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To view Rangmaati creations -
Website : www.rangmaati.weebly.com
Facebook : www.facebook.com/rangmaati
Email : rangmaati@gmail.com
And Upcoming Pop Star Kabir Rafi who lend his voice for " Dream of the Nation " Album and sung tracks for A.R RAHMAN
You must have heard, that close to 99% of startups fail! Dont you want to know why?
We do! Thats why we started Startup Funerals.
Failure is considered a taboo in most our countries, hence people are afraid to fail and the ones that do, hate talking about it. Yet it is only through failure that we can understand the real lessons in success.
We believe the time is now to change how people perceive failure globally!
We want to foster a culture of innovation where people are comfortable to try out new ideas, take calculated risks, and be a little unreasonable.
At Startup Funerals we are on a mission to celebrate failure regularly by providing you a place where you are comfortable to share the stories of your failure and commemorate your startups with others to help our global entrepreneurship community learn valuable lessons from it.
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago - and it put the city on the map. "Cocaine Cowboys" is the true story of how Miami became the drug, murder and cash capital of the United States, told by the people who made it all happen.
The setters (Navin Rajaram, Kiran Vijayakumar and Arul Mani) have enjoyed taking (and bulbing at) the World Quizzing Championships, perhaps because Indian quizzing is a wee bit different from its international cousin. MindSweep is our attempt at sharing the things we enjoy about quizzing with an international audience.
So, what the devil is distinctive about Indian quizzing? A privileging of good guesswork over memory; the triumph of generalists over specialists; bombing a syllabus, rather than using one; the pleasure of parsing, or unknotting, or sometimes being pythoned by a carefully coiled question; a festive relationship with the English language; and the strange appetite for knowing joy and defeat in one instant–a mystical state known as AJM, or Goddamn-it-I-was-that-close.
After the first edition of MindSweep in Jan 2012, several embittered souls sent in their punning suggestions (not all of them were polite) for what we should actually have called the quiz. We laughed, and carried on. The first edition of a quiz, like a first kiss, must elicit some reaction, some `hubbub, babel, shindy, hullabaloo, stramash, charivari, and total contempt of repose,' or what's a contemptibly long zindagi for?
In MindSweep 2.0, the taker will meet ten sets of questions (200 in all) over two one-hour sessions–this means two installments of five sets of questions, interrupted by a short 30-minute break for answers, corrections, and worship of the bladder.
MindSweep 2.0: The Topics
The Arts: Painting, Sculpture, Photography, Design, Architecture, Installation Art, Dance, Theatre
Science and Tech: Concepts in the Sciences, History and Philosophy of Science, History of Technology, The Environment, Astronomy, Medicine, Inter-disciplinary work, Popular Science Writing
Literature: Poetry, Literary Fiction, Non-Fiction, Drama, Genre Fiction, Graphic Novels, Critics, Literary History, Translation
Social Sciences: History, Anthropology, Cultural Studies/Social History, History of Ideas, Economics,The Philosophers
Business: Brands, Fashion, Business History, Advertising
Sports and Leisure: Sporting History, Games, Television, Gaming, Sports-Writing, Sports-Coverage, Hobbies–Collecting, Gardening, Fan-communities, The Internet
Cinema: Hollywood, National Cinemas, World Cinema, Film Genres, Film-Technology, Film-language, Cinema & Society, Film-writing
Music: Instruments, Performers, Genre Music, World Music, Tech Innovations, Music-magazines, Music industry, Music-journalism
Food & Drink: From all over the world
Travel: Places, Peoples, Languages, Landmarks, Journeys, Voyages, Means of Transport
Presents
THE LISTENING POST
Pure listening to Classical and Jazz music recordings
without any visual aids
At Lamakaan 4pm – 5.30pm
Sunday 9th December – Jazz
LISTENING POST
Open up our senses to new musical experiences.
Heighten and expand musical awareness and ability.
Develop a keen ear to hear every bit of music in all its beauty.
Listen along with others who are like-minded.
Second Sundays - Jazz
Fourth Sundays - Western Classical
Open to all. No entrance fee
Language: English, Hindi and Bengali (with English Subtitles)
Duration: 1 Hour 55 Minutes
7.00 pm at LAMAKAAN on Wed, 12 Dec 2012
Writer-Director: Jaideep Varma
Producer: D. Ramakrishna, Jaideep Varma
Beyond Indian Ocean, I don’t see anyone…I see brown-wannabe whites. - Rabbi Shergill
INDIAN OCEAN.
Based in Delhi, the band has been in existence for 18 years. It has released less than 30 songs during this time, with not a filler amidst them. Every single one of them refuses to age and more than half of those are bona fide classics.
They conform to no music industry norms. Their songs (and instrumental pieces) have an average length of more than eight minutes (some go beyond ten), and none of them are love songs in the conventional sense. They sing in many different Indian languages, sometimes in dialects not easily understood; their most famous song is in the ancient language of Aramaic.
And yet, with their acoustic guitar-bass-tabla-drums-vocals format, their fluid jazzy vibe and rock intensity, they sound more urgently contemporary than most music does anywhere in the world. The strong influence of Indian Classical and the time-honoured earthiness of folk root their music more than most contemporary music anywhere in the world. All resulting in an absolutely unique sound, but accessible to anyone, anywhere.
All four have given up conventional earning careers to pursue their calling, without even a respectful nod to the commerce of their times. This abstinence has cost them mainstream presence and the backing of a premier music company.
And yet they have a following that is growing week after week. Their volume of concerts is growing all around the world (an average of 70 concerts a year now, over five continents).
The idea of sorrow has fascinated almost every single Urdu poet, be it the grief of unrequited love ( Gham-e-jaanaaN) or sorrow that arises from other circumstances (Gham-e-duniya). The sorrows of existence have no cure other than death, according to Ghalib:
Gham-e-hasti ka Asad kis se ho juz marg a'ilaaj
sham'a har rang meiN jalti hai seHer hone tak
(the grief of existence has no cure save death, Asad/the candle of life burns in all hues till daybreak )
In the words of Meer Taqui Meer, there is no respite from sorrow:
Gham raha jab tak ke dum meiN dum raha
dum ke jaane ka nihaayat Gham raha
Hafeez Jullunduri says :
zamaane bhar ke Gham, ya ik tera Gham
yeh Gham hoga tau kitne Gham na honge
(the griefs of the world or the sorrow you gave me
this one sorrow outweighs so many others...)
This concept of sorrow in traditional Urdu poetry will form the central idea of the talk.
Hyderabad and Telugu have their own SIGs for wikipedia.
This meet tries to bring people working on wikipedia together.
By Drs Priya & Najam Hasan at Lamakaan on the 16 th December 2012 from 10:00am -1pm for children above 12 years of age & curious adults! The Event is free but prior registration (email: priya.hasan@gmail.com, najam_hasan@yahoo.com) is required.
An intimate evening of Poetry over samosas, chai and conversation
with eminent Telugu poet K Siva Reddy.
Listening to Siva Reddy read and talk on poetry is always an intense experience.
But there will be lot more.
Reading of selected poems in Telugu, English and Hindi;
brief overviews in English and Hindi of his 50 years of unceasing engagement with poetry and people;
a photo-slide presentation;
and interaction with the poet himself.
Soak urself in the experience.
Bring all lovers of words and poetry.
at the very cosy Lamakaan (a house with no boundaries) - Hyderabad's Open Cultural Space
-------------------------------------
K SIVA REDDY's is a powerful and uniquely resonant voice in the annals of modern Telugu poetry. The personal, the political and the public have been welded so thoroughly in his determinedly revolutionary poetic journey, that his words never fail to stir a reader or listener from the bottom of his or her being.
A tireless traveller and a mesmerising speaker and fantastic reader of poetry at literary and other meetings throughout the length and breadth of Andhra Pradesh and outside, his influence on the youth, on aspiring and young writers and his strong bonding with fellow literary personalities and artistes have been legendary.
Recipient of the Central Sahitya Akademi award in 1990 for his sixth book, Mohana! O Mohana!, the translations of Siva Reddy's poetry have also been extremely popular.
The complete works of Siva Reddy (comprising of 14 volumes of poetry published since 1973) have just been released in a finely produced set of 3 volumes. AN EVENING with SIVA REDDY celebrates this important literary event with a reading by the poet himself of some 20 handpicked poems encapsulating the range and breadth of his nearly five decades of writing.
Please look out for more details and complete programme.
Come and discover the poetry and magic of Siva Reddy on the evening of Saturday, December the 16th! Over steaming Hyderabadi chai and hot samosas at Lamakaan!
“AMANUSH”
(A CHILDREN’S PLAY IN HINDI)
ON 22nd DEC, 2012 SATURDAY, 7:30PM – LAMAKAAN – DONOR PASS – RS: 100.
FOR DETAILS CONTACT 09849256440.
“Give me youth with muscles of iron and nerves of steel and I
shall change the destiny of the nation”
said Swami Vivekananda, but the children of today, the so called citizens of tomorrow, burdened as they are with heavy loads of work both at school and home end up drained physically, psychologically as well as intellectually. The present play looks at children who are pressurized into total and abject surrender to the whims and fancies of the parents who try to force them to do things which they could not achieve. A child who is supposed to educate himself enjoying the process, today as result of the system and untenable educational policies finds himself at the wits end and the consequences of this could in long term be disastrous. Unrelenting parents, more concerned of their social status than of the child’s welfare, coupled with teachers and schools furthering their commercial objectives, today literally squeeze the life out of the child. The day of an average child is made so busy with endless lessons, tuitions, music classes and what not that the child is not left even with a little time to talk to himself. The end result of all this busy busy lifestyle could lead to dysfunctional tendencies in the child and is actually reflected in the rising numbers of juvenile crimes and juvenile delinquents and more importantly juvenile suicides
The child’s efforts to achieve success in the limited parameters are mocked at by the parents and comparisons are drawn to the vaguest of relatives. The child is pressurized to such an extent that he sees devils in the subjects. The child thus becomes a flower nipped in the bud, even before he could bloom. The strangulated fragrance comes across as an unbearable stench of false parental pride and indulgence. The play tries to show how a child’s life is a never ending cycle of struggles to survive in this world of make believe competition (more in the minds of the parents than actually) and is no less than a dangerous circus feat. But the ironical question is, What do the children achieve after all this . Do they get to study what they want? Do they have a say in the running of their lives? Is their innocence a thing of past? Is their childhood lost somewhere behind the unending and unconquerable heaps of books? These and lot more hard-hitting questions of this sort are sought to be asked of the audience through this play. Just prick your ears and listen to the faint cries of help, listen carefully … they are growing into a crescendo.
CHARACTERS:
ELDER BROTHER (BHAIYA) MASTER SAMEER PATWARI
YOUNGER BROTHER (CHOTU) MASTER VIVEK PAWAR
MUSIC OPERATION: KESHAV DEEPAK
MAKE UP: VIKRAM GANGAPURAM.
TECH SUPPORT: SWATHI, SWETHA, HARI, JOSHI, ARJUN, SOWMYA, AILA, K.PRIYA, ANUPA, NIKHIL, CHARAN, RAJEEV, KRUSHNA & OTHERS.
LIGHTS, SETS & DIRECTION: RAMMOHAN HOLAGUNDI.
Not only to showcase the work of the artisans but also have talks regarding the imporatance of handloom for ecological conservation, sale of fabrics and also demonstration of weaving skills. Invite children to participate and learn skills like "Charkha" etc.
Khichdi Khatta Kheema Productions (K3) comprises of a bunch of young Hyderabadis who are passionate about the Deccani/Hyderabadi dialect and the humour and satire inherently present in it and also aim to revive theatre in this genre.
Cast:
Danish Zubairy
Neha Deshpande
Anjum Jaffery
Abu
Mujeeb
&
Faraaz Zubairy
Written& Directed by: Anjum Jaffery & Danish Zubairy
The aim of Rang De Hyderabad Chapter is to screen a documentary that deals with social issues that India faces today. These films are made by filmmakers of all nationalities who want to shine a spotlight on social issues ranging from gender injustices, the climate change to the suicide of farmers in rural areas of India. Our will is two-fold: to screen these films for free (the audience is not charged)& then to have a discussion about the topic of the documentary among the audience after the screening.
Men and women from all over India responded with exceptional empathy and solidarity with the young student who was brutalized and gang raped in a moving bus in Delhi and who is now battling for her life. The incident has ignited young people to come out and demonstrate in big numbers in different cities, including Hyderabad, in the hopes of sending a strong message to the country’s law makers that this is not an isolated incident and that rape and grievous injury is an ever present danger for women all over the country today.
The youth forum is to take the mobilization and awareness forward and share our experiences and understandings of the causes of sexual violence against women today, to educate ourselves on legal, political and social solutions, and to exchange ideas on effective public actions that will have an impact.
We will have an interactive forum with active participation of youth members and four panelists who will respond to different aspects of the issue and will help clarify the causes, solutions and the way ahead.
Panelists/Commentators:
A.Suneetha, Senior Fellow, Anveshi, Research Centre on Women’s Studies, Hyderabad
Vasudha Nagaraj, Advocate, High Court, Hyderabad with expertise on the Sexual Assault Bill
Tejaswini Madabhushi, Organizer of the ‘Midnite March’ in Hyderabad
Natha Wahlang, PhD student, Hyderabad Central University
Jointly sponsored by Lamakaan and Anveshi( http://www.anveshi.org/)
khezeli (Nooran) in 2003. In its 9 year history, the Kian has produced fourteen original theatre productions, international tours, Launched a Theatre magazine(pose), established Theatre Laboratory.
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