphic designer Saul Bass. It was the first to feature extended use of kinetic typography in its opening credits.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Ismat Chughtai, was a veritable tour de force of women's writing in India, a woman who was a feminist by instinct, long before it became fashionable to flash the badge of feminism.
She brought to the fore the modernity inherent in the actions of the poorest of rural Indian women as well as the stagnation in the minds of the so called urban elite.
Ruthlessly honest and deeply perceptive, she presented the truth of society and its women in the same nakedness in which she saw them. She wrote with a rare courage, truth and good humour which endear her to everyone who comes across her writings.

The performance begins with Saas (Mother-in-law), which is about a unique saas-bahu pair and adds a new dimension to this perceived notorious relationship.

The second story, is Chidi Ki Dukki (The Second Card of Clubs) which speaks volumes about how wit and attitude in a woman can be more attractive than the supposed good looks.

This sixty minute play is a dramatized performance of two short stories as vignettes. A letter penned by Sa’adat Hasan Manto on his view of Ismat as a woman is read out as a prelude.

UPRISING IN BANGLADESH
LESSONS AND INSPIRATIONS TO BE DRAWN

A DISCUSSION

In July this year, the students and youth of Bangladesh raised the banner of revolt against the authoritarian rule of Sheikh Hasina government. What started as a students’ movement against the unjust quota system in the government jobs soon turned into a mass uprising against the entire system as more and more people started joining the movement. The brutal state repression and criminalising a genuine protest only led to the increase in the intensity of the storm of protest demonstrations in that country. Scared of people’s anger, Sheikh Hasina fled the country on 5 August. However, in absence of a revolutionary party which could utilise this revolutionary situation to move towards the revolutionary overthrow of the system, the movement could only succeed in ensuring the change of the government. This is a very significant political development which will have repercussions in the entire Indian subcontinent. What are the lessons to be learnt and what are inspirations to be drawn from this movement in our neighbouring country. These are the issues we plan to discuss in our next program.

All are cordially invited!

Visit following link to register for the event. (Entry is free): https://docs.google.com/forms/d/1e5YjlGQn7XxYKui63NPiZjpoGgYrb1RfihFeiEARHfU/

SOHAM THEATRE PRESENTS

MARATHI ONE ACT PLAY

SHREE TASHI SOW
WRITTEN BY YOGESH SOMAN

DIRECTED BY SUHAS BARVE

We discuss about Role and character, relationships, situation, voice, movement, focus, tension, space, time, language, symbol, audience, mood and atmosphere.

I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being - Oscar Wilde

Experience the magic of romance with "Love In December", a Hindi play at Lamakaan. Set against the backdrop of a railway station, this captivating story intertwines love and nostalgia. Join Tina and Rahul on their journey as they embark on a love story where the railway station plays a pivotal role. Delve into the mysteries of their connection and discover why the railway station becomes the unsung hero of their tale. Don't miss this enchanting theatrical experience.

German Film Screening: When Hitler Stole Pink Rabbit
Subtitled in English

When the Nazis rose to power in Germany in 1933, the Jewish Kemper family knew they had to leave Berlin quickly. The father, a theater critic who had openly criticized the Nazis, was in immediate danger. Young Anna Kemper, played by Riva Krymalowski, had to make a tough choice during their hurried escape: she was allowed to take only one cuddly toy with her. She decided to leave her favorite pink rabbit with their housekeeper, Heimpi, who stayed behind. Anna's journey led her from Berlin to Switzerland, then to Paris, and finally to London. This uncertain and unsettled life was full of challenges and hardships, forcing Anna to constantly adapt to new situations. Director Caroline Link's film, based on Judith Kerr's autobiographical children's book, skillfully tells this touching family story. It appeals to both children and adults, addressing the themes of persecution, flight, and exile under Nazism in an age-appropriate way.

All are Welcome!

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: THE BIRDS | 1963| 119 Mins | USA | English Language with English Subtitles

About the film: The Birds is a 1963 American natural horror-thriller film produced and directed by Alfred Hitchcock and released by Universal Pictures. Loosely based on the 1952 short story of the same name by Daphne du Maurier, it focuses on a series of sudden and unexplained violent bird attacks on the people of Bodega Bay, California, over a few days.

The film stars Rod Taylor and Tippi Hedren in her screen debut alongside Jessica Tandy, Suzanne Pleshette, and Veronica Cartwright. The screenplay is by Evan Hunter, who Hitchcock told to develop new characters and a more elaborate plot while keeping du Maurier's title and concept of unexplained bird attacks.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Goethe-Zentrum Hyderabad is celebrating its 20th anniversary in the city. To celebrate the community we have built over the years, we are inviting partners and friends of Goethe-Zentrum Hyderabad to participate in a community quilt, a public art project that will be displayed at GZH, Banjara Hills. This public art project aims to celebrate the sense of belonging to a community as individuals and also make space for diverse experiences and thoughts. Join us for a 2-hour workshop with facilitator Percy Kaki, where participants will design a patch with their story and hand it to the facilitator. It will then become part of a larger community quilt, which will be on display during our GZH@20 celebrations!

All materials and equipment will be provided.

All are welcome!

"Tremble" is a poignant documentary that delves into the brutal massacre of Adivasi people in Indravelli. Through harrowing eyewitness accounts and rigorous investigative journalism, the film uncovers the systemic oppression, government negligence, and police brutality behind this tragedy. It is a powerful examination of the enduring fight for justice and the strength of a community in the face of severe adversity.

A fun fluid art workshop with the play of colors and take back the magic you create. 🙂

Read A kitaab’s monthly meet-up for August. Join us book lovers

Ramesh Karthik Nayak, Kendra Sahithya Yuva Puraskar Awardee, going to give talk about Tribal Literature, culture and movements.

KHATARNAAK KHALA

This play revolves around the funny family members with Hyderabadi dialect and how they keep themselves busy with crazy and mad things. The protagonist Khala (elderly aunt in Urdu) is an ill-tempered but sensitive woman who is feared by everyone. It will take you on the laughter ride through the funny Nok-Jhok between the husband, wife and a servant. Beauty of the play is revealed at the last. The play maintains a fine balance between a character comedy and slapstick. Without leaning too much on either of them, the play manages to tickle the funny bones of the audience and in the process, slips in a social message as well.

Written and directed by Ali Ahmed Faisal

TRIO: The Battle Within (free entry)

A telugu shortfilm with the context of-

In Satya Yuga, good and evil existed in separate worlds. In Treta Yuga, evil invaded the realm of good. In Dwapara Yuga, they were bound by blood. But in Kali Yuga, they coexist within one person – you.

"TRIO: The Battle Within" explores the internal struggle of good and evil through the three gunas: Sattva (goodness), Rajas (passion), and Tamas (ignorance).Who decides if you are good or evil? How do we measure righteousness in today's world?

Join us for a thought-provoking journey that questions the essence of morality and human nature.
All age groups can watch.
Free entry all are invited.

August brings one of the most iconic masters of suspense, thriller, and psychological cinema, Alfred Hitchcock.

Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.

Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.

His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.

Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.

A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.

Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.

Film Title: FAMILY PLOT | 1976 | 120 Mins | USA | English Language with English Subtitles

About the film: Family Plot is a 1976 American black comedy thriller film directed by Alfred Hitchcock in his final directing role. It was based on Victor Canning's 1972 novel The Rainbird Pattern, which Ernest Lehman adapted for the screen. The film stars Karen Black, Bruce Dern, Barbara Harris, and William Devane; it was screened at the 1976 Cannes Film Festival but not entered the main competition.

The story involves two couples: a "fake" psychic and her cab-driving boyfriend and a pair of professional thieves and kidnappers. Their lives come into conflict because of a search for a missing heir. The film's title is a pun: "family plot" can refer to an area in a cemetery that one family has bought for the burial of its various relatives; in this case, it also means a dramatic plot line involving multiple family members.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Freedom Film Festival, Hyderabad
29-31 August; 3-7 pm
Curated by Amudhan RP

Jointly organised by LAMAKAAN & MARUPAKKAM

Freedom means different things to different people. In a country like India, where caste, class, gender, and religion play a vital role in ensuring freedom for all of us to live with dignity and to think independently, civil society must revisit the word freedom periodically to keep it alive and effectual.

This mini film festival is an attempt to reflect upon the various voices raised in recent times to protect freedom from being endangered.

About Amudhan: Amudhan R.P.

Born and brought up in a rural and small town background, Amudhan developed his liking for cinema by watching popular Tamil films with his mother Pushpam, a farmer, while sitting on the sand-bed in thatched and temporary cinema halls called Touring Talkies.

Cinema has always been a collective activity / place for Amudhan, in which people from different backgrounds come together and imagine multiple worlds in a given short time.

After completing his Post Graduation in Development Communication from Madurai Kamraj University and a two year stint from Centre for Development of Instructional Technology (CENDIT), New Delhi, Amudhan set up MARUPAKKAM (The Other Side, in Tamil) a media action group in Madurai with his like minded friends to produce, screen and disseminate documentary films, in 1996.

Amudhan has made around 20 films on various social, political and economical themes since then. He also founded Madurai International Documentary and Short Film Festival and Chennai International Documentary and Short Film Festival has been conducting them for over 23 years and 10 years respectively.

He also curates various thematic film festivals across India. He has been part of many film festivals in India as a member of the Selection Committee and a Final Jury on various occasions.

He has conducted Documentary Workshops at prestigious educational institutions such as the National Institute of Design (Ahmedabad), Jamia Millia Islamia (New Delhi), Central University of Hyderabad, LV Prasad Film Academy (Chennai), St Joseph’s College (Bengaluru), Loyola College (Chennai), Chetana Film Institute (Thrissur) and Sacred Heart College (Kochi).

Currently, Amudhan has been pursuing Mobile Phone Filmmaking since the COVID-19-induced lockdown, experimenting with the medium while expressing human anxieties and reaching out to nature.

As GN Saibaba visits Hyderabad after a trying period in prison, we receive him and Vasanta Kumari, who stood by him with enormous courage.

Aparna Thota and Sujatha Surepally will host the homecoming.

Freedom Film Festival, Hyderabad 29-31 August; 3-7 pm. Curated by Amudhan RP

Jointly organised by LAMAKAAN & MARUPAKKAM

Freedom means different things to different people. In a country like India, where caste, class, gender, and religion play a vital role in ensuring freedom for all of us to live with dignity and to think independently, civil society must revisit the word freedom periodically to keep it alive and effectual.

This mini film festival is an attempt to reflect upon the various voices raised in recent times to protect freedom from being endangered.

About Amudhan: Amudhan R.P.

Born and brought up in a rural and small town background, Amudhan developed his liking for cinema by watching popular Tamil films with his mother Pushpam, a farmer, while sitting on the sand-bed in thatched and temporary cinema halls called Touring Talkies.

Cinema has always been a collective activity / place for Amudhan, in which people from different backgrounds come together and imagine multiple worlds in a given short time.

After completing his Post Graduation in Development Communication from Madurai Kamraj University and a two year stint from Centre for Development of Instructional Technology (CENDIT), New Delhi, Amudhan set up MARUPAKKAM (The Other Side, in Tamil) a media action group in Madurai with his like minded friends to produce, screen and disseminate documentary films, in 1996.

Amudhan has made around 20 films on various social, political and economical themes since then. He also founded Madurai International Documentary and Short Film Festival and Chennai International Documentary and Short Film Festival has been conducting them for over 23 years and 10 years respectively.

He also curates various thematic film festivals across India. He has been part of many film festivals in India as a member of the Selection Committee and a Final Jury on various occasions.

He has conducted Documentary Workshops at prestigious educational institutions such as the National Institute of Design (Ahmedabad), Jamia Millia Islamia (New Delhi), Central University of Hyderabad, LV Prasad Film Academy (Chennai), St Joseph’s College (Bengaluru), Loyola College (Chennai), Chetana Film Institute (Thrissur) and Sacred Heart College (Kochi).

Currently, Amudhan has been pursuing Mobile Phone Filmmaking since the COVID-19-induced lockdown, experimenting with the medium while expressing human anxieties and reaching out to nature.

Being a relatively new artist in town, Ms Bithika Mistry, an Odissi exponent, seeks to build a community for and about the dance form and wishes to hold appreciation workshops to make people aware of what the dance form stands for. This event is one on a series of many such.

Carpe Diem is an idea of bringing all the poets together to exchange their perceptions and inspirations of poetry. Build a community that understands and supports eachother.

Freedom Film Festival, Hyderabad 29-31 August; 3-7 pm Curated by Amudhan RP

Jointly organised by LAMAKAAN & MARUPAKKAM

Freedom means different things to different people. In a country like India, where caste, class, gender, and religion play a vital role in ensuring freedom for all of us to live with dignity and to think independently, civil society must revisit the word freedom periodically to keep it alive and effectual.

This mini film festival is an attempt to reflect upon the various voices raised in recent times to protect freedom from being endangered.

About Amudhan: Amudhan R.P.

Born and brought up in a rural and small town background, Amudhan developed his liking for cinema by watching popular Tamil films with his mother Pushpam, a farmer, while sitting on the sand-bed in thatched and temporary cinema halls called Touring Talkies.

Cinema has always been a collective activity / place for Amudhan, in which people from different backgrounds come together and imagine multiple worlds in a given short time.

After completing his Post Graduation in Development Communication from Madurai Kamraj University and a two year stint from Centre for Development of Instructional Technology (CENDIT), New Delhi, Amudhan set up MARUPAKKAM (The Other Side, in Tamil) a media action group in Madurai with his like minded friends to produce, screen and disseminate documentary films, in 1996.

Amudhan has made around 20 films on various social, political and economical themes since then. He also founded Madurai International Documentary and Short Film Festival and Chennai International Documentary and Short Film Festival has been conducting them for over 23 years and 10 years respectively.

He also curates various thematic film festivals across India. He has been part of many film festivals in India as a member of the Selection Committee and a Final Jury on various occasions.

He has conducted Documentary Workshops at prestigious educational institutions such as the National Institute of Design (Ahmedabad), Jamia Millia Islamia (New Delhi), Central University of Hyderabad, LV Prasad Film Academy (Chennai), St Joseph’s College (Bengaluru), Loyola College (Chennai), Chetana Film Institute (Thrissur) and Sacred Heart College (Kochi).

Currently, Amudhan has been pursuing Mobile Phone Filmmaking since the COVID-19-induced lockdown, experimenting with the medium while expressing human anxieties and reaching out to nature.