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"Bring out the Actor in You"
Date: 24th Jan to 15th March, 2015
Duration: 8 Weekends
Time: 10.00am to 12.00pm, Saturday & Sunday
Venue: Lamakaan, Banjara Hills, Hyderabad.
Ages : 14 Yrs and Above
Workshop Director: Rathna Shekar Reddy
Samahaara Weekend Theatre Workshop is for everybody from professionals to students, serious actors and acting students.
If you can find time on the weekends and want to learn the basics of stagecraft and acting, our Weekend Workshop is ideal for you. Refresh yourself from your daily grind, learn something new and unique you can use in any aspect of your life, meet likeminded people and bring out the creative side of you.
Spread over 8 weekends (16 sessions), start from essentials of story-development, playwriting, stage-management, design and direction and move on to focus on the Actor in you. Apart from acting, the workshop offers a rich mix of outdoor theatre activities, readings, analysis, discussions, & performances.
Learn about theatre’s evolution to contemporary craft, develop imagination, evaluate material and together bring out a workshop performance at the end of the program.
Contact us at 8341120303
Email info@samahaara.org
Online registrations at
https://www.payumoney.com/events/#/buyTickets/january
http://in.bookmyshow.com/events/samahaara-weekend-theatre-workshop/ET00027353
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If you're also thinking on similar lines, want to know from others or have vast experience to share, pl join with us.
Anyone can attend, ENTRY FREE
Register: http://www.meetup.com/passionandlife/events/219590472/
It is a talk at 6pm and day long exhibition on Sat 24th Jan.The Kalap Story has been about a bunch of people who set out to help a remote himalayan community and the community in return left a deep imprint on them.
About Kalap:
Kalap is a village ~200 kms from Dehradun in the Tons River Valley. The community of about 450 people ranks high among the 'most remote places' in India. It is 11 kms from the nearest roadhead and at an altitude of 7,800 ft. The village is a gram panchayat and comprises the main village Kalap and the four settlements - Karba, Unani, Jhai and Dhawla.
About Kalap Trust:
Kalap Trust, is a non-profit organisation working with the people of Kalap, a remote village in the Garhwal himalayan region of Uttarakhand, India. Kalap Trust is an initiative by people who are familiar with the village and its problems. The basic idea is very simple -- 'to make Kalap a better place to live'
These are the following areas where the trust has been involved in:
1. Developing the village as a responsible tourism destination.
2. Addressing Public Health
3. Creating more livelihood options
4. Environment conservation
5. Cultural preservation.
The entry to the event is free and there is no obligation on anyone to support us. It is purely voluntary for the people to support us by buying the work.
The history of jatra, a popular folk theatre form of Eastern India, dates back to nearly 400 years being one of the oldest performing arts of India. One of the most vibrant chapters in the history of this art form is that of female impersonators. For decades, female impersonators held centre stage across suburban and even urban Bengal when the idea of woman playing themselves on stage, was not accepted by society.
‘Chena Kintu Ajana – Known Strangers’ captures the lives and times of 15 female impersonators representing the last generation of such actors in jatra. The history of female impersonation in the art form has also been weaved in through reference to Chaitanya (15th century) and Gopal Ure (19th century). The 96 minutes film tries to showcase the acting nuances of each Rani (as impersonators were popularly referred to), reasons why they took up acting in female characters as a profession, characters portrayed by them and its significance, the popularity they enjoyed among the masses, changes in their fortune once women started appearing on stage and also their life off stage marked by extreme financial hardship and mental turmoil.
The film includes performances by the two surviving Ranis and also a new age impersonator. Six songs have also been included to give viewers a feel of the time. The content of the film also includes interviews of surviving Ranis, family members of actors who are no longer among us, jatra experts and jatra company owners.
Profiles of director and writers:
Dipankar Dutta
Director, Chena Kintu Ajana
Dipankar started his career in a film production house as an assistant cinematographer and was later took on the responsibility of a cinematographer. For s brief stint he also freelanced as a cinematographer and editor.
Dipankar also spent more than a decade with a reputed advertising agency working in their audio visual as well as creative department.
He subsequently setup his own advertising agency D3 and over the last five years have worked for reputed corporate brands strategizing and executing effective campaigns.
Chena Kintu Ajana is Dipankar’s first directorial venture in Bengali documentary.
Debojit Majumder
Researcher and Producer, Chena Kintu Ajana
Debojit has been in the communication profession for nearly a decade. Though an MBA in HR, he has never been a practicing HR professional because of his penchant for communication.
Debojit started his career in a public relations agency and spent almost five years working with reputed agencies servicing a gamut of clients belonging to different industries. It is while working on such assignments that he learnt how to plan effective media and public relation campaigns.
He has also worked in the corporate communication team of a reputed multinational corporation in the manufacturing industry. This exposure helped him develop his media network across Eastern India.
Chena Kintu Ajana is Debojit’s first documentary venture as a researcher, script writer and producer.
Entry - Free
Venue: LaMakaan, Banjara Hiils
Time:
Elocution: 10 am
Topics: What I Can do to Make Gandhiji Popular or India needs the Mahatma now more than ever before.
Fashion Show: 11 am
“Innovative Use of Khadi”.
All schools can participate.
For details contact:
Abhinav: +919502821999, e-mail: abhinavravichander@gmail.com
As the title suggests, the present play is based on communal harmony. India has many epithets, like land of regions, land of many languages, etc., but the beauty of this land is marred by an unwashable black mark on its character, the virus of communal hatred. This worm has eaten into the Indian social fabric and has taken such deep roots that there is an imminent danger of a collapse in the system. The present play set in the pre -independence setting looks at the impregnable pain and deep scars of partition. Set in a lunatic asylum, the play looks at the society from the eyes of four lunatics, a Hindu, a Muslim, a rebellious young man and a displaced king. The reasons for their condition and their accusations against the society and systems of oppressions form the central plot of the play. Though the play is set in the times of partition, the message applies to the present day, like for example the statement of the Rebellious young man .We are not lunatics, the people outside are, that is a society of killers, a society of marauders, a society of murderers. In the light of EVERYDAY happenings of communal hatred, how true are these words! Pause for a while and think...
Entry - Free
presents
Swadesh Deepak's
"COURT MARTIAL" A play in Hindi
Directed by Rathna Shekar Reddy
Date: 31st Jan, 2015
Time: 7.30pm
Venue: Lamakaan, Banjara Hills, Hyderabad
Court Martial is a gripping, engrossing and powerful play written by Swadesh Deepak. It is the story of a recruit Ramchandar who is accused of killing his senior officer and injuring another. Ramchandar's trial brings startling facts into light that questions the norms of society. This Court Martial is presided by war veteran Col. Surat Singh, accustomed to the brutality of life but is left completely unarmed and broken during the course of this trial. Ramchandar's trial is not only a fight for his life but a fight for a bigger truth. A truth that is more important than his own life.
Request for donors to come over and donate.
- a Talk by Henrik Valeur.
History bears out that urbanization can be used as a means of lifting people out of poverty. But can it also be a means for building up understanding, care and respect for other human beings and for nature?
The processes of urbanization are complex and dynamic. We should not pretend to be able to control them – or even to predict their outcome, which will be determined by an infinite number of individual circumstances, causes and motivations. But this does not mean that we should refrain from trying to push and influence the development in a certain direction. Pushing the development in a more “sustainable” direction will require a more holistic and collaborative approach that would allow for a more comprehensive understanding of both the problems and the possibilities.
Henrik Valeur will discuss some of the problems related to the urban transition of India, including the air pollution, the contamination and depletion of fresh water resources, the precarious food situation, the lack of proper housing, and various environmental and human health problems related to motorized transportation. He will also propose a number of possible solutions, including the use of plants and natural ventilation to create clean indoor air, the revitalization of an existing system of water canals, the creation of vertical kitchen gardens in a rehabilitation colony, a strategy for making an entire neighborhood car-free and a design for self-designed, low-cost housing.
Henrik Valeur is an architect-urbanist, an independent researcher and the founder and creative director of UiD – a networking urban consultancy and a pioneer organization in the field of collaborative and participatory planning and design. As the curator of the Danish pavilion at the Architecture Biennale in Venice in 2006, he conceived and orchestrated the project, CO-EVOLUTION: Danish/Chinese Collaboration on Sustainable Urban Development in China, which was awarded the Golden Lion for Best National Pavilion. He recently published the book India: the Urban Transition – a Case Study of Development Urbanism, which is based on his experiences teaching, researching and practicing in India since 2010. The book was commended by the distinguished Indian architect Rahul Mehrotra, Prof. and Chair of Urban Planning and Design at Harvard University, who said: "The fine grain reading of issues in the Indian city is an important contribution so is the attempt to connect so many dots to make sense of the moving targets we encounter in Urbanism in India.”
Entry - Free
A Talk and presentation by the Hyderabad Tiger Conservation Society.
Entry - Free
www.hyticos.wordpress.com
About The Play - The performance is based on real experiences of an artists written and performed by themselves which is called devised production.
Devised performance is a form of theatre where the script originates not from a writer or writers, but from collaborative improvisational work by a group of people.
Navrang theatre of IMT-Hyderabad a comedy play "9 ways to screw college interview".
Entry - Free
"Music Composition Course"
Have you ever tried your hand in composing music? Do you want to understand the concepts behind the music you like? Do you want to attempt music composition seriously? If Yes, this is a course you must attend! This course will present to you the history, theory and concepts involved in music composition. There will be practical and interactive composition sessions working with music software. This is a logical sequel to the workshop on music production techniques conducted by Nalinikanth in Dec‘2014. The main objective from this course would be to create awareness and interest in western classical music & composition.
Date: 7th, 8th, 14th and 15th February (4 sessions/8 hours)
Time: 2 to 4pm
Requirements: Intermediate level of Western music theory. Knowledge of playing an instrument would be an advantage. Please bring your laptop loaded with music notation software (or empty manuscript papers) with you.
Faculty: Nalinikanth Josyabhatla
Nalinikanth is an IT professional by occupation, and a musician by passion. He studied Indian classical music and Indian film music before developing a deep interest in western classical music since 2007. He was awarded an Associate Diploma in composition from London College of Music in 2014. He is an autodidact.
Fee: Rs. 2000 (HWMF members Rs. 1800)
See the attached program outline for complete details.
For more info and registration: 9912201659 or info@hydmusic.com
For passes: 9989997763
For passes: 9989997763
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