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Kaurismäki is known for his extremely minimalistic style. He has been called an auteur, since he writes, directs, produces, and usually edits the films himself, and thus introduces his personal "drollery and deadpan" style. The dialogue is famously laconic: the articulation is unadorned, direct, and in strict standard language, without showing much emotion or drama. Characters frequently stand still and recite the dialogue as if it consisted of eternal truths or nothing at all. These characters rarely smile, nod sadly, and smoke constantly. The camera is usually still. Events are shown in a plain manner and characters are usually left alone to face the consequences. However, despite their tragedies and setbacks, the characters don't give up and eventually survive.
Movie: Drifting Clouds (1996), Dur: 97 minutes
A couple both lose their jobs within a short period of time. Too proud to receive money from the social welfare system, they strive to find new jobs, but one disaster is followed by the next.
The screening will be followed by a discussion about the film and its elements.
ALL ARE WELCOME!!!
'Look Who's Back' is a satirical black comedy movie made in 2015. In this movie, Hitler reappears in 21st century and finds that the world is changed a lot in terms of material and technological progress. But he feels that the technological developments are not being put to proper use in terms of political propaganda even though there is a huge scope of his kind of politics. He starts appearing in a comedy TV show and becomes hugely popular. The strong anti-immigrant, anti-refugee and anti-muslim sentiments among the modern day Germany makes him convinced that he can make a political comeback.
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
Government announced for 6 years from 2016 to 2022 about a report to be submitted by 'Empowered Committee' after considering which GOMs111 restrictions would be removed. The report never came into public domain but new GO 69 was issued in 2022 removing Para 3 from GO Ms 111 of 1996.
Thus were the people of Hyderabad and Telangana cheated.
Kaurismäki is known for his extremely minimalistic style. He has been called an auteur, since he writes, directs, produces, and usually edits the films himself, and thus introduces his personal "drollery and deadpan" style. The dialogue is famously laconic: the articulation is unadorned, direct, and in strict standard language, without showing much emotion or drama. Characters frequently stand still and recite the dialogue as if it consisted of eternal truths or nothing at all. These characters rarely smile, nod sadly, and smoke constantly. The camera is usually still. Events are shown in a plain manner and characters are usually left alone to face the consequences. However, despite their tragedies and setbacks, the characters don't give up and eventually survive.
Movie: The Man Without a Past (2002), Dur: 97 minutes
The Man Without a Past (Finnish: Mies vailla menneisyyttä) is a 2002 Finnish comedy-drama film produced, written, and directed by Aki Kaurismäki. Starring Markku Peltola, Kati Outinen and Juhani Niemelä, it is the second installment in Kaurismäki's Finland trilogy, the other two films being Drifting Clouds (1996) and Lights in the Dusk (2006). The film was nominated for the Academy Award for Best Foreign Language Film in 2002 (the only Finnish film so far) and won the Grand Prix at the 2002 Cannes Film Festival.
The screening will be followed by a discussion about the film and its elements.
ALL ARE WELCOME!!!
The band-Sarvam started off with a latent urge to be unconventional; to be limitless and to offer an unconventional, rich musical experience to the audience. True to the name, the band focuses on creating a musical experience for every member of the audience irrespective of age, gender, creed, sect and class.
Sarvam is Everywhere,
Sarvam is Everything,
Sarvam is Everybody,
Come! Experience Sarvam
He started as a hero and later got famous for the roles of sophisticated villains. He is remembered even today for his dialogues like ‘Mona Darling’ and ‘Smart Guy’.
Celebrating his centenary anniversary, Lamakaan celebrates this son of the soil films, art, legacy and much more through screening of some of the finest films on all Wednesday of the May month and discuss Ajit's work pre and post screening.
Film: NAYA DAUR (1957)
Directed by: B R Chopra
Duration: 162 minutes
ABOUT THE FILM: Naya Daur (transl. The New Era) is a 1957 Indian Hindi-language social drama film directed and produced by B. R. Chopra. It was written by Akhtar Mirza. It stars Dilip Kumar, and Vyjayanthimala in lead roles, along with Ajit, Jeevan, Johnny Walker, Chand Usmani, Nazir Hussain, Manmohan Krishna, Leela Chitnis, Pratima Devi, Daisy Irani, Radhakishan form an ensemble cast. The film narrates the story of Shankar and Krishna, two best friends who fall for the same woman, Rajni.
Naya Daur was the second-highest grossing Indian film of the year 1957 and also the second-highest grossing Indian film of the decade, behind Mother India (1957). By many sources, it remains one of the top 10 highest-grossing Indian films of all time when adjusted for ticket-price inflation. It became the highest-grossing sports film ever at the time of its release and remains one of the highest ticket-selling sports film, despite its release only being in India.
ENTRY IS FREE & OPEN TO ALL!!!
Synopsis:
The play revolves around a clinic that is run by a lady doctor who is a smart business woman. The heart of the play is actually the compounder of the clinic who is hopeless romantic and creates hilarious moments in an effort to win the lady love or to be precise "any lady's love". Will the compounder succeeds in finding love of his life or the cop from the opposite police station gets lucky will be interesting to watch. The play is compilation of jokes put together in a story form adding music and dance to add spice. Ollolomatta is a word commonly used by Hyderabadis which means "don't mind, its a joke".
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
He started as a hero and later got famous for the roles of sophisticated villains. He is remembered even today for his dialogues like ‘Mona Darling’ and ‘Smart Guy.
Celebrating his centenary anniversary, Lamakaan celebrates this son of the soil films, art, legacy, and much more through screening of some of the finest films on all Wednesday of the May month and discussing Ajit's work pre and post-screening.
Film: MUGHAL-E-AZAM (1960) Directed by: K Asif Duration: 185 minutes
ABOUT THE FILM: Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film directed by K. Asif and produced by Shapoorji Pallonji. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.
The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in Bollywood cinematic history.
Mughal-e-Azam had the widest release of any Indian film up to that time, and patrons often queued all day for tickets. Released on 5 August 1960, it broke box office records in India and became the highest-grossing Indian film of all time, a distinction it held for 15 years; adjusted for inflation, it may still be the highest grossing Indian film of all time. The accolades awarded to the film include one National Film Award and three Filmfare Awards at the 8th Filmfare Awards. Mughal-e-Azam was the first black-and-white Hindi film to be digitally colored and the first in any language to be given a theatrical re-release. The color version, released on 12 November 2004, was also a commercial success.
The film is widely considered to be a milestone of its genre, earning praise from critics for its grandeur and attention to detail, and the performances of its cast (especially that of Madhubala, who earned a nomination for the Filmfare Award for Best Actress). Film scholars have welcomed its portrayal of enduring themes but question its historical accuracy.
ENTRY IS FREE & OPEN TO ALL!!!
Presents
A double bill of M Divakar Babu’s plays
Putukku Zara Zara dubukku mey
&
Kundeti kommu
(Telugu plays)
Directed by Rathna Shekar
Presents
A double bill of M Divakar Babu’s
Putukku Zara Zara dubukku mey
&
Kundeti kommu
(Telugu plays)
Directed by Rathna Shekar
Every Sunday 10:30am - 1.30pm
Entry Free. All are welcome.
For details: 9642731329
Planning to perform some of the most beautiful urdu poems and ghazals of Hariharan, mehdi hassan, Ghulam Ali, jagjit singh, Noor jahaan and other famous vocalists
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