Writer - Yogesh Soman
Design & Direction - Sauraabh Gharipurikar
Assitant Directior - Dilip Salgarkar
Lights - Nitin Basrur
Music - Sharayu Satarkar
Date - 21st Jyly ( Sunday ) 2024
Time - 08:00 pm to 09:00 pm
Venue - Lamakaan, Banjara Hills, Rd No 01.
Donor Pass - 200/-
Online booking on in.bookmyshow.com
Fore more details contact 7731903115
Into the Beat is a beautiful film directed by Stefan Westerwellea, where teen ballerina Katya, played by Alexandra Pfeifer, discovers hip-hop by chance and is faced with an impossible choice: Does she follow her parents’ footsteps... or her newfound passion?
For Hamburg ballet student Katya, the hard training for a scholarship at the New York Ballet Academy is almost a matter of course, as she is the daughter of Victor Orlow, a celebrated ballet dancer who, after the death of his wife, is now looking after Katya and her younger brother Paul on her own. There are only three weeks left until the exam under the merciless regime of the dance teacher. One day, however, Katya discovers a factory hall on her way where people are dancing - albeit to completely different sounds and with impetuous acrobatic movements. She immerses herself in this young, wild hip-hop dance scene, feels free, is recognized and meets the dancer Marlon, played by Yalany Marschner. But the more she feels that this is her form of expression, the more she comes into a conflict of conscience with her beloved father, who can no longer dance since an accident on stage. The daughter, however, feels obliged to continue the ballet tradition in the family. Katya has to make a decision.
About the Stanley Kubrick: Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, and photographer. Widely considered one of the greatest filmmakers of all time, his films were nearly all adaptations of novels or short stories, spanning a number of genres and gaining recognition for their intense attention to detail, innovative cinematography, extensive set design, and dark humor.
Born and raised in New York City, Kubrick was an average school student but displayed a keen interest in literature, photography, and film from a young age; he began to teach himself all aspects of film producing and directing after graduating from high school. After working as a photographer for Look magazine in the late 1940s and early 1950s, he began making low-budget short films and made his first major Hollywood film, The Killing, for United Artists in 1956. This was followed by two collaborations with Kirk Douglas: the anti-war film Paths of Glory (1957) and the historical epic film Spartacus (1960).
In 1961, Kubrick left the United States due to concerns about crime in the country, as well as a growing dislike for how Hollywood operated and creative differences with Douglas and the film studios; he settled in England, where he would leave only a handful of times for the rest of his life.
Film Title: FULL METAL JACKET | 1987 | 116 Mins | UK & USA | English Language with English Subtitles
About the film: Full Metal Jacket is a 1987 war film directed and produced by Stanley Kubrick, from a screenplay he co-wrote with Michael Herr and Gustav Hasford. The film is based on Hasford's 1979 autobiographical novel The Short-Timers. It stars Matthew Modine, R. Lee Ermey, Vincent D'Onofrio, Adam Baldwin, Dorian Harewood, and Arliss Howard.
The storyline follows a platoon of U.S. Marines through their boot camp training at Marine Corps Recruit Depot Parris Island, South Carolina. The first half of the film focuses primarily on privates J.T. Davis and Leonard Lawrence, nicknamed "Joker" and "Pyle," who struggle under their abusive drill instructor, Gunnery Sergeant Hartman. The second half portrays the experiences of Joker and other Marines in the Vietnamese cities of Da Nang and Huế during the Tet Offensive of the Vietnam War. The film's title refers to the full metal jacket bullet used by military servicemen.
Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!
We will explore the intriguing novel "Murder of a Master Chef" by Mr. Aalok Wadhwa, a seasoned professional with decades of experience in FMCG, online and social media content, publishing, and retail, and an alumnus of St. Stephen's College and IIM-B. The book explores the dramatic world of Vikram Malhotra, a Michelin Star MasterChef despised for his flamboyant callousness, whose sudden death stirs up suspense.
1. Understand the requirements
a. Technicalities
b. Legalities
2. Negotiating the finances
3. Sign the agreements
4. Hidden facts (can I sell my movie for multiple OTT platforms at a time)
Lamakaan trust Hyderabad in association with Shabkhoon, Allahabad is delighted to present a day long commemoration of the great Urdu critic, editor, novelist and poet Shamsur Rahman Faruqi
date: 27th July, at Lamakaan, Hyderabad
Professor Ahmed Mahfooz will speak on Shamsur Rahman Faruqi ki Nazariyati Tanqeed
Mahmood Farooqui will discuss his criticism via 2 English papers by Shamsur Raman Faruqi Conventions of Love and Love of Conventions: Urdu Love Poetry in the 18th century
Shamsur Rahman Faruqi and fiction in Urdu and India
Baran Faruqi will read out excerpts from his cult classic novel Kai Chand The Sar e Aasman and his collection of stories Sawar, and discuss the makings of his fiction
Shamsur Rahman Faruqi and the recovery of Mir and classical Urdu poetics
Professor Mahfooz will speak of his work on Mir
Mahmood farooqui will read out excepts from his magnum opus She Sher e Shor Angez
Shamsur Rahman Faruqi and the recovery of Dastans and Dastangoi
Mahmood Farooqui will speak about his 5 volume study of the Dastan e Amir hamza and how Dastangoi came to be revived
Performance of Dastan-e Mir by Mahmood Farooqui
Date: 27th July 2024
Time: 3pm to 5pm
Last date to register: 21st July, 2024
DM on whatsApp: 6290176108 or
Instagram: minion.crafts
1. Chandrayan - 3
2. Pranaya Tasmaye Namaha
Date - 28th July ( Sunday ) 2024
Time - 07:30 pm onwards
Venue - Lamakaan, Banjara Hills, Rd No. 01
Donor Pass - 200/- ( contact 7721903115 )
Online Booking on in.bookmyshow.com
About the Stanley Kubrick: Stanley Kubrick (/ˈkuːbrɪk/; July 26, 1928 – March 7, 1999) was an American film director, screenwriter, producer, and photographer. Widely considered one of the greatest filmmakers of all time, his films were nearly all adaptations of novels or short stories, spanning a number of genres and gaining recognition for their intense attention to detail, innovative cinematography, extensive set design, and dark humor.
Born and raised in New York City, Kubrick was an average school student but displayed a keen interest in literature, photography, and film from a young age; he began to teach himself all aspects of film producing and directing after graduating from high school. After working as a photographer for Look magazine in the late 1940s and early 1950s, he began making low-budget short films and made his first major Hollywood film, The Killing, for United Artists in 1956. This was followed by two collaborations with Kirk Douglas: the anti-war film Paths of Glory (1957) and the historical epic film Spartacus (1960).
In 1961, Kubrick left the United States due to concerns about crime in the country, as well as a growing dislike for how Hollywood operated and creative differences with Douglas and the film studios; he settled in England, which he would leave only a handful of times for the rest of his life.
Film Title: A CLOCKWORK ORANGE | 1971 | 136 Mins | UK & USA | English Language with English Subtitles
About the film: A Clockwork Orange is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's 1962 novel. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain.
Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!
At this launch event, we will unveil the foundational principles that guide the NSA, reflecting our dedication to channeling the immense potential of India's student population towards creating meaningful change. Attendees will have the opportunity to hear from inspiring student leaders who have been instrumental in the formation of this party. These leaders will share their vision for a more prosperous, just, and equitable society, and discuss how the NSA plans to shape the nation's political strategies for the next five decades.
The event will feature interactive sessions providing a platform for dialogue and collaboration. Attendees will learn about the NSA's mission to ground political decisions in a deep understanding of the needs, aspirations, and perspectives of both the youth and the wider population. By placing students at the forefront, the NSA aims to infuse fresh ideas and innovative solutions into India's political discourse.
This launch event is not just a declaration of the NSA's commitment to the betterment of the country, but also an invitation for support and active participation. We believe that the youth have the power to drive positive change, and together, we can lay the foundation for a brighter and more prosperous India.
Be part of this historic event and witness the beginning of a transformative journey. Support the NSA as we work towards building an inclusive, diverse, and dynamic future for all Indians.
A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.
Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema
Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants
Medium of Instruction:
English and Hindi.
Entry Fee:
Registration required
Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm
Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.
Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.
No. of participants:
20-25 people per workshop
How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.
A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.
Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema
Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants
Medium of Instruction:
English and Hindi.
Entry Fee:
Registration required
Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm
Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.
Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.
No. of participants:
20-25 people per workshop
How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.
A series of three art appreciation workshops, each with a specific artform as its focus through which they will look at issues of gendered lives and living. The workshops will deconstruct various artworks to understand how they address diverse concerns and issues, and help you think through how you may want to use these or other artforms to express yourself.
Details of workshops:
2nd August - Gender and Digital Performance: When technology becomes part of the performance
3rd August - Gender and Mixed Media Art: When anything becomes a medium to create art
4th August - Gender and Film: When we go beyond the tropes of popular cinema
Objectives of the workshop series:
1. Review contemporary Indian feminist artworks together
2. Discover some global feminist art and artists
3. Explore the intersections of political art around gender
4. Discuss creative ideas of participants
Medium of Instruction:
English and Hindi.
Entry Fee:
Registration required
Workshop timings:
2 August - 2:30 pm to 6:30 pm
3 August - 2:30 pm to 6:30 pm
4 August - 12 pm to 6:30 pm
Resource Team:
The workshops will be conducted by members of reFrame, a Delhi based initiative that produces, mentors and disseminates artistic efforts that respond to contemporary social and political challenges.
Vani Subramanian, feminist activist, documentary filmmaker and mixed media artist.
Tulika Srivastava, documentary film commissioner, mentor and programmer.
Ridhima Mehra, feminist documentary film commissioner, mentor and programmer.
Neeharika Sreedhar, researcher and designer.
Participants:
The workshops are open to all who may or may not see themselves as artists, but are interested in creating and using art for social change. Participants could include students, art enthusiasts, those involved in social movements, political/cultural organisations and societies. Those with a basic understanding of gender and its intersectionalities will be given preference.
No. of participants:
20-25 people per workshop
How to apply:
1. Complete and submit the form here - www.reframeonline.net/gkh-lamakaan
2. Last date for applications is 20th July 2024.
3. Participants are free to register for one, two or three workshops.
The film has won the FFSI K. R Mohanan Certificate of Merit and an International Jury Special Mention for both the lead actors at the International Film Festival of Kerala (2022), Audience Choice Award at the SXSW Film & TV Festival (2023), HIVOS Free To Be Me Award at Roze Filmdagen, 26th Amsterdam LGBTQ+ Film Festival (2023) and the Special Jury Mention, Kashish Film Festival (2023).
Actors: AJUN DHEV, MANPREET KAUR
Written & Directed by Sandhya Vanga.
Produced by Tarakaramarao Bollineni
DOP & DI by Charan Gnanagari
Music by Sahil Chakravarthy
Edited by Giridhar Malisetti & Sandhya Vanga
SFX & Final mixing by Tarakaramarao Bollineni
Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.
Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.
His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.
Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.
A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.
Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.
Film Title: ROPE | 1948 | 80 Mins | USA | English Language with English Subtitles
About the film: Rope is a 1948 American psychological crime thriller film directed by Alfred Hitchcock, based on the 1929 play of the same name by Patrick Hamilton. The film was adapted by Hume Cronyn with a screenplay by Arthur Laurents.
Hitchcock and Sidney Bernstein produced the film as the first of their Transatlantic Pictures productions. Starring James Stewart, John Dall, and Farley Granger, this is the first of Hitchcock's Technicolor films and is notable for taking place in real-time and being edited to appear as four long shots through stitched-together long takes. It is the second of Hitchcock's "limited setting" films, the first being Lifeboat (1944). The original play was said to be inspired by the real-life murder of 14-year-old Bobby Franks in 1924 by University of Chicago students Nathan Leopold and Richard Loeb.
Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!
What do identity-based reservations try to achieve in India? Have these reservations been successful? Is there a systematic discrimination of Muslims in post-Independent India leading to their underrepresentation? If so, what is the remedial action? How does India look at identity-based welfare schemes, policies, and preferential treatment? And what's the case for reservations for Muslims in Indian democracy?
About the speaker: Sujai Karampuri was born in Warangal, Telangana, and attended RECW and Michigan Tech. He lived in the US, Europe, and Bangalore and is now settled in Hyderabad.
He worked in the telecommunications industry in the US and Europe, ran his own technology venture in Bangalore, and worked for the Government of Telangana. He is now back to industry. He played an active role in the Telangana Movement.
The story revolves around a typical middle class, close knit family of four. Sharma ji, his wife Shrimati ji and his two younger Siblings. Sonu and Monu. The couple have devoted their lives to Sonu and Monu.
They love them as their own children. Shrimati ji loves cooking for her family and keeps trying to make new dishes out of leftover food. All the three Siblings, bring a lot of humour by planning how to get rid of those experimental dishes of Shrimati ji, without hurting her feelings.
All in all, this 50-minute-play will breeze you through with smiles & laughter and you will go back with a subconscious thought of - no wastage of food
With the Paris Olympics in full swing, it’s time for some mental gymnastics .
Join our Olympic Quiz and test your knowledge of the world's greatest sporting event! 🤔
From ancient Greece to modern-day marvels, we'll challenge you with questions that will put your Olympic expertise to test. 🏆
Whether you're a sports enthusiast or just love the thrill of the games, this fun quiz is for everyone! 🎉
So get ready to compete for glory! 💪
Register now and take the first step towards becoming an Olympic quiz champion! 🏅
Free registration - you can register online below or also simply walk-in
Register by clicking below-
https://forms.gle/Zz4FvbCyKpcTY1nE9
When: 10th August Saturday
Time: 3 PM
Where: Lamakaan - Hyderabad’s Open Cultural center , Banjara Hills, Hyderabad
Quizmaster : Deepak Sapra
Address and Google map location
Lamakaan – Hyderabad’s Open cultural center.
Address Off Road 1, Near GVK Mall, Banjara Hills. Hyderabad 500034
https://goo.gl/maps/B5q3jBVgwVKbAn1DA
See you there!"
Why Join our workshop:
By crafting sustainable rakhis for your siblings, you're not just gifting a token of love – you're also diverting waste from landfills, reducing our ecological footprint, and showcasing the power of creativity for a positive change.
Let's celebrate this Rakshabandhan with a purpose! Join us to experience the joy of crafting while contributing to a greener planet. Limited spots available! DM to register !!
All are Welcome!
A thousand?
A million?
Beginning with “Jalebi”, a boy’s handwritten list to cheer up his despondent mom becomes a surprisingly funny and poignant ode to humanity.
Sifar`s Hazaaron Khwaishein... takes audiences on a transcendent and tender coming-of-age journey that reminds us to pay attention to life’s smallest joys – and to each other.
** TW: This play portrays mental health issues **
The 2024 Lok Sabha election results have been interpreted by some commentators as a moment when the polarizing discourse of hindutva was arrested or even interrupted, especially in its home ground of uttar Pradesh. Not only did Ayodhya reject the BJP but a new battle to defend the Indian Constitution seemed to spread like wildfire. In sharp contrast to 2019 when Hindutva appeared unstoppable, the 2024 elections saw a remarkable cutting through the ideological wall of Hindutva with economic issues reemerging as also certain reversals in the consolidation among Dalit-Bahujan-adivasi communities towards the BJP. While none of these present a firm victory, do they, We could ask, represent a new consciousness emerging from a10 year encounter with Hindu supremacy.
Sashikant Senthil is an Indian politician and former civil servant, currently representing Thiruvallur Parliamentary Constituency from Tamil Nadu in the 18th Lok Sabha.
All are welcome!
Alfred Hitchcock was born on August 13, 1899, in Leytonstone, Essex, England, and passed away on April 29, 1980, in Bel Air, Los Angeles, California, USA. Known as the "Master of Suspense," Hitchcock revolutionized filmmaking with his unique style and innovative techniques.
Hitchcock had a remarkable ability to create suspense and tension, often utilizing techniques like the "MacGuffin," an object or event that drives the plot but is insignificant in itself. His films are renowned for their meticulous visual storytelling, where camera angles, lighting, and set design convey emotions and narrative elements without the need for dialogue. A hallmark of Hitchcock’s work was his brief appearances in his films, a playful signature that fans eagerly anticipated.
His exploration of psychological themes such as guilt, fear, and obsession brought depth to his characters and narratives, as exemplified in films like "Psycho" and "Vertigo." Hitchcock was also a pioneer in using innovative techniques and technology, employing long continuous takes in "Rope" to create real-time action and designing a confined set for "Rear Window" that heightened the film’s voyeuristic tension.
Music was another crucial element in Hitchcock’s films. Collaborating with composers like Bernard Herrmann, whose scores for "Psycho" and "Vertigo" are iconic, Hitchcock used music to enhance the emotional and suspenseful atmosphere of his stories. He had a knack for turning ordinary situations into extraordinary and terrifying scenarios, as seen in "The Birds," where a normal town is suddenly attacked by flocks of birds.
A recurring theme in Hitchcock's work is the "wrong man" narrative, where an innocent person is wrongly accused or caught up in dangerous situations. This theme is prominent in films like "North by Northwest" and "The 39 Steps," adding to the tension and intrigue of his stories.
Hitchcock’s unique style and mastery of the thriller genre have left a lasting impact on cinema, establishing him as one of the most influential directors in film history. His innovative approach to filmmaking and ability to engage audiences through suspense and psychological depth continue to inspire filmmakers and captivate audiences worldwide.
Film Title: NORTH BY NORTHWEST | 1959 | 136 Mins | USA | English Language with English Subtitles
About the film: North by Northwest is a tale of mistaken identity, with an innocent man pursued across the United States by agents of a mysterious organization trying to prevent him from blocking their plan to smuggle microfilm, which contains government secrets, out of the country. This is one of several Hitchcock films that feature a music score by Bernard Herrmann and an opening title sequence by graphic designer Saul Bass. It was the first to feature extended use of kinetic typography in its opening credits.
Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!
She brought to the fore the modernity inherent in the actions of the poorest of rural Indian women as well as the stagnation in the minds of the so called urban elite.
Ruthlessly honest and deeply perceptive, she presented the truth of society and its women in the same nakedness in which she saw them. She wrote with a rare courage, truth and good humour which endear her to everyone who comes across her writings.
The performance begins with Saas (Mother-in-law), which is about a unique saas-bahu pair and adds a new dimension to this perceived notorious relationship.
The second story, is Chidi Ki Dukki (The Second Card of Clubs) which speaks volumes about how wit and attitude in a woman can be more attractive than the supposed good looks.
This sixty minute play is a dramatized performance of two short stories as vignettes. A letter penned by Sa’adat Hasan Manto on his view of Ismat as a woman is read out as a prelude.
LESSONS AND INSPIRATIONS TO BE DRAWN
A DISCUSSION
In July this year, the students and youth of Bangladesh raised the banner of revolt against the authoritarian rule of Sheikh Hasina government. What started as a students’ movement against the unjust quota system in the government jobs soon turned into a mass uprising against the entire system as more and more people started joining the movement. The brutal state repression and criminalising a genuine protest only led to the increase in the intensity of the storm of protest demonstrations in that country. Scared of people’s anger, Sheikh Hasina fled the country on 5 August. However, in absence of a revolutionary party which could utilise this revolutionary situation to move towards the revolutionary overthrow of the system, the movement could only succeed in ensuring the change of the government. This is a very significant political development which will have repercussions in the entire Indian subcontinent. What are the lessons to be learnt and what are inspirations to be drawn from this movement in our neighbouring country. These are the issues we plan to discuss in our next program.
All are cordially invited!
Visit following link to register for the event. (Entry is free): https://docs.google.com/forms/d/1e5YjlGQn7XxYKui63NPiZjpoGgYrb1RfihFeiEARHfU/
MARATHI ONE ACT PLAY
SHREE TASHI SOW
WRITTEN BY YOGESH SOMAN
DIRECTED BY SUHAS BARVE
I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being - Oscar Wilde