Lamakaan

There would be three stort stories by manto,amrita pritam and munshi premchand namely toba tek Singh, mard and thakur ka kuan respectively.
These stories would be presented in the form of a play in the duration of 45 minutes.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Film Title: Neeli Raag (True Blue)
84 minutes | India | 2018
Telugu, Tamil, Kannada, Hindi, Gujarati, English; Subtitled in English


Synopsis:
Indigo is not just a colour, it never was... it was wealth, it was mystique, it was colonialism, tyranny and protest. It made history, but itself fell prey to the events and processes of time, until one day it seemed to disappear.
As the world begins to demand natural dyes once again, it is back in the spotlight. The stubborn dreamers who refused to forget their craft feel vindicated, but the world that once nurtured this difficult and capricious colour is no more.
Traversing the verdant monsoon of Tamil Nadu, the earthy expanses of springtime Telangana, and the wintry desert of Kachchh, Neeli Raag is an attempt to tell the story of indigo as it is practised in India today.

Interwoven with the narratives of the indigo craftsmen is the colour itself in its many moods, textures and forms. How does a green leaf yield blue colour? How do the different shades emerge? What is the chemistry that makes this possible? The processes of indigo are almost magical to behold, as murky solutions transform into a vibrant blue, bit by bit. This is a blue that deepens, mesmerises, stains, and seeps into the skin and nails, indeed the lives of those who craft it.


Awards:
Special Prize
Apricot Tree International Film Festival, Armenia, September 2019

Festivals:
Premiered at MAMI Film Festival, Mumbai, October 2018
Signs Film Festival, Kerala, November 2018
Craft-in Focus Film Festival, Amsterdam, April 2019
Ag & Art Film festival, California, September 2019
CMS Vatavaran, Delhi, November 2019
Madurai Film Festival, Madurai December 2020
Ethnografilm, Paris, April 2022


Director's Bio:
Swati Dandekar is a documentary filmmaker and a film educator based in Bangalore, India, with a special interest in creating visual narratives of the living history around her; of people, places, ideas, traditions, practices, and the continuous process of change. Her past work is a series of essay films that explore the relationship between place, people, resources and the institutions that govern these. Her film "Water and a City" was widely screened in India and abroad, and is part of the curriculum for courses in water management and development studies. In addition, she has been closely involved with designing media for education. As a founder trustee of Vikalp Bengaluru, she has been actively screening documentary films and curating festivals in Bangalore city for over fifteen years.
Swati heads the Film program at the Srishti Manipal Institute of Art, Design, and Technology, Bangalore.

Trailer:
Neeli Raag trailer - https://vimeo.com/257841442/8f3b637760

Press:
Review in the Hindu - https://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/blue-is-the-warmest-colour/article25416117.ece

Review Firstpost - https://www.firstpost.com/living/neeli-raag-swati-dandekar-chronicles-indias-4500-year-old-tradition-of-indigo-dyeing-6485001.html


SCREENING FOLLOWED BY DISCUSSION WITH THE FILMMAKER

ALL ARE WELCOME!!!

Joint Statement on Replacing GO 111 with GO 69 -
Human Rights Forum, Telangana
WICCI State Water Resources Council, Telangana
Citizens for Hyderabad
Fridays for Future, Hyderabad

On the occasion of Kieślowski's 81st birth anniversary in June, Lamakaan remembers one of the finest film directors of his time.

About Kieślowski: Krzysztof Kieślowski (27 June 1941 – 13 March 1996) was a Polish film director and screenwriter. He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Writing.

In 2002, Kieślowski was listed at number two on the British Film Institute's Sight & Sound list of the top ten film directors of modern times. In 2007, Total Film magazine ranked him at No. 47 on its "100 Greatest Film Directors Ever" list.

***Film Title: Three Colours: Red| 1994 | 99 Minutes | French Subtitled in English***

Three Colours: Red (French: Trois couleurs: Rouge, Polish: Trzy kolory. Czerwony) is a 1994 romantic mystery film co-written, produced and directed by a Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy, which examines the French Revolutionary ideals; it is preceded by Blue and White. Kieślowski had announced that this would be his final film, which proved true with the director's sudden death in 1996. Red is about the fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.

Red was released to universal critical acclaim and was nominated for three Academy Awards, including Best Director for Kieślowski. It was also selected as the Swiss entry for the Best Foreign Language Film at the 67th Academy Awards, but was disqualified for not being a majority-Swiss production.

As of 2022, it is one of only two films to receive perfect ratings on both Rotten Tomatoes and Metacritic, along with Fanny and Alexander.

SCREENING FOLLOWED BY DISCUSSION!

***ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!!!***

Join us for the Social Media Day on June 30th, at Lamakaan, Hyderabad

Attend our 2 Hours Networking Meetup and Interact with Product Owners, social media professionals.

Social Media Day is an important day to celebrate not only as someone who is interested in the evolving medium, but also as an entrepreneur, as a marketer, as a student looking to create opportunities using Social Media.

Agenda for Social Media Day:-

We Invite all Social Media Professionals, / Start ups / Brands, etc to join Social Media Day to Interact with Product Owners, Startup Entrepreneurs.

Social Media Day is celebrated as an informal meeting, open discussion. Mainly we are looking for all seo, social media experts, digital marketing companies and freelancers to meet each other in a very informal setting.

people can start discussion on one topic and take initiative to speak for some time and lead the discussion

Bring all the questions you have in your mind and share with other members in the fraternity.From content writing to resource hunting to ROI, shoot all the problems you want to sort. You will definitely find answers.

Pitch your Business / validate your Go-To-Market strategy / Get Feedback.

This will help to get overview of the projects which could be interesting for them.

------------------------------------
Note :Introduction should be complete within 2 minutes to give opportunity for others.

Who you are | What you do | What you are looking for
---------------------------------------------

All who are into Digital Marketing are Welcome!!

Thank you, Chakri. WhatsApp @ 9985032005

Art is attractive and art is visible, every kid is curious and every kid wants to learn empathy, self love and be someone who can fight for their own space and time. But, do they learn it form traditional teaching?? No!

In order to teach kids about consent, acceptance, understanding, empathy and love, this is something we are bringing it to you. Drag tales is an exclusive kids' drag show where drag queens and kings become the canvas to teach kids about empathy, love, consent, sensitization, acceptance, and unbiased view point. This is bought for you by Dragvanti in association with Mobbera foundation.


This is an exclusive drag event for kids where we come and share stories of equality with children. these would be very fun stories, dances, and lots and lots of conversations with kids of all ages

Natya Mruga Dwani

A Kuchipudi dance exposition for creating awareness about "Animal AdoptionScheme" of Nehru Zoological Park

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

A figure sketching workshop by Anil CK and Urban Sketchers Hyderabad. Please get your own drawing material and plan to buy refreshments from Lamakaan. No outside food is allowed!

Na cycle prayanam" Is a telugu adaptation of vijay tendulkar's Cyclewallah in Hindi, is one of the most outstanding plays authored by Vijay Tendulkar. Originally written in Marathi under the title ‘Safar’ it was later translated into English as The Cyclist.  The Cyclist was intended to be Tendulkar’s last play. It was his ultimate comment on himself and the reality surrounding him. The story is about a cycle journey by a middle age man and his experiences.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.


Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."


After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The White Balloon | 1995 | 85 Minutes | Persian Subtitled in English


The White Balloon (Persian: بادکنک سفيد) is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards at international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.


The film was selected as the Iranian entry for the Best Foreign Language Film at the 68th Academy Awards but was not accepted as a nominee. Iran unsuccessfully tried to withdraw the film from contention but the Academy refused to accept the withdrawal.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Rapidly evolving technological revolutions can metamorphose any industry - for better or worse differs for each one. Film Industry is no exception.
Capturing such tumultuous years while tracing such evolution - Michel Hazanavicius' "The Artist" is all about dwelling beyond the boundaries of language and country, this movie spellbinds the audience from the word 'go'. Not only both veterans and amateurs from the film industry but also laypeople from any walk of life can abundantly enjoy the movie.

Kindly do come, bring your friends and carry the memories and also the nuances of "good" filmmaking.

Film Screening followed by discussion.

ENTRY IS FREE AND OPEN TO ALL!!!

Mad house is a total comedy stage show dealing with shared office spaces. It deals with various professionals under the same roof as startups and how an accident of one party ends up with another party in order to save their lives. It has music, comedy, and promises to entertain nonstop for an hour and a half.
This will be a ticketed event at Rs 150/- per person

A story revolving around a Young Man who's disheartened, depressed distressed n tired of an unfair society that rewards corruption, so he is on a Mission to destroy / eliminate a sect of people as he believes that they are responsible for unfair practice of politics in the country. Does the transformation of his rebel mindset through an overnight conversation happens when he encounters with social worker? Does his anguish, frustrations turns into tranquility? Here's another gripping tale that speaks about the societal challenges being faced and needs to be spoken about with an open mind in a broad manner without giving any political colour / influence / air to it. Does he succeeds in his Mission of destruction or does the Social worker succeeds in her mission of reformation.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Din mei sapne dekhna, sapno ka pahaad etc. These are often terms used for
people who daydream. What would you if you can buy a small private jet at an affordable price?
A newspaper headline makes Abdul the protagonist dream about owning a private jet. This play
Saste Jahaj ka Sapna is a light hearted conversation between two friends Abdul and
Hassan,belonging to lower middle class, of saving funds to buy a private jet.

Entry Rs.100/-

The James Webb Space Telescope was launched in December 2021 and is now all set to release its the first operational images on July 2022. The event is to showcase the telescope's powerful instruments and to preview the science mission to come.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Mirror | 1997 | 85 Minutes | Persian Subtitled in English

The Mirror (Persian: آینه Ayneh) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school.



SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Prof.Raza Mir teaches management at William Paterson University, USA. He is the author of the books Ghalib: A thousand desires and Iqbal: Poet of the east.

He will discuss his work on Urdu, Ghalib and Iqbal and will also be available to sign these books.

We are inviting few press channels to promote our "Walk For Hope" Walkathon that is being held on 17th July 2022 at JalaVihar Necklace Road, to raise funds and save 24 cancer patients.

Hyderabad Cinephiles would like to screen Parzania, a 2007 Hindi film by director Rahul Dholakia, inspired by a true story about a Parsi family whose son goes missing during the 2002 Gujarat riots. The movie is 1 hour 50 minutes long and will be followed by a discussion.

It's an open meeting for visual artists( painting, mural, print artists) to interact with each other about workshops and exhibition possibilities as the market has opened post corona trauma. Expecting gathering of 20-25 active artists of hyd.

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

a short film story basted on women empowerment.
it narrted with homer relation between mother and son, son falls in love with a girl, but she rejects him, mother and son both how they impress her at the end is the story.

30 min duration short film

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Circle | 2000 | 90 Minutes | Persian Subtitled in English


The Circle (Persian: دایره, romanized: Dâyere) is a 2000 Iranian drama film produced and directed by Jafar Panahi that criticizes the treatment of women in Iran. The film has won several awards, including the Golden Lion at the Venice Film Festival in 2000, but it is banned in Iran.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Film: 24 Weeks / 24 Wochen (2016) | Directed by Anne Zohra Berrached | Language: German subtitled in English


About the film:
A deeply moving drama about an expectant mother faced with an almost impossible decision: whether or not to proceed with the birth of a disabled child. A brave and forcefully narrated film that lingers a long time.
(Long Text): As a cabaret artist, Astrid makes people laugh. Markus, her boyfriend, is also her manager. They work well together, are a well-established team, and have a nine-year-old daughter. They’re also expecting their second child. During the sixth month of pregnancy, a routine examination reveals to the couple that their expected child will be born with Down’s syndrome and a serious heart defect. From one day to the next, the young family’s routine is turned upside down. Certainty and optimism alternate on a daily basis with depression, panic, and helplessness. Despite all the uncertainty and doubt, Astrid and Markus decide to have the baby. The nearer the due date gets, however, the greater Astrid’s worries and misgivings. After countless discussions and disputes inside and outside the family circle, she is forced to make a decision that is as inevitable as it is permanently irreversible.
Anne Zohra Berrached’s impressive and stirring film tells of an expectant couple’s trauma. It illustrates, with coherent dialogue and intricately developed scenes, how the difficult decision process that they must both endure cannot be broken down into right and wrong or black and white. The film owes its almost documentary feel to the participation of genuine doctors and nurses. The ensuing high level of objectivity and authenticity enhances the characters’ conflict and allows the viewer to share this difficult situation with the couple. 24 WEEKS is Anne Zohra Berrached’s final film for the Baden-Württemberg Film Academy.


About the Director:
Anne Zohra Berrached was born in Erfurt to German-Algerian parents. After studying social pedagogy, she gained her first directing experience at various theaters in Berlin before she began studying directing at the Baden-Württemberg Film Academy in 2009. In the same year, she made her first documentary The Break Clown (2009). A year later she made her short documentary film, Heilige & Hure (2010), with which she was invited to more than 80 film festivals worldwide. In 2013, Anne Zohra Berrached directed her first feature film Two Mothers. In a semi-documentary manner, he tells of the difficult undertaking of a lesbian couple to have a child through a sperm donation. The film premiered at the Berlinale, where it won the Perspektive Deutsches Kino award. Berrached's second feature film 24 Weeks was the only German entry in the 2016 Berlinale competition. The stirring drama about a pregnant woman who, faced with the diagnosis that she is expecting a severely disabled child, has to decide for or against a late abortion, caused an international sensation and received numerous awards, including the German Film Prize in silver.


Anne Zora Berrached also ventured into controversial territory with her third film: The World Will Be Another (international title Copilot ) based on the story of the 9/11 assassin Mohammed Atta tells of the relationship between a German-Turkish medical student and her Lebanese man who is gradually becoming Islamist radicalized.
Anne Zohra Berrached was a member of the jury for the Berlinale competition this year. She lives and works in Leipzig and Berlin.


SCREENING FOLLOWED BY DISCUSSION!
ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!

Open Meeting on Mamasani Kunta, Mekasani Kunta, Balkapur channel - Three crucial water bodies at stake.

This play portrays the unemployment situation in our country and how today's youngsters are struggling to get a job. Two friends who are intelligent and capable enough of doing any work, even having a degree, don't get jobs. How their opinions change for their country and the way they face society is the play's theme. This play is written by Sri Tanikella Bharani and directed by Dr. Sreeja Sadineni.

Performing Classical Dance (Bharatnatyam)

There would be three stort stories by manto,amrita pritam and munshi premchand namely toba tek Singh, mard and thakur ka kuan respectively.
These stories would be presented in the form of a play in the duration of 45 minutes.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Film Title: Neeli Raag (True Blue)
84 minutes | India | 2018
Telugu, Tamil, Kannada, Hindi, Gujarati, English; Subtitled in English


Synopsis:
Indigo is not just a colour, it never was... it was wealth, it was mystique, it was colonialism, tyranny and protest. It made history, but itself fell prey to the events and processes of time, until one day it seemed to disappear.
As the world begins to demand natural dyes once again, it is back in the spotlight. The stubborn dreamers who refused to forget their craft feel vindicated, but the world that once nurtured this difficult and capricious colour is no more.
Traversing the verdant monsoon of Tamil Nadu, the earthy expanses of springtime Telangana, and the wintry desert of Kachchh, Neeli Raag is an attempt to tell the story of indigo as it is practised in India today.

Interwoven with the narratives of the indigo craftsmen is the colour itself in its many moods, textures and forms. How does a green leaf yield blue colour? How do the different shades emerge? What is the chemistry that makes this possible? The processes of indigo are almost magical to behold, as murky solutions transform into a vibrant blue, bit by bit. This is a blue that deepens, mesmerises, stains, and seeps into the skin and nails, indeed the lives of those who craft it.


Awards:
Special Prize
Apricot Tree International Film Festival, Armenia, September 2019

Festivals:
Premiered at MAMI Film Festival, Mumbai, October 2018
Signs Film Festival, Kerala, November 2018
Craft-in Focus Film Festival, Amsterdam, April 2019
Ag & Art Film festival, California, September 2019
CMS Vatavaran, Delhi, November 2019
Madurai Film Festival, Madurai December 2020
Ethnografilm, Paris, April 2022


Director's Bio:
Swati Dandekar is a documentary filmmaker and a film educator based in Bangalore, India, with a special interest in creating visual narratives of the living history around her; of people, places, ideas, traditions, practices, and the continuous process of change. Her past work is a series of essay films that explore the relationship between place, people, resources and the institutions that govern these. Her film "Water and a City" was widely screened in India and abroad, and is part of the curriculum for courses in water management and development studies. In addition, she has been closely involved with designing media for education. As a founder trustee of Vikalp Bengaluru, she has been actively screening documentary films and curating festivals in Bangalore city for over fifteen years.
Swati heads the Film program at the Srishti Manipal Institute of Art, Design, and Technology, Bangalore.

Trailer:
Neeli Raag trailer - https://vimeo.com/257841442/8f3b637760

Press:
Review in the Hindu - https://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/blue-is-the-warmest-colour/article25416117.ece

Review Firstpost - https://www.firstpost.com/living/neeli-raag-swati-dandekar-chronicles-indias-4500-year-old-tradition-of-indigo-dyeing-6485001.html


SCREENING FOLLOWED BY DISCUSSION WITH THE FILMMAKER

ALL ARE WELCOME!!!

Joint Statement on Replacing GO 111 with GO 69 -
Human Rights Forum, Telangana
WICCI State Water Resources Council, Telangana
Citizens for Hyderabad
Fridays for Future, Hyderabad

On the occasion of Kieślowski's 81st birth anniversary in June, Lamakaan remembers one of the finest film directors of his time.

About Kieślowski: Krzysztof Kieślowski (27 June 1941 – 13 March 1996) was a Polish film director and screenwriter. He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Writing.

In 2002, Kieślowski was listed at number two on the British Film Institute's Sight & Sound list of the top ten film directors of modern times. In 2007, Total Film magazine ranked him at No. 47 on its "100 Greatest Film Directors Ever" list.

***Film Title: Three Colours: Red| 1994 | 99 Minutes | French Subtitled in English***

Three Colours: Red (French: Trois couleurs: Rouge, Polish: Trzy kolory. Czerwony) is a 1994 romantic mystery film co-written, produced and directed by a Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy, which examines the French Revolutionary ideals; it is preceded by Blue and White. Kieślowski had announced that this would be his final film, which proved true with the director's sudden death in 1996. Red is about the fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.

Red was released to universal critical acclaim and was nominated for three Academy Awards, including Best Director for Kieślowski. It was also selected as the Swiss entry for the Best Foreign Language Film at the 67th Academy Awards, but was disqualified for not being a majority-Swiss production.

As of 2022, it is one of only two films to receive perfect ratings on both Rotten Tomatoes and Metacritic, along with Fanny and Alexander.

SCREENING FOLLOWED BY DISCUSSION!

***ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!!!***

Join us for the Social Media Day on June 30th, at Lamakaan, Hyderabad

Attend our 2 Hours Networking Meetup and Interact with Product Owners, social media professionals.

Social Media Day is an important day to celebrate not only as someone who is interested in the evolving medium, but also as an entrepreneur, as a marketer, as a student looking to create opportunities using Social Media.

Agenda for Social Media Day:-

We Invite all Social Media Professionals, / Start ups / Brands, etc to join Social Media Day to Interact with Product Owners, Startup Entrepreneurs.

Social Media Day is celebrated as an informal meeting, open discussion. Mainly we are looking for all seo, social media experts, digital marketing companies and freelancers to meet each other in a very informal setting.

people can start discussion on one topic and take initiative to speak for some time and lead the discussion

Bring all the questions you have in your mind and share with other members in the fraternity.From content writing to resource hunting to ROI, shoot all the problems you want to sort. You will definitely find answers.

Pitch your Business / validate your Go-To-Market strategy / Get Feedback.

This will help to get overview of the projects which could be interesting for them.

------------------------------------
Note :Introduction should be complete within 2 minutes to give opportunity for others.

Who you are | What you do | What you are looking for
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All who are into Digital Marketing are Welcome!!

Thank you, Chakri. WhatsApp @ 9985032005

Art is attractive and art is visible, every kid is curious and every kid wants to learn empathy, self love and be someone who can fight for their own space and time. But, do they learn it form traditional teaching?? No!

In order to teach kids about consent, acceptance, understanding, empathy and love, this is something we are bringing it to you. Drag tales is an exclusive kids' drag show where drag queens and kings become the canvas to teach kids about empathy, love, consent, sensitization, acceptance, and unbiased view point. This is bought for you by Dragvanti in association with Mobbera foundation.


This is an exclusive drag event for kids where we come and share stories of equality with children. these would be very fun stories, dances, and lots and lots of conversations with kids of all ages

Natya Mruga Dwani

A Kuchipudi dance exposition for creating awareness about "Animal AdoptionScheme" of Nehru Zoological Park

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

A figure sketching workshop by Anil CK and Urban Sketchers Hyderabad. Please get your own drawing material and plan to buy refreshments from Lamakaan. No outside food is allowed!

Na cycle prayanam" Is a telugu adaptation of vijay tendulkar's Cyclewallah in Hindi, is one of the most outstanding plays authored by Vijay Tendulkar. Originally written in Marathi under the title ‘Safar’ it was later translated into English as The Cyclist.  The Cyclist was intended to be Tendulkar’s last play. It was his ultimate comment on himself and the reality surrounding him. The story is about a cycle journey by a middle age man and his experiences.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.


Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."


After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The White Balloon | 1995 | 85 Minutes | Persian Subtitled in English


The White Balloon (Persian: بادکنک سفيد) is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards at international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.


The film was selected as the Iranian entry for the Best Foreign Language Film at the 68th Academy Awards but was not accepted as a nominee. Iran unsuccessfully tried to withdraw the film from contention but the Academy refused to accept the withdrawal.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Rapidly evolving technological revolutions can metamorphose any industry - for better or worse differs for each one. Film Industry is no exception.
Capturing such tumultuous years while tracing such evolution - Michel Hazanavicius' "The Artist" is all about dwelling beyond the boundaries of language and country, this movie spellbinds the audience from the word 'go'. Not only both veterans and amateurs from the film industry but also laypeople from any walk of life can abundantly enjoy the movie.

Kindly do come, bring your friends and carry the memories and also the nuances of "good" filmmaking.

Film Screening followed by discussion.

ENTRY IS FREE AND OPEN TO ALL!!!

Mad house is a total comedy stage show dealing with shared office spaces. It deals with various professionals under the same roof as startups and how an accident of one party ends up with another party in order to save their lives. It has music, comedy, and promises to entertain nonstop for an hour and a half.
This will be a ticketed event at Rs 150/- per person

A story revolving around a Young Man who's disheartened, depressed distressed n tired of an unfair society that rewards corruption, so he is on a Mission to destroy / eliminate a sect of people as he believes that they are responsible for unfair practice of politics in the country. Does the transformation of his rebel mindset through an overnight conversation happens when he encounters with social worker? Does his anguish, frustrations turns into tranquility? Here's another gripping tale that speaks about the societal challenges being faced and needs to be spoken about with an open mind in a broad manner without giving any political colour / influence / air to it. Does he succeeds in his Mission of destruction or does the Social worker succeeds in her mission of reformation.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

Din mei sapne dekhna, sapno ka pahaad etc. These are often terms used for
people who daydream. What would you if you can buy a small private jet at an affordable price?
A newspaper headline makes Abdul the protagonist dream about owning a private jet. This play
Saste Jahaj ka Sapna is a light hearted conversation between two friends Abdul and
Hassan,belonging to lower middle class, of saving funds to buy a private jet.

Entry Rs.100/-

The James Webb Space Telescope was launched in December 2021 and is now all set to release its the first operational images on July 2022. The event is to showcase the telescope's powerful instruments and to preview the science mission to come.

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Mirror | 1997 | 85 Minutes | Persian Subtitled in English

The Mirror (Persian: آینه Ayneh) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school.



SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Prof.Raza Mir teaches management at William Paterson University, USA. He is the author of the books Ghalib: A thousand desires and Iqbal: Poet of the east.

He will discuss his work on Urdu, Ghalib and Iqbal and will also be available to sign these books.

We are inviting few press channels to promote our "Walk For Hope" Walkathon that is being held on 17th July 2022 at JalaVihar Necklace Road, to raise funds and save 24 cancer patients.

Hyderabad Cinephiles would like to screen Parzania, a 2007 Hindi film by director Rahul Dholakia, inspired by a true story about a Parsi family whose son goes missing during the 2002 Gujarat riots. The movie is 1 hour 50 minutes long and will be followed by a discussion.

It's an open meeting for visual artists( painting, mural, print artists) to interact with each other about workshops and exhibition possibilities as the market has opened post corona trauma. Expecting gathering of 20-25 active artists of hyd.

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

Come & explore a wide range of Organic Fruits, veggies & groceries Homemade Bread, and other baked goods; Organic Lunch, Handicrafts, Handlooms, Handmade Jewelry, Terrace Gardening Corner, Creative Design Spaces, and many more things...

Every Sunday 10:30am - 1.30pm

Entry Free. All are welcome.

For details: 9642731329

THE STORY REVOLVES AROUND TWO YOUNG PASSIONATE LOVERS FROM COLLEGE WHO COME TO THE TERMS OF COMPROMISE AND SACRIFICE THEIR LOVE BY PARTING AWAY FOR THEIR PARENT’S LOVE, FAMILY TRADITIONS & HONOUR.

ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.

THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.

a short film story basted on women empowerment.
it narrted with homer relation between mother and son, son falls in love with a girl, but she rejects him, mother and son both how they impress her at the end is the story.

30 min duration short film

Jafar Panâhi (Persian: جعفر پناهی, born 11 July 1960) is an Iranian film director, from east Azerbaijan province, screenwriter, and film editor, commonly associated with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian filmmaker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award an Iranian film won at Cannes.

Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."

After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.

Film Title: The Circle | 2000 | 90 Minutes | Persian Subtitled in English


The Circle (Persian: دایره, romanized: Dâyere) is a 2000 Iranian drama film produced and directed by Jafar Panahi that criticizes the treatment of women in Iran. The film has won several awards, including the Golden Lion at the Venice Film Festival in 2000, but it is banned in Iran.

SCREENING FOLLOWED BY DISCUSSION!

*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*

Film: 24 Weeks / 24 Wochen (2016) | Directed by Anne Zohra Berrached | Language: German subtitled in English


About the film:
A deeply moving drama about an expectant mother faced with an almost impossible decision: whether or not to proceed with the birth of a disabled child. A brave and forcefully narrated film that lingers a long time.
(Long Text): As a cabaret artist, Astrid makes people laugh. Markus, her boyfriend, is also her manager. They work well together, are a well-established team, and have a nine-year-old daughter. They’re also expecting their second child. During the sixth month of pregnancy, a routine examination reveals to the couple that their expected child will be born with Down’s syndrome and a serious heart defect. From one day to the next, the young family’s routine is turned upside down. Certainty and optimism alternate on a daily basis with depression, panic, and helplessness. Despite all the uncertainty and doubt, Astrid and Markus decide to have the baby. The nearer the due date gets, however, the greater Astrid’s worries and misgivings. After countless discussions and disputes inside and outside the family circle, she is forced to make a decision that is as inevitable as it is permanently irreversible.
Anne Zohra Berrached’s impressive and stirring film tells of an expectant couple’s trauma. It illustrates, with coherent dialogue and intricately developed scenes, how the difficult decision process that they must both endure cannot be broken down into right and wrong or black and white. The film owes its almost documentary feel to the participation of genuine doctors and nurses. The ensuing high level of objectivity and authenticity enhances the characters’ conflict and allows the viewer to share this difficult situation with the couple. 24 WEEKS is Anne Zohra Berrached’s final film for the Baden-Württemberg Film Academy.


About the Director:
Anne Zohra Berrached was born in Erfurt to German-Algerian parents. After studying social pedagogy, she gained her first directing experience at various theaters in Berlin before she began studying directing at the Baden-Württemberg Film Academy in 2009. In the same year, she made her first documentary The Break Clown (2009). A year later she made her short documentary film, Heilige & Hure (2010), with which she was invited to more than 80 film festivals worldwide. In 2013, Anne Zohra Berrached directed her first feature film Two Mothers. In a semi-documentary manner, he tells of the difficult undertaking of a lesbian couple to have a child through a sperm donation. The film premiered at the Berlinale, where it won the Perspektive Deutsches Kino award. Berrached's second feature film 24 Weeks was the only German entry in the 2016 Berlinale competition. The stirring drama about a pregnant woman who, faced with the diagnosis that she is expecting a severely disabled child, has to decide for or against a late abortion, caused an international sensation and received numerous awards, including the German Film Prize in silver.


Anne Zora Berrached also ventured into controversial territory with her third film: The World Will Be Another (international title Copilot ) based on the story of the 9/11 assassin Mohammed Atta tells of the relationship between a German-Turkish medical student and her Lebanese man who is gradually becoming Islamist radicalized.
Anne Zohra Berrached was a member of the jury for the Berlinale competition this year. She lives and works in Leipzig and Berlin.


SCREENING FOLLOWED BY DISCUSSION!
ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!

Open Meeting on Mamasani Kunta, Mekasani Kunta, Balkapur channel - Three crucial water bodies at stake.

This play portrays the unemployment situation in our country and how today's youngsters are struggling to get a job. Two friends who are intelligent and capable enough of doing any work, even having a degree, don't get jobs. How their opinions change for their country and the way they face society is the play's theme. This play is written by Sri Tanikella Bharani and directed by Dr. Sreeja Sadineni.