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Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
About Kieślowski: Krzysztof Kieślowski (27 June 1941 – 13 March 1996) was a Polish film director and screenwriter. He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Writing.
In 2002, Kieślowski was listed at number two on the British Film Institute's Sight & Sound list of the top ten film directors of modern times. In 2007, Total Film magazine ranked him at No. 47 on its "100 Greatest Film Directors Ever" list.
Film Title: Three Colours: White| 1994 | 87 Minutes | Polish & French Subtitled in English
Three Colours: White (French: Trois couleurs: Blanc, Polish: Trzy kolory. Biały) is a 1994 comedy-drama film co-written, produced, and directed by Krzysztof Kieślowski. White is the second in the Three Colours trilogy, themed on the French Revolutionary ideals, following Blue and preceding Red. The film was selected as the Polish entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee.
White is about equality, with the film depicting Karol Karol, a shy man who, after being left by his wife in humiliating circumstances in Paris, loses his money, his residency, and his friends. As a deeply ashamed beggar in Paris, Karol begins his effort to restore equality to his life through revenge.
SCREENING FOLLOWED BY DISCUSSION!
***ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!!!***
a movie offering a glimpse into 1980s New York ballroom scene, to celebrate queer identity and drag culture
23/6/22 at 20:00
These stories would be presented in the form of a play in the duration of 45 minutes.
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
84 minutes | India | 2018
Telugu, Tamil, Kannada, Hindi, Gujarati, English; Subtitled in English
Synopsis:
Indigo is not just a colour, it never was... it was wealth, it was mystique, it was colonialism, tyranny and protest. It made history, but itself fell prey to the events and processes of time, until one day it seemed to disappear.
As the world begins to demand natural dyes once again, it is back in the spotlight. The stubborn dreamers who refused to forget their craft feel vindicated, but the world that once nurtured this difficult and capricious colour is no more.
Traversing the verdant monsoon of Tamil Nadu, the earthy expanses of springtime Telangana, and the wintry desert of Kachchh, Neeli Raag is an attempt to tell the story of indigo as it is practised in India today.
Interwoven with the narratives of the indigo craftsmen is the colour itself in its many moods, textures and forms. How does a green leaf yield blue colour? How do the different shades emerge? What is the chemistry that makes this possible? The processes of indigo are almost magical to behold, as murky solutions transform into a vibrant blue, bit by bit. This is a blue that deepens, mesmerises, stains, and seeps into the skin and nails, indeed the lives of those who craft it.
Awards:
Special Prize
Apricot Tree International Film Festival, Armenia, September 2019
Festivals:
Premiered at MAMI Film Festival, Mumbai, October 2018
Signs Film Festival, Kerala, November 2018
Craft-in Focus Film Festival, Amsterdam, April 2019
Ag & Art Film festival, California, September 2019
CMS Vatavaran, Delhi, November 2019
Madurai Film Festival, Madurai December 2020
Ethnografilm, Paris, April 2022
Director's Bio:
Swati Dandekar is a documentary filmmaker and a film educator based in Bangalore, India, with a special interest in creating visual narratives of the living history around her; of people, places, ideas, traditions, practices, and the continuous process of change. Her past work is a series of essay films that explore the relationship between place, people, resources and the institutions that govern these. Her film "Water and a City" was widely screened in India and abroad, and is part of the curriculum for courses in water management and development studies. In addition, she has been closely involved with designing media for education. As a founder trustee of Vikalp Bengaluru, she has been actively screening documentary films and curating festivals in Bangalore city for over fifteen years.
Swati heads the Film program at the Srishti Manipal Institute of Art, Design, and Technology, Bangalore.
Trailer:
Neeli Raag trailer - https://vimeo.com/257841442/8f3b637760
Press:
Review in the Hindu - https://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/blue-is-the-warmest-colour/article25416117.ece
Review Firstpost - https://www.firstpost.com/living/neeli-raag-swati-dandekar-chronicles-indias-4500-year-old-tradition-of-indigo-dyeing-6485001.html
SCREENING FOLLOWED BY DISCUSSION WITH THE FILMMAKER
ALL ARE WELCOME!!!
Human Rights Forum, Telangana
WICCI State Water Resources Council, Telangana
Citizens for Hyderabad
Fridays for Future, Hyderabad
About Kieślowski: Krzysztof Kieślowski (27 June 1941 – 13 March 1996) was a Polish film director and screenwriter. He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colours trilogy (1993 –1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Writing.
In 2002, Kieślowski was listed at number two on the British Film Institute's Sight & Sound list of the top ten film directors of modern times. In 2007, Total Film magazine ranked him at No. 47 on its "100 Greatest Film Directors Ever" list.
***Film Title: Three Colours: Red| 1994 | 99 Minutes | French Subtitled in English***
Three Colours: Red (French: Trois couleurs: Rouge, Polish: Trzy kolory. Czerwony) is a 1994 romantic mystery film co-written, produced and directed by a Polish filmmaker Krzysztof Kieślowski. It is the final installment of the Three Colours trilogy, which examines the French Revolutionary ideals; it is preceded by Blue and White. Kieślowski had announced that this would be his final film, which proved true with the director's sudden death in 1996. Red is about the fraternity, which it examines by showing characters whose lives gradually become closely interconnected, with bonds forming between two characters who appear to have little in common.
Red was released to universal critical acclaim and was nominated for three Academy Awards, including Best Director for Kieślowski. It was also selected as the Swiss entry for the Best Foreign Language Film at the 67th Academy Awards, but was disqualified for not being a majority-Swiss production.
As of 2022, it is one of only two films to receive perfect ratings on both Rotten Tomatoes and Metacritic, along with Fanny and Alexander.
SCREENING FOLLOWED BY DISCUSSION!
***ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!!!***
Attend our 2 Hours Networking Meetup and Interact with Product Owners, social media professionals.
Social Media Day is an important day to celebrate not only as someone who is interested in the evolving medium, but also as an entrepreneur, as a marketer, as a student looking to create opportunities using Social Media.
Agenda for Social Media Day:-
We Invite all Social Media Professionals, / Start ups / Brands, etc to join Social Media Day to Interact with Product Owners, Startup Entrepreneurs.
Social Media Day is celebrated as an informal meeting, open discussion. Mainly we are looking for all seo, social media experts, digital marketing companies and freelancers to meet each other in a very informal setting.
people can start discussion on one topic and take initiative to speak for some time and lead the discussion
Bring all the questions you have in your mind and share with other members in the fraternity.From content writing to resource hunting to ROI, shoot all the problems you want to sort. You will definitely find answers.
Pitch your Business / validate your Go-To-Market strategy / Get Feedback.
This will help to get overview of the projects which could be interesting for them.
------------------------------------
Note :Introduction should be complete within 2 minutes to give opportunity for others.
Who you are | What you do | What you are looking for
---------------------------------------------
All who are into Digital Marketing are Welcome!!
Thank you, Chakri. WhatsApp @ 9985032005
In order to teach kids about consent, acceptance, understanding, empathy and love, this is something we are bringing it to you. Drag tales is an exclusive kids' drag show where drag queens and kings become the canvas to teach kids about empathy, love, consent, sensitization, acceptance, and unbiased view point. This is bought for you by Dragvanti in association with Mobbera foundation.
This is an exclusive drag event for kids where we come and share stories of equality with children. these would be very fun stories, dances, and lots and lots of conversations with kids of all ages
A Kuchipudi dance exposition for creating awareness about "Animal AdoptionScheme" of Nehru Zoological Park
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."
After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.
Film Title: The White Balloon | 1995 | 85 Minutes | Persian Subtitled in English
The White Balloon (Persian: بادکنک سفيد) is a 1995 Iranian film directed by Jafar Panahi, with a screenplay by Abbas Kiarostami. It was Panahi's feature-film debut as director. The film received many strong critical reviews and won numerous awards at international film fairs around the world including the Prix de la Camera d'Or at the 1995 Cannes Film Festival. The Guardian has listed this film as one of the 50 best family films of all time. The film is on the BFI list of the 50 films you should see by the age of 14.
The film was selected as the Iranian entry for the Best Foreign Language Film at the 68th Academy Awards but was not accepted as a nominee. Iran unsuccessfully tried to withdraw the film from contention but the Academy refused to accept the withdrawal.
SCREENING FOLLOWED BY DISCUSSION!
*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*
Capturing such tumultuous years while tracing such evolution - Michel Hazanavicius' "The Artist" is all about dwelling beyond the boundaries of language and country, this movie spellbinds the audience from the word 'go'. Not only both veterans and amateurs from the film industry but also laypeople from any walk of life can abundantly enjoy the movie.
Kindly do come, bring your friends and carry the memories and also the nuances of "good" filmmaking.
Film Screening followed by discussion.
ENTRY IS FREE AND OPEN TO ALL!!!
This will be a ticketed event at Rs 150/- per person
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
people who daydream. What would you if you can buy a small private jet at an affordable price?
A newspaper headline makes Abdul the protagonist dream about owning a private jet. This play
Saste Jahaj ka Sapna is a light hearted conversation between two friends Abdul and
Hassan,belonging to lower middle class, of saving funds to buy a private jet.
Entry Rs.100/-
Panahi was quickly recognized as one of Iran's most influential filmmakers. His films were often banned in Iran, but he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told—in fact he has made a successful career in not doing as he is told."
After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends, and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations around the world, in December 2010 Panahi was sentenced to six years in prison and a 20-year ban on directing any movies, writing screenplays, giving interviews with Iranian or foreign media, or leaving the country except for medical treatment or making the Hajj pilgrimage.[4] While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary. It was smuggled out of Iran on a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's subsequent film Taxi also premiered in competition at the 65th Berlin International Film Festival in February 2015 and won the Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes Film Festival Award for Best Screenplay (tied) for 3 Faces; he was unable to leave Iran to attend the festival, so his daughter, Solmaz Panahi, read his statement and received the award on his behalf.
Film Title: The Mirror | 1997 | 85 Minutes | Persian Subtitled in English
The Mirror (Persian: آینه Ayneh) is a 1997 Iranian film directed by Jafar Panahi, about a little girl trying to find her way home from school.
SCREENING FOLLOWED BY DISCUSSION!
*ALL ARE WELCOME!!! ENTRY IS FREE & OPEN TO ALL!*
He will discuss his work on Urdu, Ghalib and Iqbal and will also be available to sign these books.
ITS A ROLLER COASTER OF ROMANCE, HONOUR, TOUGH TIMES& JOYFUL MOMENTS.
THE PLAY REFLECTS A TEENAGER’S PERCEPTION AND ADMIRATION OF THEIR PARENTS BELIEFS & THE CULTURE INHERITED FROM THE FAMILY WHILE BEING IN A RELATIONSHIP.
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