Lamakaan

Dive into the rhythmic world of Djemberries! Join our community of percussion enthusiasts for exclusive access to captivating rhythms, collaborative jams, and creative workshops. Unleash your inner beat and connect with like-minded music lovers today!

In the hottest month of summer, May, Lamakaan brings you a cool breeze of retro films by Rainer Werner Fassbinder, considered to be a catalyst of the New German Cinema Movement.

Rainer Werner Fassbinder (German: [ˈʁaɪnɐ ˈvɛʁnɐ ˈfasbɪndɐ] ⓘ; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder,[1] was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

Film Title: DESPAIR | 1978| 120 Mins | Germany| German Language with English Subtitles

About the film: Despair – A Journey into the Light (Despair – Eine Reise ins Licht) tells the story of Hermann Hermann, an unbalanced Russian émigré and chocolate magnate, whose business and marriage have both grown bitter. The factory is close to bankruptcy, and his vulgar wife is chronically unfaithful. He hatches an elaborate plot to take a new identity in the belief it will free him of all his worries. The story of Hermann's descent into madness is juxtaposed with the rise of National Socialism in Germany in the 1930s.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Kuchipudi Performances by Deekshithavarma and Sandhya Puli #studentsofsumadhura and Shastriya Sangeetham Pramadhwara Jakku and Niharaika Avadanula

This self-funded documentary is about what used to be a little known event until the 1980s but which has now become the single largest annual pilgrimage in India: the Kanwar Yatra. The film looks at not just the religious and cultural aspects of the Yatra but also its socio-economic impact, the environmental issues attached to it (for instance, the state of the Ganga and the potential for man-animal conflict, etc), the sheer maleness of the event, and how the occasion is being used by Hindu right-wing groups to push their majoritarian agenda and the showcase it has become for Hindu nationalism.

The nearly 90-minute film was shot over a period of six years and was an official selection at the 8th Kolkata People's Film Festival in 2022. The film has had a screening at Prithvi Theatre, Bombay, and over 35 universities across the world, including Princeton, Yale, Columbia and Stanford, have acquired it to screen/stream it for their students, faculty and staff.

Microart Workshop: Discover the Art of Name Carving

Unlock your creativity and delve into the captivating world of microart at our exclusive workshop! Join us for a unique opportunity to learn the intricate art of name carving from scratch. Whether you're a seasoned artist or a curious beginner, this workshop offers something for everyone.

During the hands-on session, expert microartists will guide you through the process of carving your own name, providing invaluable insights and techniques along the way. Witness the magic of microartistry firsthand as you observe skilled artisans at work, crafting intricate designs with precision and skill.

Admission to the workshop is completely free, but seats are limited, so be sure to reserve your spot early! No prior experience is required, making this workshop accessible to all. Participants have the option to bring their own equipment or have it provided for a nominal fee.

Join us for an inspiring day of creativity, connection, and discovery. Connect with fellow art enthusiasts, unleash your imagination, and leave with a personalized microart creation to cherish. Don't miss this opportunity to explore the fascinating world of microart – book your seat today!

Organiser - Vamshikrishna (7013152833)

Learn the fundamentals of lightroom so that you can make your editing process more productive. I am looking forward to guide and mentor all the Wedding photographers/ editors to game change their editing workflow, so that you can edit faster and efficiently.I am going to teach you how to achieve good skin tones in your photos and learn the batch editing.In this workshop you are going to know the truth behind Lightroom presets why they don't work in Indian Weddings.

"Bade Miya toh bade miya, Chote Miya SubhanAllah" is a light Hyderabadi Urdu/ Hindi comedy play hosted by Raffu Chakkar Entertainers. The play is about two characters and their behavior towards life and the way they handle the situation - they both have huge age difference, one young 14 year old and another one very young 60 year old. It will be an evening that will make you smile, laugh and give good times. Ticket Rs 100/- per head

The event's theme revolve around Unwritten Voices, emotions and feelings - here we are bringing a small group of people together with an aim to facilitate letter writing and art into a silent yet expressive space followed by grounding structure. This is a mental health movement driven space where one's expressiveness, permissions to do so and well - being is fostered.

"Buddha or Karl Marx" by Dr. B. R. Ambedkar is a work which suggests either a comparison or a contrast between two such personalities divided
by such a lengthy span of time and occupied with different fields of thought. Blue Robin is doing a reading of this work from 5th May to 23rd May with discussions, debates and presentations to produce some local knowledge, followed by Sangham on 25th May

We will dive into the Van Gogh's world famous Starry Nights painting of impressionistic style. All the art materials for the workshop will be provided by me. Vincent van Gogh's artwork is celebrated for its uniqueness and continues to captivate audiences worldwide. Van Gogh's unique style is defined by his expressive use of colours,textured brushwork, and a profound connection to nature and the human experience.
His works, such as "Starry Night" is celebrated for its emotional depth, vibrant palettes, and ability to convey the complexities of the human spirit.

In the hottest month of summer, May, Lamakaan brings you a cool breeze of retro films by Rainer Werner Fassbinder, considered to be a catalyst of the New German Cinema Movement.

Rainer Werner Fassbinder (German: [ˈʁaɪnɐ ˈvɛʁnɐ ˈfasbɪndɐ] ⓘ; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder,[1] was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

Film Title: THE MERCHANT OF FOUR SEASONS | 1972 | 88 Mins | Germany| German Language with English Subtitles

About the film: The Merchant of Four Seasons (German: Händler der vier Jahreszeiten) is a 1972 West German film written and directed by Rainer Werner Fassbinder, starring Hans Hirschmüller [de] and Irm Hermann. The plot follows the life of a fruit-peddler, living in 1950s Munich, who is driven over the edge by an uncaring society.

The title derives from the French expression for a fruit and vegetable seller, un marchand des quatre-saisons. The film explores issues of class prejudices, domestic violence, infidelity, family discord, depression and self-destructive behavior..

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

A pure classical event by Anaahatha maestro

Dear friend,

Sifar, in collaboration with Lamakaan,
presenting

NAASHTA और NAATAK

An endeavour to cater to the breakfast lovers in Hyderabad who love to go out on Sunday mornings and can watch the play as a bonus.

Lamakaan का Naashta & Sifar's PARK- a light hearted comedy.

Nagaram is a well knitted plot of many lives and many small stories leading to one.
Gang wars, love at first sight, desire to be the best and most powerful, control of the neighborhood, revenge, failed administrations and a gang war backed by the socio-political society. Innocent lives falling in to the so called “power” trap and humanity losing its case at every step of the way.
Two youngsters fall in love from the rival gangs and the never lasting tension between the gangs lead to a tragedy. Do they ever set aside their differences or there will always be such tragedies?

Written by eminent actor, music director, lyricist, singer and scriptwriter - Piyush Mishra

Hey little souls,
Let’s gather together to share each other stories.
Are you thinking about the past events over and over again and which bothers you a lot that you cannot do usual daily activities.
Join us to share your stories and get inspired by listening others.
Doesnot matter it’s just a silly small things or big things that you are overthinking but sharing with people might help you.

Rita Lama.
Founder - @overthinkers_ally

Learn the fundamentals of lightroom so that you can make your editing process more productive. I am looking forward to guide and mentor all the Wedding photographers/ editors to game change their editing workflow, so that you can edit faster and efficiently.I am going to teach you how to achieve good skin tones in your photos and learn the batch editing.In this workshop you are going to know the truth behind Lightroom presets why they don't work in Indian Weddings.

Nagaram is a well knitted plot of many lives and many small stories leading to one.
Gang wars, love at first sight, desire to be the best and most powerful, control of the neighborhood, revenge, failed administrations and a gang war backed by the socio-political society. Innocent lives falling in to the so called “power” trap and humanity losing its case at every step of the way.
Two youngsters fall in love from the rival gangs and the never lasting tension between the gangs lead to a tragedy. Do they ever set aside their differences or there will always be such tragedies?

Written by eminent actor, music director, lyricist, singer and scriptwriter - Piyush Mishra

In the hottest month of summer, May, Lamakaan brings you a cool breeze of retro films by Rainer Werner Fassbinder, considered to be a catalyst of the New German Cinema Movement.

Rainer Werner Fassbinder (German: [ˈʁaɪnɐ ˈvɛʁnɐ ˈfasbɪndɐ] ⓘ; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder,[1] was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques.[2] His films, according to him, explored "the exploitability of feelings".[3][4] His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

Film Title: MARTHA | 1974 | 116 Mins | Germany| German Language with English Subtitles

About the film: Martha is a 1974 drama film made for German television directed by Rainer Werner Fassbinder. It features Margit Carstensen in the title role with Karlheinz Böhm as her abusive husband. It is one of the earliest of Fassbinder's films to be influenced by the American work of Douglas Sirk. The plot was loosely based on the short story For the Rest of Her Life by Cornell Woolrich.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

A middle class lady want to buy every item of her house in instalmentd...she buys more than of his husbands earnings..her husband gets fed up about her expenditure… he gives his complete salary to his wife .. unexpectedly his salary amount doubles. From there how there minds change? what lesson they will learn? We will see in climax.

Persons with Disabilities (PWDs) make up 2.21% of India's population, totaling 26.8 million individuals. Despite over 10 million registered voters, their political participation is hindered by barriers such as inaccessible polling stations and communication obstacles. The Disability Manifesto, launched by the National Centre for Promotion of Employment for Disabled People (NCPEDP) in collaboration with the National Disability Network (NDN) and National Committee on the Rights of Persons with Disabilities (NCRPD), addresses these concerns. It reflects the needs of over 1 crore disabled voters, gathered through extensive outreach and surveys, endorsed by 600+ organizations, representing diverse voices nationwide.

Volunteers Gratitude Meet: Celebrating Their Contribution to Children's Social Emotional Learning. This discussion is scheduled to celebrate the volunteers who have contributed their time to the children's social-emotional learning program.

"Blind Men's Club" is an adaptation of Dr. Chandrashekhar Phansalkar's "Tax Free," a Marathi one-act play. "Tax Free" as the title of this play implies no tax, or being without tax or value. The play aims to explain that there is a lot of struggle in life, and it's up to you how to live it. When there is no escape from struggle, why suffer?So,why don't we live with laughter and enthusiasm?There is no tax on laughter.This drama is a beautiful reflection of life situations where we are left in a dilemma as to where we are and where we stand. The play is the Telugu adaptation of the Marathi one-act written by the famous author, which adds a lot to the play with fun play that surely makes the audience ponder the outcome. In a light-hearted comedy drama, a satirical scene on the plight of humanity has been presented.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan.

World Environment Day is celebrated annually on 5 June and encourages awareness and action for the protection of the environment.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: WHERE IS THE FRIEND'S HOUSE? | 1987 | 83 Mins | Iran | Persian Language with English Subtitles

About the film: Where Is the Friend's House?(Persian: خانه دوست کجاست, Khane-ye dust kojast) is a 1987 Iranian drama film written and directed by Abbas Kiarostami. The plot depicts a conscientious schoolboy's attempt to return his friend's school notebook to his home in a neighboring village to prevent the friend from being expelled if he fails to hand it in the next day. The film, whose title derives from a poem by Sohrab Sepehri, is the first installment in Kiarostami's Koker trilogy, followed by And Life Goes On and Through the Olive Trees, all of which take place in Koker, Iran.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

In a world that's increasingly fast-paced and digital, we invite you to slow down, unwind, and reconnect with your inner self through the tactile pleasure of creative journaling. Our creative journalling workshop offers a serene and inspiring environment where you can let your thoughts flow freely, and bring your ideas to life with an array of beautiful journal supplies.

As you sip your chai, let your worries fade away, and your thoughts begin to flow onto the page, you'll discover the therapeutic benefits of journaling, including:

- Clarity of thought and purpose

- Reduced stress and anxiety

- Increased self-awareness and confidence

- Improved creativity.

All the journalling supplies including a beautiful journal and a free kit will be provided at the workshop.

Last day to register: 5th june, 2024
Contact: 6290176108
DM @minion.crafts or @oldschoolmoth on Instagram for more queries.

SoudaAruna Studioz group is working on alternative cultural nerratives.

Samahaara
presents

HAKEEM SAAB
(Deccani play)

Based on the Neil Simon's adaptation of Anton Chekhov's short stories.

08th June 2024
08.00pm
Lamakaan, Banjara Hills, Hyderabad
Bookings at in.bookmyshow.com. Link in Bio.

Translated by Priyanka
Additional writings by Team Samahaara

Directed by Rathna Shekar

HAKEEM SAAB is based on an adaptation of Anton Chekhov`s short stories by Neil Simon. The short stories are narrated by a writer struggling with Writer`s block and his own artistic temperament. Witness as he takes you through his stories, be it either the puzzling tale of a employee sneezing on his boss or a deranged old woman who storms a bank and drives the manager mad, or any of his other eccentric tales. All of these now with a Hyderabadi/Deccani twist.

#20yearsofsamahaara

We are Read A Kitaab book club and have around 16,000 members globally. We meet every month to discuss books and exchange ideas and thoughts. We will be doing a book swap.

About us:
Read A Kitaab is an unbiased community of Readers, Booklovers, writers and artists. We strive to provide the community an ecosystem with an online library, book discussions, author meet, book of the month, monthly meets, newsletters & much more...

We love kids, for whom we have a kids book club. Read A Kitaab is a calm & comfort space to be yourself, to discuss books and life with no bars on age/gender/ethnicity/political views etc.

For more info Pl visit our website
www.readakitaab.com

And we are on Instagram @readakitaab

Read A Kitaab reading community is inviting the author Philip George in the meet-up which will be conducted before this and will speak to the author about the book. This will happen in continuation with the meeting

Book name - Racket Boy

In this session, we read and discuss material on casteism in queer spaces, keeping the context that queer person's experience is not solely defined by their sexuality or gender identity but also by other aspects such as caste and class. Casteism within queer spaces highlights the complex and multifaceted nature of discrimination where DBA(Dalit Bahujan Adivasi)queers face multiple levels of oppression.

In a world of chaos and uncertainty, a Prime Minister becomes speechless in front of international media, a YouTuber becomes ambitious to crack the biggest news that the nation is facing, and two officers are under immense pressure to file a report.

Book Discussion: Urban Informality and the Built Environment
Organiser: Hyderabad Urban Lab

Description: For nearly 50 years, the idea of 'informality' shaped our imagination of cities in India and other countries like India. Informality is often understood as illegal and inefficient. A good city and a good economy is one without informality. In this book discussion, Nikhilesh Sinha, Urban Informality and the Built Environment, shares his own intellectual journey through his PhD research in Hyderabad to networking with PhD scholars working on informality elsehwere in the world to the publication of the book. The book presents in the main, insights from doctoral research by young scholars from multiple sites. In conversation with Dr. Nikhilesh SInha would be the Director of Hyderabad Urban Lab, Dr. Anant Maringanti

Nikhilesh Sinha is currently Professor of Economics & Finance and Chair of Research Ethics at Hult International Business School, London and in more ways than one, an old Hyderabadi. His research began more than ten years ago as an exploration into the nature of relationships between landlords and tenants in two low income neighborhoods in Hyderabad

"Zuhur's Daughters," directed by Laurentia Genske and Robin Humboldt, provides an intimate portrayal of a Palestinian family's life in Gaza. Through the directors' lens, viewers witness the daily struggles and moments of resilience experienced by Zuhur and her daughters Samar and Lohan amidst the region's socio-political challenges.

The documentary captures their journey from mundane routines to profound aspirations, highlighting themes of family, identity, and the pursuit of dreams. But in general it follows Lohan and Samar, who were born as Zuhur's sons but have identified as women since puberty. Through intimate interviews and captivating cinematography, Genske and Humboldt skillfully unveil universal human experiences. The film transcends its specific setting, encouraging viewers to challenge their perceptions and offering a nuanced perspective on life in Gaza. Ultimately, "Zuhur's Daughters" is a powerful testament to the human spirit's endurance and ability to thrive amidst adversity, fostering a deeper understanding of shared human experiences.

ALL ARE INVITED!

Allama Aijaz Farrukh is an eminent historian and scholar. Allama Ejaz Farrukh has been writing his widely read column in the Siasat daily for more than forty years. His unique writing and speaking style is widely admired and respected. "Murraqaye Hyderabad" is the first of his masterpieces which encapsulates the history of Hyderabad. This history is not only the history of Kingdom but the breathing history of human beings where every moment speaks. Allama's collection also has many pictures of ancient Hyderabad that embellish the text. Allama provides the means to convey the culture capital of centuries to the new generation. His previous books Hyderabad Shahr Nigaran and Glimses of Hyderabad were released by the Vice President Hamid Ansari Sahib who came to Hyderabad specifically for these. Khama Khoon Chukaan Apna ,Aksey Hyderabad ,Muttabaqe Asafia part 1 and Part II were all sold out within two months of their publication. Allama Farrukh will speak to us on the 12th of June, 2024. Prof Humera Sayeed will coordinate and curate the event

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: SHIRIN | 2008| 92 Mins | Iran | Persian Language with English Subtitles

About the film: Shirin (Persian: شیرین) is a 2008 Iranian drama film directed by Abbas Kiarostami.[1] Some critics consider the film a notable twist in Kiarostami's artistic career.

The film features close-ups of many notable Iranian actresses and French actress Juliette Binoche as they watch a film based on a part mythological Persian romance tale of Khosrow and Shirin, with themes of female self-sacrifice. The film has been described as "a compelling exploration of the relationship between image, sound, and female spectatorship." The film depicts the audience's emotional involvement with the story. The story is read between the tragic and kitsch by a cast of narrators led by Manoucher Esmaieli. It is accompanied by a historical "film score" by Morteza Hananeh and Hossein Dehlavi.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Performing Classical Dance (Bharatnatyam)

Dive into the rhythmic world of Djemberries! Join our community of percussion enthusiasts for exclusive access to captivating rhythms, collaborative jams, and creative workshops. Unleash your inner beat and connect with like-minded music lovers today!

In the hottest month of summer, May, Lamakaan brings you a cool breeze of retro films by Rainer Werner Fassbinder, considered to be a catalyst of the New German Cinema Movement.

Rainer Werner Fassbinder (German: [ˈʁaɪnɐ ˈvɛʁnɐ ˈfasbɪndɐ] ⓘ; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder,[1] was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

Film Title: DESPAIR | 1978| 120 Mins | Germany| German Language with English Subtitles

About the film: Despair – A Journey into the Light (Despair – Eine Reise ins Licht) tells the story of Hermann Hermann, an unbalanced Russian émigré and chocolate magnate, whose business and marriage have both grown bitter. The factory is close to bankruptcy, and his vulgar wife is chronically unfaithful. He hatches an elaborate plot to take a new identity in the belief it will free him of all his worries. The story of Hermann's descent into madness is juxtaposed with the rise of National Socialism in Germany in the 1930s.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

Kuchipudi Performances by Deekshithavarma and Sandhya Puli #studentsofsumadhura and Shastriya Sangeetham Pramadhwara Jakku and Niharaika Avadanula

This self-funded documentary is about what used to be a little known event until the 1980s but which has now become the single largest annual pilgrimage in India: the Kanwar Yatra. The film looks at not just the religious and cultural aspects of the Yatra but also its socio-economic impact, the environmental issues attached to it (for instance, the state of the Ganga and the potential for man-animal conflict, etc), the sheer maleness of the event, and how the occasion is being used by Hindu right-wing groups to push their majoritarian agenda and the showcase it has become for Hindu nationalism.

The nearly 90-minute film was shot over a period of six years and was an official selection at the 8th Kolkata People's Film Festival in 2022. The film has had a screening at Prithvi Theatre, Bombay, and over 35 universities across the world, including Princeton, Yale, Columbia and Stanford, have acquired it to screen/stream it for their students, faculty and staff.

Microart Workshop: Discover the Art of Name Carving

Unlock your creativity and delve into the captivating world of microart at our exclusive workshop! Join us for a unique opportunity to learn the intricate art of name carving from scratch. Whether you're a seasoned artist or a curious beginner, this workshop offers something for everyone.

During the hands-on session, expert microartists will guide you through the process of carving your own name, providing invaluable insights and techniques along the way. Witness the magic of microartistry firsthand as you observe skilled artisans at work, crafting intricate designs with precision and skill.

Admission to the workshop is completely free, but seats are limited, so be sure to reserve your spot early! No prior experience is required, making this workshop accessible to all. Participants have the option to bring their own equipment or have it provided for a nominal fee.

Join us for an inspiring day of creativity, connection, and discovery. Connect with fellow art enthusiasts, unleash your imagination, and leave with a personalized microart creation to cherish. Don't miss this opportunity to explore the fascinating world of microart – book your seat today!

Organiser - Vamshikrishna (7013152833)

Learn the fundamentals of lightroom so that you can make your editing process more productive. I am looking forward to guide and mentor all the Wedding photographers/ editors to game change their editing workflow, so that you can edit faster and efficiently.I am going to teach you how to achieve good skin tones in your photos and learn the batch editing.In this workshop you are going to know the truth behind Lightroom presets why they don't work in Indian Weddings.

"Bade Miya toh bade miya, Chote Miya SubhanAllah" is a light Hyderabadi Urdu/ Hindi comedy play hosted by Raffu Chakkar Entertainers. The play is about two characters and their behavior towards life and the way they handle the situation - they both have huge age difference, one young 14 year old and another one very young 60 year old. It will be an evening that will make you smile, laugh and give good times. Ticket Rs 100/- per head

The event's theme revolve around Unwritten Voices, emotions and feelings - here we are bringing a small group of people together with an aim to facilitate letter writing and art into a silent yet expressive space followed by grounding structure. This is a mental health movement driven space where one's expressiveness, permissions to do so and well - being is fostered.

"Buddha or Karl Marx" by Dr. B. R. Ambedkar is a work which suggests either a comparison or a contrast between two such personalities divided
by such a lengthy span of time and occupied with different fields of thought. Blue Robin is doing a reading of this work from 5th May to 23rd May with discussions, debates and presentations to produce some local knowledge, followed by Sangham on 25th May

We will dive into the Van Gogh's world famous Starry Nights painting of impressionistic style. All the art materials for the workshop will be provided by me. Vincent van Gogh's artwork is celebrated for its uniqueness and continues to captivate audiences worldwide. Van Gogh's unique style is defined by his expressive use of colours,textured brushwork, and a profound connection to nature and the human experience.
His works, such as "Starry Night" is celebrated for its emotional depth, vibrant palettes, and ability to convey the complexities of the human spirit.

In the hottest month of summer, May, Lamakaan brings you a cool breeze of retro films by Rainer Werner Fassbinder, considered to be a catalyst of the New German Cinema Movement.

Rainer Werner Fassbinder (German: [ˈʁaɪnɐ ˈvɛʁnɐ ˈfasbɪndɐ] ⓘ; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder,[1] was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques. His films, according to him, explored "the exploitability of feelings". His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

Film Title: THE MERCHANT OF FOUR SEASONS | 1972 | 88 Mins | Germany| German Language with English Subtitles

About the film: The Merchant of Four Seasons (German: Händler der vier Jahreszeiten) is a 1972 West German film written and directed by Rainer Werner Fassbinder, starring Hans Hirschmüller [de] and Irm Hermann. The plot follows the life of a fruit-peddler, living in 1950s Munich, who is driven over the edge by an uncaring society.

The title derives from the French expression for a fruit and vegetable seller, un marchand des quatre-saisons. The film explores issues of class prejudices, domestic violence, infidelity, family discord, depression and self-destructive behavior..

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

A pure classical event by Anaahatha maestro

Dear friend,

Sifar, in collaboration with Lamakaan,
presenting

NAASHTA और NAATAK

An endeavour to cater to the breakfast lovers in Hyderabad who love to go out on Sunday mornings and can watch the play as a bonus.

Lamakaan का Naashta & Sifar's PARK- a light hearted comedy.

Nagaram is a well knitted plot of many lives and many small stories leading to one.
Gang wars, love at first sight, desire to be the best and most powerful, control of the neighborhood, revenge, failed administrations and a gang war backed by the socio-political society. Innocent lives falling in to the so called “power” trap and humanity losing its case at every step of the way.
Two youngsters fall in love from the rival gangs and the never lasting tension between the gangs lead to a tragedy. Do they ever set aside their differences or there will always be such tragedies?

Written by eminent actor, music director, lyricist, singer and scriptwriter - Piyush Mishra

Hey little souls,
Let’s gather together to share each other stories.
Are you thinking about the past events over and over again and which bothers you a lot that you cannot do usual daily activities.
Join us to share your stories and get inspired by listening others.
Doesnot matter it’s just a silly small things or big things that you are overthinking but sharing with people might help you.

Rita Lama.
Founder - @overthinkers_ally

Learn the fundamentals of lightroom so that you can make your editing process more productive. I am looking forward to guide and mentor all the Wedding photographers/ editors to game change their editing workflow, so that you can edit faster and efficiently.I am going to teach you how to achieve good skin tones in your photos and learn the batch editing.In this workshop you are going to know the truth behind Lightroom presets why they don't work in Indian Weddings.

Nagaram is a well knitted plot of many lives and many small stories leading to one.
Gang wars, love at first sight, desire to be the best and most powerful, control of the neighborhood, revenge, failed administrations and a gang war backed by the socio-political society. Innocent lives falling in to the so called “power” trap and humanity losing its case at every step of the way.
Two youngsters fall in love from the rival gangs and the never lasting tension between the gangs lead to a tragedy. Do they ever set aside their differences or there will always be such tragedies?

Written by eminent actor, music director, lyricist, singer and scriptwriter - Piyush Mishra

In the hottest month of summer, May, Lamakaan brings you a cool breeze of retro films by Rainer Werner Fassbinder, considered to be a catalyst of the New German Cinema Movement.

Rainer Werner Fassbinder (German: [ˈʁaɪnɐ ˈvɛʁnɐ ˈfasbɪndɐ] ⓘ; 31 May 1945 – 10 June 1982), sometimes credited as R. W. Fassbinder,[1] was a German filmmaker, actor, and dramatist. He is widely regarded as one of the major figures and catalysts of the New German Cinema movement. Versatile and prolific, his over 40 films span a variety of genres, most frequently blending elements of Hollywood melodrama with social criticism and avant-garde techniques.[2] His films, according to him, explored "the exploitability of feelings".[3][4] His work was deeply rooted in post-war German culture: the aftermath of Nazism, the German economic miracle, and the terror of the Red Army Faction. He worked with a company of actors and technicians who frequently appeared in his projects.

Film Title: MARTHA | 1974 | 116 Mins | Germany| German Language with English Subtitles

About the film: Martha is a 1974 drama film made for German television directed by Rainer Werner Fassbinder. It features Margit Carstensen in the title role with Karlheinz Böhm as her abusive husband. It is one of the earliest of Fassbinder's films to be influenced by the American work of Douglas Sirk. The plot was loosely based on the short story For the Rest of Her Life by Cornell Woolrich.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

A middle class lady want to buy every item of her house in instalmentd...she buys more than of his husbands earnings..her husband gets fed up about her expenditure… he gives his complete salary to his wife .. unexpectedly his salary amount doubles. From there how there minds change? what lesson they will learn? We will see in climax.

Persons with Disabilities (PWDs) make up 2.21% of India's population, totaling 26.8 million individuals. Despite over 10 million registered voters, their political participation is hindered by barriers such as inaccessible polling stations and communication obstacles. The Disability Manifesto, launched by the National Centre for Promotion of Employment for Disabled People (NCPEDP) in collaboration with the National Disability Network (NDN) and National Committee on the Rights of Persons with Disabilities (NCRPD), addresses these concerns. It reflects the needs of over 1 crore disabled voters, gathered through extensive outreach and surveys, endorsed by 600+ organizations, representing diverse voices nationwide.

Volunteers Gratitude Meet: Celebrating Their Contribution to Children's Social Emotional Learning. This discussion is scheduled to celebrate the volunteers who have contributed their time to the children's social-emotional learning program.

"Blind Men's Club" is an adaptation of Dr. Chandrashekhar Phansalkar's "Tax Free," a Marathi one-act play. "Tax Free" as the title of this play implies no tax, or being without tax or value. The play aims to explain that there is a lot of struggle in life, and it's up to you how to live it. When there is no escape from struggle, why suffer?So,why don't we live with laughter and enthusiasm?There is no tax on laughter.This drama is a beautiful reflection of life situations where we are left in a dilemma as to where we are and where we stand. The play is the Telugu adaptation of the Marathi one-act written by the famous author, which adds a lot to the play with fun play that surely makes the audience ponder the outcome. In a light-hearted comedy drama, a satirical scene on the plight of humanity has been presented.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan. Check the full schedule for the specific event details for Lamakaan venue.

The 8th edition of BEFF Babul Eco Film Festival 1-5 June 2024; brings to you the best and latest of green films from all over the globe . We have an interesting schedule lined up for you. Film screenings and many eco activities and games with a dose of entertainment. Part of the Festival is held at Lamakaan.

World Environment Day is celebrated annually on 5 June and encourages awareness and action for the protection of the environment.

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: WHERE IS THE FRIEND'S HOUSE? | 1987 | 83 Mins | Iran | Persian Language with English Subtitles

About the film: Where Is the Friend's House?(Persian: خانه دوست کجاست, Khane-ye dust kojast) is a 1987 Iranian drama film written and directed by Abbas Kiarostami. The plot depicts a conscientious schoolboy's attempt to return his friend's school notebook to his home in a neighboring village to prevent the friend from being expelled if he fails to hand it in the next day. The film, whose title derives from a poem by Sohrab Sepehri, is the first installment in Kiarostami's Koker trilogy, followed by And Life Goes On and Through the Olive Trees, all of which take place in Koker, Iran.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!

In a world that's increasingly fast-paced and digital, we invite you to slow down, unwind, and reconnect with your inner self through the tactile pleasure of creative journaling. Our creative journalling workshop offers a serene and inspiring environment where you can let your thoughts flow freely, and bring your ideas to life with an array of beautiful journal supplies.

As you sip your chai, let your worries fade away, and your thoughts begin to flow onto the page, you'll discover the therapeutic benefits of journaling, including:

- Clarity of thought and purpose

- Reduced stress and anxiety

- Increased self-awareness and confidence

- Improved creativity.

All the journalling supplies including a beautiful journal and a free kit will be provided at the workshop.

Last day to register: 5th june, 2024
Contact: 6290176108
DM @minion.crafts or @oldschoolmoth on Instagram for more queries.

SoudaAruna Studioz group is working on alternative cultural nerratives.

Samahaara
presents

HAKEEM SAAB
(Deccani play)

Based on the Neil Simon's adaptation of Anton Chekhov's short stories.

08th June 2024
08.00pm
Lamakaan, Banjara Hills, Hyderabad
Bookings at in.bookmyshow.com. Link in Bio.

Translated by Priyanka
Additional writings by Team Samahaara

Directed by Rathna Shekar

HAKEEM SAAB is based on an adaptation of Anton Chekhov`s short stories by Neil Simon. The short stories are narrated by a writer struggling with Writer`s block and his own artistic temperament. Witness as he takes you through his stories, be it either the puzzling tale of a employee sneezing on his boss or a deranged old woman who storms a bank and drives the manager mad, or any of his other eccentric tales. All of these now with a Hyderabadi/Deccani twist.

#20yearsofsamahaara

We are Read A Kitaab book club and have around 16,000 members globally. We meet every month to discuss books and exchange ideas and thoughts. We will be doing a book swap.

About us:
Read A Kitaab is an unbiased community of Readers, Booklovers, writers and artists. We strive to provide the community an ecosystem with an online library, book discussions, author meet, book of the month, monthly meets, newsletters & much more...

We love kids, for whom we have a kids book club. Read A Kitaab is a calm & comfort space to be yourself, to discuss books and life with no bars on age/gender/ethnicity/political views etc.

For more info Pl visit our website
www.readakitaab.com

And we are on Instagram @readakitaab

Read A Kitaab reading community is inviting the author Philip George in the meet-up which will be conducted before this and will speak to the author about the book. This will happen in continuation with the meeting

Book name - Racket Boy

In this session, we read and discuss material on casteism in queer spaces, keeping the context that queer person's experience is not solely defined by their sexuality or gender identity but also by other aspects such as caste and class. Casteism within queer spaces highlights the complex and multifaceted nature of discrimination where DBA(Dalit Bahujan Adivasi)queers face multiple levels of oppression.

In a world of chaos and uncertainty, a Prime Minister becomes speechless in front of international media, a YouTuber becomes ambitious to crack the biggest news that the nation is facing, and two officers are under immense pressure to file a report.

Book Discussion: Urban Informality and the Built Environment
Organiser: Hyderabad Urban Lab

Description: For nearly 50 years, the idea of 'informality' shaped our imagination of cities in India and other countries like India. Informality is often understood as illegal and inefficient. A good city and a good economy is one without informality. In this book discussion, Nikhilesh Sinha, Urban Informality and the Built Environment, shares his own intellectual journey through his PhD research in Hyderabad to networking with PhD scholars working on informality elsehwere in the world to the publication of the book. The book presents in the main, insights from doctoral research by young scholars from multiple sites. In conversation with Dr. Nikhilesh SInha would be the Director of Hyderabad Urban Lab, Dr. Anant Maringanti

Nikhilesh Sinha is currently Professor of Economics & Finance and Chair of Research Ethics at Hult International Business School, London and in more ways than one, an old Hyderabadi. His research began more than ten years ago as an exploration into the nature of relationships between landlords and tenants in two low income neighborhoods in Hyderabad

"Zuhur's Daughters," directed by Laurentia Genske and Robin Humboldt, provides an intimate portrayal of a Palestinian family's life in Gaza. Through the directors' lens, viewers witness the daily struggles and moments of resilience experienced by Zuhur and her daughters Samar and Lohan amidst the region's socio-political challenges.

The documentary captures their journey from mundane routines to profound aspirations, highlighting themes of family, identity, and the pursuit of dreams. But in general it follows Lohan and Samar, who were born as Zuhur's sons but have identified as women since puberty. Through intimate interviews and captivating cinematography, Genske and Humboldt skillfully unveil universal human experiences. The film transcends its specific setting, encouraging viewers to challenge their perceptions and offering a nuanced perspective on life in Gaza. Ultimately, "Zuhur's Daughters" is a powerful testament to the human spirit's endurance and ability to thrive amidst adversity, fostering a deeper understanding of shared human experiences.

ALL ARE INVITED!

Allama Aijaz Farrukh is an eminent historian and scholar. Allama Ejaz Farrukh has been writing his widely read column in the Siasat daily for more than forty years. His unique writing and speaking style is widely admired and respected. "Murraqaye Hyderabad" is the first of his masterpieces which encapsulates the history of Hyderabad. This history is not only the history of Kingdom but the breathing history of human beings where every moment speaks. Allama's collection also has many pictures of ancient Hyderabad that embellish the text. Allama provides the means to convey the culture capital of centuries to the new generation. His previous books Hyderabad Shahr Nigaran and Glimses of Hyderabad were released by the Vice President Hamid Ansari Sahib who came to Hyderabad specifically for these. Khama Khoon Chukaan Apna ,Aksey Hyderabad ,Muttabaqe Asafia part 1 and Part II were all sold out within two months of their publication. Allama Farrukh will speak to us on the 12th of June, 2024. Prof Humera Sayeed will coordinate and curate the event

After the sweltering summer month of May, we move to the monsoon month of June, where the freshness and fragrance of air and rain fill the atmosphere. Let the same freshness continue in our Wednesday screenings at Lamakaan as we remember one of the most iconic names in the world of cinema, Abbas Kiarostami.

Abbas Kiarostami (Persian: عباس کیارستمی (22 June 1940 – 4 July 2016) was an Iranian film director, screenwriter, poet, photographer, and film producer. An active filmmaker from 1970, Kiarostami had been involved in the production of over forty films, including shorts and documentaries. Kiarostami attained critical acclaim for directing the Koker trilogy (1987–1994), Close-Up (1990), The Wind Will Carry Us (1999), and Taste of Cherry (1997), which was awarded the Palme d'Or at the Cannes Film Festival that year. In later works, Certified Copy (2010) and Like Someone in Love (2012), he filmed for the first time outside Iran: in Italy and Japan, respectively. His films Where Is the Friend's Home? (1987), Close-Up and The Wind Will Carry Us were ranked among the 100 best foreign films in a 2018 critics' poll by BBC Culture. Close-Up was also ranked one of the 50 greatest movies of all time in the famous decennial Sight & Sound poll conducted in 2012.

Kiarostami had worked extensively as a screenwriter, film editor, art director, and producer and had designed credit titles and publicity material. He was also a poet, photographer, painter, illustrator, and graphic designer. He was part of a generation of filmmakers in the Iranian New Wave. This Persian cinema movement started in the late 1960s and emphasized poetic dialogue and allegorical storytelling dealing with political and philosophical issues.

Kiarostami had a reputation for using child protagonists, documentary-style narrative films,[9] for stories in rural villages, and conversations that unfold inside cars, using stationary mounted cameras. He is also known for his use of Persian poetry in the dialogue, titles, and themes of his films. Kiarostami's films contain a notable degree of ambiguity, an unusual mixture of simplicity and complexity, and often a mix of fictional and documentary elements. The concepts of change and continuity and the themes of life and death play a major role in Kiarostami's works.

Film Title: SHIRIN | 2008| 92 Mins | Iran | Persian Language with English Subtitles

About the film: Shirin (Persian: شیرین) is a 2008 Iranian drama film directed by Abbas Kiarostami.[1] Some critics consider the film a notable twist in Kiarostami's artistic career.

The film features close-ups of many notable Iranian actresses and French actress Juliette Binoche as they watch a film based on a part mythological Persian romance tale of Khosrow and Shirin, with themes of female self-sacrifice. The film has been described as "a compelling exploration of the relationship between image, sound, and female spectatorship." The film depicts the audience's emotional involvement with the story. The story is read between the tragic and kitsch by a cast of narrators led by Manoucher Esmaieli. It is accompanied by a historical "film score" by Morteza Hananeh and Hossein Dehlavi.

Screening followed by Discussion. All are Welcome. Entry is Free & Open to all!