Lamakaan

Art is attractive and art is visible, every kid is curious and every kid wants to learn empathy, self love and be someone who can fight for their own space and time. But, do they learn it form traditional teaching?? No!

In order to teach kids about consent, acceptance, understanding, empathy and love, this is something we are bringing it to you. Drag tales is an exclusive kids' drag show where drag queens and kings become the canvas to teach kids about empathy, love, consent, sensitization, acceptance, and unbiased view point. This is bought for you by Dragvanti in association with Mobbera foundation.


This is an exclusive drag event for kids where we come and share stories of equality with children. these would be very fun stories, dances, and lots and lots of conversations with kids of all ages

Natya Mruga Dwani

A Kuchipudi dance exposition for creating awareness about "Animal AdoptionScheme" of Nehru Zoological Park

A figure sketching workshop by Anil CK and Urban Sketchers Hyderabad. Please get your own drawing material and plan to buy refreshments from Lamakaan. No outside food is allowed!

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Na cycle prayanam" Is a telugu adaptation of vijay tendulkar's Cyclewallah in Hindi, is one of the most outstanding plays authored by Vijay Tendulkar. Originally written in Marathi under the title ‘Safar’ it was later translated into English as The Cyclist.  The Cyclist was intended to be Tendulkar’s last play. It was his ultimate comment on himself and the reality surrounding him. The story is about a cycle journey by a middle age man and his experiences.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.


Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."


After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The White Balloon | 1995 | 85 Minutes | Persian Subtitled in English


The White Balloon (Persian: بادکنک سفيد) is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards at international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.


The film was selected as the Iranian entry for the Best Foreign Language Film at the 68th Academy Awards but was not accepted as a nominee. Iran unsuccessfully tried to withdraw the film from contention but the Academy refused to accept the withdrawal.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Rapidly evolving technological revolutions can metamorphose any industry - for better or worse differs for each one. Film Industry is no exception.
Capturing such tumultuous years while tracing such evolution - Michel Hazanavicius' "The Artist" is all about dwelling beyond the boundaries of language and country, this movie spellbinds the audience from the word 'go'. Not only both veterans and amateurs from the film industry but also laypeople from any walk of life can abundantly enjoy the movie.

Kindly do come, bring your friends and carry the memories and also the nuances of "good" filmmaking.

Film Screening followed by discussion.

ENTRY IS FREE AND OPEN TO ALL!!!

Mad house is a total comedy stage show dealing with shared office spaces. It deals with various professionals under the same roof as startups and how an accident of one party ends up with another party in order to save their lives. It has music, comedy, and promises to entertain nonstop for an hour and a half.
This will be a ticketed event at Rs 150/- per person

A story revolving around a Young Man who's disheartened, depressed distressed n tired of an unfair society that rewards corruption, so he is on a Mission to destroy / eliminate a sect of people as he believes that they are responsible for unfair practice of politics in the country. Does the transformation of his rebel mindset through an overnight conversation happens when he encounters with social worker? Does his anguish, frustrations turns into tranquility? Here's another gripping tale that speaks about the societal challenges being faced and needs to be spoken about with an open mind in a broad manner without giving any political colour / influence / air to it. Does he succeeds in his Mission of destruction or does the Social worker succeeds in her mission of reformation.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Din mei sapne dekhna, sapno ka pahaad etc. These are often terms used for
people who daydream. What would you if you can buy a small private jet at an affordable price?
A newspaper headline makes Abdul the protagonist dream about owning a private jet. This play
Saste Jahaj ka Sapna is a light hearted conversation between two friends Abdul and
Hassan,belonging to lower middle class, of saving funds to buy a private jet.

Entry Rs.100/-

The James Webb Space Telescope was launched in December 2021 and is now all set to release its the first operational images on July 2022. The event is to showcase the telescope's powerful instruments and to preview the science mission to come.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Mirror | 1997 | 85 Minutes | Persian Subtitled in English

The Mirror (Persian: آینه Ayneh) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school.



SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Prof.Raza Mir teaches management at William Paterson University, USA. He is the author of the books Ghalib: A thousand desires and Iqbal: Poet of the east.

He will discuss his work on Urdu, Ghalib and Iqbal and will also be available to sign these books.

We are inviting few press channels to promote our "Walk For Hope" Walkathon that is being held on 17th July 2022 at JalaVihar Necklace Road, to raise funds and save 24 cancer patients.

Hyderabad Cinephiles would like to screen Parzania, a 2007 Hindi film by director Rahul Dholakia, inspired by a true story about a Parsi family whose son goes missing during the 2002 Gujarat riots. The movie is 1 hour 50 minutes long and will be followed by a discussion.

It's an open meeting for visual artists( painting, mural, print artists) to interact with each other about workshops and exhibition possibilities as the market has opened post corona trauma. Expecting gathering of 20-25 active artists of hyd.

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

a short film story basted on women empowerment.
it narrted with homer relation between mother and son, son falls in love with a girl, but she rejects him, mother and son both how they impress her at the end is the story.

30 min duration short film

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Circle | 2000 | 90 Minutes | Persian Subtitled in English


The Circle (Persian: دایره, romanized: Dâyere) is a 2000 Iranian drama film produced and directed by Jafar Panahi that criticizes the treatment of women in Iran. The film has won several awards, including the Golden Lion at the Venice Film Festival in 2000, but it is banned in Iran.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Film: 24 Weeks / 24 Wochen (2016) | Directed by Anne Zohra Berrached | Language: German subtitled in English


About the film:
A deeply moving drama about an expectant mother faced with an almost impossible decision: whether or not to proceed with the birth of a disabled child. A brave and forcefully narrated film that lingers a long time.
(Long Text): As a cabaret artist, Astrid makes people laugh. Markus, her boyfriend, is also her manager. They work well together, are a well-established team, and have a nine-year-old daughter. They’re also expecting their second child. During the sixth month of pregnancy, a routine examination reveals to the couple that their expected child will be born with Down’s syndrome and a serious heart defect. From one day to the next, the young family’s routine is turned upside down. Certainty and optimism alternate on a daily basis with depression, panic, and helplessness. Despite all the uncertainty and doubt, Astrid and Markus decide to have the baby. The nearer the due date gets, however, the greater Astrid’s worries and misgivings. After countless discussions and disputes inside and outside the family circle, she is forced to make a decision that is as inevitable as it is permanently irreversible.
Anne Zohra Berrached’s impressive and stirring film tells of an expectant couple’s trauma. It illustrates, with coherent dialogue and intricately developed scenes, how the difficult decision process that they must both endure cannot be broken down into right and wrong or black and white. The film owes its almost documentary feel to the participation of genuine doctors and nurses. The ensuing high level of objectivity and authenticity enhances the characters’ conflict and allows the viewer to share this difficult situation with the couple. 24 WEEKS is Anne Zohra Berrached’s final film for the Baden-Württemberg Film Academy.


About the Director:
Anne Zohra Berrached was born in Erfurt to German-Algerian parents. After studying social pedagogy, she gained her first directing experience at various theaters in Berlin before she began studying directing at the Baden-Württemberg Film Academy in 2009. In the same year, she made her first documentary The Break Clown (2009). A year later she made her short documentary film, Heilige & Hure (2010), with which she was invited to more than 80 film festivals worldwide. In 2013, Anne Zohra Berrached directed her first feature film Two Mothers. In a semi-documentary manner, he tells of the difficult undertaking of a lesbian couple to have a child through a sperm donation. The film premiered at the Berlinale, where it won the Perspektive Deutsches Kino award. Berrached's second feature film 24 Weeks was the only German entry in the 2016 Berlinale competition. The stirring drama about a pregnant woman who, faced with the diagnosis that she is expecting a severely disabled child, has to decide for or against a late abortion, caused an international sensation and received numerous awards, including the German Film Prize in silver.


Anne Zora Berrached also ventured into controversial territory with her third film: The World Will Be Another (international title Copilot ) based on the story of the 9/11 assassin Mohammed Atta tells of the relationship between a German-Turkish medical student and her Lebanese man who is gradually becoming Islamist radicalized.
Anne Zohra Berrached was a member of the jury for the Berlinale competition this year. She lives and works in Leipzig and Berlin.


SCREENING FOLLOWED BY DISCUSSION!
ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!

Open Meeting on Mamasani Kunta, Mekasani Kunta, Balkapur channel - Three crucial water bodies at stake.

This play portrays the unemployment situation in our country and how today's youngsters are struggling to get a job. Two friends who are intelligent and capable enough of doing any work, even having a degree, don't get jobs. How their opinions change for their country and the way they face society is the play's theme. This play is written by Sri Tanikella Bharani and directed by Dr. Sreeja Sadineni.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

A story revolving around a Young Man who's disheartened, depressed distressed n tired of an unfair society that rewards corruption, so he is on a Mission to destroy / eliminate a sect of people as he believes that they are responsible for unfair practice of politics in the country. Does the transformation of his rebel mindset through an overnight conversation happens when he encounters with social worker? Does his anguish, frustrations turns into tranquility? Here's another gripping tale that speaks about the societal challenges being faced and needs to be spoken about with an open mind in a broad manner without giving any political colour / influence / air to it. Does he succeeds in his Mission of destruction or does the Social worker succeeds in her mission of reformation.

Talk on 'A Deccan Tongue: Dakhni's role in Deccan history by Karthik

One of the Deccan's major languages, Dakhni has long suffered from cultural apathy and institutional neglect. Today evening, we'll look at the numerous cultural and political forces that shaped Dakhni, what its rich classical literature can tell us about the medieval Deccan and its linguistic rootedness in the region.

About Karthik: Karthik Malli is an independent researcher and writer whose work focuses on the intersection of language, history, and identity in the Deccan and India's southwest coast. Karthik is currently working on a book on the evolution of the Dakhni language.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: Taxi | 2015 | 82 Minutes | Persian Subtitled in English

Taxi (full title Jafar Panahi's Taxi; Persian: تاکسی), also known as Taxi Tehran, is a 2015 Iranian docufiction starring and directed by Jafar Panahi. The film premiered in competition at the 65th Berlin International Film Festival where it won the Golden Bear and the FIPRESCI Prize. In 2010, Panahi was banned from making films and traveling for 20 years, so his niece Hana Saeidi, who also appears in the film, collected the award on his behalf.


SCREENING FOLLOWED BY DISCUSSION!

ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!

This play portrays the unemployment situation in our country and how today's youngsters are struggling to get a job. Two friends who are intelligent and capable enough of doing any work, even having a degree, don't get jobs. How their opinions change for their country and the way they face society is the play's theme. This play is written by Sri Tanikella Bharani and directed by Dr. Sreeja Sadineni.

International Association for Facilitators, Hyderabad Hub would want to do a learning event called "Stakeholder Conversations - Big Picture Diagnostics". The event will be open to all at a price and the price is yet to be decided. Could be in the range of 500 per person

Written by Badal Sarkar in the 1960s and adapted and directed by Ali Ahmed, Pagla Ghoda revolves around four men from different walks of life as they sit through the night at a crematorium, playing cards, drinking and sharing their own stories while an unknown girl burns on the pyre.

As they sit at the crematorium ground, discussing the mystery of the young woman’s death, secrets from their past gradually come to the forefront and their ramblings soon turn poignant as they reveal their individual stories of loss and pain.

Pagla Ghoda holds a mirror for us to reflect on and shows how patriarchy affects both genders in different ways. And how cumulatively, it damages society as well.

As the play unfolds, it portrays, ‘Pagla Ghoda’ or ‘Mad Horse’ as a metaphor for the rush of blood in our veins, of lost chances and vague morals, of individual cowardice and collective will to uphold the dichotomies and sustain the injustices meted towards women. Pagla Ghoda raises a few questions that will haunt you even after the play is over

Performing Classical Dance (Bharatnatyam)

Art is attractive and art is visible, every kid is curious and every kid wants to learn empathy, self love and be someone who can fight for their own space and time. But, do they learn it form traditional teaching?? No!

In order to teach kids about consent, acceptance, understanding, empathy and love, this is something we are bringing it to you. Drag tales is an exclusive kids' drag show where drag queens and kings become the canvas to teach kids about empathy, love, consent, sensitization, acceptance, and unbiased view point. This is bought for you by Dragvanti in association with Mobbera foundation.


This is an exclusive drag event for kids where we come and share stories of equality with children. these would be very fun stories, dances, and lots and lots of conversations with kids of all ages

Natya Mruga Dwani

A Kuchipudi dance exposition for creating awareness about "Animal AdoptionScheme" of Nehru Zoological Park

A figure sketching workshop by Anil CK and Urban Sketchers Hyderabad. Please get your own drawing material and plan to buy refreshments from Lamakaan. No outside food is allowed!

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Na cycle prayanam" Is a telugu adaptation of vijay tendulkar's Cyclewallah in Hindi, is one of the most outstanding plays authored by Vijay Tendulkar. Originally written in Marathi under the title ‘Safar’ it was later translated into English as The Cyclist.  The Cyclist was intended to be Tendulkar’s last play. It was his ultimate comment on himself and the reality surrounding him. The story is about a cycle journey by a middle age man and his experiences.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.


Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."


After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The White Balloon | 1995 | 85 Minutes | Persian Subtitled in English


The White Balloon (Persian: بادکنک سفيد) is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards at international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.


The film was selected as the Iranian entry for the Best Foreign Language Film at the 68th Academy Awards but was not accepted as a nominee. Iran unsuccessfully tried to withdraw the film from contention but the Academy refused to accept the withdrawal.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Rapidly evolving technological revolutions can metamorphose any industry - for better or worse differs for each one. Film Industry is no exception.
Capturing such tumultuous years while tracing such evolution - Michel Hazanavicius' "The Artist" is all about dwelling beyond the boundaries of language and country, this movie spellbinds the audience from the word 'go'. Not only both veterans and amateurs from the film industry but also laypeople from any walk of life can abundantly enjoy the movie.

Kindly do come, bring your friends and carry the memories and also the nuances of "good" filmmaking.

Film Screening followed by discussion.

ENTRY IS FREE AND OPEN TO ALL!!!

Mad house is a total comedy stage show dealing with shared office spaces. It deals with various professionals under the same roof as startups and how an accident of one party ends up with another party in order to save their lives. It has music, comedy, and promises to entertain nonstop for an hour and a half.
This will be a ticketed event at Rs 150/- per person

A story revolving around a Young Man who's disheartened, depressed distressed n tired of an unfair society that rewards corruption, so he is on a Mission to destroy / eliminate a sect of people as he believes that they are responsible for unfair practice of politics in the country. Does the transformation of his rebel mindset through an overnight conversation happens when he encounters with social worker? Does his anguish, frustrations turns into tranquility? Here's another gripping tale that speaks about the societal challenges being faced and needs to be spoken about with an open mind in a broad manner without giving any political colour / influence / air to it. Does he succeeds in his Mission of destruction or does the Social worker succeeds in her mission of reformation.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Din mei sapne dekhna, sapno ka pahaad etc. These are often terms used for
people who daydream. What would you if you can buy a small private jet at an affordable price?
A newspaper headline makes Abdul the protagonist dream about owning a private jet. This play
Saste Jahaj ka Sapna is a light hearted conversation between two friends Abdul and
Hassan,belonging to lower middle class, of saving funds to buy a private jet.

Entry Rs.100/-

The James Webb Space Telescope was launched in December 2021 and is now all set to release its the first operational images on July 2022. The event is to showcase the telescope's powerful instruments and to preview the science mission to come.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Mirror | 1997 | 85 Minutes | Persian Subtitled in English

The Mirror (Persian: آینه Ayneh) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school.



SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Prof.Raza Mir teaches management at William Paterson University, USA. He is the author of the books Ghalib: A thousand desires and Iqbal: Poet of the east.

He will discuss his work on Urdu, Ghalib and Iqbal and will also be available to sign these books.

We are inviting few press channels to promote our "Walk For Hope" Walkathon that is being held on 17th July 2022 at JalaVihar Necklace Road, to raise funds and save 24 cancer patients.

Hyderabad Cinephiles would like to screen Parzania, a 2007 Hindi film by director Rahul Dholakia, inspired by a true story about a Parsi family whose son goes missing during the 2002 Gujarat riots. The movie is 1 hour 50 minutes long and will be followed by a discussion.

It's an open meeting for visual artists( painting, mural, print artists) to interact with each other about workshops and exhibition possibilities as the market has opened post corona trauma. Expecting gathering of 20-25 active artists of hyd.

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

a short film story basted on women empowerment.
it narrted with homer relation between mother and son, son falls in love with a girl, but she rejects him, mother and son both how they impress her at the end is the story.

30 min duration short film

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Circle | 2000 | 90 Minutes | Persian Subtitled in English


The Circle (Persian: دایره, romanized: Dâyere) is a 2000 Iranian drama film produced and directed by Jafar Panahi that criticizes the treatment of women in Iran. The film has won several awards, including the Golden Lion at the Venice Film Festival in 2000, but it is banned in Iran.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Film: 24 Weeks / 24 Wochen (2016) | Directed by Anne Zohra Berrached | Language: German subtitled in English


About the film:
A deeply moving drama about an expectant mother faced with an almost impossible decision: whether or not to proceed with the birth of a disabled child. A brave and forcefully narrated film that lingers a long time.
(Long Text): As a cabaret artist, Astrid makes people laugh. Markus, her boyfriend, is also her manager. They work well together, are a well-established team, and have a nine-year-old daughter. They’re also expecting their second child. During the sixth month of pregnancy, a routine examination reveals to the couple that their expected child will be born with Down’s syndrome and a serious heart defect. From one day to the next, the young family’s routine is turned upside down. Certainty and optimism alternate on a daily basis with depression, panic, and helplessness. Despite all the uncertainty and doubt, Astrid and Markus decide to have the baby. The nearer the due date gets, however, the greater Astrid’s worries and misgivings. After countless discussions and disputes inside and outside the family circle, she is forced to make a decision that is as inevitable as it is permanently irreversible.
Anne Zohra Berrached’s impressive and stirring film tells of an expectant couple’s trauma. It illustrates, with coherent dialogue and intricately developed scenes, how the difficult decision process that they must both endure cannot be broken down into right and wrong or black and white. The film owes its almost documentary feel to the participation of genuine doctors and nurses. The ensuing high level of objectivity and authenticity enhances the characters’ conflict and allows the viewer to share this difficult situation with the couple. 24 WEEKS is Anne Zohra Berrached’s final film for the Baden-Württemberg Film Academy.


About the Director:
Anne Zohra Berrached was born in Erfurt to German-Algerian parents. After studying social pedagogy, she gained her first directing experience at various theaters in Berlin before she began studying directing at the Baden-Württemberg Film Academy in 2009. In the same year, she made her first documentary The Break Clown (2009). A year later she made her short documentary film, Heilige & Hure (2010), with which she was invited to more than 80 film festivals worldwide. In 2013, Anne Zohra Berrached directed her first feature film Two Mothers. In a semi-documentary manner, he tells of the difficult undertaking of a lesbian couple to have a child through a sperm donation. The film premiered at the Berlinale, where it won the Perspektive Deutsches Kino award. Berrached's second feature film 24 Weeks was the only German entry in the 2016 Berlinale competition. The stirring drama about a pregnant woman who, faced with the diagnosis that she is expecting a severely disabled child, has to decide for or against a late abortion, caused an international sensation and received numerous awards, including the German Film Prize in silver.


Anne Zora Berrached also ventured into controversial territory with her third film: The World Will Be Another (international title Copilot ) based on the story of the 9/11 assassin Mohammed Atta tells of the relationship between a German-Turkish medical student and her Lebanese man who is gradually becoming Islamist radicalized.
Anne Zohra Berrached was a member of the jury for the Berlinale competition this year. She lives and works in Leipzig and Berlin.


SCREENING FOLLOWED BY DISCUSSION!
ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!

Open Meeting on Mamasani Kunta, Mekasani Kunta, Balkapur channel - Three crucial water bodies at stake.

This play portrays the unemployment situation in our country and how today's youngsters are struggling to get a job. Two friends who are intelligent and capable enough of doing any work, even having a degree, don't get jobs. How their opinions change for their country and the way they face society is the play's theme. This play is written by Sri Tanikella Bharani and directed by Dr. Sreeja Sadineni.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

A story revolving around a Young Man who's disheartened, depressed distressed n tired of an unfair society that rewards corruption, so he is on a Mission to destroy / eliminate a sect of people as he believes that they are responsible for unfair practice of politics in the country. Does the transformation of his rebel mindset through an overnight conversation happens when he encounters with social worker? Does his anguish, frustrations turns into tranquility? Here's another gripping tale that speaks about the societal challenges being faced and needs to be spoken about with an open mind in a broad manner without giving any political colour / influence / air to it. Does he succeeds in his Mission of destruction or does the Social worker succeeds in her mission of reformation.

Talk on 'A Deccan Tongue: Dakhni's role in Deccan history by Karthik

One of the Deccan's major languages, Dakhni has long suffered from cultural apathy and institutional neglect. Today evening, we'll look at the numerous cultural and political forces that shaped Dakhni, what its rich classical literature can tell us about the medieval Deccan and its linguistic rootedness in the region.

About Karthik: Karthik Malli is an independent researcher and writer whose work focuses on the intersection of language, history, and identity in the Deccan and India's southwest coast. Karthik is currently working on a book on the evolution of the Dakhni language.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: Taxi | 2015 | 82 Minutes | Persian Subtitled in English

Taxi (full title Jafar Panahi's Taxi; Persian: تاکسی), also known as Taxi Tehran, is a 2015 Iranian docufiction starring and directed by Jafar Panahi. The film premiered in competition at the 65th Berlin International Film Festival where it won the Golden Bear and the FIPRESCI Prize. In 2010, Panahi was banned from making films and traveling for 20 years, so his niece Hana Saeidi, who also appears in the film, collected the award on his behalf.


SCREENING FOLLOWED BY DISCUSSION!

ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!

This play portrays the unemployment situation in our country and how today's youngsters are struggling to get a job. Two friends who are intelligent and capable enough of doing any work, even having a degree, don't get jobs. How their opinions change for their country and the way they face society is the play's theme. This play is written by Sri Tanikella Bharani and directed by Dr. Sreeja Sadineni.

International Association for Facilitators, Hyderabad Hub would want to do a learning event called "Stakeholder Conversations - Big Picture Diagnostics". The event will be open to all at a price and the price is yet to be decided. Could be in the range of 500 per person

Written by Badal Sarkar in the 1960s and adapted and directed by Ali Ahmed, Pagla Ghoda revolves around four men from different walks of life as they sit through the night at a crematorium, playing cards, drinking and sharing their own stories while an unknown girl burns on the pyre.

As they sit at the crematorium ground, discussing the mystery of the young woman’s death, secrets from their past gradually come to the forefront and their ramblings soon turn poignant as they reveal their individual stories of loss and pain.

Pagla Ghoda holds a mirror for us to reflect on and shows how patriarchy affects both genders in different ways. And how cumulatively, it damages society as well.

As the play unfolds, it portrays, ‘Pagla Ghoda’ or ‘Mad Horse’ as a metaphor for the rush of blood in our veins, of lost chances and vague morals, of individual cowardice and collective will to uphold the dichotomies and sustain the injustices meted towards women. Pagla Ghoda raises a few questions that will haunt you even after the play is over