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Fatima Shahnaz's collection, "KHAKI - Poems on Pulwama" is an outpouring of the shock, outrage and emotional distress felt across India after the terrorist suicide attack on unarmed Indian forces at Pulwama, Kashmir, in which forty-four Indian soldiers were killed. These poems were written and completed within barely two weeks, from February 14, 2019 to March 3, 2019, following the assault, purportedly by a terrorist in Pakistan's proxy war on India. The range of these poems embodies the poet's academic career as an author and an advocate of international human rights who has been vocal for racial and social justice and as an anti-war activist promoting global peace in the New York area, where she lived after growing up in Europe. She has also proactively condemned violence against women in speeches and activism in India since her return to her homeland.
The poems in KHAKI are unabashedly patriotic, reflecting Fatima's yearning for her homeland throughout her life. While the poetry additionally reflects her humanitarian mission as she continues to uphold her ideals of global justice and peace, she is also aware of the compelling urgency for the preservation of the Indian democracy, the largest in the world, and the pluralism and secular ideals at its core
About the Writer
Dr. Fatima Shahnaz’s first novel, GOLCONDA, was published in New York by
News-India (Times); Khaki, Poems on Pulwama follows several collections of her
poetry include Sarasavati, Shards and others; an introduction and poem by her were
selected for an anthology, “In the Arms of Words,” published by Sherman Asher
Publishers in the United States, and the proceeds from this supported relief for victims
of the Asian tsunami and Hurricane Katrina. She was appointed the first Indian, and
Asian, Head Girl in the British girl’s boarding school she attended in Europe; after
achieving General School Certificates, Ordinary and Advanced levels (Oxford-
Cambridge Boards), she obtained her B.A., M.A. and Ph.D. in French Literature at the
Sorbonne University in Paris, France. She was awarded a citation by the Government
of France in 2010 as “Chevalier de l’Ordre des Arts et des Lettres” (‘Knight of the
Order of Arts and Letters’). Before her teens she won the Jawaharlal Nehru Gold
Medal for writing, and several first prizes from the Shankar’s institution in India. She
has written extensively as a journalist and academic on global politics has been a
featured poet on the New York and Indian poetry circuits and has given numerous
speeches as a writer, professor, and advocate of international human rights.
ENTRY FREE & OPEN TO ALL
Cost (for material including edible oils, Kokum butter, silicone, moulds, dried botanicals, essential oils): 2500/- You take home the soap you make (1200 gms) and all of the material for future soap making.(Full payment needs to be made before the workshop).
What you bring: A scarf, eye-glasses or goggles.
Heritage restoration is often a topic of heartbreak in Hyderabad. However, if there has been any visible change on that front, it is at the Qutb Shahi tombs, the royal necropolis where the Golconda kings and founders of Hyderabad were laid to rest. The ongoing work in the complex has been a much-needed respite from the usual apathy that Hyderabadis witness with regard to the city’s heritage.
Undertaken by the Telangana department of Archaeology and Museums and the Aga Khan Trust for Culture (AKTC) some years ago, the work at the Qutb Shahi tombs has brought about visible (and much needed) change and stability to the heritage monuments, some of which were in a precarious situation. Using archival imagines and artisans who were specifically brought to Hyderabad for this work, the structures have been revived by expert conservation architects. So how did they undertake this monumental task?
To understand that, and to throw light on the extensive work that has been taken up, we bring to you talk by the very person in charge of it all – Ratish Nanda, the CEO of the AKTC. Nanda, who has been with the AKTC for two decades, is also the man behind the restoration of (Mughal emperor) Babur’s tomb in Afghanistan. The AKTC has also taken up other major restoration works in the country like the Humayun’s tomb and the Sunder nursery in New Delhi.
ENTRY FREE & OPEN TO ALL
An Independent film
Introduction
Narthana is a one hour independent film directed by Varun sena Reddy, portrays the struggle of a 12 year old girl Narthana (named after dance) blossoming into a beautiful dancer.
The major theme of the movie is to glorify Indian Classical Dance that is slowly degenerating and to allow every dancer understand that dance is nobody’s property; it is an ocean of nectar for everybody to drink from.
Cast, Crew & Support
Directed by: Varun Sena Reddy Produced by: Sandhya Pavan
Story: Pavan Chegomma Music by: suresh prasad
Cinematography : Sudhakar.A Edited by.Vekanteswarlu K
Running Time: 59 min Language: Telugu
Casting:
Kalakrishna, Jamuna Rayalu, Pavan, Priyanka Bharde & Sree Nartana
Film dedicated through: Vagdevi Arts Academy, Hyderabad
Film production and release Supported by:
Department of Language & Culture, Telangana Government
Plot:
The plot of the story revolves around a young girl named Narthana who is the daughter of a famous dancer parents, called Shiva Shankar & Padmini. Father, who himself is dancer affects his daughter’s creativity and interest in dancing by constantly deriding her desire to dance and become proficient in it.
The girl, however, thrives in the dance form when she has to stay with her maternal grandparents for six months while her parents are away. Her grandfather Kala krishna who was once her father’s Guru (disowned by her father due to disagreement in beliefs about dance) trains her into a gracious dancer par excellence.
It is finally proved that any genuine quality of Fine Arts like Dance is never under ownership of only a few…
How to keep the craft alive.
Incorporating modern trends.
Different phases of KALAMKARI.
DETAILS OF PEN KALAMKARI.
DETAILS OF KALAMKARI BLOCK PRINT.
DUNG WASH - COLOUR DEVELOPING - COLOUR FIXING.
POSSIBLE PRODUCT EXTENSIONS FOR KALAMKARI.
What's better than creating a painting that's been inspired & developed from your own subconscious visuals and thinking?
Come join this workshop to streamline the inner chaos, and adapt more open, free-thinking concepts that will help develop originality & composition skills without the influence from the outside world.
Through this Surreal Self-Portrait workshop, let's comprehend and accept the inner workings of our mind!
For Inquiries & enrolments call: +91 9944639700
Date : April 28th, Sunday
Time : 4:30pm-7pm
Level : All
Price : 2000 (Includes all materials)
A Story of Political Islams in India
Overview :- How do we make sense of the Muslims of India?
Do they form a political community?
Does the imagined conflict between Islam and modernity affect the Muslims' political behaviour in this country?
Are Muslim religious institutions-mosques and madrasas-directly involved in politics?
Do they instruct the community to vote strategically in all elections?
What are 'Muslim issues'?
Is it only about triple talaq?
Are Muslims truly nationalists? Or do they continue to remain just an 'other' in India?
While these questions intrigue us, we seldom debate to find pragmatic answers to these queries. Examining the everydayness of Muslims in contemporary India, Hilal Ahmed offers an evocative story of politics and Islam in India, which goes beyond the given narratives of Muslim victimhood and Islamic separation.
Hilal Ahmed is Associate Professor and works on political Islam, Muslim modernities/ representation, and politics of symbols in South Asia. His book Muslim Political Discourse in Postcolonial India: Monuments, Memory, Contestation (Routledge 2014), looks at these thematic concerns to make sense of the nature of contemporary Muslim political discourse.
Hilal Ahmed's SIYASI MUSLIMS by Penguin will be released by
A K Khan, Advisor to Government of Telangana
Moderator: Mir Ayoob Ali Khan
on May 2, 2019
5 pm at Lamakaan
Director: Chan-wook Park
Writers: Garon Tsuchiya (story), Nobuaki Minegishi (comic)
Stars: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
Climate Change Impacts are already worsening. The United Nations Intergovernmental Panel on Climate Change (IPCC) landmark report SR15 warns we have only 12 years to limit climate change catastrophe.
CLIMATE SAMVAD or Climate Dialogue are series of 11 public events being organized by Greenpeace India across the country.
Come, be the part of Climate Samvad and understand from the speakers the gravity of the issue. Your importance and role in this movement. Beyond dialogue, it is a step towards a sustainable future. It is step towards #ClimateActionNow Check our website, www.greenpeaceindia.org for more details
presents
A double bill of two Telugu Comedies
Tanikella Bharini's "GARDABHANDAM"
&
S. Partha Saradhi's "ABBEY EMLEYDU"
Directed by Rathna Shekar
Date: 04th May 2019
Time: 7:30pm
Venue: Lamakaan, Hyderabad.
"GARDABHANDAM"
Written by eminent playwright, actor, director Shri.Tanikella Bharani, Gardabhandam ( Donkey’s egg) is a rib tickling political satire that talks about inherited political power. The play is mix of fictional mythology and contemporary social issues. Come grab your seats and enjoy the fun.
"ABBEY EMLEYDU"
Abbe emleydu is a hilarious farce written by Shri. Shankaramanchi Partha Saradhi. A laid back husband, a forgetful wife and a deaf servant. To this mix add a colorful boss who has an exciting plan for the weekend with his subordinates, two strangers who walk into the house for a free meal and a missing ring. What happens when all these colourful characters meet in a situation like this ? Lets find out.
Pather Panchali is Ray's debut film, and the first film of his 'The Apu Triology'
The time is early twentieth century, a remote village in Bengal.The film deals with a Brahmin family, a priest - Harihar, his wife Sarbajaya, daughter Durga, and his aged cousin Indir Thakrun - struggling to make both ends meet.
Pather Panchali has a universal humanist appeal. Though the film deals with the grim struggle for survival by a poor family, it has no trace melodrama. What is projected in stead is the respect for human dignity.
The sequences of Apu and elder sister Durga, exploring their little world and sharing secrets are most remarkable aspect of the film. These include the scenes of - discovery of train by Durga and Apu in field of white Kash flowers, the candy seller sequence, and Indir Thakrun's death.
The film develops its characters and the atmosphere slowly and resolutely. The narrative builds up to a powerful climax as we begin to empathise with the characters.
DURATION : 2 HOURS
VENUE : LAMAKAAN
Unfortunately Anjali Met Aditya At Railway Station.
Anjali Missed Train And Started Her Travelling With Aditya In Car Along With His Friends.
They Both Are Fall In Love Each Other At The End Of The Day.
Are They Expressed Each Other Or Not...?
Has She Accepted His Love Or Not..?
Who Is Arjun....?
What Is The Relationship Between Both.....?
Anjali Married whom ..? Arjun Or Aditya....?
And Finally What Happened ..?
To Know This You Must Have To Watch
Neetho Vachhesaa Ila Short Film....?
Director: Joon-ho Bong (as Joon Ho Bong)
Writers: Joon-ho Bong (as Joon Ho Bong), Kwang-rim Kim (play)
Stars: Kang-ho Song, Sang-kyung Kim, Roe-ha Kim
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
Venue is LAMAKAAN
9th MAY @ 7:30 pm
Duration - 2 hours
Price of the ticket is 100
Topi Ki Daastan is based on a famous and popular Hindi novel Topi Shukla, written in the early sixties by Dr. Rahi Masoom Raza. It has been adapted by Wings Cultural Society in the ‘Dastaan Narration Form’. Through storytelling we have tried to recreate the turbulence between ‘ Topi’ and ‘Iffan’, the main characters, they are childhood friends who have grown up in an independent cultural environment before the great divide that was the result of the creation of the two nations. The entire scenario is created through dialogues in the truest format. This “Dastaan” is an attempt to reinvent those feelings of fear and horror between the two main communities which were affected.
It revolves around TOPI who is an embodiment of chaos in the post independent era. The “Dastaan” highlights the circumstances of two nations existing within the one nation. Topi a Hindu by faith questions the formation of Pakistan and is a mirror image of the mindset of his times,which also becomes a reflection of the present day scenario.
We meet once a month on the last Sunday and in addition, we conduct special sessions like book launches. For the special event of May, we will be organizing a literary evening 'Revival of English Classics' on Sunday, the 12th of May from 4 PM to 7 PM.
1. Welcome Address - Devika Das (co-founder, HydRAW)
2. Keynote - Why Should We Read Classic Literature
3. Panel Discussion - Impact of Classics on Contemporary Writing
4. Talk - Should Classics Feature in the Course Curriculum
5. My Favourite Author - Jane Austen and her Works
6. Open Mic - Reliving Classic Poems & Prose of English Literature
7. Vote of Thanks - Mahboob Hussain (Founder, HydRAW)
1st Play - Dhoka(genre-suspense), Duration- 40 mins, written and Directed by Priyadarsani Suranjika Samal
2nd Play - Kirayedaar( genre -comedy), Duration- 30 mins (Based on a Bengali Play written by Narayan Ganguly ) Hindi Translation and Directed by -Subrata Basak
Through a failed medical experiment, a priest is stricken with vampirism and is forced to abandon his ascetic ways.
Director: Chan-wook Park (as Park Chan-wook)
Writers: Émile Zola (inspired by "Thérèse Raquin"), Chan-wook Park (screenplay by) (as Park Chan-wook)
Stars: Kang-ho Song, Ok-bin Kim, Hee-jin Choi
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
-An interactive talk with
Dr. Shamsul Islam taught Political Science for 40 years in the Delhi University. He has written over 14 books, and over 700 articles in dailies and journals both in India and abroad on issues like theocracy, religious intolerance, fundamentalism, status of Dalits, women, and culture, theatre, human values, human rights, exploitation etc. He is visiting Hyderabad, and would like to share his thoughts with interested people and answer questions.
DURATION : 2 HOURS
DATE : 16TH MAY AT 7:30 PM
VENUE : LAMAKAAN
Price of the ticket is 100
Country: Indian; Year: 1937; Language: Bengali; Runtime: 115 min; Color: Black and White; Sound: Mono
Studio: New Theatres
Barua's classic adultery story tells of an artist, Prasanta (Barua) presented in the stereotypically romantic image dedicated to his vocation, paying no heed to his scandalous reputation (he paints nude models) and with a cavalier attitude to his conservative father-in-law's (Choudhury) demands for good social behaviour. He is married to the rich Chitra (Kanan Devi). The couple are in love but neither partner is prepared to compromise their ideals. The marriage falls apart. Prasanta concedes his wife demand for a divorce and goes to the jungles of Assam, where for many years his closest associates are a wild elephant and Jharna (Menaka), the wife of an innkeeper named Pahari (P. Mullick). He also makes a sworn enemy of a local trader (Nawab/A. Mullick). Chitra marries the millionaire Bipul (Mukherjee) and they go on an elephant hunt. They kill Prasanta's pet elephant. Since Chitra believes Prasanta to be dead he avoids meeting her, but he is forced to rescue her from the vilainous trader. Prasanta succeeds but dies at Chitra's feet. The film interprets his death as Chitra's final achievement of the freedom she had craved. Barua contrasts the regressive story presented as static and unresolved, both as narrative and performance, with a hyperactive environment that overwhelms the trivial nature of the lead couples' desires. There are many sequence shots tracking through walls - including the justly celebrated 'psychological' opening shot as Prasanta walks through one door after another until he reaches his studio, and from interior to exterior, while nature is exemplified by mountains, trees, wind and charging elephants. This was one of the first elaborate filmic uses of Tagore's lyrics, with the poet's original tunes (Sahar range rang, Mesa te bobe. Tar biday belar malakhani), but one of the film's big hits, Diner sheshe ghumer deshe, was composed originally for the film by Mullick.
The film will be introduced by Aparajita Roy Sinha, Film Critique
ALL ARE WELCOME
Topic:
A Short History of Human Rights
Taking Action on Human Rights
Learning Human Right in sign language
Participants Age Group
13-18 years both Boys & Girls
No of Participants: 30 Only
Aim of Workshop:
Through brainstorming and discussion this activity leads participants to define what it means to be human and to relate human rights to human needs.
link to FB Page - https://www.facebook.com/Poulibybhamini/
Director: Chang-dong Lee
Writer: Chang-dong Lee
Stars: Kyung-gu Sol, Yeo-jin Kim, Jung Suh
Movies Intro : 7:00 PM
Movies Starts at 7:10 PM
Post-Screening Discussion - 15 mins
The play was written somewhere in 1977 and it talks about caste-ism and nepotism which is relevant in today's times as well.
Mahipat Babhruvahan hails from a village. He belongs to a lower caste. His hard work and perseverance enables him to acquire education and land a job as a professor however his caste becomes a stumbling block in his success. He reacts using various means to protect his position resulting in hilarious and adventurous situation.
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